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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9BDF03F it is the complementary color #36420F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9BDF03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9BDF03F shade: #CEBDEB3F, #DFCFFE3F, #F0E1FF3F, #FFF3FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9BDF03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9BDF03F shade: #C9BDF03F, #B8ABDD3F, #A799CA3F, #9687B73F and #8575A43F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9BDF03F shade: #C9BCF0, #D6BCF0, #E4BCF0, #F0BCEE and #F0BCE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9BDF03F shade: #C9BCF0 and #BCBCF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9BDF03F shade matches the following richer shades: #C9BCF0, #C5B6F7 and #C2AFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9BDF03F shade: #C9BCF0, #CCC3E9, #D0CAE3, #D3D0DC and #D7D7D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9BDF03F shade: #BCCCF0, #BCBEF0, #C8BCF0, #D6BCF0 and #E4BCF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9BDF03F shade: #9279E1, #AD9BE8, #C9BCF0, #E4DEF8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9BDF03F shade: #C9BDF0, #F0BCDA and #C5F0BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9BDF03F shade: #C9BDF0, #F0C8BC and #BCF0C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9BDF03F shade: #C9BDF0, #F0BCDA, #E4F0BC and #BCF0D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9BDF03F shade: #C9BDF0, #F0BCCA, #E4F0BC and #BCF0E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 5 / 0 / 1

HEX #C9BDF03F

RGBA 201 189 240 0.25

HSLA 254.12, 0.63%, 0.84%, 0.25

LABA 79.1, 14.21, -23.74, 0.25

 

Complementary color

CMYK 5 / 0 / 19 / 19

HEX #36420F3F

RGBA 54 66 15 0.25

HSLA 74.12, 0.63%, 0.16%, 0.25

LABA 25.91, -13.41, 28.06, 0.25

 

CMYK 3 / 5 / 0 / 2

HEX #CEBDEB3F

RGBA 206 189 235 0.25

HSLA 262.17, 0.53%, 0.83%, 0.25

LABA 79.34, 14.73, -20.66, 0.25

 

CMYK 3 / 5 / 0 / 0

HEX #DFCFFE3F

RGBA 223 207 254 0.25

HSLA 260.43, 0.96%, 0.9%, 0.25

LABA 85.74, 14.36, -20.96, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F0E1FF3F

RGBA 240 225 255 0.25

HSLA 270, 1%, 0.94%, 0.25

LABA 91.5, 10.49, -12.69, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 4 / 5 / 0 / 1

HEX #C9BDF03F

RGBA 201 189 240 0.25

HSLA 254.12, 0.63%, 0.84%, 0.25

LABA 79.1, 14.21, -23.74, 0.25

 

CMYK 4 / 6 / 0 / 3

HEX #B8ABDD3F

RGBA 184 171 221 0.25

HSLA 255.6, 0.42%, 0.77%, 0.25

LABA 72.59, 14.62, -23.51, 0.25

 

CMYK 4 / 6 / 0 / 5

HEX #A799CA3F

RGBA 167 153 202 0.25

HSLA 257.14, 0.32%, 0.7%, 0.25

LABA 65.95, 15.06, -23.29, 0.25

 

CMYK 5 / 7 / 0 / 7

HEX #9687B73F

RGBA 150 135 183 0.25

HSLA 258.75, 0.25%, 0.62%, 0.25

LABA 59.19, 15.55, -23.09, 0.25

 

CMYK 5 / 7 / 0 / 9

HEX #8575A43F

RGBA 133 117 164 0.25

HSLA 260.43, 0.21%, 0.55%, 0.25

LABA 52.27, 16.09, -22.92, 0.25

 

CMYK 16 / 22 / 0 / 6

HEX #C9BCF0

RGB 201 188 240

HSL 255, 0.63%, 0.84%

LAB 78.85, 14.75, -24.12

 

CMYK 11 / 22 / 0 / 6

HEX #D6BCF0

RGB 214 188 240

HSL 270, 0.63%, 0.84%

LAB 79.93, 18.85, -22.38

 

CMYK 5 / 22 / 0 / 6

HEX #E4BCF0

RGB 228 188 240

HSL 286.15, 0.63%, 0.84%

LAB 81.15, 23.33, -20.41

 

CMYK 0 / 22 / 1 / 6

HEX #F0BCEE

RGB 240 188 238

HSL 302.31, 0.63%, 0.84%

LAB 82.2, 26.87, -17.65

 

CMYK 0 / 22 / 7 / 6

HEX #F0BCE0

RGB 240 188 224

HSL 318.46, 0.63%, 0.84%

LAB 81.77, 24.39, -10.79

 

CMYK 16 / 22 / 0 / 6

HEX #C9BCF0

RGB 201 188 240

HSL 255, 0.63%, 0.84%

LAB 78.85, 14.75, -24.12

 

CMYK 22 / 22 / 0 / 6

HEX #BCBCF0

RGB 188 188 240

HSL 240, 0.63%, 0.84%

LAB 77.84, 10.76, -25.75

 

CMYK 16 / 22 / 0 / 6

HEX #C9BCF0

RGB 201 188 240

HSL 255, 0.63%, 0.84%

LAB 78.85, 14.75, -24.12

 

CMYK 20 / 26 / 0 / 3

HEX #C5B6F7

RGB 197 182 247

HSL 253.85, 0.8%, 0.84%

LAB 77.31, 18.34, -30.28

 

CMYK 23 / 31 / 0 / 1

HEX #C2AFFD

RGB 194 175 253

HSL 254.62, 0.95%, 0.84%

LAB 75.59, 22.65, -36.18

 

