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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9C43C it is the complementary color #363BC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9C43C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9C43C shade: #CEC437, #DFD64A, #F0E85D, #FFFA70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9C43C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9C43C shade: #C9C43C, #B8B229, #A7A016, #968E03 and #857C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9C43C shade: #C9C43A, #C99D3A, #C9773A, #C9503A and #C93A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9C43C shade: #C9C43A, #A7C93A, #81C93A, #5BC93A and #3AC940

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9C43C shade matches the following richer shades: #C9C43A, #DDD626 and #F1E912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9C43C shade: #C9C43A, #B5B14F, #A09E63, #8C8B77 and #78798B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9C43C shade: #C9763A, #C99C3A, #C9C23A, #AAC93A and #84C93A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9C43C shade: #8B8726, #ABA72F, #C9C43A, #D2CD5B and #DBD77B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9C43C shade: #C9C43C, #3AC950 and #893AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9C43C shade: #C9C43C, #3AC9C2 and #C23AC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9C43C shade: #C9C43C, #3AC950, #3A41C9 and #C93AB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9C43C shade: #C9C43C, #3AC97A, #3A41C9 and #C93A89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 70 / 21

HEX #C9C43C

RGB 201 196 60

HSL 57.87, 0.57%, 0.51%

LAB 77.41, -13.98, 65.16

 

Complementary color

CMYK 72 / 70 / 0 / 24

HEX #363BC3

RGB 54 59 195

HSL 237.87, 0.57%, 0.49%

LAB 33.67, 43.08, -71.15

 

CMYK 0 / 5 / 73 / 19

HEX #CEC437

RGB 206 196 55

HSL 56.03, 0.61%, 0.51%

LAB 77.8, -12.09, 67.46

 

CMYK 0 / 4 / 67 / 13

HEX #DFD64A

RGB 223 214 74

HSL 56.38, 0.7%, 0.58%

LAB 84.11, -13.05, 67.18

 

CMYK 0 / 3 / 61 / 6

HEX #F0E85D

RGB 240 232 93

HSL 56.73, 0.83%, 0.65%

LAB 90.33, -13.87, 66.5

 

CMYK 0 / 2 / 56 / 0

HEX #FFFA70

RGB 255 250 112

HSL 57.9, 1%, 0.72%

LAB 96.33, -15.36, 65.4

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 2 / 70 / 21

HEX #C9C43C

RGB 201 196 60

HSL 57.87, 0.57%, 0.51%

LAB 77.41, -13.98, 65.16

 

CMYK 0 / 3 / 78 / 28

HEX #B8B229

RGB 184 178 41

HSL 57.48, 0.64%, 0.44%

LAB 71, -12.95, 65.07

 

CMYK 0 / 4 / 87 / 35

HEX #A7A016

RGB 167 160 22

HSL 57.1, 0.77%, 0.37%

LAB 64.5, -11.71, 63.97

 

CMYK 0 / 5 / 98 / 41

HEX #968E03

RGB 150 142 3

HSL 56.73, 0.96%, 0.3%

LAB 57.88, -10.22, 61.46

 

CMYK 0 / 7 / 100 / 48

HEX #857C00

RGB 133 124 0

HSL 55.94, 1%, 0.26%

LAB 51.15, -8.41, 56.36

 

CMYK 0 / 2 / 71 / 21

HEX #C9C43A

RGB 201 196 58

HSL 57.9, 0.57%, 0.51%

LAB 77.4, -14.08, 65.88

 

CMYK 0 / 22 / 71 / 21

HEX #C99D3A

RGB 201 157 58

HSL 41.54, 0.57%, 0.51%

LAB 67.15, 6.36, 55.71

 

CMYK 0 / 41 / 71 / 21

HEX #C9773A

RGB 201 119 58

HSL 25.59, 0.57%, 0.51%

LAB 57.96, 27.04, 46.09

 

