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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9DB5E it is the complementary color #3624A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9DB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9DB5E shade: #CEDB59, #DFED6C, #F0FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9DB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9DB5E shade: #C9DB5E, #B8C94B, #A7B738, #96A525 and #859312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9DB5E shade: #C8DA5C, #DACA5C, #DAA85C, #DA865C and #DA655C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9DB5E shade: #C8DA5C, #A6DA5C, #84DA5C, #62DA5C and #5CDA78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9DB5E shade matches the following richer shades: #C8DA5C, #D3EA4C and #DFFA3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9DB5E shade: #C8DA5C, #BCCA6C, #B1BA7D, #A5A98D and #9A999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9DB5E shade: #DAA85C, #DAC95C, #C9DA5C, #A8DA5C and #86DA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9DB5E shade: #A5BA2A, #BCD23B, #C8DA5C, #D3E17E and #DEE9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9DB5E shade: #C9DB5E, #5CDA86 and #B85CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9DB5E shade: #C9DB5E, #5CC9DA and #DA5CC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9DB5E shade: #C9DB5E, #5CDA86, #6D5CDA and #DA5CB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9DB5E shade: #C9DB5E, #5CDAAC, #6D5CDA and #DA5C8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 57 / 14

HEX #C9DB5E

RGB 201 219 94

HSL 68.64, 0.63%, 0.61%

LAB 83.91, -23.17, 58.17

 

Complementary color

CMYK 66 / 78 / 0 / 37

HEX #3624A1

RGB 54 36 161

HSL 248.64, 0.63%, 0.39%

LAB 25.62, 44.94, -64.13

 

CMYK 6 / 0 / 59 / 14

HEX #CEDB59

RGB 206 219 89

HSL 66, 0.64%, 0.6%

LAB 84.23, -21.54, 60.79

 

CMYK 6 / 0 / 54 / 7

HEX #DFED6C

RGB 223 237 108

HSL 66.51, 0.78%, 0.68%

LAB 90.48, -22.03, 59.86

 

CMYK 6 / 0 / 50 / 0

HEX #F0FF7F

RGB 240 255 127

HSL 67.03, 1%, 0.75%

LAB 96.65, -22.43, 58.83

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 8 / 0 / 57 / 14

HEX #C9DB5E

RGB 201 219 94

HSL 68.64, 0.63%, 0.61%

LAB 83.91, -23.17, 58.17

 

CMYK 8 / 0 / 63 / 21

HEX #B8C94B

RGB 184 201 75

HSL 68.1, 0.54%, 0.54%

LAB 77.56, -22.68, 59

 

CMYK 9 / 0 / 69 / 28

HEX #A7B738

RGB 167 183 56

HSL 67.56, 0.53%, 0.47%

LAB 71.12, -22.05, 59.53

 

CMYK 9 / 0 / 78 / 35

HEX #96A525

RGB 150 165 37

HSL 67.03, 0.63%, 0.4%

LAB 64.59, -21.26, 59.47

 

CMYK 10 / 0 / 88 / 42

HEX #859312

RGB 133 147 18

HSL 66.51, 0.78%, 0.32%

LAB 57.94, -20.25, 58.31

 

CMYK 8 / 0 / 58 / 15

HEX #C8DA5C

RGB 200 218 92

HSL 68.57, 0.63%, 0.61%

LAB 83.54, -23.24, 58.62

 

CMYK 0 / 7 / 58 / 15

HEX #DACA5C

RGB 218 202 92

HSL 52.38, 0.63%, 0.61%

LAB 80.69, -7.93, 55.81

 

CMYK 0 / 23 / 58 / 15

HEX #DAA85C

RGB 218 168 92

HSL 36.19, 0.63%, 0.61%

LAB 72.02, 9.88, 45.79

 

CMYK 0 / 39 / 58 / 15

HEX #DA865C

RGB 218 134 92

HSL 20, 0.63%, 0.61%

LAB 63.94, 28.15, 36.01

 

