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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9DE3E it is the complementary color #3621C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9DE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9DE3E shade: #CEDE39, #DFF04C, #F0FF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9DE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9DE3E shade: #C9DE3E, #B8CC2B, #A7BA18, #96A805 and #859600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9DE3E shade: #CADE3F, #DEC83F, #DE9D3F, #DE723F and #DE483F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9DE3E shade: #CADE3F, #9FDE3F, #74DE3F, #49DE3F and #3FDE61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9DE3E shade matches the following richer shades: #CADE3F and #D7F12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9DE3E shade: #CADE3F, #BCCC51, #AFBA63, #A1A876 and #949688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9DE3E shade: #DE9C3F, #DEC73F, #CCDE3F, #A1DE3F and #77DE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9DE3E shade: #9BAE1D, #BAD123, #CADE3F, #D3E462 and #DDEA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9DE3E shade: #C9DE3E, #3FDE72 and #B13FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9DE3E shade: #C9DE3E, #3FCCDE and #DE3FCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9DE3E shade: #C9DE3E, #3FDE72, #523FDE and #DE3FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9DE3E shade: #C9DE3E, #3FDEA1, #523FDE and #DE3F7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 72 / 13

HEX #C9DE3E

RGB 201 222 62

HSL 67.88, 0.71%, 0.56%

LAB 84.49, -26.63, 71.33

 

Complementary color

CMYK 72 / 83 / 0 / 24

HEX #3621C1

RGB 54 33 193

HSL 247.88, 0.71%, 0.44%

LAB 28.7, 55.98, -78.19

 

CMYK 7 / 0 / 74 / 13

HEX #CEDE39

RGB 206 222 57

HSL 65.82, 0.71%, 0.55%

LAB 84.82, -24.82, 73.4

 

CMYK 7 / 0 / 68 / 6

HEX #DFF04C

RGB 223 240 76

HSL 66.22, 0.85%, 0.62%

LAB 91.02, -25.59, 73.39

 

CMYK 6 / 0 / 63 / 0

HEX #F0FF5F

RGB 240 255 95

HSL 65.63, 1%, 0.69%

LAB 96.36, -24.82, 72.11

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 9 / 0 / 72 / 13

HEX #C9DE3E

RGB 201 222 62

HSL 67.88, 0.71%, 0.56%

LAB 84.49, -26.63, 71.33

 

CMYK 10 / 0 / 79 / 20

HEX #B8CC2B

RGB 184 204 43

HSL 67.45, 0.65%, 0.48%

LAB 78.2, -25.81, 70.93

 

CMYK 10 / 0 / 87 / 27

HEX #A7BA18

RGB 167 186 24

HSL 67.04, 0.77%, 0.41%

LAB 71.83, -24.81, 69.56

 

CMYK 11 / 0 / 97 / 34

HEX #96A805

RGB 150 168 5

HSL 66.63, 0.94%, 0.34%

LAB 65.36, -23.6, 66.79

 

CMYK 11 / 0 / 100 / 41

HEX #859600

RGB 133 150 0

HSL 66.8, 1%, 0.29%

LAB 58.79, -22.12, 61.97

 

CMYK 9 / 0 / 72 / 13

HEX #CADE3F

RGB 202 222 63

HSL 67.55, 0.71%, 0.56%

LAB 84.57, -26.17, 71.09

 

CMYK 0 / 10 / 72 / 13

HEX #DEC83F

RGB 222 200 63

HSL 51.7, 0.71%, 0.56%

LAB 80.29, -6.96, 67.49

 

CMYK 0 / 29 / 72 / 13

HEX #DE9D3F

RGB 222 157 63

HSL 35.47, 0.71%, 0.56%

LAB 69.47, 15.66, 56.67

 

CMYK 0 / 49 / 72 / 13

HEX #DE723F

RGB 222 114 63

HSL 19.25, 0.71%, 0.56%

LAB 59.82, 38.4, 46.47

 

CMYK 0 / 68 / 72 / 13

HEX #DE483F

RGB 222 72 63

HSL 3.4, 0.71%, 0.56%

LAB 52.42, 57.69, 38.21

 

CMYK 9 / 0 / 72 / 13

HEX #CADE3F

RGB 202 222 63

HSL 67.55, 0.71%, 0.56%

LAB 84.57, -26.17, 71.09

 

CMYK 28 / 0 / 72 / 13

HEX #9FDE3F

RGB 159 222 63

HSL 83.77, 0.71%, 0.56%

LAB 81.82, -42.89, 67.47

 

CMYK 48 / 0 / 72 / 13

HEX #74DE3F

RGB 116 222 63

HSL 100, 0.71%, 0.56%

LAB 79.79, -57.2, 64.77

 

CMYK 67 / 0 / 72 / 13

HEX #49DE3F

RGB 73 222 63

HSL 116.23, 0.71%, 0.56%

LAB 78.47, -67.66, 63.01

 

CMYK 72 / 0 / 56 / 13

HEX #3FDE61

RGB 63 222 97

HSL 132.83, 0.71%, 0.56%

LAB 78.56, -65.9, 49.03

 

CMYK 9 / 0 / 72 / 13

HEX #CADE3F

RGB 202 222 63

HSL 67.55, 0.71%, 0.56%

LAB 84.57, -26.17, 71.09

 

CMYK 11 / 0 / 81 / 5

HEX #D7F12D

RGB 215 241 45

HSL 67.96, 0.88%, 0.56%

LAB 90.57, -30.56, 82.11

 

CMYK 9 / 0 / 72 / 13

HEX #CADE3F

RGB 202 222 63

HSL 67.55, 0.71%, 0.56%

LAB 84.57, -26.17, 71.09

 

