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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9A2B0 it is the complementary color #365D4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9A2B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9A2B0 shade: #CEA2AB, #DFB4BE, #F0C6D1, #FFD8E4 and #FFEAF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9A2B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9A2B0 shade: #C9A2B0, #B8909D, #A77E8A, #966C77 and #855A64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9A2B0 shade: #C9A1AF, #C9A1A4 and #C9A1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9A2B0 shade: #C9A1AF, #C9A1BA, #C9A1C4, #C2A1C9 and #B7A1C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9A2B0 shade matches the following richer shades: #C9A1AF, #D495AC, #E089A8, #EC7DA5 and #F871A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9A2B0 shade: #C9A1AF, #BDADB2, #B1B9B6, #A5C4B9 and #99D0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9A2B0 shade: #C9A1C5, #C9A1BA, #C9A1AF, #C9A1A5 and #C9A7A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9A2B0 shade: #AA6C83, #B98699, #C9A1AF, #D8BBC5 and #E7D5DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9A2B0 shade: #C9A2B0, #C9C2A1 and #A1BFC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9A2B0 shade: #C9A2B0, #AFC9A1 and #A1AFC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9A2B0 shade: #C9A2B0, #C9C2A1, #A1C9BA and #A1A7C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9A2B0 shade: #C9A2B0, #C3C9A1, #A1C9BA and #A6A1C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 12 / 21

HEX #C9A2B0

RGB 201 162 176

HSL 338.46, 0.27%, 0.71%

LAB 70.45, 16.62, -1.78

 

Complementary color

CMYK 42 / 0 / 15 / 64

HEX #365D4F

RGB 54 93 79

HSL 158.46, 0.27%, 0.29%

LAB 36.32, -17.49, 3.72

 

CMYK 0 / 21 / 17 / 19

HEX #CEA2AB

RGB 206 162 171

HSL 347.73, 0.31%, 0.72%

LAB 70.8, 17.62, 1.57

 

CMYK 0 / 19 / 15 / 13

HEX #DFB4BE

RGB 223 180 190

HSL 346.05, 0.4%, 0.79%

LAB 77.31, 17.09, 0.82

 

CMYK 0 / 18 / 13 / 6

HEX #F0C6D1

RGB 240 198 209

HSL 344.29, 0.58%, 0.86%

LAB 83.71, 16.6, 0.12

 

CMYK 0 / 15 / 11 / 0

HEX #FFD8E4

RGB 255 216 228

HSL 341.54, 1%, 0.92%

LAB 89.85, 15.45, -0.83

 

CMYK 0 / 8 / 3 / 0

HEX #FFEAF7

RGB 255 234 247

HSL 322.86, 1%, 0.96%

LAB 94.66, 9.32, -3.7

 

CMYK 0 / 19 / 12 / 21

HEX #C9A2B0

RGB 201 162 176

HSL 338.46, 0.27%, 0.71%

LAB 70.45, 16.62, -1.78

 

CMYK 0 / 22 / 15 / 28

HEX #B8909D

RGB 184 144 157

HSL 340.5, 0.22%, 0.64%

LAB 63.81, 17.16, -1.07

 

CMYK 0 / 25 / 17 / 35

HEX #A77E8A

RGB 167 126 138

HSL 342.44, 0.19%, 0.57%

LAB 57.05, 17.77, -0.31

 

CMYK 0 / 28 / 21 / 41

HEX #966C77

RGB 150 108 119

HSL 344.29, 0.17%, 0.51%

LAB 50.15, 18.45, 0.53

 

CMYK 0 / 32 / 25 / 48

HEX #855A64

RGB 133 90 100

HSL 346.05, 0.19%, 0.44%

LAB 43.09, 19.22, 1.46

 

CMYK 0 / 20 / 13 / 21

HEX #C9A1AF

RGB 201 161 175

HSL 339, 0.27%, 0.71%

LAB 70.18, 17, -1.62

 

CMYK 0 / 20 / 18 / 21

HEX #C9A1A4

RGB 201 161 164

HSL 355.5, 0.27%, 0.71%

LAB 69.89, 15.22, 4.05

 

