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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9AF92 it is the complementary color #36506D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9AF92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9AF92 shade: #CEAF8D, #DFC1A0, #F0D3B3, #FFE5C6 and #FFF7D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9AF92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9AF92 shade: #C9AF92, #B89D7F, #A78B6C, #967959 and #856746

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9AF92 shade: #C9AF92, #C9A092 and #C99292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9AF92 shade: #C9AF92, #C9BE92, #C5C992, #B6C992 and #A8C992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9AF92 shade matches the following richer shades: #C9AF92, #D6B084, #E4B077, #F1B16A and #FEB25D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9AF92 shade: #C9AF92, #BCAE9F, #AFADAC, #A2ADB9 and #94ACC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9AF92 shade: #C99293, #C9A092, #C9AE92, #C9BD92 and #C6C992

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9AF92 shade: #AE865A, #BC9B76, #C9AF92, #D7C3AD and #E4D7C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9AF92 shade: #C9AF92, #A1C992 and #9892C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9AF92 shade: #C9AF92, #92C9AE and #AE92C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9AF92 shade: #C9AF92, #A1C992, #92ACC9 and #B992C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9AF92 shade: #C9AF92, #92C993, #92ACC9 and #C992C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

Complementary color

CMYK 50 / 27 / 0 / 57

HEX #36506D

RGB 54 80 109

HSL 211.64, 0.34%, 0.32%

LAB 33.19, -0.96, -19.76

 

CMYK 0 / 15 / 32 / 19

HEX #CEAF8D

RGB 206 175 141

HSL 31.38, 0.4%, 0.68%

LAB 73.35, 6.25, 21.62

 

CMYK 0 / 13 / 28 / 13

HEX #DFC1A0

RGB 223 193 160

HSL 31.43, 0.5%, 0.75%

LAB 79.82, 5.76, 20.56

 

CMYK 0 / 12 / 25 / 6

HEX #F0D3B3

RGB 240 211 179

HSL 31.48, 0.67%, 0.82%

LAB 86.19, 5.32, 19.57

 

CMYK 0 / 10 / 22 / 0

HEX #FFE5C6

RGB 255 229 198

HSL 32.63, 1%, 0.89%

LAB 92.3, 4.2, 18.37

 

CMYK 0 / 3 / 15 / 0

HEX #FFF7D9

RGB 255 247 217

HSL 47.37, 1%, 0.93%

LAB 97.14, -2.17, 15.38

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 0 / 15 / 31 / 28

HEX #B89D7F

RGB 184 157 127

HSL 31.58, 0.29%, 0.61%

LAB 66.39, 5.45, 19.4

 

CMYK 0 / 17 / 35 / 35

HEX #A78B6C

RGB 167 139 108

HSL 31.53, 0.25%, 0.54%

LAB 59.67, 6.02, 20.55

 

CMYK 0 / 19 / 41 / 41

HEX #967959

RGB 150 121 89

HSL 31.48, 0.26%, 0.47%

LAB 52.82, 6.69, 21.8

 

CMYK 0 / 23 / 47 / 48

HEX #856746

RGB 133 103 70

HSL 31.43, 0.31%, 0.4%

LAB 45.81, 7.5, 23.19

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 0 / 20 / 27 / 21

HEX #C9A092

RGB 201 160 146

HSL 15.27, 0.34%, 0.68%

LAB 69.21, 13.1, 13.06

 

CMYK 0 / 27 / 27 / 21

HEX #C99292

RGB 201 146 146

HSL 0, 0.34%, 0.68%

LAB 65.79, 20.76, 8.22

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 0 / 5 / 27 / 21

HEX #C9BE92

RGB 201 190 146

HSL 48, 0.34%, 0.68%

LAB 76.87, -3, 23.66

 

CMYK 2 / 0 / 27 / 21

HEX #C5C992

RGB 197 201 146

HSL 64.36, 0.34%, 0.68%

LAB 79.45, -10.24, 27.1

 

CMYK 9 / 0 / 27 / 21

HEX #B6C992

RGB 182 201 146

HSL 80.73, 0.34%, 0.68%

LAB 78.34, -15.89, 25.41

 

CMYK 16 / 0 / 27 / 21

HEX #A8C992

RGB 168 201 146

HSL 96, 0.34%, 0.68%

LAB 77.38, -21.01, 23.95

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 0 / 18 / 38 / 16

HEX #D6B084

RGB 214 176 132

HSL 32.2, 0.5%, 0.68%

LAB 74.2, 7.78, 27.72

 

CMYK 0 / 23 / 48 / 11

HEX #E4B077

RGB 228 176 119

HSL 31.38, 0.67%, 0.68%

LAB 75.37, 12.05, 36.38

 

CMYK 0 / 27 / 56 / 5

HEX #F1B16A

RGB 241 177 106

HSL 31.56, 0.83%, 0.68%

LAB 76.79, 15.68, 45.1

 