CMYK 16 / 22 / 0 / 6

HEX #C9BCF0

RGB 201 188 240

HSL 255, 0.63%, 0.84%

LAB 78.85, 14.75, -24.12

 

CMYK 12 / 16 / 0 / 9

HEX #CCC3E9

RGB 204 195 233

HSL 254.21, 0.46%, 0.84%

LAB 80.6, 10.44, -17.69

 

CMYK 8 / 11 / 0 / 11

HEX #D0CAE3

RGB 208 202 227

HSL 254.4, 0.31%, 0.84%

LAB 82.48, 6.78, -11.62

 

CMYK 4 / 5 / 0 / 14

HEX #D3D0DC

RGB 211 208 220

HSL 255, 0.15%, 0.84%

LAB 84.03, 3.24, -5.56

 

CMYK 0 / 0 / 1 / 16

HEX #D7D7D5

RGB 215 215 213

HSL 60, 0.02%, 0.84%

LAB 85.93, -0.36, 0.97

 

CMYK 22 / 15 / 0 / 6

HEX #BCCCF0

RGB 188 204 240

HSL 221.54, 0.63%, 0.84%

LAB 81.93, 2.13, -19.54

 

CMYK 22 / 21 / 0 / 6

HEX #BCBEF0

RGB 188 190 240

HSL 237.69, 0.63%, 0.84%

LAB 78.35, 9.67, -24.98

 

CMYK 17 / 22 / 0 / 6

HEX #C8BCF0

RGB 200 188 240

HSL 253.85, 0.63%, 0.84%

LAB 78.77, 14.44, -24.25

 

CMYK 11 / 22 / 0 / 6

HEX #D6BCF0

RGB 214 188 240

HSL 270, 0.63%, 0.84%

LAB 79.93, 18.85, -22.38

 

CMYK 5 / 22 / 0 / 6

HEX #E4BCF0

RGB 228 188 240

HSL 286.15, 0.63%, 0.84%

LAB 81.15, 23.33, -20.41

 

CMYK 35 / 46 / 0 / 12

HEX #9279E1

RGB 146 121 225

HSL 254.42, 0.63%, 0.68%

LAB 57.29, 32.94, -49.79

 

CMYK 25 / 33 / 0 / 9

HEX #AD9BE8

RGB 173 155 232

HSL 254.03, 0.63%, 0.76%

LAB 68.13, 22.74, -36.47

 

CMYK 16 / 22 / 0 / 6

HEX #C9BCF0

RGB 201 188 240

HSL 255, 0.63%, 0.84%

LAB 78.85, 14.75, -24.12

 

CMYK 8 / 10 / 0 / 3

HEX #E4DEF8

RGB 228 222 248

HSL 253.85, 0.65%, 0.92%

LAB 89.63, 6.84, -11.91

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 16 / 21 / 0 / 6

HEX #C9BDF0

RGB 201 189 240

HSL 254.12, 0.63%, 0.84%

LAB 79.1, 14.21, -23.74

 

CMYK 0 / 22 / 9 / 6

HEX #F0BCDA

RGB 240 188 218

HSL 325.38, 0.63%, 0.84%

LAB 81.59, 23.37, -7.82

 

CMYK 18 / 0 / 22 / 6

HEX #C5F0BC

RGB 197 240 188

HSL 109.62, 0.63%, 0.84%

LAB 90.7, -23.35, 20.67

 

CMYK 16 / 21 / 0 / 6

HEX #C9BDF0

RGB 201 189 240

HSL 254.12, 0.63%, 0.84%

LAB 79.1, 14.21, -23.74

 

CMYK 0 / 17 / 22 / 6

HEX #F0C8BC

RGB 240 200 188

HSL 13.85, 0.63%, 0.84%

LAB 83.69, 12.33, 11.28

 

CMYK 22 / 0 / 17 / 6

HEX #BCF0C8

RGB 188 240 200

HSL 133.85, 0.63%, 0.84%

LAB 90.41, -24.26, 13.98

 

CMYK 16 / 21 / 0 / 6

HEX #C9BDF0

RGB 201 189 240

HSL 254.12, 0.63%, 0.84%

LAB 79.1, 14.21, -23.74

 

CMYK 0 / 22 / 9 / 6

HEX #F0BCDA

RGB 240 188 218

HSL 325.38, 0.63%, 0.84%

LAB 81.59, 23.37, -7.82

 

CMYK 5 / 0 / 22 / 6

HEX #E4F0BC

RGB 228 240 188

HSL 73.85, 0.63%, 0.84%

LAB 92.77, -12.56, 23.86

 

CMYK 22 / 0 / 12 / 6

HEX #BCF0D3

RGB 188 240 211

HSL 146.54, 0.63%, 0.84%

LAB 90.65, -22.24, 8.61

 

CMYK 16 / 21 / 0 / 6

HEX #C9BDF0

RGB 201 189 240

HSL 254.12, 0.63%, 0.84%

LAB 79.1, 14.21, -23.74

 

CMYK 0 / 22 / 16 / 6

HEX #F0BCCA

RGB 240 188 202

HSL 343.85, 0.63%, 0.84%

LAB 81.16, 20.78, 0.14

 

CMYK 5 / 0 / 22 / 6

HEX #E4F0BC

RGB 228 240 188

HSL 73.85, 0.63%, 0.84%

LAB 92.77, -12.56, 23.86

 

CMYK 22 / 0 / 6 / 6

HEX #BCF0E2

RGB 188 240 226

HSL 163.85, 0.63%, 0.84%

LAB 91.01, -19.32, 1.33

 

Description

Color code: HEX #C9BDF03F | qconv.com Color code: HEX #C9BDF03F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 189 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 189 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 5 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 5% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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