CMYK 0 / 54 / 58 / 15

HEX #DA655C

RGB 218 101 92

HSL 4.29, 0.63%, 0.61%

LAB 57.06, 45.16, 27.29

 

CMYK 8 / 0 / 58 / 15

HEX #C8DA5C

RGB 200 218 92

HSL 68.57, 0.63%, 0.61%

LAB 83.54, -23.24, 58.62

 

CMYK 24 / 0 / 58 / 15

HEX #A6DA5C

RGB 166 218 92

HSL 84.76, 0.63%, 0.61%

LAB 81.3, -36.38, 55.48

 

CMYK 39 / 0 / 58 / 15

HEX #84DA5C

RGB 132 218 92

HSL 100.95, 0.63%, 0.61%

LAB 79.51, -48.2, 52.96

 

CMYK 55 / 0 / 58 / 15

HEX #62DA5C

RGB 98 218 92

HSL 117.14, 0.63%, 0.61%

LAB 78.18, -57.95, 51.07

 

CMYK 58 / 0 / 45 / 15

HEX #5CDA78

RGB 92 218 120

HSL 133.33, 0.63%, 0.61%

LAB 78.33, -55.62, 37.9

 

CMYK 8 / 0 / 58 / 15

HEX #C8DA5C

RGB 200 218 92

HSL 68.57, 0.63%, 0.61%

LAB 83.54, -23.24, 58.62

 

CMYK 10 / 0 / 68 / 8

HEX #D3EA4C

RGB 211 234 76

HSL 68.73, 0.79%, 0.61%

LAB 88.55, -27.55, 70.63

 

CMYK 11 / 0 / 76 / 2

HEX #DFFA3C

RGB 223 250 60

HSL 68.53, 0.95%, 0.61%

LAB 93.62, -31, 81.06

 

CMYK 8 / 0 / 58 / 15

HEX #C8DA5C

RGB 200 218 92

HSL 68.57, 0.63%, 0.61%

LAB 83.54, -23.24, 58.62

 

CMYK 7 / 0 / 47 / 21

HEX #BCCA6C

RGB 188 202 108

HSL 68.94, 0.47%, 0.61%

LAB 78.47, -18.76, 45.05

 

CMYK 5 / 0 / 33 / 27

HEX #B1BA7D

RGB 177 186 125

HSL 68.85, 0.31%, 0.61%

LAB 73.51, -13.03, 29.94

 

CMYK 2 / 0 / 17 / 34

HEX #A5A98D

RGB 165 169 141

HSL 68.57, 0.14%, 0.61%

LAB 68.24, -6.39, 13.99

 

CMYK 2 / 3 / 0 / 38

HEX #9A999D

RGB 154 153 157

HSL 255, 0.02%, 0.61%

LAB 63.41, 1.14, -1.97

 

CMYK 0 / 23 / 58 / 15

HEX #DAA85C

RGB 218 168 92

HSL 36.19, 0.63%, 0.61%

LAB 72.02, 9.88, 45.79

 

CMYK 0 / 8 / 58 / 15

HEX #DAC95C

RGB 218 201 92

HSL 51.9, 0.63%, 0.61%

LAB 80.43, -7.42, 55.51

 

CMYK 8 / 0 / 58 / 15

HEX #C9DA5C

RGB 201 218 92

HSL 68.1, 0.63%, 0.61%

LAB 83.62, -22.84, 58.72

 

CMYK 23 / 0 / 58 / 15

HEX #A8DA5C

RGB 168 218 92

HSL 83.81, 0.63%, 0.61%

LAB 81.42, -35.64, 55.65

 

CMYK 39 / 0 / 58 / 15

HEX #86DA5C

RGB 134 218 92

HSL 100, 0.63%, 0.61%

LAB 79.6, -47.55, 53.09

 

