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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9B2F8 it is the complementary color #364D07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9B2F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9B2F8 shade: #CEB2F3, #DFC4FF, #F0D6FF, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9B2F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9B2F8 shade: #C9B2F8, #B8A0E5, #A78ED2, #967CBF and #856AAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9B2F8 shade: #CBB4F8, #DDB4F8, #EFB4F8, #F8B4EF and #F8B4DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9B2F8 shade: #CBB4F8, #B8B4F8 and #B4B4F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9B2F8 shade matches the following richer shades: #CBB4F8 and #C8AEFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9B2F8 shade: #CBB4F8, #CDBBF1, #CFC2EB, #D1C8E4 and #D4CFDE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9B2F8 shade: #B4C3F8, #B8B4F8, #CAB4F8, #DCB4F8 and #EEB4F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9B2F8 shade: #9669F1, #B08FF5, #CBB4F8, #E5DAFC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9B2F8 shade: #C9B2F8, #F8B4D5 and #BAF8B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9B2F8 shade: #C9B2F8, #F8CAB4 and #B4F8CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9B2F8 shade: #C9B2F8, #F8B4D5, #E3F8B4 and #B4F8D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9B2F8 shade: #C9B2F8, #F8B4C1, #E3F8B4 and #B4F8EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 28 / 0 / 3

HEX #C9B2F8

RGB 201 178 248

HSL 259.71, 0.83%, 0.84%

LAB 76.7, 21.95, -31.72

 

Complementary color

CMYK 30 / 0 / 91 / 70

HEX #364D07

RGB 54 77 7

HSL 79.71, 0.83%, 0.16%

LAB 29.68, -19.94, 34.78

 

CMYK 15 / 27 / 0 / 5

HEX #CEB2F3

RGB 206 178 243

HSL 265.85, 0.73%, 0.83%

LAB 76.94, 22.4, -28.62

 

CMYK 13 / 23 / 0 / 0

HEX #DFC4FF

RGB 223 196 255

HSL 267.46, 1%, 0.88%

LAB 83.12, 20.44, -25.47

 

CMYK 6 / 16 / 0 / 0

HEX #F0D6FF

RGB 240 214 255

HSL 278.05, 1%, 0.92%

LAB 88.85, 16.26, -16.67

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 19 / 28 / 0 / 3

HEX #C9B2F8

RGB 201 178 248

HSL 259.71, 0.83%, 0.84%

LAB 76.7, 21.95, -31.72

 

CMYK 20 / 30 / 0 / 10

HEX #B8A0E5

RGB 184 160 229

HSL 260.87, 0.57%, 0.76%

LAB 70.17, 22.51, -31.6

 

CMYK 20 / 32 / 0 / 18

HEX #A78ED2

RGB 167 142 210

HSL 262.06, 0.43%, 0.69%

LAB 63.52, 23.12, -31.5

 

CMYK 21 / 35 / 0 / 25

HEX #967CBF

RGB 150 124 191

HSL 263.28, 0.34%, 0.62%

LAB 56.74, 23.79, -31.42

 

CMYK 23 / 38 / 0 / 33

HEX #856AAC

RGB 133 106 172

HSL 264.55, 0.28%, 0.55%

LAB 49.83, 24.53, -31.38

 

CMYK 18 / 27 / 0 / 3

HEX #CBB4F8

RGB 203 180 248

HSL 260.29, 0.83%, 0.84%

LAB 77.35, 21.47, -30.71

 

CMYK 11 / 27 / 0 / 3

HEX #DDB4F8

RGB 221 180 248

HSL 276.18, 0.83%, 0.84%

LAB 78.92, 27, -28.16

 

CMYK 4 / 27 / 0 / 3

HEX #EFB4F8

RGB 239 180 248

HSL 292.06, 0.83%, 0.84%

LAB 80.61, 32.64, -25.43

 

CMYK 0 / 27 / 4 / 3

HEX #F8B4EF

RGB 248 180 239

HSL 307.94, 0.83%, 0.84%

LAB 81.2, 33.89, -19.62

 

CMYK 0 / 27 / 11 / 3

HEX #F8B4DC

RGB 248 180 220

HSL 324.71, 0.83%, 0.84%

LAB 80.61, 30.67, -10.28

 

CMYK 18 / 27 / 0 / 3

HEX #CBB4F8

RGB 203 180 248

HSL 260.29, 0.83%, 0.84%

LAB 77.35, 21.47, -30.71

 

CMYK 26 / 27 / 0 / 3

HEX #B8B4F8

RGB 184 180 248

HSL 243.53, 0.83%, 0.84%

LAB 75.83, 15.81, -33.18

 

CMYK 27 / 27 / 0 / 3

HEX #B4B4F8

RGB 180 180 248

HSL 240, 0.83%, 0.84%

LAB 75.53, 14.65, -33.67

 

CMYK 18 / 27 / 0 / 3

HEX #CBB4F8

RGB 203 180 248

HSL 260.29, 0.83%, 0.84%

LAB 77.35, 21.47, -30.71

 

CMYK 22 / 32 / 0 / 0

HEX #C8AEFF

RGB 200 174 255

HSL 259.26, 1%, 0.84%

LAB 75.93, 25.42, -36.69

 

CMYK 18 / 27 / 0 / 3

HEX #CBB4F8

RGB 203 180 248

HSL 260.29, 0.83%, 0.84%

LAB 77.35, 21.47, -30.71

 

