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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9B4EB00 it is the complementary color #364B1400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9B4EB00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9B4EB00 shade: #CEB4E600, #DFC6F900, #F0D8FF00, #FFEAFF00 and #FFFCFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9B4EB00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9B4EB00 shade: #C9B4EB00, #B8A2D800, #A790C500, #967EB200 and #856C9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9B4EB00 shade: #C8B2EB, #D7B2EB, #E6B2EB, #EBB2E0 and #EBB2D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9B4EB00 shade: #C8B2EB, #B9B2EB and #B2B2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9B4EB00 shade matches the following richer shades: #C8B2EB, #C6ABF2 and #C4A3FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9B4EB00 shade: #C8B2EB, #CABAE3, #CCC2DB, #CDCAD3 and #CFD2CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9B4EB00 shade: #B2BCEB, #B8B2EB, #C7B2EB, #D6B2EB and #E5B2EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9B4EB00 shade: #9971D9, #B092E2, #C8B2EB, #DFD3F3 and #F7F4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9B4EB00 shade: #C9B4EB, #EBB2CB and #B4EBB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9B4EB00 shade: #C9B4EB, #EBC7B2 and #B2EBC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9B4EB00 shade: #C9B4EB, #EBB2CB, #D6EBB2 and #B2EBD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9B4EB00 shade: #C9B4EB, #EBB2BA, #D6EBB2 and #B2EBE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #C9B4EB00

RGBA 201 180 235 0

HSLA 262.91, 0.58%, 0.81%, 0

LABA 76.71, 18.04, -24.69, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #364B1400

RGBA 54 75 20 0

HSLA 82.91, 0.58%, 0.19%, 0

LABA 29.07, -18.03, 28.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CEB4E600

RGBA 206 180 230 0

HSLA 271.2, 0.5%, 0.8%, 0

LABA 76.97, 18.59, -21.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DFC6F900

RGBA 223 198 249 0

HSLA 269.41, 0.81%, 0.88%, 0

LABA 83.4, 18.15, -21.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F0D8FF00

RGBA 240 216 255 0

HSLA 276.92, 1%, 0.92%, 0

LABA 89.33, 15.21, -15.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEAFF00

RGBA 255 234 255 0

HSLA 300, 1%, 0.96%, 0

LABA 94.88, 10.72, -7.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCFF00

RGBA 255 252 255 0

HSLA 300, 1%, 0.99%, 0

LABA 99.26, 1.52, -1.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C9B4EB00

RGBA 201 180 235 0

HSLA 262.91, 0.58%, 0.81%, 0

LABA 76.71, 18.04, -24.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B8A2D800

RGBA 184 162 216 0

HSLA 264.44, 0.41%, 0.74%, 0

LABA 70.17, 18.52, -24.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A790C500

RGBA 167 144 197 0

HSLA 266.04, 0.31%, 0.67%, 0

LABA 63.5, 19.04, -24.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #967EB200

RGBA 150 126 178 0

HSLA 267.69, 0.25%, 0.6%, 0

LABA 56.7, 19.61, -24.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #856C9F00

RGBA 133 108 159 0

HSLA 269.41, 0.21%, 0.52%, 0

LABA 49.76, 20.24, -23.89, 0

 

CMYK 15 / 24 / 0 / 8

HEX #C8B2EB

RGB 200 178 235

HSL 263.16, 0.59%, 0.81%

LAB 76.14, 18.82, -25.57

 

CMYK 9 / 24 / 0 / 8

HEX #D7B2EB

RGB 215 178 235

HSL 278.95, 0.59%, 0.81%

LAB 77.45, 23.57, -23.45

 

CMYK 2 / 24 / 0 / 8

HEX #E6B2EB

RGB 230 178 235

HSL 294.74, 0.59%, 0.81%

LAB 78.85, 28.39, -21.2

 

CMYK 0 / 24 / 5 / 8

HEX #EBB2E0

RGB 235 178 224

HSL 311.58, 0.59%, 0.81%

LAB 78.97, 28.04, -15.02

 

CMYK 0 / 24 / 11 / 8

HEX #EBB2D1

RGB 235 178 209

HSL 327.37, 0.59%, 0.81%

LAB 78.52, 25.48, -7.57

 

CMYK 15 / 24 / 0 / 8

HEX #C8B2EB

RGB 200 178 235

HSL 263.16, 0.59%, 0.81%

LAB 76.14, 18.82, -25.57

 

CMYK 21 / 24 / 0 / 8

HEX #B9B2EB

RGB 185 178 235

HSL 247.37, 0.59%, 0.81%

LAB 74.92, 14.19, -27.54

 

CMYK 24 / 24 / 0 / 8

HEX #B2B2EB

RGB 178 178 235

HSL 240, 0.59%, 0.81%

LAB 74.38, 12.08, -28.42

 

CMYK 15 / 24 / 0 / 8

HEX #C8B2EB

RGB 200 178 235

HSL 263.16, 0.59%, 0.81%

LAB 76.14, 18.82, -25.57

 

CMYK 18 / 29 / 0 / 5

HEX #C6ABF2

RGB 198 171 242

HSL 262.82, 0.73%, 0.81%

LAB 74.54, 23.57, -31.84

 

CMYK 22 / 35 / 0 / 2

HEX #C4A3FA

RGB 196 163 250

HSL 262.76, 0.9%, 0.81%

LAB 72.78, 29.17, -38.9

 

CMYK 15 / 24 / 0 / 8

HEX #C8B2EB

RGB 200 178 235

HSL 263.16, 0.59%, 0.81%

LAB 76.14, 18.82, -25.57

 