CMYK 11 / 0 / 77 / 27

HEX #A5BA2A

RGB 165 186 42

HSL 68.75, 0.63%, 0.45%

LAB 71.75, -25.06, 64.88

 

CMYK 10 / 0 / 72 / 18

HEX #BCD23B

RGB 188 210 59

HSL 68.74, 0.63%, 0.53%

LAB 80.24, -26.34, 67.92

 

CMYK 8 / 0 / 58 / 15

HEX #C8DA5C

RGB 200 218 92

HSL 68.57, 0.63%, 0.61%

LAB 83.54, -23.24, 58.62

 

CMYK 6 / 0 / 44 / 12

HEX #D3E17E

RGB 211 225 126

HSL 68.48, 0.62%, 0.69%

LAB 86.61, -19.26, 46.67

 

CMYK 5 / 0 / 31 / 9

HEX #DEE9A0

RGB 222 233 160

HSL 69.04, 0.62%, 0.77%

LAB 90.02, -15.09, 34.33

 

CMYK 8 / 0 / 57 / 14

HEX #C9DB5E

RGB 201 219 94

HSL 68.64, 0.63%, 0.61%

LAB 83.91, -23.17, 58.17

 

CMYK 58 / 0 / 39 / 15

HEX #5CDA86

RGB 92 218 134

HSL 140, 0.63%, 0.61%

LAB 78.54, -53.32, 31.12

 

CMYK 16 / 58 / 0 / 15

HEX #B85CDA

RGB 184 92 218

HSL 283.81, 0.63%, 0.61%

LAB 54.98, 56.67, -49.28

 

CMYK 8 / 0 / 57 / 14

HEX #C9DB5E

RGB 201 219 94

HSL 68.64, 0.63%, 0.61%

LAB 83.91, -23.17, 58.17

 

CMYK 58 / 8 / 0 / 15

HEX #5CC9DA

RGB 92 201 218

HSL 188.1, 0.63%, 0.61%

LAB 75.52, -26.29, -17.9

 

CMYK 0 / 58 / 8 / 15

HEX #DA5CC9

RGB 218 92 201

HSL 308.1, 0.63%, 0.61%

LAB 58.77, 62.41, -33.35

 

CMYK 8 / 0 / 57 / 14

HEX #C9DB5E

RGB 201 219 94

HSL 68.64, 0.63%, 0.61%

LAB 83.91, -23.17, 58.17

 

CMYK 58 / 0 / 39 / 15

HEX #5CDA86

RGB 92 218 134

HSL 140, 0.63%, 0.61%

LAB 78.54, -53.32, 31.12

 

CMYK 50 / 58 / 0 / 15

HEX #6D5CDA

RGB 109 92 218

HSL 248.1, 0.63%, 0.61%

LAB 46.93, 39.36, -62.63

 

CMYK 0 / 58 / 19 / 15

HEX #DA5CB0

RGB 218 92 176

HSL 320, 0.63%, 0.61%

LAB 57.75, 58.62, -20.6

 

CMYK 8 / 0 / 57 / 14

HEX #C9DB5E

RGB 201 219 94

HSL 68.64, 0.63%, 0.61%

LAB 83.91, -23.17, 58.17

 

CMYK 58 / 0 / 21 / 15

HEX #5CDAAC

RGB 92 218 172

HSL 158.1, 0.63%, 0.61%

LAB 79.27, -45.79, 12.28

 

CMYK 50 / 58 / 0 / 15

HEX #6D5CDA

RGB 109 92 218

HSL 248.1, 0.63%, 0.61%

LAB 46.93, 39.36, -62.63

 

CMYK 0 / 58 / 37 / 15

HEX #DA5C8A

RGB 218 92 138

HSL 338.1, 0.63%, 0.61%

LAB 56.48, 53.74, -0.35

 

Description

Color code: HEX #C9DB5E | qconv.com Color code: HEX #C9DB5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 219 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 219 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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