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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D10F it is the complementary color #362EF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D10F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D10F shade: #CED10A, #DFE31D, #F0F530, #FFFF43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D10F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D10F shade: #C9D10F, #B8BF00, #A7AD00, #969B00 and #858900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D10F shade: #CAD20F, #D2A50F, #D2710F, #D23C0F and #D20F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D10F shade: #CAD20F, #95D20F, #60D20F, #2CD20F and #0FD226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D10F shade matches the following richer shades: #CAD20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D10F shade: #CAD20F, #B9C021, #A8AE33, #989B45 and #878957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D10F shade: #D2700F, #D2A40F, #CBD20F, #97D20F and #63D20F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D10F shade: #808509, #A5AB0C, #CAD20F, #E6EF1B and #EBF241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D10F shade: #C9D10F, #0FD23C and #8A0FD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D10F shade: #C9D10F, #0FCBD2 and #D20FCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D10F shade: #C9D10F, #0FD23C, #150FD2 and #D20FA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D10F shade: #C9D10F, #0FD277, #150FD2 and #D20F6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 93 / 18

HEX #C9D10F

RGB 201 209 15

HSL 62.47, 0.87%, 0.44%

LAB 80.77, -21.79, 79.14

 

Complementary color

CMYK 78 / 81 / 0 / 6

HEX #362EF0

RGB 54 46 240

HSL 242.47, 0.87%, 0.56%

LAB 36.04, 64.02, -93.13

 

CMYK 1 / 0 / 95 / 18

HEX #CED10A

RGB 206 209 10

HSL 60.9, 0.91%, 0.43%

LAB 81.15, -19.73, 80.12

 

CMYK 2 / 0 / 87 / 11

HEX #DFE31D

RGB 223 227 29

HSL 61.21, 0.78%, 0.5%

LAB 87.35, -21.06, 82.97

 

CMYK 2 / 0 / 80 / 4

HEX #F0F530

RGB 240 245 48

HSL 61.52, 0.91%, 0.57%

LAB 93.47, -22.22, 84.59

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 4 / 0 / 93 / 18

HEX #C9D10F

RGB 201 209 15

HSL 62.47, 0.87%, 0.44%

LAB 80.77, -21.79, 79.14

 

CMYK 4 / 0 / 100 / 25

HEX #B8BF00

RGB 184 191 0

HSL 62.2, 1%, 0.37%

LAB 74.48, -20.37, 75.36

 

CMYK 3 / 0 / 100 / 32

HEX #A7AD00

RGB 167 173 0

HSL 62.08, 1%, 0.34%

LAB 68.1, -18.75, 70.06

 

CMYK 3 / 0 / 100 / 39

HEX #969B00

RGB 150 155 0

HSL 61.94, 1%, 0.3%

LAB 61.59, -17.11, 64.65

 

CMYK 3 / 0 / 100 / 46

HEX #858900

RGB 133 137 0

HSL 61.75, 1%, 0.27%

LAB 54.95, -15.42, 59.13

 

CMYK 4 / 0 / 93 / 18

HEX #CAD20F

RGB 202 210 15

HSL 62.46, 0.87%, 0.44%

LAB 81.12, -21.85, 79.44

 

CMYK 0 / 21 / 93 / 18

HEX #D2A50F

RGB 210 165 15

HSL 46.15, 0.87%, 0.44%

LAB 69.93, 4.69, 71.28

 

CMYK 0 / 46 / 93 / 18

HEX #D2710F

RGB 210 113 15

HSL 30.15, 0.87%, 0.44%

LAB 57.6, 32.63, 62.32

 

CMYK 0 / 71 / 93 / 18

HEX #D23C0F

RGB 210 60 15

HSL 13.85, 0.87%, 0.44%

LAB 48.22, 56.99, 55.95

 

CMYK 0 / 93 / 93 / 18

HEX #D20F0F

RGB 210 15 15

HSL 0, 0.87%, 0.44%

LAB 44.34, 67.91, 53.52

 

CMYK 4 / 0 / 93 / 18

HEX #CAD20F

RGB 202 210 15

HSL 62.46, 0.87%, 0.44%

LAB 81.12, -21.85, 79.44

 

CMYK 29 / 0 / 93 / 18

HEX #95D20F

RGB 149 210 15

HSL 78.77, 0.87%, 0.44%

LAB 77.59, -43.23, 75.16

 

CMYK 54 / 0 / 93 / 18

HEX #60D20F

RGB 96 210 15

HSL 95.08, 0.87%, 0.44%

LAB 75.21, -60.63, 72.25

 

CMYK 79 / 0 / 93 / 18

HEX #2CD20F

RGB 44 210 15

HSL 111.08, 0.87%, 0.44%

LAB 73.97, -71.04, 70.72

 

CMYK 93 / 0 / 82 / 18

HEX #0FD226

RGB 15 210 38

HSL 127.08, 0.87%, 0.44%

LAB 73.76, -72.67, 65.95

 

CMYK 4 / 0 / 93 / 18

HEX #CAD20F

RGB 202 210 15

HSL 62.46, 0.87%, 0.44%

LAB 81.12, -21.85, 79.44

 

CMYK 4 / 0 / 93 / 18

HEX #CAD20F

RGB 202 210 15

HSL 62.46, 0.87%, 0.44%

LAB 81.12, -21.85, 79.44

 

CMYK 4 / 0 / 83 / 25

HEX #B9C021

RGB 185 192 33

HSL 62.64, 0.71%, 0.44%

LAB 74.9, -19.86, 70.7

 