CMYK 15 / 22 / 0 / 5

HEX #CDBBF1

RGB 205 187 241

HSL 260, 0.66%, 0.84%

LAB 78.97, 16.76, -24.45

 

CMYK 12 / 17 / 0 / 8

HEX #CFC2EB

RGB 207 194 235

HSL 259.02, 0.51%, 0.84%

LAB 80.65, 12.35, -18.66

 

CMYK 8 / 12 / 0 / 11

HEX #D1C8E4

RGB 209 200 228

HSL 259.29, 0.34%, 0.84%

LAB 82.09, 8.37, -12.74

 

CMYK 5 / 7 / 0 / 13

HEX #D4CFDE

RGB 212 207 222

HSL 260, 0.19%, 0.84%

LAB 83.91, 4.48, -6.8

 

CMYK 27 / 21 / 0 / 3

HEX #B4C3F8

RGB 180 195 248

HSL 226.76, 0.83%, 0.84%

LAB 79.33, 6.44, -27.81

 

CMYK 26 / 27 / 0 / 3

HEX #B8B4F8

RGB 184 180 248

HSL 243.53, 0.83%, 0.84%

LAB 75.83, 15.81, -33.18

 

CMYK 19 / 27 / 0 / 3

HEX #CAB4F8

RGB 202 180 248

HSL 259.41, 0.83%, 0.84%

LAB 77.27, 21.16, -30.84

 

CMYK 11 / 27 / 0 / 3

HEX #DCB4F8

RGB 220 180 248

HSL 275.29, 0.83%, 0.84%

LAB 78.83, 26.69, -28.31

 

CMYK 4 / 27 / 0 / 3

HEX #EEB4F8

RGB 238 180 248

HSL 291.18, 0.83%, 0.84%

LAB 80.51, 32.33, -25.58

 

CMYK 38 / 56 / 0 / 5

HEX #9669F1

RGB 150 105 241

HSL 259.85, 0.83%, 0.68%

LAB 55.01, 47.14, -62.36

 

CMYK 28 / 42 / 0 / 4

HEX #B08FF5

RGB 176 143 245

HSL 259.41, 0.84%, 0.76%

LAB 66.11, 33.47, -46.75

 

CMYK 18 / 27 / 0 / 3

HEX #CBB4F8

RGB 203 180 248

HSL 260.29, 0.83%, 0.84%

LAB 77.35, 21.47, -30.71

 

CMYK 9 / 13 / 0 / 1

HEX #E5DAFC

RGB 229 218 252

HSL 259.41, 0.85%, 0.92%

LAB 88.84, 10.04, -15.18

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 19 / 28 / 0 / 3

HEX #C9B2F8

RGB 201 178 248

HSL 259.71, 0.83%, 0.84%

LAB 76.7, 21.95, -31.72

 

CMYK 0 / 27 / 14 / 3

HEX #F8B4D5

RGB 248 180 213

HSL 330.88, 0.83%, 0.84%

LAB 80.41, 29.54, -6.8

 

CMYK 25 / 0 / 27 / 3

HEX #BAF8B4

RGB 186 248 180

HSL 114.71, 0.83%, 0.84%

LAB 92.07, -32.07, 26.55

 

CMYK 19 / 28 / 0 / 3

HEX #C9B2F8

RGB 201 178 248

HSL 259.71, 0.83%, 0.84%

LAB 76.7, 21.95, -31.72

 

CMYK 0 / 19 / 27 / 3

HEX #F8CAB4

RGB 248 202 180

HSL 19.41, 0.83%, 0.84%

LAB 84.74, 13.13, 17.12

 

CMYK 27 / 0 / 19 / 3

HEX #B4F8CA

RGB 180 248 202

HSL 139.41, 0.83%, 0.84%

LAB 92.18, -30.21, 15.38

 

CMYK 19 / 28 / 0 / 3

HEX #C9B2F8

RGB 201 178 248

HSL 259.71, 0.83%, 0.84%

LAB 76.7, 21.95, -31.72

 

CMYK 0 / 27 / 14 / 3

HEX #F8B4D5

RGB 248 180 213

HSL 330.88, 0.83%, 0.84%

LAB 80.41, 29.54, -6.8

 

CMYK 8 / 0 / 27 / 3

HEX #E3F8B4

RGB 227 248 180

HSL 78.53, 0.83%, 0.84%

LAB 94.64, -17.98, 30.46

 

CMYK 27 / 0 / 13 / 3

HEX #B4F8D7

RGB 180 248 215

HSL 150.88, 0.83%, 0.84%

LAB 92.46, -27.77, 9.08

 

CMYK 19 / 28 / 0 / 3

HEX #C9B2F8

RGB 201 178 248

HSL 259.71, 0.83%, 0.84%

LAB 76.7, 21.95, -31.72

 

CMYK 0 / 27 / 22 / 3

HEX #F8B4C1

RGB 248 180 193

HSL 348.53, 0.83%, 0.84%

LAB 79.87, 26.52, 3.22

 

CMYK 8 / 0 / 27 / 3

HEX #E3F8B4

RGB 227 248 180

HSL 78.53, 0.83%, 0.84%

LAB 94.64, -17.98, 30.46

 

CMYK 27 / 0 / 5 / 3

HEX #B4F8EC

RGB 180 248 236

HSL 169.41, 0.83%, 0.84%

LAB 92.97, -23.53, -1.06

 

Description

Color code: HEX #C9B2F8 | qconv.com Color code: HEX #C9B2F8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 178 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 178 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 28 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 28% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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