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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C99B3E it is the complementary color #3664C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C99B3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C99B3E shade: #CE9B39, #DFAD4C, #F0BF5F, #FFD172 and #FFE385

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C99B3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C99B3E shade: #C99B3E, #B8892B, #A77718, #966505 and #855300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C99B3E shade: #C99C40, #C97740, #C95240 and #C94040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C99B3E shade: #C99C40, #C9C140, #ADC940, #88C940 and #63C940

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C99B3E shade matches the following richer shades: #C99C40, #DDA22C and #F1A918

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C99B3E shade: #C99C40, #B59554, #A28E68, #8E887B and #7A818F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C99B3E shade: #C95240, #C97740, #C99B40, #C9C040 and #AEC940

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C99B3E shade: #8E6D28, #AF8531, #C99C40, #D2AC60 and #DBBD80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C99B3E shade: #C99B3E, #52C940 and #6540C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C99B3E shade: #C99B3E, #40C99B and #9B40C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C99B3E shade: #C99B3E, #52C940, #406EC9 and #B740C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C99B3E shade: #C99B3E, #40C957, #406EC9 and #C940B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 69 / 21

HEX #C99B3E

RGB 201 155 62

HSL 40.14, 0.56%, 0.52%

LAB 66.68, 7.65, 53.49

 

Complementary color

CMYK 72 / 48 / 0 / 24

HEX #3664C1

RGB 54 100 193

HSL 220.14, 0.56%, 0.48%

LAB 43.87, 16.3, -53.38

 

CMYK 0 / 25 / 72 / 19

HEX #CE9B39

RGB 206 155 57

HSL 39.46, 0.6%, 0.52%

LAB 67.17, 9.56, 56.32

 

CMYK 0 / 22 / 66 / 13

HEX #DFAD4C

RGB 223 173 76

HSL 39.59, 0.7%, 0.59%

LAB 73.61, 8.24, 55.33

 

CMYK 0 / 20 / 60 / 6

HEX #F0BF5F

RGB 240 191 95

HSL 39.72, 0.83%, 0.66%

LAB 79.96, 7.11, 54.14

 

CMYK 0 / 18 / 55 / 0

HEX #FFD172

RGB 255 209 114

HSL 40.43, 1%, 0.72%

LAB 86.04, 5.31, 52.62

 

CMYK 0 / 11 / 48 / 0

HEX #FFE385

RGB 255 227 133

HSL 46.23, 1%, 0.76%

LAB 90.73, -2.27, 49.16

 

CMYK 0 / 23 / 69 / 21

HEX #C99B3E

RGB 201 155 62

HSL 40.14, 0.56%, 0.52%

LAB 66.68, 7.65, 53.49

 

CMYK 0 / 26 / 77 / 28

HEX #B8892B

RGB 184 137 43

HSL 40, 0.62%, 0.45%

LAB 60.12, 9.08, 54.28

 

CMYK 0 / 29 / 86 / 35

HEX #A77718

RGB 167 119 24

HSL 39.86, 0.75%, 0.37%

LAB 53.47, 10.79, 54.34

 

CMYK 0 / 33 / 97 / 41

HEX #966505

RGB 150 101 5

HSL 39.72, 0.94%, 0.3%

LAB 46.71, 12.82, 52.97

 

CMYK 0 / 38 / 100 / 48

HEX #855300

RGB 133 83 0

HSL 37.44, 1%, 0.26%

LAB 39.87, 15.24, 48.56

 

CMYK 0 / 22 / 68 / 21

HEX #C99C40

RGB 201 156 64

HSL 40.29, 0.56%, 0.52%

LAB 66.95, 7.22, 52.89

 

CMYK 0 / 41 / 68 / 21

HEX #C97740

RGB 201 119 64

HSL 24.09, 0.56%, 0.52%

LAB 58.02, 27.37, 43.16

 

