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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9F71B it is the complementary color #3608E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9F71B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9F71B shade: #CEF716, #DFFF29, #F0FF3C, #FFFF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9F71B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9F71B shade: #C9F71B, #B8E508, #A7D300, #96C100 and #85AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9F71B shade: #C9F71D, #F7EA1D, #F7AF1D, #F7741D and #F7391D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9F71B shade: #C9F71D, #8EF71D, #53F71D, #1DF721 and #1DF75B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9F71B shade matches the following richer shades: #C9F71D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9F71B shade: #C9F71D, #BEE430, #B3D143, #A8BE56 and #9DAB69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9F71B shade: #F7AE1D, #F7E81D, #CBF71D, #91F71D and #57F71D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9F71B shade: #95BA07, #B4E208, #C9F71D, #D3F844 and #DCFA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9F71B shade: #C9F71B, #1DF774 and #CB1DF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9F71B shade: #C9F71B, #1DCBF7 and #F71DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9F71B shade: #C9F71B, #1DF774, #481DF7 and #F71DA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9F71B shade: #C9F71B, #1DF7B5, #481DF7 and #F71D5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 89 / 3

HEX #C9F71B

RGB 201 247 27

HSL 72.55, 0.93%, 0.54%

LAB 91.24, -39.26, 85.78

 

Complementary color

CMYK 76 / 96 / 0 / 11

HEX #3608E4

RGB 54 8 228

HSL 252.55, 0.93%, 0.46%

LAB 30.78, 72.18, -95.06

 

CMYK 17 / 0 / 91 / 3

HEX #CEF716

RGB 206 247 22

HSL 70.93, 0.93%, 0.53%

LAB 91.55, -37.4, 86.85

 

CMYK 13 / 0 / 84 / 0

HEX #DFFF29

RGB 223 255 41

HSL 68.97, 1%, 0.58%

LAB 94.89, -33.91, 86.88

 

CMYK 6 / 0 / 76 / 0

HEX #F0FF3C

RGB 240 255 60

HSL 64.62, 1%, 0.62%

LAB 96.15, -26.54, 83.81

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 19 / 0 / 89 / 3

HEX #C9F71B

RGB 201 247 27

HSL 72.55, 0.93%, 0.54%

LAB 91.24, -39.26, 85.78

 

CMYK 20 / 0 / 97 / 10

HEX #B8E508

RGB 184 229 8

HSL 72.22, 0.93%, 0.46%

LAB 85.12, -38.17, 82.65

 

CMYK 21 / 0 / 100 / 17

HEX #A7D300

RGB 167 211 0

HSL 72.51, 1%, 0.41%

LAB 78.93, -36.9, 78.16

 

CMYK 22 / 0 / 100 / 24

HEX #96C100

RGB 150 193 0

HSL 73.37, 1%, 0.38%

LAB 72.64, -35.53, 72.92

 

CMYK 24 / 0 / 100 / 31

HEX #85AF00

RGB 133 175 0

HSL 74.4, 1%, 0.34%

LAB 66.25, -34.15, 67.6

 

CMYK 19 / 0 / 88 / 3

HEX #C9F71D

RGB 201 247 29

HSL 72.66, 0.93%, 0.54%

LAB 91.25, -39.22, 85.47

 

CMYK 0 / 5 / 88 / 3

HEX #F7EA1D

RGB 247 234 29

HSL 56.42, 0.93%, 0.54%

LAB 91.1, -14.45, 86.76

 

CMYK 0 / 29 / 88 / 3

HEX #F7AF1D

RGB 247 175 29

HSL 40.18, 0.93%, 0.54%

LAB 76.39, 15.66, 75.27

 

CMYK 0 / 53 / 88 / 3

HEX #F7741D

RGB 247 116 29

HSL 23.94, 0.93%, 0.54%

LAB 63.63, 45.94, 65.47

 

CMYK 0 / 77 / 88 / 3

HEX #F7391D

RGB 247 57 29

HSL 7.71, 0.93%, 0.54%

LAB 54.85, 69.42, 58.87

 

CMYK 19 / 0 / 88 / 3

HEX #C9F71D

RGB 201 247 29

HSL 72.66, 0.93%, 0.54%

LAB 91.25, -39.22, 85.47

 

CMYK 43 / 0 / 88 / 3

HEX #8EF71D

RGB 142 247 29

HSL 88.9, 0.93%, 0.54%

LAB 88.14, -60.24, 81.64

 

CMYK 66 / 0 / 88 / 3

HEX #53F71D

RGB 83 247 29

HSL 105.14, 0.93%, 0.54%

LAB 86.23, -75.4, 79.26

 

CMYK 88 / 0 / 87 / 3

HEX #1DF721

RGB 29 247 33

HSL 121.1, 0.93%, 0.54%

LAB 85.45, -82.2, 77.56

 

CMYK 88 / 0 / 63 / 3

HEX #1DF75B

RGB 29 247 91

HSL 137.06, 0.93%, 0.54%

LAB 85.77, -78.08, 59.82

 

CMYK 19 / 0 / 88 / 3

HEX #C9F71D

RGB 201 247 29

HSL 72.66, 0.93%, 0.54%

LAB 91.25, -39.22, 85.47

 

CMYK 19 / 0 / 88 / 3

HEX #C9F71D

RGB 201 247 29

HSL 72.66, 0.93%, 0.54%

LAB 91.25, -39.22, 85.47

 

CMYK 17 / 0 / 79 / 11

HEX #BEE430

RGB 190 228 48

HSL 72.67, 0.77%, 0.54%

LAB 85.33, -34.44, 76.09

 