CMYK 0 / 30 / 63 / 0

HEX #FEB25D

RGB 254 178 93

HSL 31.68, 0.99%, 0.68%

LAB 78.29, 19.55, 53.57

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 0 / 7 / 15 / 26

HEX #BCAE9F

RGB 188 174 159

HSL 31.03, 0.18%, 0.68%

LAB 71.87, 2.49, 9.5

 

CMYK 0 / 1 / 2 / 31

HEX #AFADAC

RGB 175 173 172

HSL 20, 0.02%, 0.68%

LAB 70.86, 0.53, 0.76

 

CMYK 12 / 6 / 0 / 27

HEX #A2ADB9

RGB 162 173 185

HSL 211.3, 0.14%, 0.68%

LAB 70.23, -1.39, -7.46

 

CMYK 25 / 13 / 0 / 22

HEX #94ACC6

RGB 148 172 198

HSL 211.2, 0.3%, 0.68%

LAB 69.38, -2.43, -15.99

 

CMYK 0 / 27 / 27 / 21

HEX #C99293

RGB 201 146 147

HSL 358.91, 0.34%, 0.68%

LAB 65.81, 20.9, 7.69

 

CMYK 0 / 20 / 27 / 21

HEX #C9A092

RGB 201 160 146

HSL 15.27, 0.34%, 0.68%

LAB 69.21, 13.1, 13.06

 

CMYK 0 / 13 / 27 / 21

HEX #C9AE92

RGB 201 174 146

HSL 30.55, 0.34%, 0.68%

LAB 72.74, 5.51, 17.98

 

CMYK 0 / 6 / 27 / 21

HEX #C9BD92

RGB 201 189 146

HSL 46.91, 0.34%, 0.68%

LAB 76.61, -2.48, 23.31

 

CMYK 1 / 0 / 27 / 21

HEX #C6C992

RGB 198 201 146

HSL 63.27, 0.34%, 0.68%

LAB 79.53, -9.86, 27.22

 

CMYK 0 / 23 / 48 / 32

HEX #AE865A

RGB 174 134 90

HSL 31.43, 0.34%, 0.52%

LAB 58.78, 9.69, 29.5

 

CMYK 0 / 18 / 37 / 26

HEX #BC9B76

RGB 188 155 118

HSL 31.71, 0.34%, 0.6%

LAB 66.09, 7.02, 24

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 0 / 9 / 20 / 16

HEX #D7C3AD

RGB 215 195 173

HSL 31.43, 0.34%, 0.76%

LAB 79.89, 3.53, 13.61

 

CMYK 0 / 6 / 12 / 11

HEX #E4D7C9

RGB 228 215 201

HSL 31.11, 0.33%, 0.84%

LAB 86.66, 2.14, 8.5

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 20 / 0 / 27 / 21

HEX #A1C992

RGB 161 201 146

HSL 103.64, 0.34%, 0.68%

LAB 76.94, -23.49, 23.27

 

CMYK 24 / 27 / 0 / 21

HEX #9892C9

RGB 152 146 201

HSL 246.55, 0.34%, 0.68%

LAB 62.89, 14.11, -27.55

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 27 / 0 / 13 / 21

HEX #92C9AE

RGB 146 201 174

HSL 150.55, 0.34%, 0.68%

LAB 76.64, -23.44, 7.78

 

CMYK 13 / 27 / 0 / 21

HEX #AE92C9

RGB 174 146 201

HSL 270.55, 0.34%, 0.68%

LAB 64.78, 21.04, -24.47

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 20 / 0 / 27 / 21

HEX #A1C992

RGB 161 201 146

HSL 103.64, 0.34%, 0.68%

LAB 76.94, -23.49, 23.27

 

CMYK 27 / 14 / 0 / 21

HEX #92ACC9

RGB 146 172 201

HSL 211.64, 0.34%, 0.68%

LAB 69.35, -2.32, -17.71

 

CMYK 8 / 27 / 0 / 21

HEX #B992C9

RGB 185 146 201

HSL 282.55, 0.34%, 0.68%

LAB 65.82, 24.6, -22.79

 

CMYK 0 / 13 / 27 / 21

HEX #C9AF92

RGB 201 175 146

HSL 31.64, 0.34%, 0.68%

LAB 72.99, 4.97, 18.34

 

CMYK 27 / 0 / 27 / 21

HEX #92C993

RGB 146 201 147

HSL 121.09, 0.34%, 0.68%

LAB 76.06, -28.46, 21.4

 

CMYK 27 / 14 / 0 / 21

HEX #92ACC9

RGB 146 172 201

HSL 211.64, 0.34%, 0.68%

LAB 69.35, -2.32, -17.71

 

CMYK 0 / 27 / 0 / 21

HEX #C992C8

RGB 201 146 200

HSL 301.09, 0.34%, 0.68%

LAB 67.39, 29.67, -19.7

 

Description

Color code: HEX #C9AF92 | qconv.com Color code: HEX #C9AF92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 175 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 175 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 27 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 27% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

75% - Home - PL BioScience
Link: http://www.pl-bioscience.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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