CMYK 0 / 59 / 68 / 21

HEX #C95240

RGB 201 82 64

HSL 7.88, 0.56%, 0.52%

LAB 50.48, 46.27, 34.47

 

CMYK 0 / 68 / 68 / 21

HEX #C94040

RGB 201 64 64

HSL 0, 0.56%, 0.52%

LAB 47.57, 54.07, 30.99

 

CMYK 0 / 22 / 68 / 21

HEX #C99C40

RGB 201 156 64

HSL 40.29, 0.56%, 0.52%

LAB 66.95, 7.22, 52.89

 

CMYK 0 / 4 / 68 / 21

HEX #C9C140

RGB 201 193 64

HSL 56.5, 0.56%, 0.52%

LAB 76.64, -12.26, 62.88

 

CMYK 14 / 0 / 68 / 21

HEX #ADC940

RGB 173 201 64

HSL 72.26, 0.56%, 0.52%

LAB 76.7, -27.86, 62.25

 

CMYK 32 / 0 / 68 / 21

HEX #88C940

RGB 136 201 64

HSL 88.47, 0.56%, 0.52%

LAB 74.43, -42.08, 59.21

 

CMYK 51 / 0 / 68 / 21

HEX #63C940

RGB 99 201 64

HSL 104.67, 0.56%, 0.52%

LAB 72.76, -54.06, 56.94

 

CMYK 0 / 22 / 68 / 21

HEX #C99C40

RGB 201 156 64

HSL 40.29, 0.56%, 0.52%

LAB 66.95, 7.22, 52.89

 

CMYK 0 / 27 / 80 / 13

HEX #DDA22C

RGB 221 162 44

HSL 40, 0.72%, 0.52%

LAB 70.45, 11.78, 64.95

 

CMYK 0 / 30 / 90 / 5

HEX #F1A918

RGB 241 169 24

HSL 40.09, 0.89%, 0.52%

LAB 74.28, 16.17, 74.43

 

CMYK 0 / 22 / 68 / 21

HEX #C99C40

RGB 201 156 64

HSL 40.29, 0.56%, 0.52%

LAB 66.95, 7.22, 52.89

 

CMYK 0 / 18 / 54 / 29

HEX #B59554

RGB 181 149 84

HSL 40.21, 0.4%, 0.52%

LAB 63.31, 3.81, 38.51

 

CMYK 0 / 12 / 36 / 36

HEX #A28E68

RGB 162 142 104

HSL 39.31, 0.24%, 0.52%

LAB 59.91, 1.76, 23.02

 

CMYK 0 / 4 / 13 / 44

HEX #8E887B

RGB 142 136 123

HSL 41.05, 0.08%, 0.52%

LAB 56.87, -0.12, 7.78

 

CMYK 15 / 10 / 0 / 44

HEX #7A818F

RGB 122 129 143

HSL 220, 0.09%, 0.52%

LAB 53.84, 0.45, -8.42

 

CMYK 0 / 59 / 68 / 21

HEX #C95240

RGB 201 82 64

HSL 7.88, 0.56%, 0.52%

LAB 50.48, 46.27, 34.47

 

CMYK 0 / 41 / 68 / 21

HEX #C97740

RGB 201 119 64

HSL 24.09, 0.56%, 0.52%

LAB 58.02, 27.37, 43.16

 

CMYK 0 / 23 / 68 / 21

HEX #C99B40

RGB 201 155 64

HSL 39.85, 0.56%, 0.52%

LAB 66.7, 7.76, 52.62

 

CMYK 0 / 4 / 68 / 21

HEX #C9C040

RGB 201 192 64

HSL 56.06, 0.56%, 0.52%

LAB 76.37, -11.75, 62.61

 

CMYK 13 / 0 / 68 / 21

HEX #AEC940

RGB 174 201 64

HSL 71.82, 0.56%, 0.52%

LAB 76.77, -27.46, 62.34

 

