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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D2173F it is the complementary color #362DE83F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D2173F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D2173F shade: #CED2123F, #DFE4253F, #F0F6383F, #FFFF4B3F and #FFFF5E3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D2173F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D2173F shade: #C9D2173F, #B8C0043F, #A7AE003F, #969C003F and #858A003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D2173F shade: #CAD317, #D3AA17, #D37717, #D34417 and #D31717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D2173F shade: #CAD317, #97D317, #65D317, #32D317 and #17D32F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D2173F shade matches the following richer shades: #CAD317 and #DBE604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D2173F shade: #CAD317, #B9C02A, #A8AD3D, #979A50 and #858763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D2173F shade: #D37517, #D3A717, #CDD317, #9BD317 and #69D317

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D2173F shade: #83890F, #A7AE13, #CAD317, #DFE82C and #E4EC51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D2173F shade: #C9D217, #17D343 and #8E17D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D2173F shade: #C9D217, #17CDD3 and #D317CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D2173F shade: #C9D217, #17D343, #1E17D3 and #D317A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D2173F shade: #C9D217, #17D37C, #1E17D3 and #D3176F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 22 / 4

HEX #C9D2173F

RGBA 201 210 23 0.25

HSLA 62.89, 0.8%, 0.46%, 0.25

LABA 81.06, -22.15, 78.25, 0.25

 

Complementary color

CMYK 19 / 20 / 0 / 2

HEX #362DE83F

RGBA 54 45 232 0.25

HSLA 242.89, 0.8%, 0.54%, 0.25

LABA 34.98, 62.12, -90.36, 0.25

 

CMYK 0 / 0 / 23 / 4

HEX #CED2123F

RGBA 206 210 18 0.25

HSLA 61.25, 0.84%, 0.45%, 0.25

LABA 81.43, -20.12, 79.44, 0.25

 

CMYK 1 / 0 / 21 / 3

HEX #DFE4253F

RGBA 223 228 37 0.25

HSLA 61.57, 0.78%, 0.52%, 0.25

LABA 87.63, -21.37, 81.66, 0.25

 

CMYK 1 / 0 / 19 / 1

HEX #F0F6383F

RGBA 240 246 56 0.25

HSLA 61.89, 0.91%, 0.59%, 0.25

LABA 93.76, -22.44, 82.78, 0.25

 

CMYK 0 / 0 / 18 / 0

HEX #FFFF4B3F

RGBA 255 255 75 0.25

HSLA 60, 1%, 0.65%, 0.25

LABA 97.34, -19.9, 80.72, 0.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFF5E3F

RGBA 255 255 94 0.25

HSLA 60, 1%, 0.68%, 0.25

LABA 97.47, -18.93, 74, 0.25

 

CMYK 1 / 0 / 22 / 4

HEX #C9D2173F

RGBA 201 210 23 0.25

HSLA 62.89, 0.8%, 0.46%, 0.25

LABA 81.06, -22.15, 78.25, 0.25

 

CMYK 1 / 0 / 24 / 6

HEX #B8C0043F

RGBA 184 192 4 0.25

HSLA 62.55, 0.96%, 0.38%, 0.25

LABA 74.76, -20.82, 75.15, 0.25

 

CMYK 1 / 0 / 25 / 8

HEX #A7AE003F

RGBA 167 174 0 0.25

HSLA 62.41, 1%, 0.34%, 0.25

LABA 68.38, -19.26, 70.27, 0.25

 

CMYK 1 / 0 / 25 / 10

HEX #969C003F

RGBA 150 156 0 0.25

HSLA 62.31, 1%, 0.31%, 0.25

LABA 61.88, -17.62, 64.86, 0.25

 

CMYK 1 / 0 / 25 / 11

HEX #858A003F

RGBA 133 138 0 0.25

HSLA 62.17, 1%, 0.27%, 0.25

LABA 55.24, -15.95, 59.34, 0.25

 

CMYK 4 / 0 / 89 / 17

HEX #CAD317

RGB 202 211 23

HSL 62.87, 0.8%, 0.46%

LAB 81.41, -22.21, 78.56

 