CMYK 8 / 0 / 60 / 20

HEX #BCCC51

RGB 188 204 81

HSL 67.8, 0.55%, 0.56%

LAB 78.74, -22.09, 57.82

 

CMYK 6 / 0 / 47 / 27

HEX #AFBA63

RGB 175 186 99

HSL 67.59, 0.39%, 0.56%

LAB 72.98, -16.84, 42.56

 

CMYK 4 / 0 / 30 / 34

HEX #A1A876

RGB 161 168 118

HSL 68.4, 0.22%, 0.56%

LAB 67.19, -10.87, 25.07

 

CMYK 1 / 0 / 9 / 41

HEX #949688

RGB 148 150 136

HSL 68.57, 0.06%, 0.56%

LAB 61.56, -3.34, 7.13

 

CMYK 0 / 30 / 72 / 13

HEX #DE9C3F

RGB 222 156 63

HSL 35.09, 0.71%, 0.56%

LAB 69.23, 16.2, 56.42

 

CMYK 0 / 10 / 72 / 13

HEX #DEC73F

RGB 222 199 63

HSL 51.32, 0.71%, 0.56%

LAB 80.03, -6.45, 67.23

 

CMYK 8 / 0 / 72 / 13

HEX #CCDE3F

RGB 204 222 63

HSL 66.79, 0.71%, 0.56%

LAB 84.71, -25.36, 71.28

 

CMYK 27 / 0 / 72 / 13

HEX #A1DE3F

RGB 161 222 63

HSL 83.02, 0.71%, 0.56%

LAB 81.94, -42.16, 67.62

 

CMYK 46 / 0 / 72 / 13

HEX #77DE3F

RGB 119 222 63

HSL 98.87, 0.71%, 0.56%

LAB 79.91, -56.31, 64.93

 

CMYK 11 / 0 / 83 / 32

HEX #9BAE1D

RGB 155 174 29

HSL 67.86, 0.71%, 0.4%

LAB 67.52, -23.89, 64.48

 

CMYK 11 / 0 / 83 / 18

HEX #BAD123

RGB 186 209 35

HSL 67.93, 0.71%, 0.48%

LAB 79.71, -27.64, 74.34

 

CMYK 9 / 0 / 72 / 13

HEX #CADE3F

RGB 202 222 63

HSL 67.55, 0.71%, 0.56%

LAB 84.57, -26.17, 71.09

 

CMYK 7 / 0 / 57 / 11

HEX #D3E462

RGB 211 228 98

HSL 67.85, 0.71%, 0.64%

LAB 87.1, -23.23, 60.2

 

CMYK 6 / 0 / 43 / 8

HEX #DDEA86

RGB 221 234 134

HSL 67.8, 0.7%, 0.72%

LAB 89.83, -18.96, 46.96

 

CMYK 9 / 0 / 72 / 13

HEX #C9DE3E

RGB 201 222 62

HSL 67.88, 0.71%, 0.56%

LAB 84.49, -26.63, 71.33

 

CMYK 72 / 0 / 49 / 13

HEX #3FDE72

RGB 63 222 114

HSL 139.25, 0.71%, 0.56%

LAB 78.76, -63.51, 41.24

 

CMYK 20 / 72 / 0 / 13

HEX #B13FDE

RGB 177 63 222

HSL 283.02, 0.71%, 0.56%

LAB 49.71, 68.53, -60.04

 

CMYK 9 / 0 / 72 / 13

HEX #C9DE3E

RGB 201 222 62

HSL 67.88, 0.71%, 0.56%

LAB 84.49, -26.63, 71.33

 

CMYK 72 / 8 / 0 / 13

HEX #3FCCDE

RGB 63 204 222

HSL 186.79, 0.71%, 0.56%

LAB 75.77, -31.05, -19.75

 

CMYK 0 / 72 / 8 / 13

HEX #DE3FCC

RGB 222 63 204

HSL 306.79, 0.71%, 0.56%

LAB 55.53, 74.94, -40.09

 

CMYK 9 / 0 / 72 / 13

HEX #C9DE3E

RGB 201 222 62

HSL 67.88, 0.71%, 0.56%

LAB 84.49, -26.63, 71.33

 

CMYK 72 / 0 / 49 / 13

HEX #3FDE72

RGB 63 222 114

HSL 139.25, 0.71%, 0.56%

LAB 78.76, -63.51, 41.24

 

CMYK 63 / 72 / 0 / 13

HEX #523FDE

RGB 82 63 222

HSL 247.17, 0.71%, 0.56%

LAB 38.94, 52.66, -78.05

 

CMYK 0 / 72 / 23 / 13

HEX #DE3FAC

RGB 222 63 172

HSL 318.87, 0.71%, 0.56%

LAB 54.09, 70.52, -23.82

 

CMYK 9 / 0 / 72 / 13

HEX #C9DE3E

RGB 201 222 62

HSL 67.88, 0.71%, 0.56%

LAB 84.49, -26.63, 71.33

 

CMYK 72 / 0 / 27 / 13

HEX #3FDEA1

RGB 63 222 161

HSL 156.98, 0.71%, 0.56%

LAB 79.54, -54.79, 18.36

 

CMYK 63 / 72 / 0 / 13

HEX #523FDE

RGB 82 63 222

HSL 247.17, 0.71%, 0.56%

LAB 38.94, 52.66, -78.05

 

CMYK 0 / 72 / 44 / 13

HEX #DE3F7C

RGB 222 63 124

HSL 336.98, 0.71%, 0.56%

LAB 52.44, 65.21, 2.16

 

Description

Color code: HEX #C9DE3E | qconv.com Color code: HEX #C9DE3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 222 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 222 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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