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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9A30C it is the complementary color #365CF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9A30C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9A30C shade: #CEA307, #DFB51A, #F0C72D, #FFD940 and #FFEB53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9A30C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9A30C shade: #C9A30C, #B89100, #A77F00, #966D00 and #855B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9A30C shade: #CAA40B, #CA700B, #CA3D0B and #CA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9A30C shade: #CAA40B, #BDCA0B, #89CA0B, #56CA0B and #23CA0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9A30C shade matches the following richer shades: #CAA40B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9A30C shade: #CAA40B, #B9991D, #A78F2E, #96853F and #857A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9A30C shade: #CA3B0B, #CA6E0B, #CAA10B, #C0CA0B and #8ECA0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9A30C shade: #7C6407, #A38409, #CAA40B, #F1C30E and #F3CD35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9A30C shade: #C9A30C, #0ECA0B and #540BCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9A30C shade: #C9A30C, #0BCAA1 and #A10BCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9A30C shade: #C9A30C, #0ECA0B, #0B35CA and #C70BCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9A30C shade: #C9A30C, #0BCA41, #0B35CA and #CA0B94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 94 / 21

HEX #C9A30C

RGB 201 163 12

HSL 47.94, 0.89%, 0.42%

LAB 68.49, 1.73, 70.23

 

Complementary color

CMYK 78 / 62 / 0 / 5

HEX #365CF3

RGB 54 92 243

HSL 227.94, 0.89%, 0.58%

LAB 45.51, 39.64, -79.21

 

CMYK 0 / 21 / 97 / 19

HEX #CEA307

RGB 206 163 7

HSL 47.04, 0.93%, 0.42%

LAB 68.99, 3.9, 71.46

 

CMYK 0 / 19 / 88 / 13

HEX #DFB51A

RGB 223 181 26

HSL 47.21, 0.79%, 0.49%

LAB 75.33, 2.11, 74.01

 

CMYK 0 / 17 / 81 / 6

HEX #F0C72D

RGB 240 199 45

HSL 47.38, 0.87%, 0.56%

LAB 81.6, 0.55, 75.17

 

CMYK 0 / 15 / 75 / 0

HEX #FFD940

RGB 255 217 64

HSL 48.06, 1%, 0.63%

LAB 87.61, -1.65, 75.17

 

CMYK 0 / 8 / 67 / 0

HEX #FFEB53

RGB 255 235 83

HSL 53.02, 1%, 0.66%

LAB 92.27, -9.8, 72.87

 

CMYK 0 / 19 / 94 / 21

HEX #C9A30C

RGB 201 163 12

HSL 47.94, 0.89%, 0.42%

LAB 68.49, 1.73, 70.23

 

CMYK 0 / 21 / 100 / 28

HEX #B89100

RGB 184 145 0

HSL 47.28, 1%, 0.36%

LAB 62.03, 3.68, 66.43

 

CMYK 0 / 24 / 100 / 35

HEX #A77F00

RGB 167 127 0

HSL 45.63, 1%, 0.33%

LAB 55.48, 5.85, 61.03

 

CMYK 0 / 27 / 100 / 41

HEX #966D00

RGB 150 109 0

HSL 43.6, 1%, 0.29%

LAB 48.79, 8.13, 55.54

 

CMYK 0 / 32 / 100 / 48

HEX #855B00

RGB 133 91 0

HSL 41.05, 1%, 0.26%

LAB 41.95, 10.53, 49.93

 

CMYK 0 / 19 / 95 / 21

HEX #CAA40B

RGB 202 164 11

HSL 48.06, 0.9%, 0.42%

LAB 68.85, 1.63, 70.68

 

CMYK 0 / 45 / 95 / 21

HEX #CA700B

RGB 202 112 11

HSL 31.73, 0.9%, 0.42%

LAB 56.26, 29.78, 61.67

 

CMYK 0 / 70 / 95 / 21

HEX #CA3D0B

RGB 202 61 11

HSL 15.71, 0.9%, 0.42%

LAB 46.87, 53.96, 55.5

 

CMYK 0 / 95 / 95 / 21

HEX #CA0B0B

RGB 202 11 11

HSL 0, 0.9%, 0.42%

LAB 42.49, 66.25, 52.92

 

CMYK 0 / 19 / 95 / 21

HEX #CAA40B

RGB 202 164 11

HSL 48.06, 0.9%, 0.42%

LAB 68.85, 1.63, 70.68

 

CMYK 6 / 0 / 95 / 21

HEX #BDCA0B

RGB 189 202 11

HSL 64.08, 0.9%, 0.42%

LAB 77.92, -23.5, 77

 

CMYK 32 / 0 / 95 / 21

HEX #89CA0B

RGB 137 202 11

HSL 80.42, 0.9%, 0.42%

LAB 74.56, -44.35, 72.93

 

CMYK 57 / 0 / 95 / 21

HEX #56CA0B

RGB 86 202 11

HSL 96.44, 0.9%, 0.42%

LAB 72.39, -60.56, 70.28

 

CMYK 83 / 0 / 95 / 21

HEX #23CA0B

RGB 35 202 11

HSL 112.46, 0.9%, 0.42%

LAB 71.3, -69.88, 68.93

 

CMYK 0 / 19 / 95 / 21

HEX #CAA40B

RGB 202 164 11

HSL 48.06, 0.9%, 0.42%

LAB 68.85, 1.63, 70.68

 

CMYK 0 / 19 / 95 / 21

HEX #CAA40B

RGB 202 164 11

HSL 48.06, 0.9%, 0.42%

LAB 68.85, 1.63, 70.68

 