CMYK 3 / 0 / 71 / 32

HEX #A8AE33

RGB 168 174 51

HSL 62.93, 0.55%, 0.44%

LAB 68.63, -17.39, 58.97

 

CMYK 2 / 0 / 55 / 39

HEX #989B45

RGB 152 155 69

HSL 62.09, 0.38%, 0.44%

LAB 62.12, -13.23, 43.95

 

CMYK 1 / 0 / 36 / 46

HEX #878957

RGB 135 137 87

HSL 62.4, 0.22%, 0.44%

LAB 55.82, -8.94, 26.6

 

CMYK 0 / 47 / 93 / 18

HEX #D2700F

RGB 210 112 15

HSL 29.85, 0.87%, 0.44%

LAB 57.39, 33.15, 62.17

 

CMYK 0 / 22 / 93 / 18

HEX #D2A40F

RGB 210 164 15

HSL 45.85, 0.87%, 0.44%

LAB 69.67, 5.22, 71.09

 

CMYK 3 / 0 / 93 / 18

HEX #CBD20F

RGB 203 210 15

HSL 62.15, 0.87%, 0.44%

LAB 81.19, -21.43, 79.53

 

CMYK 28 / 0 / 93 / 18

HEX #97D20F

RGB 151 210 15

HSL 78.15, 0.87%, 0.44%

LAB 77.7, -42.47, 75.3

 

CMYK 53 / 0 / 93 / 18

HEX #63D20F

RGB 99 210 15

HSL 94.15, 0.87%, 0.44%

LAB 75.31, -59.81, 72.38

 

CMYK 4 / 0 / 93 / 48

HEX #808509

RGB 128 133 9

HSL 62.42, 0.87%, 0.28%

LAB 53.37, -15.42, 56.18

 

CMYK 4 / 0 / 93 / 33

HEX #A5AB0C

RGB 165 171 12

HSL 62.26, 0.87%, 0.36%

LAB 67.39, -18.46, 67.97

 

CMYK 4 / 0 / 93 / 18

HEX #CAD20F

RGB 202 210 15

HSL 62.46, 0.87%, 0.44%

LAB 81.12, -21.85, 79.44

 

CMYK 4 / 0 / 89 / 6

HEX #E6EF1B

RGB 230 239 27

HSL 62.55, 0.87%, 0.52%

LAB 91.07, -23.95, 86.48

 

CMYK 3 / 0 / 73 / 5

HEX #EBF241

RGB 235 242 65

HSL 62.37, 0.87%, 0.6%

LAB 92.38, -22.22, 78.71

 

CMYK 4 / 0 / 93 / 18

HEX #C9D10F

RGB 201 209 15

HSL 62.47, 0.87%, 0.44%

LAB 80.77, -21.79, 79.14

 

CMYK 93 / 0 / 71 / 18

HEX #0FD23C

RGB 15 210 60

HSL 133.85, 0.87%, 0.44%

LAB 73.88, -71.13, 59.12

 

CMYK 34 / 93 / 0 / 18

HEX #8A0FD2

RGB 138 15 210

HSL 277.85, 0.87%, 0.44%

LAB 38.55, 73.2, -71.55

 

CMYK 4 / 0 / 93 / 18

HEX #C9D10F

RGB 201 209 15

HSL 62.47, 0.87%, 0.44%

LAB 80.77, -21.79, 79.14

 

CMYK 93 / 3 / 0 / 18

HEX #0FCBD2

RGB 15 203 210

HSL 182.15, 0.87%, 0.44%

LAB 74.49, -37.95, -15.26

 

CMYK 0 / 93 / 3 / 18

HEX #D20FCB

RGB 210 15 203

HSL 302.15, 0.87%, 0.44%

LAB 49.92, 82.66, -48.52

 

CMYK 4 / 0 / 93 / 18

HEX #C9D10F

RGB 201 209 15

HSL 62.47, 0.87%, 0.44%

LAB 80.77, -21.79, 79.14

 

CMYK 93 / 0 / 71 / 18

HEX #0FD23C

RGB 15 210 60

HSL 133.85, 0.87%, 0.44%

LAB 73.88, -71.13, 59.12

 

CMYK 90 / 93 / 0 / 18

HEX #150FD2

RGB 21 15 210

HSL 241.85, 0.87%, 0.44%

LAB 27.17, 65.54, -90.74

 

CMYK 0 / 93 / 22 / 18

HEX #D20FA4

RGB 210 15 164

HSL 314.15, 0.87%, 0.44%

LAB 47.91, 77.54, -28.85

 

CMYK 4 / 0 / 93 / 18

HEX #C9D10F

RGB 201 209 15

HSL 62.47, 0.87%, 0.44%

LAB 80.77, -21.79, 79.14

 

CMYK 93 / 0 / 43 / 18

HEX #0FD277

RGB 15 210 119

HSL 152, 0.87%, 0.44%

LAB 74.53, -63.25, 33.24

 

CMYK 90 / 93 / 0 / 18

HEX #150FD2

RGB 21 15 210

HSL 241.85, 0.87%, 0.44%

LAB 27.17, 65.54, -90.74

 

CMYK 0 / 93 / 50 / 18

HEX #D20F6A

RGB 210 15 106

HSL 332, 0.87%, 0.44%

LAB 45.75, 71.8, 3.17

 

Description

Color code: HEX #C9D10F | qconv.com Color code: HEX #C9D10F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 209 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 209 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 93 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 93% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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