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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9B9DC it is the complementary color #364623. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9B9DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9B9DC shade: #CEB9D7, #DFCBEA, #F0DDFD, #FFEFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9B9DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9B9DC shade: #C9B9DC, #B8A7C9, #A795B6, #9683A3 and #857190

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9B9DC shade: #C8B8DB, #D1B8DB, #DBB8DB, #DBB8D2 and #DBB8C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9B9DC shade: #C8B8DB, #BEB8DB and #B8B8DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9B9DC shade matches the following richer shades: #C8B8DB, #C7AFE4, #C6A6EC, #C69EF5 and #C595FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9B9DC shade: #C8B8DB, #C9C0D2, #C9C9CA, #CAD2C1 and #CBDAB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9B9DC shade: #B8BBDB, #BEB8DB, #C8B8DB, #D1B8DB and #DBB8DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9B9DC shade: #9E81BF, #B39CCD, #C8B8DB, #DDD3E9 and #F2EFF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9B9DC shade: #C9B9DC, #DBB8C4 and #B8DBBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9B9DC shade: #C9B9DC, #DBC8B8 and #B8DBC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9B9DC shade: #C9B9DC, #DBB8C4, #CBDBB8 and #B8DBCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9B9DC shade: #C9B9DC, #DBB8BA, #CBDBB8 and #B8DBD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 16 / 0 / 14

HEX #C9B9DC

RGB 201 185 220

HSL 267.43, 0.33%, 0.79%

LAB 77.45, 12.22, -15.46

 

Complementary color

CMYK 23 / 0 / 50 / 73

HEX #364623

RGB 54 70 35

HSL 87.43, 0.33%, 0.21%

LAB 27.53, -13.52, 18.99

 

CMYK 4 / 14 / 0 / 16

HEX #CEB9D7

RGB 206 185 215

HSL 282, 0.27%, 0.78%

LAB 77.71, 12.89, -12.32

 

CMYK 5 / 13 / 0 / 8

HEX #DFCBEA

RGB 223 203 234

HSL 278.71, 0.42%, 0.86%

LAB 84.14, 12.54, -12.75

 

CMYK 5 / 13 / 0 / 1

HEX #F0DDFD

RGB 240 221 253

HSL 275.63, 0.89%, 0.93%

LAB 90.47, 12.21, -13.18

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 9 / 16 / 0 / 14

HEX #C9B9DC

RGB 201 185 220

HSL 267.43, 0.33%, 0.79%

LAB 77.45, 12.22, -15.46

 

CMYK 8 / 17 / 0 / 21

HEX #B8A7C9

RGB 184 167 201

HSL 270, 0.24%, 0.72%

LAB 70.9, 12.59, -15.09

 

CMYK 8 / 18 / 0 / 29

HEX #A795B6

RGB 167 149 182

HSL 272.73, 0.18%, 0.65%

LAB 64.23, 12.99, -14.72

 

CMYK 8 / 20 / 0 / 36

HEX #9683A3

RGB 150 131 163

HSL 275.63, 0.15%, 0.58%

LAB 57.43, 13.43, -14.35

 

CMYK 8 / 22 / 0 / 44

HEX #857190

RGB 133 113 144

HSL 278.71, 0.12%, 0.5%

LAB 50.46, 13.91, -13.98

 

CMYK 9 / 16 / 0 / 14

HEX #C8B8DB

RGB 200 184 219

HSL 267.43, 0.33%, 0.79%

LAB 77.09, 12.23, -15.47

 

CMYK 5 / 16 / 0 / 14

HEX #D1B8DB

RGB 209 184 219

HSL 282.86, 0.33%, 0.79%

LAB 77.85, 15.21, -14.26

 

CMYK 0 / 16 / 0 / 14

HEX #DBB8DB

RGB 219 184 219

HSL 300, 0.33%, 0.79%

LAB 78.73, 18.55, -12.84

 