CMYK 0 / 17 / 84 / 27

HEX #B9991D

RGB 185 153 29

HSL 47.69, 0.73%, 0.42%

LAB 64.31, 0.29, 62.78

 

CMYK 0 / 14 / 72 / 35

HEX #A78F2E

RGB 167 143 46

HSL 48.1, 0.57%, 0.42%

LAB 59.94, -1.71, 52.3

 

CMYK 0 / 11 / 58 / 41

HEX #96853F

RGB 150 133 63

HSL 48.28, 0.41%, 0.42%

LAB 55.7, -2.71, 39.48

 

CMYK 0 / 8 / 39 / 48

HEX #857A51

RGB 133 122 81

HSL 47.31, 0.24%, 0.42%

LAB 51.27, -2.19, 23.99

 

CMYK 0 / 71 / 95 / 21

HEX #CA3B0B

RGB 202 59 11

HSL 15.08, 0.9%, 0.42%

LAB 46.59, 54.71, 55.33

 

CMYK 0 / 46 / 95 / 21

HEX #CA6E0B

RGB 202 110 11

HSL 31.1, 0.9%, 0.42%

LAB 55.82, 30.84, 61.36

 

CMYK 0 / 20 / 95 / 21

HEX #CAA10B

RGB 202 161 11

HSL 47.12, 0.9%, 0.42%

LAB 68.07, 3.23, 70.11

 

CMYK 5 / 0 / 95 / 21

HEX #C0CA0B

RGB 192 202 11

HSL 63.14, 0.9%, 0.42%

LAB 78.15, -22.23, 77.27

 

CMYK 30 / 0 / 95 / 21

HEX #8ECA0B

RGB 142 202 11

HSL 78.85, 0.9%, 0.42%

LAB 74.84, -42.48, 73.26

 

CMYK 0 / 19 / 94 / 51

HEX #7C6407

RGB 124 100 7

HSL 47.69, 0.89%, 0.26%

LAB 43.38, 1.05, 48.66

 

CMYK 0 / 19 / 94 / 36

HEX #A38409

RGB 163 132 9

HSL 47.92, 0.9%, 0.34%

LAB 56.4, 1.35, 59.94

 

CMYK 0 / 19 / 95 / 21

HEX #CAA40B

RGB 202 164 11

HSL 48.06, 0.9%, 0.42%

LAB 68.85, 1.63, 70.68

 

CMYK 0 / 19 / 94 / 5

HEX #F1C30E

RGB 241 195 14

HSL 47.84, 0.89%, 0.5%

LAB 80.61, 2.43, 80.69

 

CMYK 0 / 16 / 78 / 5

HEX #F3CD35

RGB 243 205 53

HSL 48, 0.89%, 0.58%

LAB 83.43, -1, 74.51

 

CMYK 0 / 19 / 94 / 21

HEX #C9A30C

RGB 201 163 12

HSL 47.94, 0.89%, 0.42%

LAB 68.49, 1.73, 70.23

 

CMYK 93 / 0 / 95 / 21

HEX #0ECA0B

RGB 14 202 11

HSL 119.06, 0.9%, 0.42%

LAB 71.12, -71.51, 68.71

 

CMYK 58 / 95 / 0 / 21

HEX #540BCA

RGB 84 11 202

HSL 262.93, 0.9%, 0.42%

LAB 30.37, 66.9, -80.62

 

CMYK 0 / 19 / 94 / 21

HEX #C9A30C

RGB 201 163 12

HSL 47.94, 0.89%, 0.42%

LAB 68.49, 1.73, 70.23

 

CMYK 95 / 0 / 20 / 21

HEX #0BCAA1

RGB 11 202 161

HSL 167.12, 0.9%, 0.42%

LAB 72.82, -51.36, 8.8

 

CMYK 20 / 95 / 0 / 21

HEX #A10BCA

RGB 161 11 202

HSL 287.12, 0.9%, 0.42%

LAB 41.34, 75.22, -62.19

 

CMYK 0 / 19 / 94 / 21

HEX #C9A30C

RGB 201 163 12

HSL 47.94, 0.89%, 0.42%

LAB 68.49, 1.73, 70.23

 

CMYK 93 / 0 / 95 / 21

HEX #0ECA0B

RGB 14 202 11

HSL 119.06, 0.9%, 0.42%

LAB 71.12, -71.51, 68.71

 

CMYK 95 / 74 / 0 / 21

HEX #0B35CA

RGB 11 53 202

HSL 226.81, 0.9%, 0.42%

LAB 31.54, 46.44, -78.82

 

CMYK 1 / 95 / 0 / 21

HEX #C70BCA

RGB 199 11 202

HSL 299.06, 0.9%, 0.42%

LAB 47.81, 81.05, -51.43

 

CMYK 0 / 19 / 94 / 21

HEX #C9A30C

RGB 201 163 12

HSL 47.94, 0.89%, 0.42%

LAB 68.49, 1.73, 70.23

 

CMYK 95 / 0 / 68 / 21

HEX #0BCA41

RGB 11 202 65

HSL 136.96, 0.9%, 0.42%

LAB 71.35, -68.51, 54.52

 

CMYK 95 / 74 / 0 / 21

HEX #0B35CA

RGB 11 53 202

HSL 226.81, 0.9%, 0.42%

LAB 31.54, 46.44, -78.82

 

CMYK 0 / 95 / 27 / 21

HEX #CA0B94

RGB 202 11 148

HSL 316.96, 0.9%, 0.42%

LAB 45.54, 74.48, -23.05

 

Description

Color code: HEX #C9A30C | qconv.com Color code: HEX #C9A30C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 163 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 163 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 94 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 94% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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