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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9E359 it is the complementary color #361CA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9E359. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9E359 shade: #CEE354, #DFF567, #F0FF7A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9E359. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9E359 shade: #C9E359, #B8D146, #A7BF33, #96AD20 and #859B0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9E359 shade: #C9E359, #E3D859, #E3B359, #E38D59 and #E36859

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9E359 shade: #C9E359, #A4E359, #7FE359, #5AE359 and #59E37E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9E359 shade matches the following richer shades: #C9E359 and #D3F34A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9E359 shade: #C9E359, #BFD369, #B5C479, #ACB488 and #A2A498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9E359 shade: #E3B359, #E3D759, #CAE359, #A5E359 and #80E359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9E359 shade: #A9C822, #BDDD36, #C9E359, #D4E97D and #E0EFA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9E359 shade: #C9E359, #59E38E and #C559E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9E359 shade: #C9E359, #59CAE3 and #E359CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9E359 shade: #C9E359, #59E38E, #7359E3 and #E359AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9E359 shade: #C9E359, #59E3B7, #7359E3 and #E35985

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

Complementary color

CMYK 67 / 83 / 0 / 35

HEX #361CA6

RGB 54 28 166

HSL 251.3, 0.71%, 0.38%

LAB 24.85, 50.28, -68.44

 

CMYK 9 / 0 / 63 / 11

HEX #CEE354

RGB 206 227 84

HSL 68.81, 0.72%, 0.61%

LAB 86.36, -25.74, 65.16

 

CMYK 9 / 0 / 58 / 4

HEX #DFF567

RGB 223 245 103

HSL 69.3, 0.88%, 0.68%

LAB 92.56, -26.23, 64.38

 

CMYK 6 / 0 / 52 / 0

HEX #F0FF7A

RGB 240 255 122

HSL 66.77, 1%, 0.74%

LAB 96.6, -22.86, 61.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 12 / 0 / 67 / 18

HEX #B8D146

RGB 184 209 70

HSL 70.79, 0.6%, 0.55%

LAB 79.75, -26.87, 63.31

 

CMYK 13 / 0 / 73 / 25

HEX #A7BF33

RGB 167 191 51

HSL 70.29, 0.58%, 0.47%

LAB 73.36, -26.23, 63.53

 

CMYK 13 / 0 / 82 / 32

HEX #96AD20

RGB 150 173 32

HSL 69.79, 0.69%, 0.4%

LAB 66.88, -25.42, 63

 

CMYK 14 / 0 / 92 / 39

HEX #859B0D

RGB 133 155 13

HSL 69.3, 0.85%, 0.33%

LAB 60.3, -24.39, 61.18

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 0 / 5 / 61 / 11

HEX #E3D859

RGB 227 216 89

HSL 55.22, 0.71%, 0.62%

LAB 85.08, -11.5, 62.19

 

CMYK 0 / 21 / 61 / 11

HEX #E3B359

RGB 227 179 89

HSL 39.13, 0.71%, 0.62%

LAB 75.63, 7.58, 51.68

 

CMYK 0 / 38 / 61 / 11

HEX #E38D59

RGB 227 141 89

HSL 22.61, 0.71%, 0.62%

LAB 66.6, 27.83, 41.1

 

CMYK 0 / 54 / 61 / 11

HEX #E36859

RGB 227 104 89

HSL 6.52, 0.71%, 0.62%

LAB 58.93, 46.76, 31.66

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 28 / 0 / 61 / 11

HEX #A4E359

RGB 164 227 89

HSL 87.39, 0.71%, 0.62%

LAB 83.73, -41.39, 59.47

 

CMYK 44 / 0 / 61 / 11

HEX #7FE359

RGB 127 227 89

HSL 103.48, 0.71%, 0.62%

LAB 81.93, -53.7, 56.96

 

CMYK 60 / 0 / 61 / 11

HEX #5AE359

RGB 90 227 89

HSL 119.57, 0.71%, 0.62%

LAB 80.65, -63.43, 55.17

 

CMYK 61 / 0 / 44 / 11

HEX #59E37E

RGB 89 227 126

HSL 136.09, 0.71%, 0.62%

LAB 81.05, -58.75, 38.39

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 13 / 0 / 70 / 5

HEX #D3F34A

RGB 211 243 74

HSL 71.36, 0.88%, 0.62%

LAB 90.98, -31.85, 73.78

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 9 / 0 / 50 / 17

HEX #BFD369

RGB 191 211 105

HSL 71.32, 0.55%, 0.62%

LAB 81.12, -22.3, 49.74

 

