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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9ABDF it is the complementary color #365420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9ABDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9ABDF shade: #CEABDA, #DFBDED, #F0CFFF, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9ABDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9ABDF shade: #C9ABDF, #B899CC, #A787B9, #9675A6 and #856393

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9ABDF shade: #C8AADF, #D7AADF, #DFAAD9, #DFAACA and #DFAABC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9ABDF shade: #C8AADF, #BAAADF, #ACAADF and #AAAADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9ABDF shade matches the following richer shades: #C8AADF, #CAA0E8, #CB97F2 and #CD8DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9ABDF shade: #C8AADF, #C7B3D5, #C5BDCC, #C4C6C2 and #C3D0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9ABDF shade: #ACAADF, #BAAADF, #C8AADF, #D6AADF and #DFAAD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9ABDF shade: #A26EC8, #B58CD3, #C8AADF, #DCC8EA and #EFE6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9ABDF shade: #C9ABDF, #DFAAB6 and #AADFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9ABDF shade: #C9ABDF, #DFC8AA and #AADFC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9ABDF shade: #C9ABDF, #DFAAB6, #C1DFAA and #AADFD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9ABDF shade: #C9ABDF, #DFADAA, #C1DFAA and #AADBDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 23 / 0 / 13

HEX #C9ABDF

RGB 201 171 223

HSL 274.62, 0.45%, 0.77%

LAB 74.11, 20.47, -22.15

 

Complementary color

CMYK 36 / 0 / 62 / 67

HEX #365420

RGB 54 84 32

HSL 94.62, 0.45%, 0.23%

LAB 32.32, -21.54, 26.46

 

CMYK 6 / 22 / 0 / 15

HEX #CEABDA

RGB 206 171 218

HSL 284.68, 0.39%, 0.76%

LAB 74.39, 21.09, -18.95

 

CMYK 6 / 20 / 0 / 7

HEX #DFBDED

RGB 223 189 237

HSL 282.5, 0.57%, 0.84%

LAB 80.85, 20.6, -19.31

 

CMYK 6 / 19 / 0 / 0

HEX #F0CFFF

RGB 240 207 255

HSL 281.25, 1%, 0.91%

LAB 87.18, 19.95, -19.18

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 10 / 23 / 0 / 13

HEX #C9ABDF

RGB 201 171 223

HSL 274.62, 0.45%, 0.77%

LAB 74.11, 20.47, -22.15

 

CMYK 10 / 25 / 0 / 20

HEX #B899CC

RGB 184 153 204

HSL 276.47, 0.33%, 0.7%

LAB 67.53, 20.99, -21.86

 

CMYK 10 / 27 / 0 / 27

HEX #A787B9

RGB 167 135 185

HSL 278.4, 0.26%, 0.63%

LAB 60.82, 21.55, -21.59

 

CMYK 10 / 30 / 0 / 35

HEX #9675A6

RGB 150 117 166

HSL 280.41, 0.22%, 0.55%

LAB 53.98, 22.18, -21.32

 

CMYK 10 / 33 / 0 / 42

HEX #856393

RGB 133 99 147

HSL 282.5, 0.2%, 0.48%

LAB 47, 22.86, -21.05

 

CMYK 10 / 24 / 0 / 13

HEX #C8AADF

RGB 200 170 223

HSL 273.96, 0.45%, 0.77%

LAB 73.78, 20.69, -22.66

 

CMYK 4 / 24 / 0 / 13

HEX #D7AADF

RGB 215 170 223

HSL 290.94, 0.45%, 0.77%

LAB 75.15, 25.56, -20.44

 

CMYK 0 / 24 / 3 / 13

HEX #DFAAD9

RGB 223 170 217

HSL 306.79, 0.45%, 0.77%

LAB 75.73, 27.08, -16.23

 

CMYK 0 / 24 / 9 / 13

HEX #DFAACA

RGB 223 170 202

HSL 323.77, 0.45%, 0.77%

LAB 75.27, 24.45, -8.73

 