CMYK 0 / 19 / 89 / 17

HEX #D3AA17

RGB 211 170 23

HSL 46.91, 0.8%, 0.46%

LAB 71.32, 2.6, 70.96

 

CMYK 0 / 44 / 89 / 17

HEX #D37717

RGB 211 119 23

HSL 30.64, 0.8%, 0.46%

LAB 59.07, 30.01, 61.48

 

CMYK 0 / 68 / 89 / 17

HEX #D34417

RGB 211 68 23

HSL 14.36, 0.8%, 0.46%

LAB 49.55, 54.39, 54.26

 

CMYK 0 / 89 / 89 / 17

HEX #D31717

RGB 211 23 23

HSL 0, 0.8%, 0.46%

LAB 44.97, 67.18, 50.87

 

CMYK 4 / 0 / 89 / 17

HEX #CAD317

RGB 202 211 23

HSL 62.87, 0.8%, 0.46%

LAB 81.41, -22.21, 78.56

 

CMYK 28 / 0 / 89 / 17

HEX #97D317

RGB 151 211 23

HSL 79.15, 0.8%, 0.46%

LAB 78.01, -42.75, 74.4

 

CMYK 52 / 0 / 89 / 17

HEX #65D317

RGB 101 211 23

HSL 95.11, 0.8%, 0.46%

LAB 75.71, -59.41, 71.55

 

CMYK 76 / 0 / 89 / 17

HEX #32D317

RGB 50 211 23

HSL 111.38, 0.8%, 0.46%

LAB 74.4, -70.3, 69.91

 

CMYK 89 / 0 / 78 / 17

HEX #17D32F

RGB 23 211 47

HSL 127.66, 0.8%, 0.46%

LAB 74.17, -71.95, 63.81

 

CMYK 4 / 0 / 89 / 17

HEX #CAD317

RGB 202 211 23

HSL 62.87, 0.8%, 0.46%

LAB 81.41, -22.21, 78.56

 

CMYK 5 / 0 / 98 / 10

HEX #DBE604

RGB 219 230 4

HSL 62.92, 0.97%, 0.46%

LAB 87.81, -24.48, 86.07

 

CMYK 4 / 0 / 89 / 17

HEX #CAD317

RGB 202 211 23

HSL 62.87, 0.8%, 0.46%

LAB 81.41, -22.21, 78.56

 

CMYK 4 / 0 / 78 / 25

HEX #B9C02A

RGB 185 192 42

HSL 62.8, 0.64%, 0.46%

LAB 74.94, -19.56, 68.33

 

CMYK 3 / 0 / 65 / 32

HEX #A8AD3D

RGB 168 173 61

HSL 62.68, 0.48%, 0.46%

LAB 68.42, -16.3, 54.81

 

CMYK 2 / 0 / 48 / 40

HEX #979A50

RGB 151 154 80

HSL 62.43, 0.32%, 0.46%

LAB 61.89, -12.12, 38.2

 

CMYK 1 / 0 / 27 / 47

HEX #858763

RGB 133 135 99

HSL 63.33, 0.15%, 0.46%

LAB 55.29, -7.01, 19.17

 

CMYK 0 / 45 / 89 / 17

HEX #D37517

RGB 211 117 23

HSL 30, 0.8%, 0.46%

LAB 58.63, 31.07, 61.14

 

CMYK 0 / 21 / 89 / 17

HEX #D3A717

RGB 211 167 23

HSL 45.96, 0.8%, 0.46%

LAB 70.56, 4.19, 70.37

 

CMYK 3 / 0 / 89 / 17

HEX #CDD317

RGB 205 211 23

HSL 61.91, 0.8%, 0.46%

LAB 81.64, -20.95, 78.84

 

CMYK 27 / 0 / 89 / 17

HEX #9BD317

RGB 155 211 23

HSL 77.87, 0.8%, 0.46%

LAB 78.24, -41.23, 74.68

 