CMYK 0 / 16 / 4 / 14

HEX #DBB8D2

RGB 219 184 210

HSL 315.43, 0.33%, 0.79%

LAB 78.46, 16.92, -8.38

 

CMYK 0 / 16 / 9 / 14

HEX #DBB8C8

RGB 219 184 200

HSL 332.57, 0.33%, 0.79%

LAB 78.18, 15.17, -3.38

 

CMYK 9 / 16 / 0 / 14

HEX #C8B8DB

RGB 200 184 219

HSL 267.43, 0.33%, 0.79%

LAB 77.09, 12.23, -15.47

 

CMYK 13 / 16 / 0 / 14

HEX #BEB8DB

RGB 190 184 219

HSL 250.29, 0.33%, 0.79%

LAB 76.28, 8.98, -16.77

 

CMYK 16 / 16 / 0 / 14

HEX #B8B8DB

RGB 184 184 219

HSL 240, 0.33%, 0.79%

LAB 75.81, 7.05, -17.52

 

CMYK 9 / 16 / 0 / 14

HEX #C8B8DB

RGB 200 184 219

HSL 267.43, 0.33%, 0.79%

LAB 77.09, 12.23, -15.47

 

CMYK 13 / 23 / 0 / 11

HEX #C7AFE4

RGB 199 175 228

HSL 267.17, 0.5%, 0.79%

LAB 75.08, 18.67, -23.4

 

CMYK 16 / 30 / 0 / 7

HEX #C6A6EC

RGB 198 166 236

HSL 267.43, 0.65%, 0.79%

LAB 73.11, 25.01, -30.78

 

CMYK 19 / 36 / 0 / 4

HEX #C69EF5

RGB 198 158 245

HSL 267.59, 0.81%, 0.79%

LAB 71.59, 31.39, -38.03

 

CMYK 22 / 41 / 0 / 0

HEX #C595FE

RGB 197 149 254

HSL 267.43, 0.98%, 0.79%

LAB 69.84, 38.06, -45.67

 

CMYK 9 / 16 / 0 / 14

HEX #C8B8DB

RGB 200 184 219

HSL 267.43, 0.33%, 0.79%

LAB 77.09, 12.23, -15.47

 

CMYK 4 / 9 / 0 / 18

HEX #C9C0D2

RGB 201 192 210

HSL 270, 0.17%, 0.79%

LAB 78.91, 6.48, -7.88

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9CA

RGB 201 201 202

HSL 240, 0.01%, 0.79%

LAB 80.99, 0.19, -0.51

 

CMYK 4 / 0 / 8 / 18

HEX #CAD2C1

RGB 202 210 193

HSL 88.24, 0.16%, 0.79%

LAB 83.18, -5.77, 7.48

 

CMYK 7 / 0 / 16 / 15

HEX #CBDAB8

RGB 203 218 184

HSL 86.47, 0.31%, 0.79%

LAB 85.15, -11.03, 15.05

 

CMYK 16 / 15 / 0 / 14

HEX #B8BBDB

RGB 184 187 219

HSL 234.86, 0.33%, 0.79%

LAB 76.59, 5.42, -16.35

 

CMYK 13 / 16 / 0 / 14

HEX #BEB8DB

RGB 190 184 219

HSL 250.29, 0.33%, 0.79%

LAB 76.28, 8.98, -16.77

 

CMYK 9 / 16 / 0 / 14

HEX #C8B8DB

RGB 200 184 219

HSL 267.43, 0.33%, 0.79%

LAB 77.09, 12.23, -15.47

 

CMYK 5 / 16 / 0 / 14

HEX #D1B8DB

RGB 209 184 219

HSL 282.86, 0.33%, 0.79%

LAB 77.85, 15.21, -14.26

 

CMYK 0 / 16 / 0 / 14

HEX #DBB8DB

RGB 219 184 219

HSL 300, 0.33%, 0.79%

LAB 78.73, 18.55, -12.84

 