CMYK 0 / 24 / 16 / 13

HEX #DFAABC

RGB 223 170 188

HSL 339.62, 0.45%, 0.77%

LAB 74.87, 22.14, -1.66

 

CMYK 10 / 24 / 0 / 13

HEX #C8AADF

RGB 200 170 223

HSL 273.96, 0.45%, 0.77%

LAB 73.78, 20.69, -22.66

 

CMYK 17 / 24 / 0 / 13

HEX #BAAADF

RGB 186 170 223

HSL 258.11, 0.45%, 0.77%

LAB 72.57, 16.24, -24.61

 

CMYK 23 / 24 / 0 / 13

HEX #ACAADF

RGB 172 170 223

HSL 242.26, 0.45%, 0.77%

LAB 71.45, 11.9, -26.42

 

CMYK 24 / 24 / 0 / 13

HEX #AAAADF

RGB 170 170 223

HSL 240, 0.45%, 0.77%

LAB 71.3, 11.3, -26.67

 

CMYK 10 / 24 / 0 / 13

HEX #C8AADF

RGB 200 170 223

HSL 273.96, 0.45%, 0.77%

LAB 73.78, 20.69, -22.66

 

CMYK 13 / 31 / 0 / 9

HEX #CAA0E8

RGB 202 160 232

HSL 275, 0.61%, 0.77%

LAB 71.91, 28.69, -30.42

 

CMYK 16 / 38 / 0 / 5

HEX #CB97F2

RGB 203 151 242

HSL 274.29, 0.78%, 0.77%

LAB 70.34, 36.04, -38.3

 

CMYK 18 / 44 / 0 / 2

HEX #CD8DFB

RGB 205 141 251

HSL 274.91, 0.93%, 0.77%

LAB 68.75, 43.95, -45.69

 

CMYK 10 / 24 / 0 / 13

HEX #C8AADF

RGB 200 170 223

HSL 273.96, 0.45%, 0.77%

LAB 73.78, 20.69, -22.66

 

CMYK 7 / 16 / 0 / 16

HEX #C7B3D5

RGB 199 179 213

HSL 275.29, 0.29%, 0.77%

LAB 75.57, 13.42, -14.51

 

CMYK 3 / 7 / 0 / 20

HEX #C5BDCC

RGB 197 189 204

HSL 272, 0.13%, 0.77%

LAB 77.65, 5.58, -6.53

 

CMYK 1 / 0 / 2 / 22

HEX #C4C6C2

RGB 196 198 194

HSL 90, 0.03%, 0.77%

LAB 79.62, -1.42, 1.75

 

CMYK 6 / 0 / 11 / 18

HEX #C3D0B9

RGB 195 208 185

HSL 93.91, 0.2%, 0.77%

LAB 81.96, -8.57, 9.91

 

CMYK 23 / 24 / 0 / 13

HEX #ACAADF

RGB 172 170 223

HSL 242.26, 0.45%, 0.77%

LAB 71.45, 11.9, -26.42

 

CMYK 17 / 24 / 0 / 13

HEX #BAAADF

RGB 186 170 223

HSL 258.11, 0.45%, 0.77%

LAB 72.57, 16.24, -24.61

 

CMYK 10 / 24 / 0 / 13

HEX #C8AADF

RGB 200 170 223

HSL 273.96, 0.45%, 0.77%

LAB 73.78, 20.69, -22.66

 

CMYK 4 / 24 / 0 / 13

HEX #D6AADF

RGB 214 170 223

HSL 289.81, 0.45%, 0.77%

LAB 75.06, 25.23, -20.59

 

CMYK 0 / 24 / 3 / 13

HEX #DFAAD9

RGB 223 170 217

HSL 306.79, 0.45%, 0.77%

LAB 75.73, 27.08, -16.23

 