CMYK 8 / 0 / 38 / 23

HEX #B5C479

RGB 181 196 121

HSL 72, 0.39%, 0.62%

LAB 76.49, -17.07, 35.95

 

CMYK 4 / 0 / 24 / 29

HEX #ACB488

RGB 172 180 136

HSL 70.91, 0.23%, 0.62%

LAB 71.68, -10.32, 21.56

 

CMYK 1 / 0 / 7 / 36

HEX #A2A498

RGB 162 164 152

HSL 70, 0.06%, 0.62%

LAB 66.9, -2.94, 5.97

 

CMYK 0 / 21 / 61 / 11

HEX #E3B359

RGB 227 179 89

HSL 39.13, 0.71%, 0.62%

LAB 75.63, 7.58, 51.68

 

CMYK 0 / 5 / 61 / 11

HEX #E3D759

RGB 227 215 89

HSL 54.78, 0.71%, 0.62%

LAB 84.82, -11, 61.91

 

CMYK 11 / 0 / 61 / 11

HEX #CAE359

RGB 202 227 89

HSL 70.87, 0.71%, 0.62%

LAB 86.11, -26.98, 62.77

 

CMYK 27 / 0 / 61 / 11

HEX #A5E359

RGB 165 227 89

HSL 86.96, 0.71%, 0.62%

LAB 83.79, -41.03, 59.55

 

CMYK 44 / 0 / 61 / 11

HEX #80E359

RGB 128 227 89

HSL 103.04, 0.71%, 0.62%

LAB 81.97, -53.39, 57.02

 

CMYK 16 / 0 / 83 / 22

HEX #A9C822

RGB 169 200 34

HSL 71.2, 0.71%, 0.46%

LAB 75.98, -30.39, 70.92

 

CMYK 14 / 0 / 76 / 13

HEX #BDDD36

RGB 189 221 54

HSL 71.5, 0.71%, 0.54%

LAB 83.34, -31.36, 72.52

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 9 / 0 / 46 / 9

HEX #D4E97D

RGB 212 233 125

HSL 71.67, 0.71%, 0.7%

LAB 88.81, -22.85, 49.87

 

CMYK 6 / 0 / 33 / 6

HEX #E0EFA0

RGB 224 239 160

HSL 71.39, 0.71%, 0.78%

LAB 91.74, -17.3, 36.62

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 61 / 0 / 37 / 11

HEX #59E38E

RGB 89 227 142

HSL 143.04, 0.71%, 0.62%

LAB 81.3, -56.06, 30.68

 

CMYK 13 / 61 / 0 / 11

HEX #C559E3

RGB 197 89 227

HSL 286.96, 0.71%, 0.62%

LAB 56.65, 63.01, -51.6

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 61 / 11 / 0 / 11

HEX #59CAE3

RGB 89 202 227

HSL 190.87, 0.71%, 0.62%

LAB 76.01, -24.73, -22.01

 

CMYK 0 / 61 / 11 / 11

HEX #E359CA

RGB 227 89 202

HSL 310.87, 0.71%, 0.62%

LAB 59.65, 66.22, -32.44

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 61 / 0 / 37 / 11

HEX #59E38E

RGB 89 227 142

HSL 143.04, 0.71%, 0.62%

LAB 81.3, -56.06, 30.68

 

CMYK 49 / 61 / 0 / 11

HEX #7359E3

RGB 115 89 227

HSL 251.3, 0.71%, 0.62%

LAB 47.41, 44.92, -66.93

 

CMYK 0 / 61 / 23 / 11

HEX #E359AE

RGB 227 89 174

HSL 323.04, 0.71%, 0.62%

LAB 58.54, 62.23, -18.11

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 61 / 0 / 19 / 11

HEX #59E3B7

RGB 89 227 183

HSL 160.87, 0.71%, 0.62%

LAB 82.1, -47.72, 10.48

 

CMYK 49 / 61 / 0 / 11

HEX #7359E3

RGB 115 89 227

HSL 251.3, 0.71%, 0.62%

LAB 47.41, 44.92, -66.93

 

CMYK 0 / 61 / 41 / 11

HEX #E35985

RGB 227 89 133

HSL 340.87, 0.71%, 0.62%

LAB 57.24, 57.39, 3.86

 

Description

Color code: HEX #C9E359 | qconv.com Color code: HEX #C9E359 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 227 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 227 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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