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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9F06F it is the complementary color #360F90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9F06F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9F06F shade: #CEF06A, #DFFF7D, #F0FF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9F06F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9F06F shade: #C9F06F, #B8DE5C, #A7CC49, #96BA36 and #85A823

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9F06F shade: #C9EF6F, #EBEF6F, #EFD16F, #EFAF6F and #EF8C6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9F06F shade: #C9EF6F, #A6EF6F, #84EF6F, #6FEF7E and #6FEFA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9F06F shade matches the following richer shades: #C9EF6F and #CEFC63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9F06F shade: #C9EF6F, #C4E37C, #BFD689, #BAC996 and #B5BCA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9F06F shade: #EFD26F, #EBEF6F, #C9EF6F, #A7EF6F and #85EF6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9F06F shade: #ADE825, #BBEC4A, #C9EF6F, #D7F395 and #E5F7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9F06F shade: #C9F06F, #6FEFAF and #E36FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9F06F shade: #C9F06F, #6FC9EF and #EF6FC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9F06F shade: #C9F06F, #6FEFAF, #966FEF and #EF6FAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9F06F shade: #C9F06F, #6FEFD6, #966FEF and #EF6F89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 54 / 6

HEX #C9F06F

RGB 201 240 111

HSL 78.14, 0.81%, 0.69%

LAB 89.81, -31.68, 57.36

 

Complementary color

CMYK 63 / 90 / 0 / 44

HEX #360F90

RGB 54 15 144

HSL 258.14, 0.81%, 0.31%

LAB 20.59, 49.08, -61.99

 

CMYK 14 / 0 / 56 / 6

HEX #CEF06A

RGB 206 240 106

HSL 75.22, 0.82%, 0.68%

LAB 90.08, -30.21, 59.98

 

CMYK 13 / 0 / 51 / 0

HEX #DFFF7D

RGB 223 255 125

HSL 74.77, 1%, 0.75%

LAB 95.45, -29.09, 58.03

 

CMYK 6 / 0 / 44 / 0

HEX #F0FF90

RGB 240 255 144

HSL 68.11, 1%, 0.78%

LAB 96.84, -20.84, 51.19

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 16 / 0 / 54 / 6

HEX #C9F06F

RGB 201 240 111

HSL 78.14, 0.81%, 0.69%

LAB 89.81, -31.68, 57.36

 

CMYK 17 / 0 / 59 / 13

HEX #B8DE5C

RGB 184 222 92

HSL 77.54, 0.66%, 0.62%

LAB 83.55, -31.42, 58.32

 

CMYK 18 / 0 / 64 / 20

HEX #A7CC49

RGB 167 204 73

HSL 76.95, 0.56%, 0.54%

LAB 77.21, -31.08, 59.1

 

CMYK 19 / 0 / 71 / 27

HEX #96BA36

RGB 150 186 54

HSL 76.36, 0.55%, 0.47%

LAB 70.78, -30.61, 59.54

 

CMYK 21 / 0 / 79 / 34

HEX #85A823

RGB 133 168 35

HSL 75.79, 0.66%, 0.4%

LAB 64.25, -29.98, 59.34

 

CMYK 16 / 0 / 54 / 6

HEX #C9EF6F

RGB 201 239 111

HSL 77.81, 0.8%, 0.69%

LAB 89.53, -31.21, 57.04

 

CMYK 2 / 0 / 54 / 6

HEX #EBEF6F

RGB 235 239 111

HSL 61.88, 0.8%, 0.69%

LAB 91.93, -18.02, 60.43

 

CMYK 0 / 13 / 54 / 6

HEX #EFD16F

RGB 239 209 111

HSL 45.94, 0.8%, 0.69%

LAB 84.53, -1.43, 51.9

 

CMYK 0 / 27 / 54 / 6

HEX #EFAF6F

RGB 239 175 111

HSL 30, 0.8%, 0.69%

LAB 76.17, 16.32, 41.75

 

CMYK 0 / 41 / 54 / 6

HEX #EF8C6F

RGB 239 140 111

HSL 13.59, 0.8%, 0.69%

LAB 68.21, 34.78, 31.68

 

CMYK 16 / 0 / 54 / 6

HEX #C9EF6F

RGB 201 239 111

HSL 77.81, 0.8%, 0.69%

LAB 89.53, -31.21, 57.04

 

CMYK 31 / 0 / 54 / 6

HEX #A6EF6F

RGB 166 239 111

HSL 94.22, 0.8%, 0.69%

LAB 87.48, -43.86, 54.12

 

CMYK 45 / 0 / 54 / 6

HEX #84EF6F

RGB 132 239 111

HSL 110.16, 0.8%, 0.69%

LAB 85.9, -54.64, 51.86

 

CMYK 54 / 0 / 47 / 6

HEX #6FEF7E

RGB 111 239 126

HSL 127.03, 0.8%, 0.69%

LAB 85.31, -58.32, 43.92

 

CMYK 54 / 0 / 33 / 6

HEX #6FEFA0

RGB 111 239 160

HSL 142.97, 0.8%, 0.69%

LAB 85.83, -52.82, 27.7

 

CMYK 16 / 0 / 54 / 6

HEX #C9EF6F

RGB 201 239 111

HSL 77.81, 0.8%, 0.69%

LAB 89.53, -31.21, 57.04

 

CMYK 18 / 0 / 61 / 1

HEX #CEFC63

RGB 206 252 99

HSL 78.04, 0.96%, 0.69%

LAB 93.3, -36.27, 66.54

 

CMYK 16 / 0 / 54 / 6

HEX #C9EF6F

RGB 201 239 111

HSL 77.81, 0.8%, 0.69%

LAB 89.53, -31.21, 57.04

 

