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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9CE3C it is the complementary color #3631C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9CE3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9CE3C shade: #CECE37, #DFE04A, #F0F25D, #FFFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9CE3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9CE3C shade: #C9CE3C, #B8BC29, #A7AA16, #969803 and #858600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9CE3C shade: #C9CE3B, #CEAB3B, #CE843B, #CE5C3B and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9CE3C shade: #C9CE3B, #A1CE3B, #7ACE3B, #52CE3B and #3BCE4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9CE3C shade matches the following richer shades: #C9CE3B, #DBE227 and #EEF614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9CE3C shade: #C9CE3B, #B7BA4F, #A4A663, #929377 and #7F7F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9CE3C shade: #CE853B, #CEAC3B, #C9CE3B, #A2CE3B and #7BCE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9CE3C shade: #8E9225, #AFB32D, #C9CE3B, #D2D65C and #DBDF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9CE3C shade: #C9CE3C, #3BCE5D and #983BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9CE3C shade: #C9CE3C, #3BC9CE and #CE3BC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9CE3C shade: #C9CE3C, #3BCE5D, #403BCE and #CE3BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9CE3C shade: #C9CE3C, #3BCE89, #403BCE and #CE3B80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 71 / 19

HEX #C9CE3C

RGB 201 206 60

HSL 62.05, 0.6%, 0.52%

LAB 80.12, -18.98, 67.79

 

Complementary color

CMYK 72 / 75 / 0 / 24

HEX #3631C3

RGB 54 49 195

HSL 242.05, 0.6%, 0.48%

LAB 31.63, 48.78, -74.52

 

CMYK 0 / 0 / 73 / 19

HEX #CECE37

RGB 206 206 55

HSL 60, 0.61%, 0.51%

LAB 80.48, -17.11, 69.98

 

CMYK 0 / 0 / 67 / 12

HEX #DFE04A

RGB 223 224 74

HSL 60.4, 0.71%, 0.58%

LAB 86.75, -17.99, 69.84

 

CMYK 1 / 0 / 62 / 5

HEX #F0F25D

RGB 240 242 93

HSL 60.81, 0.85%, 0.66%

LAB 92.94, -18.74, 69.28

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3C

RGB 201 206 60

HSL 62.05, 0.6%, 0.52%

LAB 80.12, -18.98, 67.79

 

CMYK 2 / 0 / 78 / 26

HEX #B8BC29

RGB 184 188 41

HSL 61.63, 0.64%, 0.45%

LAB 73.75, -18.03, 67.53

 

CMYK 2 / 0 / 87 / 33

HEX #A7AA16

RGB 167 170 22

HSL 61.22, 0.77%, 0.38%

LAB 67.29, -16.88, 66.26

 

CMYK 1 / 0 / 98 / 40

HEX #969803

RGB 150 152 3

HSL 60.81, 0.96%, 0.3%

LAB 60.73, -15.51, 63.58

 

CMYK 1 / 0 / 100 / 47

HEX #858600

RGB 133 134 0

HSL 60.45, 1%, 0.26%

LAB 54.07, -13.83, 58.48

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3B

RGB 201 206 59

HSL 62.04, 0.6%, 0.52%

LAB 80.11, -19.02, 68.14

 

CMYK 0 / 17 / 71 / 19

HEX #CEAB3B

RGB 206 171 59

HSL 45.71, 0.6%, 0.52%

LAB 71.26, 1.08, 59.6

 

CMYK 0 / 36 / 71 / 19

HEX #CE843B

RGB 206 132 59

HSL 29.8, 0.6%, 0.52%

LAB 61.6, 22.15, 49.69

 

CMYK 0 / 55 / 71 / 19

HEX #CE5C3B

RGB 206 92 59

HSL 13.47, 0.6%, 0.52%

LAB 53.05, 43.07, 40.39

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3B

RGB 201 206 59

HSL 62.04, 0.6%, 0.52%

LAB 80.11, -19.02, 68.14

 

CMYK 22 / 0 / 71 / 19

HEX #A1CE3B

RGB 161 206 59

HSL 78.37, 0.6%, 0.52%

LAB 77.3, -35.25, 64.44

 

CMYK 41 / 0 / 71 / 19

HEX #7ACE3B

RGB 122 206 59

HSL 94.29, 0.6%, 0.52%

LAB 75.2, -49.35, 61.65

 

CMYK 60 / 0 / 71 / 19

HEX #52CE3B

RGB 82 206 59

HSL 110.61, 0.6%, 0.52%

LAB 73.71, -60.69, 59.65

 

CMYK 71 / 0 / 63 / 19

HEX #3BCE4C

RGB 59 206 76

HSL 126.94, 0.6%, 0.52%

LAB 73.28, -63.71, 52.25

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3B

RGB 201 206 59

HSL 62.04, 0.6%, 0.52%

LAB 80.11, -19.02, 68.14

 

CMYK 3 / 0 / 83 / 11

HEX #DBE227

RGB 219 226 39

HSL 62.25, 0.76%, 0.52%

LAB 86.8, -22.01, 80.4

 

CMYK 3 / 0 / 92 / 4

HEX #EEF614

RGB 238 246 20

HSL 62.12, 0.93%, 0.52%

LAB 93.51, -24.09, 89.58

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3B

RGB 201 206 59

HSL 62.04, 0.6%, 0.52%

LAB 80.11, -19.02, 68.14

 

