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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9CD61 it is the complementary color #36329E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9CD61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9CD61 shade: #CECD5C, #DFDF6F, #F0F182, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9CD61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9CD61 shade: #C9CD61, #B8BB4E, #A7A93B, #969728 and #858515

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9CD61 shade: #C9CD60, #CDB460, #CD9660, #CD7960 and #CD6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9CD61 shade: #C9CD60, #ABCD60, #8ECD60, #71CD60 and #60CD6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9CD61 shade matches the following richer shades: #C9CD60, #D8DE4F and #E8EF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9CD61 shade: #C9CD60, #B9BC71, #A9AB82, #9A9A93 and #8A89A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9CD61 shade: #CD9660, #CDB360, #C9CD60, #ACCD60 and #8FCD60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9CD61 shade: #A2A634, #BEC341, #C9CD60, #D3D77F and #DEE19F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9CD61 shade: #C9CD61, #60CD79 and #A560CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9CD61 shade: #C9CD61, #60C9CD and #CD60C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9CD61 shade: #C9CD61, #60CD79, #6460CD and #CD60B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9CD61 shade: #C9CD61, #60CD9A, #6460CD and #CD6093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 53 / 20

HEX #C9CD61

RGB 201 205 97

HSL 62.22, 0.52%, 0.59%

LAB 80.15, -16.05, 52.53

 

Complementary color

CMYK 66 / 68 / 0 / 38

HEX #36329E

RGB 54 50 158

HSL 242.22, 0.52%, 0.41%

LAB 28.21, 35.94, -58.06

 

CMYK 0 / 0 / 55 / 19

HEX #CECD5C

RGB 206 205 92

HSL 59.47, 0.54%, 0.58%

LAB 80.49, -14.41, 55.31

 

CMYK 0 / 0 / 50 / 13

HEX #DFDF6F

RGB 223 223 111

HSL 60, 0.64%, 0.65%

LAB 86.81, -14.95, 54.25

 

CMYK 0 / 0 / 46 / 5

HEX #F0F182

RGB 240 241 130

HSL 60.54, 0.8%, 0.73%

LAB 93.04, -15.41, 53.13

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD61

RGB 201 205 97

HSL 62.22, 0.52%, 0.59%

LAB 80.15, -16.05, 52.53

 

CMYK 2 / 0 / 58 / 27

HEX #B8BB4E

RGB 184 187 78

HSL 61.65, 0.44%, 0.52%

LAB 73.73, -15.49, 53.54

 

CMYK 1 / 0 / 65 / 34

HEX #A7A93B

RGB 167 169 59

HSL 61.09, 0.48%, 0.45%

LAB 67.21, -14.8, 54.35

 

CMYK 1 / 0 / 74 / 41

HEX #969728

RGB 150 151 40

HSL 60.54, 0.58%, 0.37%

LAB 60.58, -13.93, 54.7

 

CMYK 0 / 0 / 84 / 48

HEX #858515

RGB 133 133 21

HSL 60, 0.73%, 0.3%

LAB 53.83, -12.83, 54.13

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD60

RGB 201 205 96

HSL 62.2, 0.52%, 0.59%

LAB 80.14, -16.13, 52.98

 

CMYK 0 / 12 / 53 / 20

HEX #CDB460

RGB 205 180 96

HSL 46.24, 0.52%, 0.59%

LAB 73.85, -1.63, 45.68

 

CMYK 0 / 27 / 53 / 20

HEX #CD9660

RGB 205 150 96

HSL 29.72, 0.52%, 0.59%

LAB 66.24, 14.48, 36.41

 

CMYK 0 / 41 / 53 / 20

HEX #CD7960

RGB 205 121 96

HSL 13.76, 0.52%, 0.59%

LAB 59.43, 30.23, 27.75

 

CMYK 0 / 53 / 53 / 20

HEX #CD6060

RGB 205 96 96

HSL 0, 0.52%, 0.59%

LAB 54.23, 43.2, 20.89

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD60

RGB 201 205 96

HSL 62.2, 0.52%, 0.59%

LAB 80.14, -16.13, 52.98

 

CMYK 17 / 0 / 53 / 20

HEX #ABCD60

RGB 171 205 96

HSL 78.72, 0.52%, 0.59%

LAB 77.97, -28.07, 49.91

 

CMYK 31 / 0 / 53 / 20

HEX #8ECD60

RGB 142 205 96

HSL 94.68, 0.52%, 0.59%

LAB 76.23, -38.82, 47.41

 

CMYK 45 / 0 / 53 / 20

HEX #71CD60

RGB 113 205 96

HSL 110.64, 0.52%, 0.59%

LAB 74.84, -48.28, 45.42

 

CMYK 53 / 0 / 47 / 20

HEX #60CD6D

RGB 96 205 109

HSL 127.16, 0.52%, 0.59%

LAB 74.35, -51.24, 38.35

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD60

RGB 201 205 96

HSL 62.2, 0.52%, 0.59%

LAB 80.14, -16.13, 52.98

 

CMYK 3 / 0 / 64 / 13

HEX #D8DE4F

RGB 216 222 79

HSL 62.52, 0.68%, 0.59%

LAB 85.71, -19.6, 66.69

 

CMYK 3 / 0 / 74 / 6

HEX #E8EF3E

RGB 232 239 62

HSL 62.37, 0.85%, 0.59%

LAB 91.34, -22.13, 78.6

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD60

RGB 201 205 96

HSL 62.2, 0.52%, 0.59%

LAB 80.14, -16.13, 52.98

 