CMYK 14 / 0 / 45 / 11

HEX #C4E37C

RGB 196 227 124

HSL 78.06, 0.65%, 0.69%

LAB 86.07, -26.17, 46.75

 

CMYK 11 / 0 / 36 / 16

HEX #BFD689

RGB 191 214 137

HSL 77.92, 0.48%, 0.69%

LAB 82.37, -20.23, 35.53

 

CMYK 7 / 0 / 25 / 21

HEX #BAC996

RGB 186 201 150

HSL 77.65, 0.32%, 0.69%

LAB 78.7, -13.82, 23.84

 

CMYK 4 / 0 / 13 / 26

HEX #B5BCA3

RGB 181 188 163

HSL 76.8, 0.16%, 0.69%

LAB 75.1, -6.9, 11.83

 

CMYK 0 / 12 / 54 / 6

HEX #EFD26F

RGB 239 210 111

HSL 46.41, 0.8%, 0.69%

LAB 84.79, -1.94, 52.2

 

CMYK 2 / 0 / 54 / 6

HEX #EBEF6F

RGB 235 239 111

HSL 61.88, 0.8%, 0.69%

LAB 91.93, -18.02, 60.43

 

CMYK 16 / 0 / 54 / 6

HEX #C9EF6F

RGB 201 239 111

HSL 77.81, 0.8%, 0.69%

LAB 89.53, -31.21, 57.04

 

CMYK 30 / 0 / 54 / 6

HEX #A7EF6F

RGB 167 239 111

HSL 93.75, 0.8%, 0.69%

LAB 87.53, -43.51, 54.19

 

CMYK 44 / 0 / 54 / 6

HEX #85EF6F

RGB 133 239 111

HSL 109.69, 0.8%, 0.69%

LAB 85.94, -54.35, 51.92

 

CMYK 25 / 0 / 84 / 9

HEX #ADE825

RGB 173 232 37

HSL 78.15, 0.81%, 0.53%

LAB 85.37, -43.16, 78.4

 

CMYK 21 / 0 / 69 / 7

HEX #BBEC4A

RGB 187 236 74

HSL 78.15, 0.81%, 0.61%

LAB 87.51, -37.94, 69.79

 

CMYK 16 / 0 / 54 / 6

HEX #C9EF6F

RGB 201 239 111

HSL 77.81, 0.8%, 0.69%

LAB 89.53, -31.21, 57.04

 

CMYK 12 / 0 / 39 / 5

HEX #D7F395

RGB 215 243 149

HSL 77.87, 0.8%, 0.77%

LAB 92.01, -23.9, 42.31

 

CMYK 7 / 0 / 25 / 3

HEX #E5F7BA

RGB 229 247 186

HSL 77.7, 0.79%, 0.85%

LAB 94.62, -15.94, 27.43

 

CMYK 16 / 0 / 54 / 6

HEX #C9F06F

RGB 201 240 111

HSL 78.14, 0.81%, 0.69%

LAB 89.81, -31.68, 57.36

 

CMYK 54 / 0 / 27 / 6

HEX #6FEFAF

RGB 111 239 175

HSL 150, 0.8%, 0.69%

LAB 86.11, -49.97, 20.38

 

CMYK 5 / 54 / 0 / 6

HEX #E36FEF

RGB 227 111 239

HSL 294.38, 0.8%, 0.69%

LAB 64.91, 62.65, -44.96

 

CMYK 16 / 0 / 54 / 6

HEX #C9F06F

RGB 201 240 111

HSL 78.14, 0.81%, 0.69%

LAB 89.81, -31.68, 57.36

 

CMYK 54 / 16 / 0 / 6

HEX #6FC9EF

RGB 111 201 239

HSL 197.81, 0.8%, 0.69%

LAB 76.91, -16.58, -27.03

 

CMYK 0 / 54 / 16 / 6

HEX #EF6FC9

RGB 239 111 201

HSL 317.81, 0.8%, 0.69%

LAB 64.91, 59.72, -23.62

 

CMYK 16 / 0 / 54 / 6

HEX #C9F06F

RGB 201 240 111

HSL 78.14, 0.81%, 0.69%

LAB 89.81, -31.68, 57.36

 

CMYK 54 / 0 / 27 / 6

HEX #6FEFAF

RGB 111 239 175

HSL 150, 0.8%, 0.69%

LAB 86.11, -49.97, 20.38

 

CMYK 37 / 54 / 0 / 6

HEX #966FEF

RGB 150 111 239

HSL 258.28, 0.8%, 0.69%

LAB 56.17, 43.3, -59.38

 

CMYK 0 / 54 / 27 / 6

HEX #EF6FAF

RGB 239 111 175

HSL 330, 0.8%, 0.69%

LAB 64.01, 56.1, -10.26

 

CMYK 16 / 0 / 54 / 6

HEX #C9F06F

RGB 201 240 111

HSL 78.14, 0.81%, 0.69%

LAB 89.81, -31.68, 57.36

 

CMYK 54 / 0 / 10 / 6

HEX #6FEFD6

RGB 111 239 214

HSL 168.28, 0.8%, 0.69%

LAB 86.98, -41.44, 1.31

 

CMYK 37 / 54 / 0 / 6

HEX #966FEF

RGB 150 111 239

HSL 258.28, 0.8%, 0.69%

LAB 56.17, 43.3, -59.38

 

CMYK 0 / 54 / 43 / 6

HEX #EF6F89

RGB 239 111 137

HSL 347.81, 0.8%, 0.69%

LAB 62.95, 51.69, 9.95

 

Description

Color code: HEX #C9F06F | qconv.com Color code: HEX #C9F06F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 240 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 240 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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