CMYK 2 / 0 / 58 / 27

HEX #B7BA4F

RGB 183 186 79

HSL 61.68, 0.44%, 0.52%

LAB 73.38, -15.32, 52.69

 

CMYK 1 / 0 / 40 / 35

HEX #A4A663

RGB 164 166 99

HSL 61.79, 0.27%, 0.52%

LAB 66.57, -11, 34.41

 

CMYK 1 / 0 / 19 / 42

HEX #929377

RGB 146 147 119

HSL 62.14, 0.11%, 0.52%

LAB 60.17, -5.34, 14.74

 

CMYK 8 / 8 / 0 / 46

HEX #7F7F8A

RGB 127 127 138

HSL 240, 0.04%, 0.52%

LAB 53.52, 2.28, -5.94

 

CMYK 0 / 35 / 71 / 19

HEX #CE853B

RGB 206 133 59

HSL 30.2, 0.6%, 0.52%

LAB 61.84, 21.61, 49.94

 

CMYK 0 / 17 / 71 / 19

HEX #CEAC3B

RGB 206 172 59

HSL 46.12, 0.6%, 0.52%

LAB 71.52, 0.55, 59.86

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3B

RGB 201 206 59

HSL 62.04, 0.6%, 0.52%

LAB 80.11, -19.02, 68.14

 

CMYK 21 / 0 / 71 / 19

HEX #A2CE3B

RGB 162 206 59

HSL 77.96, 0.6%, 0.52%

LAB 77.36, -34.86, 64.52

 

CMYK 40 / 0 / 71 / 19

HEX #7BCE3B

RGB 123 206 59

HSL 93.88, 0.6%, 0.52%

LAB 75.25, -49.02, 61.71

 

CMYK 3 / 0 / 75 / 43

HEX #8E9225

RGB 142 146 37

HSL 62.2, 0.6%, 0.36%

LAB 58.45, -15.01, 53.52

 

CMYK 2 / 0 / 75 / 30

HEX #AFB32D

RGB 175 179 45

HSL 61.79, 0.6%, 0.44%

LAB 70.56, -17.2, 63.11

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3B

RGB 201 206 59

HSL 62.04, 0.6%, 0.52%

LAB 80.11, -19.02, 68.14

 

CMYK 2 / 0 / 57 / 16

HEX #D2D65C

RGB 210 214 92

HSL 61.97, 0.6%, 0.6%

LAB 83.21, -17.25, 58.46

 

CMYK 2 / 0 / 44 / 13

HEX #DBDF7D

RGB 219 223 125

HSL 62.45, 0.6%, 0.68%

LAB 86.66, -15.25, 47.36

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3C

RGB 201 206 60

HSL 62.05, 0.6%, 0.52%

LAB 80.12, -18.98, 67.79

 

CMYK 71 / 0 / 55 / 19

HEX #3BCE5D

RGB 59 206 93

HSL 133.88, 0.6%, 0.52%

LAB 73.46, -61.64, 44.78

 

CMYK 26 / 71 / 0 / 19

HEX #983BCE

RGB 152 59 206

HSL 277.96, 0.6%, 0.52%

LAB 44.6, 61.91, -59.29

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3C

RGB 201 206 60

HSL 62.05, 0.6%, 0.52%

LAB 80.12, -18.98, 67.79

 

CMYK 71 / 2 / 0 / 19

HEX #3BC9CE

RGB 59 201 206

HSL 182.04, 0.6%, 0.52%

LAB 74.29, -34.84, -13.34

 

CMYK 0 / 71 / 2 / 19

HEX #CE3BC9

RGB 206 59 201

HSL 302.04, 0.6%, 0.52%

LAB 52.36, 72.26, -43.54

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3C

RGB 201 206 60

HSL 62.05, 0.6%, 0.52%

LAB 80.12, -18.98, 67.79

 

CMYK 71 / 0 / 55 / 19

HEX #3BCE5D

RGB 59 206 93

HSL 133.88, 0.6%, 0.52%

LAB 73.46, -61.64, 44.78

 

CMYK 69 / 71 / 0 / 19

HEX #403BCE

RGB 64 59 206

HSL 242.04, 0.6%, 0.52%

LAB 35.35, 47.78, -74.78

 

CMYK 0 / 71 / 17 / 19

HEX #CE3BAC

RGB 206 59 172

HSL 313.88, 0.6%, 0.52%

LAB 50.95, 67.95, -28.9

 

CMYK 2 / 0 / 71 / 19

HEX #C9CE3C

RGB 201 206 60

HSL 62.05, 0.6%, 0.52%

LAB 80.12, -18.98, 67.79

 

CMYK 71 / 0 / 33 / 19

HEX #3BCE89

RGB 59 206 137

HSL 151.84, 0.6%, 0.52%

LAB 74.11, -54.18, 23.48

 

CMYK 69 / 71 / 0 / 19

HEX #403BCE

RGB 64 59 206

HSL 242.04, 0.6%, 0.52%

LAB 35.35, 47.78, -74.78

 

CMYK 0 / 71 / 38 / 19

HEX #CE3B80

RGB 206 59 128

HSL 331.84, 0.6%, 0.52%

LAB 49.26, 62.55, -5.25

 

Description

Color code: HEX #C9CE3C | qconv.com Color code: HEX #C9CE3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 206 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 206 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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