CMYK 0 / 20 / 20 / 21

HEX #C9A1A1

RGB 201 161 161

HSL 0, 0.27%, 0.71%

LAB 69.81, 14.75, 5.61

 

CMYK 0 / 20 / 13 / 21

HEX #C9A1AF

RGB 201 161 175

HSL 339, 0.27%, 0.71%

LAB 70.18, 17, -1.62

 

CMYK 0 / 20 / 7 / 21

HEX #C9A1BA

RGB 201 161 186

HSL 322.5, 0.27%, 0.71%

LAB 70.49, 18.89, -7.25

 

CMYK 0 / 20 / 2 / 21

HEX #C9A1C4

RGB 201 161 196

HSL 307.5, 0.27%, 0.71%

LAB 70.8, 20.69, -12.33

 

CMYK 3 / 20 / 0 / 21

HEX #C2A1C9

RGB 194 161 201

HSL 289.5, 0.27%, 0.71%

LAB 70.3, 19.26, -15.91

 

CMYK 9 / 20 / 0 / 21

HEX #B7A1C9

RGB 183 161 201

HSL 273, 0.27%, 0.71%

LAB 69.31, 15.58, -17.5

 

CMYK 0 / 20 / 13 / 21

HEX #C9A1AF

RGB 201 161 175

HSL 339, 0.27%, 0.71%

LAB 70.18, 17, -1.62

 

CMYK 0 / 30 / 19 / 17

HEX #D495AC

RGB 212 149 172

HSL 338.1, 0.42%, 0.71%

LAB 68.37, 27.05, -2.48

 

CMYK 0 / 39 / 25 / 12

HEX #E089A8

RGB 224 137 168

HSL 338.62, 0.58%, 0.71%

LAB 66.95, 37.15, -2.15

 

CMYK 0 / 47 / 30 / 7

HEX #EC7DA5

RGB 236 125 165

HSL 338.38, 0.74%, 0.71%

LAB 65.92, 47.05, -1.8

 

CMYK 0 / 54 / 35 / 3

HEX #F871A1

RGB 248 113 161

HSL 338.67, 0.91%, 0.71%

LAB 65.23, 56.3, -0.33

 

CMYK 0 / 20 / 13 / 21

HEX #C9A1AF

RGB 201 161 175

HSL 339, 0.27%, 0.71%

LAB 70.18, 17, -1.62

 

CMYK 0 / 8 / 6 / 26

HEX #BDADB2

RGB 189 173 178

HSL 341.25, 0.11%, 0.71%

LAB 72.18, 6.62, -0.48

 

CMYK 4 / 0 / 2 / 27

HEX #B1B9B6

RGB 177 185 182

HSL 157.5, 0.05%, 0.71%

LAB 74.46, -3.34, 0.55

 

CMYK 16 / 0 / 6 / 23

HEX #A5C4B9

RGB 165 196 185

HSL 158.71, 0.21%, 0.71%

LAB 76.67, -12.6, 2.03

 

CMYK 26 / 0 / 10 / 18

HEX #99D0BC

RGB 153 208 188

HSL 158.18, 0.37%, 0.71%

LAB 79.34, -21.9, 4.2

 

CMYK 0 / 20 / 2 / 21

HEX #C9A1C5

RGB 201 161 197

HSL 306, 0.27%, 0.71%

LAB 70.83, 20.88, -12.84

 

CMYK 0 / 20 / 7 / 21

HEX #C9A1BA

RGB 201 161 186

HSL 322.5, 0.27%, 0.71%

LAB 70.49, 18.89, -7.25

 

CMYK 0 / 20 / 13 / 21

HEX #C9A1AF

RGB 201 161 175

HSL 339, 0.27%, 0.71%

LAB 70.18, 17, -1.62

 

CMYK 0 / 20 / 18 / 21

HEX #C9A1A5

RGB 201 161 165

HSL 354, 0.27%, 0.71%

LAB 69.91, 15.38, 3.54

 