CMYK 19 / 45 / 0 / 22

HEX #A26EC8

RGB 162 110 200

HSL 274.67, 0.45%, 0.61%

LAB 55.08, 37.45, -39.07

 

CMYK 14 / 34 / 0 / 17

HEX #B58CD3

RGB 181 140 211

HSL 274.65, 0.45%, 0.69%

LAB 64.39, 28.79, -30.6

 

CMYK 10 / 24 / 0 / 13

HEX #C8AADF

RGB 200 170 223

HSL 273.96, 0.45%, 0.77%

LAB 73.78, 20.69, -22.66

 

CMYK 6 / 15 / 0 / 8

HEX #DCC8EA

RGB 220 200 234

HSL 275.29, 0.45%, 0.85%

LAB 83.16, 13.15, -14.25

 

CMYK 2 / 6 / 0 / 4

HEX #EFE6F5

RGB 239 230 245

HSL 276, 0.43%, 0.93%

LAB 92.37, 5.71, -6.18

 

CMYK 10 / 23 / 0 / 13

HEX #C9ABDF

RGB 201 171 223

HSL 274.62, 0.45%, 0.77%

LAB 74.11, 20.47, -22.15

 

CMYK 0 / 24 / 18 / 13

HEX #DFAAB6

RGB 223 170 182

HSL 346.42, 0.45%, 0.77%

LAB 74.71, 21.21, 1.4

 

CMYK 24 / 0 / 20 / 13

HEX #AADFB3

RGB 170 223 179

HSL 130.19, 0.45%, 0.77%

LAB 84.26, -25.61, 16.12

 

CMYK 10 / 23 / 0 / 13

HEX #C9ABDF

RGB 201 171 223

HSL 274.62, 0.45%, 0.77%

LAB 74.11, 20.47, -22.15

 

CMYK 0 / 10 / 24 / 13

HEX #DFC8AA

RGB 223 200 170

HSL 33.96, 0.45%, 0.77%

LAB 81.78, 3.45, 17.96

 

CMYK 24 / 0 / 10 / 13

HEX #AADFC8

RGB 170 223 200

HSL 153.96, 0.45%, 0.77%

LAB 84.74, -21.66, 5.74

 

CMYK 10 / 23 / 0 / 13

HEX #C9ABDF

RGB 201 171 223

HSL 274.62, 0.45%, 0.77%

LAB 74.11, 20.47, -22.15

 

CMYK 0 / 24 / 18 / 13

HEX #DFAAB6

RGB 223 170 182

HSL 346.42, 0.45%, 0.77%

LAB 74.71, 21.21, 1.4

 

CMYK 13 / 0 / 24 / 13

HEX #C1DFAA

RGB 193 223 170

HSL 93.96, 0.45%, 0.77%

LAB 85.51, -19.29, 22.77

 

CMYK 24 / 0 / 6 / 13

HEX #AADFD2

RGB 170 223 210

HSL 165.28, 0.45%, 0.77%

LAB 84.98, -19.63, 0.82

 

CMYK 10 / 23 / 0 / 13

HEX #C9ABDF

RGB 201 171 223

HSL 274.62, 0.45%, 0.77%

LAB 74.11, 20.47, -22.15

 

CMYK 0 / 22 / 24 / 13

HEX #DFADAA

RGB 223 173 170

HSL 3.4, 0.45%, 0.77%

LAB 75.13, 17.81, 8.56

 

CMYK 13 / 0 / 24 / 13

HEX #C1DFAA

RGB 193 223 170

HSL 93.96, 0.45%, 0.77%

LAB 85.51, -19.29, 22.77

 

CMYK 24 / 2 / 0 / 13

HEX #AADBDF

RGB 170 219 223

HSL 184.53, 0.45%, 0.77%

LAB 84.24, -14.86, -7.15

 

Description

Color code: HEX #C9ABDF | qconv.com Color code: HEX #C9ABDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 171 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 171 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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