CMYK 0 / 60 / 71 / 21

HEX #C9503A

RGB 201 80 58

HSL 9.23, 0.57%, 0.51%

LAB 50.05, 46.88, 37.33

 

CMYK 0 / 71 / 71 / 21

HEX #C93A3A

RGB 201 58 58

HSL 0, 0.57%, 0.51%

LAB 46.64, 56.07, 33.39

 

CMYK 0 / 2 / 71 / 21

HEX #C9C43A

RGB 201 196 58

HSL 57.9, 0.57%, 0.51%

LAB 77.4, -14.08, 65.88

 

CMYK 17 / 0 / 71 / 21

HEX #A7C93A

RGB 167 201 58

HSL 74.27, 0.57%, 0.51%

LAB 76.25, -30.63, 63.89

 

CMYK 36 / 0 / 71 / 21

HEX #81C93A

RGB 129 201 58

HSL 90.21, 0.57%, 0.51%

LAB 74.03, -44.97, 60.93

 

CMYK 55 / 0 / 71 / 21

HEX #5BC93A

RGB 91 201 58

HSL 106.15, 0.57%, 0.51%

LAB 72.43, -56.74, 58.8

 

CMYK 71 / 0 / 68 / 21

HEX #3AC940

RGB 58 201 64

HSL 122.52, 0.57%, 0.51%

LAB 71.58, -63.44, 55.34

 

CMYK 0 / 2 / 71 / 21

HEX #C9C43A

RGB 201 196 58

HSL 57.9, 0.57%, 0.51%

LAB 77.4, -14.08, 65.88

 

CMYK 0 / 3 / 83 / 13

HEX #DDD626

RGB 221 214 38

HSL 57.7, 0.73%, 0.51%

LAB 83.76, -15.33, 78.14

 

CMYK 0 / 3 / 93 / 5

HEX #F1E912

RGB 241 233 18

HSL 57.85, 0.89%, 0.51%

LAB 90.33, -16.63, 87.48

 

CMYK 0 / 2 / 71 / 21

HEX #C9C43A

RGB 201 196 58

HSL 57.9, 0.57%, 0.51%

LAB 77.4, -14.08, 65.88

 

CMYK 0 / 2 / 56 / 29

HEX #B5B14F

RGB 181 177 79

HSL 57.65, 0.41%, 0.51%

LAB 70.76, -11.55, 49.69

 

CMYK 0 / 1 / 38 / 37

HEX #A09E63

RGB 160 158 99

HSL 58.03, 0.24%, 0.51%

LAB 64.02, -8.41, 31.1

 

CMYK 0 / 1 / 15 / 45

HEX #8C8B77

RGB 140 139 119

HSL 57.14, 0.08%, 0.51%

LAB 57.44, -3.26, 10.85

 

CMYK 14 / 13 / 0 / 45

HEX #78798B

RGB 120 121 139

HSL 236.84, 0.08%, 0.51%

LAB 51.3, 3.49, -9.89

 

CMYK 0 / 41 / 71 / 21

HEX #C9763A

RGB 201 118 58

HSL 25.17, 0.57%, 0.51%

LAB 57.73, 27.58, 45.84

 

CMYK 0 / 22 / 71 / 21

HEX #C99C3A

RGB 201 156 58

HSL 41.12, 0.57%, 0.51%

LAB 66.9, 6.9, 55.45

 

CMYK 0 / 3 / 71 / 21

HEX #C9C23A

RGB 201 194 58

HSL 57.06, 0.57%, 0.51%

LAB 76.86, -13.07, 65.35

 

CMYK 15 / 0 / 71 / 21

HEX #AAC93A

RGB 170 201 58

HSL 73.01, 0.57%, 0.51%

LAB 76.45, -29.42, 64.15

 

CMYK 34 / 0 / 71 / 21

HEX #84C93A

RGB 132 201 58

HSL 88.95, 0.57%, 0.51%

LAB 74.18, -43.92, 61.14

 