CMYK 17 / 32 / 0 / 25

HEX #9E81BF

RGB 158 129 191

HSL 268.06, 0.33%, 0.63%

LAB 58.72, 23.39, -28.29

 

CMYK 13 / 24 / 0 / 20

HEX #B39CCD

RGB 179 156 205

HSL 268.16, 0.33%, 0.71%

LAB 67.85, 17.89, -21.97

 

CMYK 9 / 16 / 0 / 14

HEX #C8B8DB

RGB 200 184 219

HSL 267.43, 0.33%, 0.79%

LAB 77.09, 12.23, -15.47

 

CMYK 5 / 9 / 0 / 9

HEX #DDD3E9

RGB 221 211 233

HSL 267.27, 0.33%, 0.87%

LAB 85.93, 7.45, -9.57

 

CMYK 2 / 3 / 0 / 3

HEX #F2EFF7

RGB 242 239 247

HSL 262.5, 0.33%, 0.95%

LAB 94.88, 2.43, -3.51

 

CMYK 9 / 16 / 0 / 14

HEX #C9B9DC

RGB 201 185 220

HSL 267.43, 0.33%, 0.79%

LAB 77.45, 12.22, -15.46

 

CMYK 0 / 16 / 11 / 14

HEX #DBB8C4

RGB 219 184 196

HSL 339.43, 0.33%, 0.79%

LAB 78.07, 14.49, -1.37

 

CMYK 16 / 0 / 15 / 14

HEX #B8DBBA

RGB 184 219 186

HSL 123.43, 0.33%, 0.79%

LAB 84.17, -17.76, 12.43

 

CMYK 9 / 16 / 0 / 14

HEX #C9B9DC

RGB 201 185 220

HSL 267.43, 0.33%, 0.79%

LAB 77.45, 12.22, -15.46

 

CMYK 0 / 9 / 16 / 14

HEX #DBC8B8

RGB 219 200 184

HSL 27.43, 0.33%, 0.79%

LAB 81.75, 4.04, 10.4

 

CMYK 16 / 0 / 9 / 14

HEX #B8DBC8

RGB 184 219 200

HSL 147.43, 0.33%, 0.79%

LAB 84.5, -15.2, 5.5

 

CMYK 9 / 16 / 0 / 14

HEX #C9B9DC

RGB 201 185 220

HSL 267.43, 0.33%, 0.79%

LAB 77.45, 12.22, -15.46

 

CMYK 0 / 16 / 11 / 14

HEX #DBB8C4

RGB 219 184 196

HSL 339.43, 0.33%, 0.79%

LAB 78.07, 14.49, -1.37

 

CMYK 7 / 0 / 16 / 14

HEX #CBDBB8

RGB 203 219 184

HSL 87.43, 0.33%, 0.79%

LAB 85.41, -11.54, 15.42

 

CMYK 16 / 0 / 5 / 14

HEX #B8DBCF

RGB 184 219 207

HSL 159.43, 0.33%, 0.79%

LAB 84.67, -13.85, 2.05

 

CMYK 9 / 16 / 0 / 14

HEX #C9B9DC

RGB 201 185 220

HSL 267.43, 0.33%, 0.79%

LAB 77.45, 12.22, -15.46

 

CMYK 0 / 16 / 15 / 14

HEX #DBB8BA

RGB 219 184 186

HSL 356.57, 0.33%, 0.79%

LAB 77.81, 12.86, 3.67

 

CMYK 7 / 0 / 16 / 14

HEX #CBDBB8

RGB 203 219 184

HSL 87.43, 0.33%, 0.79%

LAB 85.41, -11.54, 15.42

 

CMYK 16 / 0 / 1 / 14

HEX #B8DBD9

RGB 184 219 217

HSL 176.57, 0.33%, 0.79%

LAB 84.93, -11.85, -2.87

 

Description

Color code: HEX #C9B9DC | qconv.com Color code: HEX #C9B9DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 185 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 185 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 16 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 16% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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