CMYK 14 / 0 / 68 / 18

HEX #B3D143

RGB 179 209 67

HSL 72.68, 0.61%, 0.54%

LAB 79.38, -29.06, 63.97

 

CMYK 12 / 0 / 55 / 25

HEX #A8BE56

RGB 168 190 86

HSL 72.69, 0.44%, 0.54%

LAB 73.43, -22.91, 49.23

 

CMYK 8 / 0 / 39 / 33

HEX #9DAB69

RGB 157 171 105

HSL 72.73, 0.28%, 0.54%

LAB 67.51, -15.73, 32.36

 

CMYK 0 / 30 / 88 / 3

HEX #F7AE1D

RGB 247 174 29

HSL 39.91, 0.93%, 0.54%

LAB 76.15, 16.18, 75.09

 

CMYK 0 / 6 / 88 / 3

HEX #F7E81D

RGB 247 232 29

HSL 55.87, 0.93%, 0.54%

LAB 90.59, -13.47, 86.35

 

CMYK 18 / 0 / 88 / 3

HEX #CBF71D

RGB 203 247 29

HSL 72.11, 0.93%, 0.54%

LAB 91.37, -38.45, 85.63

 

CMYK 41 / 0 / 88 / 3

HEX #91F71D

RGB 145 247 29

HSL 88.07, 0.93%, 0.54%

LAB 88.27, -59.29, 81.8

 

CMYK 65 / 0 / 88 / 3

HEX #57F71D

RGB 87 247 29

HSL 104.04, 0.93%, 0.54%

LAB 86.32, -74.61, 79.38

 

CMYK 20 / 0 / 96 / 27

HEX #95BA07

RGB 149 186 7

HSL 72.4, 0.93%, 0.38%

LAB 70.54, -32.62, 70.51

 

CMYK 20 / 0 / 96 / 11

HEX #B4E208

RGB 180 226 8

HSL 72.66, 0.93%, 0.46%

LAB 84.02, -38.4, 81.69

 

CMYK 19 / 0 / 88 / 3

HEX #C9F71D

RGB 201 247 29

HSL 72.66, 0.93%, 0.54%

LAB 91.25, -39.22, 85.47

 

CMYK 15 / 0 / 73 / 3

HEX #D3F844

RGB 211 248 68

HSL 72.33, 0.93%, 0.62%

LAB 92.31, -34.45, 77.1

 

CMYK 12 / 0 / 57 / 2

HEX #DCFA6C

RGB 220 250 108

HSL 72.68, 0.93%, 0.7%

LAB 93.74, -29.35, 63.51

 

CMYK 19 / 0 / 89 / 3

HEX #C9F71B

RGB 201 247 27

HSL 72.55, 0.93%, 0.54%

LAB 91.24, -39.26, 85.78

 

CMYK 88 / 0 / 53 / 3

HEX #1DF774

RGB 29 247 116

HSL 143.94, 0.93%, 0.54%

LAB 86.03, -74.96, 49.17

 

CMYK 18 / 88 / 0 / 3

HEX #CB1DF7

RGB 203 29 247

HSL 287.89, 0.93%, 0.54%

LAB 52.16, 86.59, -69.97

 

CMYK 19 / 0 / 89 / 3

HEX #C9F71B

RGB 201 247 27

HSL 72.55, 0.93%, 0.54%

LAB 91.24, -39.26, 85.78

 

CMYK 88 / 18 / 0 / 3

HEX #1DCBF7

RGB 29 203 247

HSL 192.11, 0.93%, 0.54%

LAB 75.88, -25.59, -33.07

 

CMYK 0 / 88 / 18 / 3

HEX #F71DCB

RGB 247 29 203

HSL 312.11, 0.93%, 0.54%

LAB 57.04, 87.65, -36.85

 

CMYK 19 / 0 / 89 / 3

HEX #C9F71B

RGB 201 247 27

HSL 72.55, 0.93%, 0.54%

LAB 91.24, -39.26, 85.78

 

CMYK 88 / 0 / 53 / 3

HEX #1DF774

RGB 29 247 116

HSL 143.94, 0.93%, 0.54%

LAB 86.03, -74.96, 49.17

 

CMYK 71 / 88 / 0 / 3

HEX #481DF7

RGB 72 29 247

HSL 251.83, 0.93%, 0.54%

LAB 35.93, 73.06, -97.24

 

CMYK 0 / 88 / 35 / 3

HEX #F71DA0

RGB 247 29 160

HSL 323.94, 0.93%, 0.54%

LAB 55.27, 82.92, -14.59

 

CMYK 19 / 0 / 89 / 3

HEX #C9F71B

RGB 201 247 27

HSL 72.55, 0.93%, 0.54%

LAB 91.24, -39.26, 85.78

 

CMYK 88 / 0 / 27 / 3

HEX #1DF7B5

RGB 29 247 181

HSL 161.83, 0.93%, 0.54%

LAB 87.06, -63.04, 18.37

 

CMYK 71 / 88 / 0 / 3

HEX #481DF7

RGB 72 29 247

HSL 251.83, 0.93%, 0.54%

LAB 35.93, 73.06, -97.24

 

CMYK 0 / 88 / 62 / 3

HEX #F71D5E

RGB 247 29 94

HSL 342.11, 0.93%, 0.54%

LAB 53.45, 77.87, 22.33

 

Description

Color code: HEX #C9F71B | qconv.com Color code: HEX #C9F71B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 247 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 247 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 89 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 89% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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