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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9CC3C it is the complementary color #3633C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9CC3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9CC3C shade: #CECC37, #DFDE4A, #F0F05D, #FFFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9CC3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9CC3C shade: #C9CC3C, #B8BA29, #A7A816, #969603 and #858400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9CC3C shade: #C9CC3C, #CCA83C, #CC813C, #CC5A3C and #CC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9CC3C shade: #C9CC3C, #A2CC3C, #7BCC3C, #54CC3C and #3CCC4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9CC3C shade matches the following richer shades: #C9CC3C, #DCE028 and #EFF414

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9CC3C shade: #C9CC3C, #B6B950, #A3A563, #909177 and #7D7D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9CC3C shade: #CC823C, #CCA83C, #CACC3C, #A3CC3C and #7DCC3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9CC3C shade: #8E9125, #AFB22D, #C9CC3C, #D2D55D and #DBDD7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9CC3C shade: #C9CC3C, #3CCC5B and #953CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9CC3C shade: #C9CC3C, #3CCACC and #CC3CCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9CC3C shade: #C9CC3C, #3CCC5B, #3E3CCC and #CC3CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9CC3C shade: #C9CC3C, #3CCC87, #3E3CCC and #CC3C82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

Complementary color

CMYK 72 / 74 / 0 / 24

HEX #3633C3

RGB 54 51 195

HSL 241.25, 0.59%, 0.48%

LAB 32.02, 47.68, -73.88

 

CMYK 0 / 1 / 73 / 19

HEX #CECC37

RGB 206 204 55

HSL 59.21, 0.61%, 0.51%

LAB 79.94, -16.11, 69.48

 

CMYK 0 / 0 / 67 / 13

HEX #DFDE4A

RGB 223 222 74

HSL 59.6, 0.7%, 0.58%

LAB 86.22, -17.01, 69.31

 

CMYK 0 / 0 / 61 / 6

HEX #F0F05D

RGB 240 240 93

HSL 60, 0.83%, 0.65%

LAB 92.41, -17.77, 68.73

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 1 / 0 / 78 / 27

HEX #B8BA29

RGB 184 186 41

HSL 60.83, 0.64%, 0.45%

LAB 73.2, -17.02, 67.04

 

CMYK 1 / 0 / 87 / 34

HEX #A7A816

RGB 167 168 22

HSL 60.41, 0.77%, 0.37%

LAB 66.73, -15.86, 65.8

 

CMYK 0 / 0 / 98 / 41

HEX #969603

RGB 150 150 3

HSL 60, 0.96%, 0.3%

LAB 60.16, -14.46, 63.15

 

CMYK 0 / 1 / 100 / 48

HEX #858400

RGB 133 132 0

HSL 59.55, 1%, 0.26%

LAB 53.48, -12.76, 58.05

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 0 / 18 / 71 / 20

HEX #CCA83C

RGB 204 168 60

HSL 45, 0.59%, 0.52%

LAB 70.29, 1.86, 58.16

 

CMYK 0 / 37 / 71 / 20

HEX #CC813C

RGB 204 129 60

HSL 28.75, 0.59%, 0.52%

LAB 60.66, 22.99, 48.14

 

CMYK 0 / 56 / 71 / 20

HEX #CC5A3C

RGB 204 90 60

HSL 12.5, 0.59%, 0.52%

LAB 52.37, 43.34, 39

 

CMYK 0 / 71 / 71 / 20

HEX #CC3C3C

RGB 204 60 60

HSL 0, 0.59%, 0.52%

LAB 47.49, 56.37, 33.36

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 21 / 0 / 71 / 20

HEX #A2CC3C

RGB 162 204 60

HSL 77.5, 0.59%, 0.52%

LAB 76.8, -33.89, 63.6

 

CMYK 40 / 0 / 71 / 20

HEX #7BCC3C

RGB 123 204 60

HSL 93.75, 0.59%, 0.52%

LAB 74.65, -48.13, 60.74

 

CMYK 59 / 0 / 71 / 20

HEX #54CC3C

RGB 84 204 60

HSL 110, 0.59%, 0.52%

LAB 73.15, -59.43, 58.73

 

CMYK 71 / 0 / 64 / 20

HEX #3CCC4A

RGB 60 204 74

HSL 125.83, 0.59%, 0.52%

LAB 72.65, -63.09, 52.41

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 2 / 0 / 82 / 12

HEX #DCE028

RGB 220 224 40

HSL 61.3, 0.75%, 0.52%

LAB 86.35, -20.6, 79.82

 

CMYK 2 / 0 / 92 / 4

HEX #EFF414

RGB 239 244 20

HSL 61.34, 0.91%, 0.52%

LAB 93.06, -22.73, 89.26

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 2 / 0 / 57 / 27

HEX #B6B950

RGB 182 185 80

HSL 61.71, 0.43%, 0.52%

LAB 73.04, -15.16, 51.83

 

