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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9AB2C it is the complementary color #3654D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9AB2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9AB2C shade: #CEAB27, #DFBD3A, #F0CF4D, #FFE160 and #FFF373

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9AB2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9AB2C shade: #C9AB2C, #B89919, #A78706, #967500 and #856300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9AB2C shade: #C9AB2C, #C9812C, #C9562C and #C92C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9AB2C shade: #C9AB2C, #BCC92C, #92C92C, #68C92C and #3EC92C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9AB2C shade matches the following richer shades: #C9AB2C, #DDB718 and #F0C304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9AB2C shade: #C9AB2C, #B59F40, #A19254, #8D8667 and #7A7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9AB2C shade: #C9562C, #C9802C, #C9A92C, #BEC92C and #95C92C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9AB2C shade: #85711D, #A78E25, #C9AB2C, #D7BB47 and #DEC869

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9AB2C shade: #C9AB2C, #2CC92C and #6B2CC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9AB2C shade: #C9AB2C, #2CC9A9 and #A92CC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9AB2C shade: #C9AB2C, #2CC92C, #2C4BC9 and #C92CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9AB2C shade: #C9AB2C, #2CC95B, #2C4BC9 and #C92C9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

Complementary color

CMYK 74 / 60 / 0 / 17

HEX #3654D3

RGB 54 84 211

HSL 228.54, 0.64%, 0.52%

LAB 40.94, 33.2, -68.52

 

CMYK 0 / 17 / 81 / 19

HEX #CEAB27

RGB 206 171 39

HSL 47.43, 0.68%, 0.48%

LAB 71.14, 0.27, 66.57

 

CMYK 0 / 15 / 74 / 13

HEX #DFBD3A

RGB 223 189 58

HSL 47.64, 0.72%, 0.55%

LAB 77.51, -1.09, 66.66

 

CMYK 0 / 14 / 68 / 6

HEX #F0CF4D

RGB 240 207 77

HSL 47.85, 0.84%, 0.62%

LAB 83.8, -2.25, 66.15

 

CMYK 0 / 12 / 62 / 0

HEX #FFE160

RGB 255 225 96

HSL 48.68, 1%, 0.69%

LAB 89.84, -4.07, 65.08

 

CMYK 0 / 5 / 55 / 0

HEX #FFF373

RGB 255 243 115

HSL 54.86, 1%, 0.73%

LAB 94.57, -11.72, 62.09

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 0 / 17 / 86 / 28

HEX #B89919

RGB 184 153 25

HSL 48.3, 0.76%, 0.41%

LAB 64.2, -0.27, 63.69

 

CMYK 0 / 19 / 96 / 35

HEX #A78706

RGB 167 135 6

HSL 48.07, 0.93%, 0.34%

LAB 57.61, 1.48, 61.52

 

CMYK 0 / 22 / 100 / 41

HEX #967500

RGB 150 117 0

HSL 46.8, 1%, 0.29%

LAB 50.93, 3.56, 57.01

 

CMYK 0 / 26 / 100 / 48

HEX #856300

RGB 133 99 0

HSL 44.66, 1%, 0.26%

LAB 44.1, 5.83, 51.39

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 0 / 36 / 78 / 21

HEX #C9812C

RGB 201 129 44

HSL 32.48, 0.64%, 0.48%

LAB 60.16, 20.98, 54.62

 

CMYK 0 / 57 / 78 / 21

HEX #C9562C

RGB 201 86 44

HSL 16.05, 0.64%, 0.48%

LAB 50.98, 43.45, 45.68

 

CMYK 0 / 78 / 78 / 21

HEX #C92C2C

RGB 201 44 44

HSL 0, 0.64%, 0.48%

LAB 44.8, 60.16, 39.35

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 6 / 0 / 78 / 21

HEX #BCC92C

RGB 188 201 44

HSL 64.97, 0.64%, 0.48%

LAB 77.67, -22.65, 70.29

 

CMYK 27 / 0 / 78 / 21

HEX #92C92C

RGB 146 201 44

HSL 81.02, 0.64%, 0.48%

LAB 74.87, -39.55, 66.7

 

CMYK 48 / 0 / 78 / 21

HEX #68C92C

RGB 104 201 44

HSL 97.07, 0.64%, 0.48%

LAB 72.82, -53.98, 64.06

 

CMYK 69 / 0 / 78 / 21

HEX #3EC92C

RGB 62 201 44

HSL 113.12, 0.64%, 0.48%

LAB 71.54, -64.28, 62.39

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 0 / 17 / 89 / 13

HEX #DDB718

RGB 221 183 24

HSL 48.43, 0.8%, 0.48%

LAB 75.64, 0.15, 74.56

 