CMYK 11 / 18 / 0 / 11

HEX #CABAE3

RGB 202 186 227

HSL 263.41, 0.42%, 0.81%

LAB 78, 13.43, -18.4

 

CMYK 7 / 11 / 0 / 14

HEX #CCC2DB

RGB 204 194 219

HSL 264, 0.26%, 0.81%

LAB 79.92, 8.16, -11.2

 

CMYK 3 / 4 / 0 / 17

HEX #CDCAD3

RGB 205 202 211

HSL 260, 0.09%, 0.81%

LAB 81.8, 2.7, -4.11

 

CMYK 1 / 0 / 3 / 18

HEX #CFD2CB

RGB 207 210 203

HSL 85.71, 0.07%, 0.81%

LAB 83.79, -2.28, 3.1

 

CMYK 24 / 20 / 0 / 8

HEX #B2BCEB

RGB 178 188 235

HSL 229.47, 0.59%, 0.81%

LAB 76.94, 6.6, -24.51

 

CMYK 22 / 24 / 0 / 8

HEX #B8B2EB

RGB 184 178 235

HSL 246.32, 0.59%, 0.81%

LAB 74.84, 13.89, -27.67

 

CMYK 15 / 24 / 0 / 8

HEX #C7B2EB

RGB 199 178 235

HSL 262.11, 0.59%, 0.81%

LAB 76.06, 18.51, -25.7

 

CMYK 9 / 24 / 0 / 8

HEX #D6B2EB

RGB 214 178 235

HSL 277.89, 0.59%, 0.81%

LAB 77.36, 23.25, -23.6

 

CMYK 3 / 24 / 0 / 8

HEX #E5B2EB

RGB 229 178 235

HSL 293.68, 0.59%, 0.81%

LAB 78.75, 28.07, -21.36

 

CMYK 29 / 48 / 0 / 15

HEX #9971D9

RGB 153 113 217

HSL 263.08, 0.58%, 0.65%

LAB 55.68, 37.3, -47.82

 

CMYK 22 / 35 / 0 / 11

HEX #B092E2

RGB 176 146 226

HSL 262.5, 0.58%, 0.73%

LAB 65.97, 27.27, -36.52

 

CMYK 15 / 24 / 0 / 8

HEX #C8B2EB

RGB 200 178 235

HSL 263.16, 0.59%, 0.81%

LAB 76.14, 18.82, -25.57

 

CMYK 8 / 13 / 0 / 5

HEX #DFD3F3

RGB 223 211 243

HSL 262.5, 0.57%, 0.89%

LAB 86.38, 10.04, -14.18

 

CMYK 2 / 3 / 0 / 1

HEX #F7F4FC

RGB 247 244 252

HSL 262.5, 0.57%, 0.97%

LAB 96.62, 2.42, -3.49

 

CMYK 14 / 23 / 0 / 8

HEX #C9B4EB

RGB 201 180 235

HSL 262.91, 0.58%, 0.81%

LAB 76.71, 18.04, -24.69

 

CMYK 0 / 24 / 14 / 8

HEX #EBB2CB

RGB 235 178 203

HSL 333.68, 0.59%, 0.81%

LAB 78.35, 24.5, -4.57

 

CMYK 23 / 0 / 24 / 8

HEX #B4EBB2

RGB 180 235 178

HSL 117.89, 0.59%, 0.81%

LAB 88.13, -28.26, 22.11

 

CMYK 14 / 23 / 0 / 8

HEX #C9B4EB

RGB 201 180 235

HSL 262.91, 0.58%, 0.81%

LAB 76.71, 18.04, -24.69

 

CMYK 0 / 15 / 24 / 8

HEX #EBC7B2

RGB 235 199 178

HSL 22.11, 0.59%, 0.81%

LAB 82.77, 9.59, 15.24

 

CMYK 24 / 0 / 15 / 8

HEX #B2EBC7

RGB 178 235 199

HSL 142.11, 0.59%, 0.81%

LAB 88.45, -25.2, 11.64

 

CMYK 14 / 23 / 0 / 8

HEX #C9B4EB

RGB 201 180 235

HSL 262.91, 0.58%, 0.81%

LAB 76.71, 18.04, -24.69

 

CMYK 0 / 24 / 14 / 8

HEX #EBB2CB

RGB 235 178 203

HSL 333.68, 0.59%, 0.81%

LAB 78.35, 24.5, -4.57

 

CMYK 9 / 0 / 24 / 8

HEX #D6EBB2

RGB 214 235 178

HSL 82.11, 0.59%, 0.81%

LAB 90.29, -16.55, 25.42

 

CMYK 24 / 0 / 11 / 8

HEX #B2EBD2

RGB 178 235 210

HSL 153.68, 0.59%, 0.81%

LAB 88.7, -23.1, 6.26

 

CMYK 14 / 23 / 0 / 8

HEX #C9B4EB

RGB 201 180 235

HSL 262.91, 0.58%, 0.81%

LAB 76.71, 18.04, -24.69

 

CMYK 0 / 24 / 21 / 8

HEX #EBB2BA

RGB 235 178 186

HSL 351.58, 0.59%, 0.81%

LAB 77.9, 21.87, 4

 

CMYK 9 / 0 / 24 / 8

HEX #D6EBB2

RGB 214 235 178

HSL 82.11, 0.59%, 0.81%

LAB 90.29, -16.55, 25.42

 

CMYK 24 / 0 / 3 / 8

HEX #B2EBE3

RGB 178 235 227

HSL 171.58, 0.59%, 0.81%

LAB 89.12, -19.64, -2.02

 

Description

Color code: HEX #C9B4EB00 | qconv.com Color code: HEX #C9B4EB00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 180 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 180 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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