CMYK 1 / 0 / 40 / 35

HEX #A3A563

RGB 163 165 99

HSL 61.82, 0.27%, 0.52%

LAB 66.21, -10.88, 33.94

 

CMYK 1 / 0 / 18 / 43

HEX #909177

RGB 144 145 119

HSL 62.31, 0.11%, 0.52%

LAB 59.45, -5.02, 13.71

 

CMYK 10 / 10 / 0 / 45

HEX #7D7D8B

RGB 125 125 139

HSL 240, 0.06%, 0.52%

LAB 52.83, 2.93, -7.57

 

CMYK 0 / 36 / 71 / 20

HEX #CC823C

RGB 204 130 60

HSL 29.17, 0.59%, 0.52%

LAB 60.9, 22.44, 48.39

 

CMYK 0 / 18 / 71 / 20

HEX #CCA83C

RGB 204 168 60

HSL 45, 0.59%, 0.52%

LAB 70.29, 1.86, 58.16

 

CMYK 1 / 0 / 71 / 20

HEX #CACC3C

RGB 202 204 60

HSL 60.83, 0.59%, 0.52%

LAB 79.65, -17.57, 67.37

 

CMYK 20 / 0 / 71 / 20

HEX #A3CC3C

RGB 163 204 60

HSL 77.08, 0.59%, 0.52%

LAB 76.86, -33.5, 63.68

 

CMYK 39 / 0 / 71 / 20

HEX #7DCC3C

RGB 125 204 60

HSL 92.92, 0.59%, 0.52%

LAB 74.74, -47.46, 60.86

 

CMYK 2 / 0 / 74 / 43

HEX #8E9125

RGB 142 145 37

HSL 61.67, 0.59%, 0.36%

LAB 58.17, -14.49, 53.25

 

CMYK 2 / 0 / 75 / 30

HEX #AFB22D

RGB 175 178 45

HSL 61.35, 0.6%, 0.44%

LAB 70.28, -16.69, 62.85

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 1 / 0 / 56 / 16

HEX #D2D55D

RGB 210 213 93

HSL 61.5, 0.59%, 0.6%

LAB 82.96, -16.69, 57.73

 

CMYK 1 / 0 / 43 / 13

HEX #DBDD7D

RGB 219 221 125

HSL 61.25, 0.59%, 0.68%

LAB 86.13, -14.26, 46.71

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 71 / 0 / 55 / 20

HEX #3CCC5B

RGB 60 204 91

HSL 132.92, 0.59%, 0.52%

LAB 72.83, -61.05, 44.98

 

CMYK 27 / 71 / 0 / 20

HEX #953CCC

RGB 149 60 204

HSL 277.08, 0.59%, 0.52%

LAB 44.21, 60.46, -58.8

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 71 / 1 / 0 / 20

HEX #3CCACC

RGB 60 202 204

HSL 180.83, 0.59%, 0.52%

LAB 74.55, -35.76, -11.87

 

CMYK 0 / 71 / 1 / 20

HEX #CC3CCA

RGB 204 60 202

HSL 300.83, 0.59%, 0.52%

LAB 52.21, 71.65, -44.37

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 71 / 0 / 55 / 20

HEX #3CCC5B

RGB 60 204 91

HSL 132.92, 0.59%, 0.52%

LAB 72.83, -61.05, 44.98

 

CMYK 70 / 71 / 0 / 20

HEX #3E3CCC

RGB 62 60 204

HSL 240.83, 0.59%, 0.52%

LAB 35.23, 46.34, -73.82

 

CMYK 0 / 71 / 15 / 20

HEX #CC3CAD

RGB 204 60 173

HSL 312.92, 0.59%, 0.52%

LAB 50.79, 67.27, -29.77

 

CMYK 1 / 0 / 71 / 20

HEX #C9CC3C

RGB 201 204 60

HSL 61.25, 0.59%, 0.52%

LAB 79.57, -17.99, 67.27

 

CMYK 71 / 0 / 34 / 20

HEX #3CCC87

RGB 60 204 135

HSL 151.25, 0.59%, 0.52%

LAB 73.48, -53.66, 23.68

 

CMYK 70 / 71 / 0 / 20

HEX #3E3CCC

RGB 62 60 204

HSL 240.83, 0.59%, 0.52%

LAB 35.23, 46.34, -73.82

 

CMYK 0 / 71 / 36 / 20

HEX #CC3C82

RGB 204 60 130

HSL 330.83, 0.59%, 0.52%

LAB 49.11, 61.86, -6.72

 

Description

Color code: HEX #C9CC3C | qconv.com Color code: HEX #C9CC3C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 204 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 204 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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