CMYK 0 / 23 / 72 / 44

HEX #8E6D28

RGB 142 109 40

HSL 40.59, 0.56%, 0.36%

LAB 48.06, 5.63, 42.01

 

CMYK 0 / 24 / 72 / 31

HEX #AF8531

RGB 175 133 49

HSL 40, 0.56%, 0.44%

LAB 58.14, 7.56, 49.5

 

CMYK 0 / 22 / 68 / 21

HEX #C99C40

RGB 201 156 64

HSL 40.29, 0.56%, 0.52%

LAB 66.95, 7.22, 52.89

 

CMYK 0 / 18 / 54 / 18

HEX #D2AC60

RGB 210 172 96

HSL 40, 0.56%, 0.6%

LAB 72.26, 4.71, 43.9

 

CMYK 0 / 14 / 42 / 14

HEX #DBBD80

RGB 219 189 128

HSL 40.22, 0.56%, 0.68%

LAB 77.88, 2.45, 34.76

 

CMYK 0 / 23 / 69 / 21

HEX #C99B3E

RGB 201 155 62

HSL 40.14, 0.56%, 0.52%

LAB 66.68, 7.65, 53.49

 

CMYK 59 / 0 / 68 / 21

HEX #52C940

RGB 82 201 64

HSL 112.12, 0.56%, 0.52%

LAB 72.19, -58.51, 56.16

 

CMYK 50 / 68 / 0 / 21

HEX #6540C9

RGB 101 64 201

HSL 256.2, 0.56%, 0.52%

LAB 38.99, 48.75, -65.8

 

CMYK 0 / 23 / 69 / 21

HEX #C99B3E

RGB 201 155 62

HSL 40.14, 0.56%, 0.52%

LAB 66.68, 7.65, 53.49

 

CMYK 68 / 0 / 23 / 21

HEX #40C99B

RGB 64 201 155

HSL 159.85, 0.56%, 0.52%

LAB 73.04, -47.52, 12.44

 

CMYK 23 / 68 / 0 / 21

HEX #9B40C9

RGB 155 64 201

HSL 279.85, 0.56%, 0.52%

LAB 45.43, 59.34, -55.05

 

CMYK 0 / 23 / 69 / 21

HEX #C99B3E

RGB 201 155 62

HSL 40.14, 0.56%, 0.52%

LAB 66.68, 7.65, 53.49

 

CMYK 59 / 0 / 68 / 21

HEX #52C940

RGB 82 201 64

HSL 112.12, 0.56%, 0.52%

LAB 72.19, -58.51, 56.16

 

CMYK 68 / 45 / 0 / 21

HEX #406EC9

RGB 64 110 201

HSL 219.85, 0.56%, 0.52%

LAB 47.57, 14.35, -52.03

 

CMYK 9 / 68 / 0 / 21

HEX #B740C9

RGB 183 64 201

HSL 292.12, 0.56%, 0.52%

LAB 49.44, 65.43, -48.41

 

CMYK 0 / 23 / 69 / 21

HEX #C99B3E

RGB 201 155 62

HSL 40.14, 0.56%, 0.52%

LAB 66.68, 7.65, 53.49

 

CMYK 68 / 0 / 57 / 21

HEX #40C957

RGB 64 201 87

HSL 130.07, 0.56%, 0.52%

LAB 71.93, -59.83, 45.8

 

CMYK 68 / 45 / 0 / 21

HEX #406EC9

RGB 64 110 201

HSL 219.85, 0.56%, 0.52%

LAB 47.57, 14.35, -52.03

 

CMYK 0 / 68 / 11 / 21

HEX #C940B2

RGB 201 64 178

HSL 310.07, 0.56%, 0.52%

LAB 51.03, 65.84, -32.35

 

Description

Color code: HEX #C99B3E | qconv.com Color code: HEX #C99B3E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 155 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 155 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 69 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 69% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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