CMYK 2 / 0 / 40 / 26

HEX #B9BC71

RGB 185 188 113

HSL 62.4, 0.36%, 0.59%

LAB 74.49, -12.35, 37.56

 

CMYK 1 / 0 / 24 / 33

HEX #A9AB82

RGB 169 171 130

HSL 62.93, 0.2%, 0.59%

LAB 68.88, -7.62, 20.94

 

CMYK 0 / 0 / 5 / 40

HEX #9A9A93

RGB 154 154 147

HSL 60, 0.03%, 0.59%

LAB 63.42, -1.31, 3.66

 

CMYK 16 / 16 / 0 / 36

HEX #8A89A4

RGB 138 137 164

HSL 242.22, 0.13%, 0.59%

LAB 58.01, 6.08, -14.13

 

CMYK 0 / 27 / 53 / 20

HEX #CD9660

RGB 205 150 96

HSL 29.72, 0.52%, 0.59%

LAB 66.24, 14.48, 36.41

 

CMYK 0 / 13 / 53 / 20

HEX #CDB360

RGB 205 179 96

HSL 45.69, 0.52%, 0.59%

LAB 73.59, -1.1, 45.37

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD60

RGB 201 205 96

HSL 62.2, 0.52%, 0.59%

LAB 80.14, -16.13, 52.98

 

CMYK 16 / 0 / 53 / 20

HEX #ACCD60

RGB 172 205 96

HSL 78.17, 0.52%, 0.59%

LAB 78.04, -27.68, 50

 

CMYK 30 / 0 / 53 / 20

HEX #8FCD60

RGB 143 205 96

HSL 94.13, 0.52%, 0.59%

LAB 76.28, -38.46, 47.49

 

CMYK 2 / 0 / 69 / 35

HEX #A2A634

RGB 162 166 52

HSL 62.11, 0.52%, 0.43%

LAB 65.91, -15.83, 55.72

 

CMYK 3 / 0 / 67 / 24

HEX #BEC341

RGB 190 195 65

HSL 62.31, 0.52%, 0.51%

LAB 76.29, -17.86, 61.86

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD60

RGB 201 205 96

HSL 62.2, 0.52%, 0.59%

LAB 80.14, -16.13, 52.98

 

CMYK 2 / 0 / 41 / 16

HEX #D3D77F

RGB 211 215 127

HSL 62.73, 0.52%, 0.67%

LAB 83.96, -14.2, 42.88

 

CMYK 1 / 0 / 29 / 12

HEX #DEE19F

RGB 222 225 159

HSL 62.73, 0.52%, 0.75%

LAB 87.91, -11.24, 32.04

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD61

RGB 201 205 97

HSL 62.22, 0.52%, 0.59%

LAB 80.15, -16.05, 52.53

 

CMYK 53 / 0 / 41 / 20

HEX #60CD79

RGB 96 205 121

HSL 133.76, 0.52%, 0.59%

LAB 74.53, -49.37, 32.52

 

CMYK 20 / 53 / 0 / 20

HEX #A560CD

RGB 165 96 205

HSL 277.98, 0.52%, 0.59%

LAB 52.7, 47.01, -45.65

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD61

RGB 201 205 97

HSL 62.22, 0.52%, 0.59%

LAB 80.15, -16.05, 52.53

 

CMYK 53 / 2 / 0 / 20

HEX #60C9CD

RGB 96 201 205

HSL 182.2, 0.52%, 0.59%

LAB 75.24, -29.1, -11.27

 

CMYK 0 / 53 / 2 / 20

HEX #CD60C9

RGB 205 96 201

HSL 302.2, 0.52%, 0.59%

LAB 57.62, 57.07, -35.28

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD61

RGB 201 205 97

HSL 62.22, 0.52%, 0.59%

LAB 80.15, -16.05, 52.53

 

CMYK 53 / 0 / 41 / 20

HEX #60CD79

RGB 96 205 121

HSL 133.76, 0.52%, 0.59%

LAB 74.53, -49.37, 32.52

 

CMYK 51 / 53 / 0 / 20

HEX #6460CD

RGB 100 96 205

HSL 242.2, 0.52%, 0.59%

LAB 46.29, 31.16, -56.27

 

CMYK 0 / 53 / 13 / 20

HEX #CD60B3

RGB 205 96 179

HSL 314.31, 0.52%, 0.59%

LAB 56.68, 53.42, -24.12

 

CMYK 2 / 0 / 53 / 20

HEX #C9CD61

RGB 201 205 97

HSL 62.22, 0.52%, 0.59%

LAB 80.15, -16.05, 52.53

 

CMYK 53 / 0 / 25 / 20

HEX #60CD9A

RGB 96 205 154

HSL 151.93, 0.52%, 0.59%

LAB 75.13, -43.2, 16.04

 

CMYK 51 / 53 / 0 / 20

HEX #6460CD

RGB 100 96 205

HSL 242.2, 0.52%, 0.59%

LAB 46.29, 31.16, -56.27

 

CMYK 0 / 53 / 28 / 20

HEX #CD6093

RGB 205 96 147

HSL 331.93, 0.52%, 0.59%

LAB 55.53, 48.76, -7.25

 

Description

Color code: HEX #C9CD61 | qconv.com Color code: HEX #C9CD61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 205 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 205 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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