CMYK 0 / 3 / 73 / 45

HEX #8B8726

RGB 139 135 38

HSL 57.62, 0.57%, 0.35%

LAB 55.03, -10.45, 49.77

 

CMYK 0 / 2 / 73 / 33

HEX #ABA72F

RGB 171 167 47

HSL 58.06, 0.57%, 0.43%

LAB 66.9, -12.69, 58.84

 

CMYK 0 / 2 / 71 / 21

HEX #C9C43A

RGB 201 196 58

HSL 57.9, 0.57%, 0.51%

LAB 77.4, -14.08, 65.88

 

CMYK 0 / 2 / 57 / 18

HEX #D2CD5B

RGB 210 205 91

HSL 57.48, 0.57%, 0.59%

LAB 80.81, -12.84, 56.2

 

CMYK 0 / 2 / 44 / 14

HEX #DBD77B

RGB 219 215 123

HSL 57.5, 0.57%, 0.67%

LAB 84.53, -11.46, 45.7

 

CMYK 0 / 2 / 70 / 21

HEX #C9C43C

RGB 201 196 60

HSL 57.87, 0.57%, 0.51%

LAB 77.41, -13.98, 65.16

 

CMYK 71 / 0 / 60 / 21

HEX #3AC950

RGB 58 201 80

HSL 129.23, 0.57%, 0.51%

LAB 71.73, -61.75, 48.72

 

CMYK 32 / 71 / 0 / 21

HEX #893AC9

RGB 137 58 201

HSL 273.15, 0.57%, 0.51%

LAB 42.1, 58.31, -60.56

 

CMYK 0 / 2 / 70 / 21

HEX #C9C43C

RGB 201 196 60

HSL 57.87, 0.57%, 0.51%

LAB 77.41, -13.98, 65.16

 

CMYK 71 / 0 / 3 / 21

HEX #3AC9C2

RGB 58 201 194

HSL 177.06, 0.57%, 0.51%

LAB 73.91, -38.39, -7.4

 

CMYK 3 / 71 / 0 / 21

HEX #C23AC9

RGB 194 58 201

HSL 297.06, 0.57%, 0.51%

LAB 50.35, 70, -46.85

 

CMYK 0 / 2 / 70 / 21

HEX #C9C43C

RGB 201 196 60

HSL 57.87, 0.57%, 0.51%

LAB 77.41, -13.98, 65.16

 

CMYK 71 / 0 / 60 / 21

HEX #3AC950

RGB 58 201 80

HSL 129.23, 0.57%, 0.51%

LAB 71.73, -61.75, 48.72

 

CMYK 71 / 68 / 0 / 21

HEX #3A41C9

RGB 58 65 201

HSL 237.06, 0.57%, 0.51%

LAB 35.79, 41.96, -71.17

 

CMYK 0 / 71 / 11 / 21

HEX #C93AB3

RGB 201 58 179

HSL 309.23, 0.57%, 0.51%

LAB 50.33, 68.1, -34.03

 

CMYK 0 / 2 / 70 / 21

HEX #C9C43C

RGB 201 196 60

HSL 57.87, 0.57%, 0.51%

LAB 77.41, -13.98, 65.16

 

CMYK 71 / 0 / 39 / 21

HEX #3AC97A

RGB 58 201 122

HSL 146.85, 0.57%, 0.51%

LAB 72.28, -55.34, 28.86

 

CMYK 71 / 68 / 0 / 21

HEX #3A41C9

RGB 58 65 201

HSL 237.06, 0.57%, 0.51%

LAB 35.79, 41.96, -71.17

 

CMYK 0 / 71 / 32 / 21

HEX #C93A89

RGB 201 58 137

HSL 326.85, 0.57%, 0.51%

LAB 48.57, 62.54, -11.8

 

Description

Color code: HEX #C9C43C | qconv.com Color code: HEX #C9C43C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 196 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 196 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 70 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 70% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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