CMYK 0 / 19 / 98 / 6

HEX #F0C304

RGB 240 195 4

HSL 48.56, 0.97%, 0.48%

LAB 80.5, 1.91, 81.56

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 0 / 12 / 65 / 29

HEX #B59F40

RGB 181 159 64

HSL 48.72, 0.48%, 0.48%

LAB 65.74, -3.13, 51.01

 

CMYK 0 / 9 / 48 / 37

HEX #A19254

RGB 161 146 84

HSL 48.31, 0.31%, 0.48%

LAB 60.58, -3.14, 34.73

 

CMYK 0 / 5 / 27 / 45

HEX #8D8667

RGB 141 134 103

HSL 48.95, 0.16%, 0.48%

LAB 55.78, -2.59, 17.67

 

CMYK 1 / 1 / 0 / 52

HEX #7A7A7B

RGB 122 122 123

HSL 240, 0%, 0.48%

LAB 51.25, 0.2, -0.55

 

CMYK 0 / 57 / 78 / 21

HEX #C9562C

RGB 201 86 44

HSL 16.05, 0.64%, 0.48%

LAB 50.98, 43.45, 45.68

 

CMYK 0 / 36 / 78 / 21

HEX #C9802C

RGB 201 128 44

HSL 32.1, 0.64%, 0.48%

LAB 59.92, 21.53, 54.4

 

CMYK 0 / 16 / 78 / 21

HEX #C9A92C

RGB 201 169 44

HSL 47.77, 0.64%, 0.48%

LAB 70.16, -0.69, 63.92

 

CMYK 5 / 0 / 78 / 21

HEX #BEC92C

RGB 190 201 44

HSL 64.2, 0.64%, 0.48%

LAB 77.82, -21.81, 70.48

 

CMYK 26 / 0 / 78 / 21

HEX #95C92C

RGB 149 201 44

HSL 79.87, 0.64%, 0.48%

LAB 75.04, -38.41, 66.93

 

CMYK 0 / 15 / 78 / 48

HEX #85711D

RGB 133 113 29

HSL 48.46, 0.64%, 0.32%

LAB 48.12, -1.44, 46.42

 

CMYK 0 / 15 / 78 / 35

HEX #A78E25

RGB 167 142 37

HSL 48.46, 0.64%, 0.4%

LAB 59.61, -1.58, 55.42

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 0 / 13 / 67 / 16

HEX #D7BB47

RGB 215 187 71

HSL 48.33, 0.64%, 0.56%

LAB 76.34, -2.82, 60.16

 

CMYK 0 / 10 / 53 / 13

HEX #DEC869

RGB 222 200 105

HSL 48.72, 0.64%, 0.64%

LAB 80.66, -4.25, 49.79

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 78 / 0 / 78 / 21

HEX #2CC92C

RGB 44 201 44

HSL 120, 0.64%, 0.48%

LAB 71.21, -67.14, 61.95

 

CMYK 47 / 78 / 0 / 21

HEX #6B2CC9

RGB 107 44 201

HSL 264.08, 0.64%, 0.48%

LAB 36.26, 59.22, -70.23

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 78 / 0 / 16 / 21

HEX #2CC9A9

RGB 44 201 169

HSL 167.77, 0.64%, 0.48%

LAB 73.01, -46.7, 4.79

 

CMYK 16 / 78 / 0 / 21

HEX #A92CC9

RGB 169 44 201

HSL 287.77, 0.64%, 0.48%

LAB 44.88, 69.52, -55.84

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 78 / 0 / 78 / 21

HEX #2CC92C

RGB 44 201 44

HSL 120, 0.64%, 0.48%

LAB 71.21, -67.14, 61.95

 

CMYK 78 / 63 / 0 / 21

HEX #2C4BC9

RGB 44 75 201

HSL 228.15, 0.64%, 0.48%

LAB 37.45, 34.27, -68.46

 

CMYK 0 / 78 / 0 / 21

HEX #C92CC9

RGB 201 44 201

HSL 300, 0.64%, 0.48%

LAB 50.02, 75.61, -47.31

 

CMYK 0 / 15 / 78 / 21

HEX #C9AB2C

RGB 201 171 44

HSL 48.54, 0.64%, 0.48%

LAB 70.68, -1.75, 64.39

 

CMYK 78 / 0 / 55 / 21

HEX #2CC95B

RGB 44 201 91

HSL 137.96, 0.64%, 0.48%

LAB 71.6, -62.37, 43.43

 

CMYK 78 / 63 / 0 / 21

HEX #2C4BC9

RGB 44 75 201

HSL 228.15, 0.64%, 0.48%

LAB 37.45, 34.27, -68.46

 

CMYK 0 / 78 / 23 / 21

HEX #C92C9A

RGB 201 44 154

HSL 317.96, 0.64%, 0.48%

LAB 47.69, 68.98, -23.36

 

Description

Color code: HEX #C9AB2C | qconv.com Color code: HEX #C9AB2C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 171 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 171 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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