CMYK 0 / 17 / 20 / 21

HEX #C9A7A1

RGB 201 167 161

HSL 9, 0.27%, 0.71%

LAB 71.3, 11.48, 7.75

 

CMYK 0 / 36 / 23 / 33

HEX #AA6C83

RGB 170 108 131

HSL 337.74, 0.27%, 0.55%

LAB 52.85, 27.96, -2.33

 

CMYK 0 / 28 / 17 / 27

HEX #B98699

RGB 185 134 153

HSL 337.65, 0.27%, 0.63%

LAB 61.36, 22.45, -2.38

 

CMYK 0 / 20 / 13 / 21

HEX #C9A1AF

RGB 201 161 175

HSL 339, 0.27%, 0.71%

LAB 70.18, 17, -1.62

 

CMYK 0 / 13 / 9 / 15

HEX #D8BBC5

RGB 216 187 197

HSL 339.31, 0.27%, 0.79%

LAB 78.56, 11.99, -1.22

 

CMYK 0 / 8 / 5 / 9

HEX #E7D5DB

RGB 231 213 219

HSL 340, 0.27%, 0.87%

LAB 86.85, 7.23, -0.72

 

CMYK 0 / 19 / 12 / 21

HEX #C9A2B0

RGB 201 162 176

HSL 338.46, 0.27%, 0.71%

LAB 70.45, 16.62, -1.78

 

CMYK 0 / 3 / 20 / 21

HEX #C9C2A1

RGB 201 194 161

HSL 49.5, 0.27%, 0.71%

LAB 78.21, -2.97, 17.5

 

CMYK 20 / 5 / 0 / 21

HEX #A1BFC9

RGB 161 191 201

HSL 195, 0.27%, 0.71%

LAB 75.49, -7.92, -8.4

 

CMYK 0 / 19 / 12 / 21

HEX #C9A2B0

RGB 201 162 176

HSL 338.46, 0.27%, 0.71%

LAB 70.45, 16.62, -1.78

 

CMYK 13 / 0 / 20 / 21

HEX #AFC9A1

RGB 175 201 161

HSL 99, 0.27%, 0.71%

LAB 78.15, -16.11, 17.12

 

CMYK 20 / 13 / 0 / 21

HEX #A1AFC9

RGB 161 175 201

HSL 219, 0.27%, 0.71%

LAB 71.18, 0.68, -14.84

 

CMYK 0 / 19 / 12 / 21

HEX #C9A2B0

RGB 201 162 176

HSL 338.46, 0.27%, 0.71%

LAB 70.45, 16.62, -1.78

 

CMYK 0 / 3 / 20 / 21

HEX #C9C2A1

RGB 201 194 161

HSL 49.5, 0.27%, 0.71%

LAB 78.21, -2.97, 17.5

 

CMYK 20 / 0 / 7 / 21

HEX #A1C9BA

RGB 161 201 186

HSL 157.5, 0.27%, 0.71%

LAB 77.81, -16.27, 3.12

 

CMYK 20 / 17 / 0 / 21

HEX #A1A7C9

RGB 161 167 201

HSL 231, 0.27%, 0.71%

LAB 69.06, 5.08, -18.04

 

CMYK 0 / 19 / 12 / 21

HEX #C9A2B0

RGB 201 162 176

HSL 338.46, 0.27%, 0.71%

LAB 70.45, 16.62, -1.78

 

CMYK 3 / 0 / 20 / 21

HEX #C3C9A1

RGB 195 201 161

HSL 69, 0.27%, 0.71%

LAB 79.58, -8.85, 19.34

 

CMYK 20 / 0 / 7 / 21

HEX #A1C9BA

RGB 161 201 186

HSL 157.5, 0.27%, 0.71%

LAB 77.81, -16.27, 3.12

 

CMYK 17 / 20 / 0 / 21

HEX #A6A1C9

RGB 166 161 201

HSL 247.5, 0.27%, 0.71%

LAB 67.88, 10.02, -19.8

 

Description

Color code: HEX #C9A2B0 | qconv.com Color code: HEX #C9A2B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 162 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 162 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 12 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 12% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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