CMYK 50 / 0 / 89 / 17

HEX #69D317

RGB 105 211 23

HSL 93.83, 0.8%, 0.46%

LAB 75.86, -58.27, 71.73

 

CMYK 4 / 0 / 89 / 46

HEX #83890F

RGB 131 137 15

HSL 62.95, 0.8%, 0.3%

LAB 54.82, -16.04, 56.31

 

CMYK 4 / 0 / 89 / 32

HEX #A7AE13

RGB 167 174 19

HSL 62.71, 0.8%, 0.38%

LAB 68.41, -18.97, 67.74

 

CMYK 4 / 0 / 89 / 17

HEX #CAD317

RGB 202 211 23

HSL 62.87, 0.8%, 0.46%

LAB 81.41, -22.21, 78.56

 

CMYK 4 / 0 / 81 / 9

HEX #DFE82C

RGB 223 232 44

HSL 62.87, 0.8%, 0.54%

LAB 88.73, -23.1, 80.99

 

CMYK 3 / 0 / 66 / 7

HEX #E4EC51

RGB 228 236 81

HSL 63.1, 0.8%, 0.62%

LAB 90.36, -21.39, 71

 

CMYK 4 / 0 / 89 / 18

HEX #C9D217

RGB 201 210 23

HSL 62.89, 0.8%, 0.46%

LAB 81.06, -22.15, 78.25

 

CMYK 89 / 0 / 68 / 17

HEX #17D343

RGB 23 211 67

HSL 134.04, 0.8%, 0.46%

LAB 74.3, -70.33, 56.92

 

CMYK 33 / 89 / 0 / 17

HEX #8E17D3

RGB 142 23 211

HSL 277.98, 0.8%, 0.46%

LAB 39.69, 72.51, -70.23

 

CMYK 4 / 0 / 89 / 18

HEX #C9D217

RGB 201 210 23

HSL 62.89, 0.8%, 0.46%

LAB 81.06, -22.15, 78.25

 

CMYK 89 / 3 / 0 / 17

HEX #17CDD3

RGB 23 205 211

HSL 181.91, 0.8%, 0.46%

LAB 75.17, -38.23, -14.77

 

CMYK 0 / 89 / 3 / 17

HEX #D317CD

RGB 211 23 205

HSL 301.91, 0.8%, 0.46%

LAB 50.53, 82.17, -48.69

 

CMYK 4 / 0 / 89 / 18

HEX #C9D217

RGB 201 210 23

HSL 62.89, 0.8%, 0.46%

LAB 81.06, -22.15, 78.25

 

CMYK 89 / 0 / 68 / 17

HEX #17D343

RGB 23 211 67

HSL 134.04, 0.8%, 0.46%

LAB 74.3, -70.33, 56.92

 

CMYK 86 / 89 / 0 / 17

HEX #1E17D3

RGB 30 23 211

HSL 242.23, 0.8%, 0.46%

LAB 28.36, 63.74, -89.33

 

CMYK 0 / 89 / 21 / 17

HEX #D317A7

RGB 211 23 167

HSL 314.04, 0.8%, 0.46%

LAB 48.58, 77.1, -29.58

 

CMYK 4 / 0 / 89 / 18

HEX #C9D217

RGB 201 210 23

HSL 62.89, 0.8%, 0.46%

LAB 81.06, -22.15, 78.25

 

CMYK 89 / 0 / 41 / 17

HEX #17D37C

RGB 23 211 124

HSL 152.23, 0.8%, 0.46%

LAB 74.97, -62.26, 31.28

 

CMYK 86 / 89 / 0 / 17

HEX #1E17D3

RGB 30 23 211

HSL 242.23, 0.8%, 0.46%

LAB 28.36, 63.74, -89.33

 

CMYK 0 / 89 / 47 / 17

HEX #D3176F

RGB 211 23 111

HSL 331.91, 0.8%, 0.46%

LAB 46.46, 71.37, 1.13

 

Description

Color code: HEX #C9D2173F | qconv.com Color code: HEX #C9D2173F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 210 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 210 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 22 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 22% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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