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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C99375 it is the complementary color #366C8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C99375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C99375 shade: #CE9370, #DFA583, #F0B796, #FFC9A9 and #FFDBBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C99375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C99375 shade: #C99375, #B88162, #A76F4F, #965D3C and #854B29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C99375 shade: #C99273, #C97B73 and #C97373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C99375 shade: #C99273, #C9A973, #C9C073, #BBC973 and #A4C973

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C99375 shade matches the following richer shades: #C99273, #D88D64, #E88954 and #F88444

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C99375 shade: #C99273, #B99683, #A99B93, #9A9FA2 and #8AA4B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C99375 shade: #C97383, #C97B73, #C99173, #C9A873 and #C9BF73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C99375 shade: #A86641, #BD7B56, #C99273, #D4A991 and #E0C0AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C99375 shade: #C99375, #9AC973 and #7378C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C99375 shade: #C99375, #73C991 and #9173C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C99375 shade: #C99375, #9AC973, #73ABC9 and #A273C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C99375 shade: #C99375, #80C973, #73ABC9 and #BC73C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 42 / 21

HEX #C99375

RGB 201 147 117

HSL 21.43, 0.44%, 0.62%

LAB 65.41, 16.56, 23.88

 

Complementary color

CMYK 61 / 22 / 0 / 46

HEX #366C8A

RGB 54 108 138

HSL 201.43, 0.44%, 0.38%

LAB 43.28, -8.41, -21.9

 

CMYK 0 / 29 / 46 / 19

HEX #CE9370

RGB 206 147 112

HSL 22.34, 0.49%, 0.62%

LAB 65.87, 18.05, 27.34

 

CMYK 0 / 26 / 41 / 13

HEX #DFA583

RGB 223 165 131

HSL 22.17, 0.59%, 0.69%

LAB 72.39, 17.15, 26

 

CMYK 0 / 24 / 38 / 6

HEX #F0B796

RGB 240 183 150

HSL 22, 0.75%, 0.76%

LAB 78.81, 16.36, 24.76

 

CMYK 0 / 21 / 34 / 0

HEX #FFC9A9

RGB 255 201 169

HSL 22.33, 1%, 0.83%

LAB 84.94, 14.89, 23.32

 

CMYK 0 / 14 / 26 / 0

HEX #FFDBBC

RGB 255 219 188

HSL 27.76, 1%, 0.87%

LAB 89.65, 7.97, 19.87

 

CMYK 0 / 27 / 42 / 21

HEX #C99375

RGB 201 147 117

HSL 21.43, 0.44%, 0.62%

LAB 65.41, 16.56, 23.88

 

CMYK 0 / 30 / 47 / 28

HEX #B88162

RGB 184 129 98

HSL 21.63, 0.38%, 0.55%

LAB 58.76, 17.5, 25.26

 

CMYK 0 / 34 / 53 / 35

HEX #A76F4F

RGB 167 111 79

HSL 21.82, 0.36%, 0.48%

LAB 52.01, 18.6, 26.8

 

CMYK 0 / 38 / 60 / 41

HEX #965D3C

RGB 150 93 60

HSL 22, 0.43%, 0.41%

LAB 45.14, 19.89, 28.51

 

CMYK 0 / 44 / 69 / 48

HEX #854B29

RGB 133 75 41

HSL 22.17, 0.53%, 0.34%

LAB 38.16, 21.42, 30.41

 

CMYK 0 / 27 / 43 / 21

HEX #C99273

RGB 201 146 115

HSL 21.63, 0.44%, 0.62%

LAB 65.13, 16.89, 24.61

 

CMYK 0 / 39 / 43 / 21

HEX #C97B73

RGB 201 123 115

HSL 5.58, 0.44%, 0.62%

LAB 59.73, 29.45, 17.29

 

CMYK 0 / 43 / 43 / 21

HEX #C97373

RGB 201 115 115

HSL 0, 0.44%, 0.62%

LAB 57.96, 33.74, 14.84

 

CMYK 0 / 27 / 43 / 21

HEX #C99273

RGB 201 146 115

HSL 21.63, 0.44%, 0.62%

LAB 65.13, 16.89, 24.61

 

CMYK 0 / 16 / 43 / 21

HEX #C9A973

RGB 201 169 115

HSL 37.67, 0.44%, 0.62%

LAB 70.89, 4.39, 32.19

 

CMYK 0 / 4 / 43 / 21

HEX #C9C073

RGB 201 192 115

HSL 53.72, 0.44%, 0.62%

LAB 76.89, -7.75, 39.84

 

CMYK 7 / 0 / 43 / 21

HEX #BBC973

RGB 187 201 115

HSL 69.77, 0.44%, 0.62%

LAB 78.21, -17.92, 41.26

 

CMYK 18 / 0 / 43 / 21

HEX #A4C973

RGB 164 201 115

HSL 85.81, 0.44%, 0.62%

LAB 76.62, -26.76, 38.92

 

CMYK 0 / 27 / 43 / 21

HEX #C99273

RGB 201 146 115

HSL 21.63, 0.44%, 0.62%

LAB 65.13, 16.89, 24.61

 

CMYK 0 / 35 / 54 / 15

HEX #D88D64

RGB 216 141 100

HSL 21.21, 0.6%, 0.62%

LAB 65.41, 24.23, 33.49

 

CMYK 0 / 41 / 64 / 9

HEX #E88954

RGB 232 137 84

HSL 21.49, 0.76%, 0.62%

LAB 66.28, 31.62, 43.47

 

CMYK 0 / 47 / 73 / 3

HEX #F88444

RGB 248 132 68

HSL 21.33, 0.93%, 0.62%

LAB 67.18, 39.64, 53.02

 

CMYK 0 / 27 / 43 / 21

HEX #C99273

RGB 201 146 115

HSL 21.63, 0.44%, 0.62%

LAB 65.13, 16.89, 24.61

 

CMYK 0 / 19 / 29 / 27

HEX #B99683

RGB 185 150 131

HSL 21.11, 0.28%, 0.62%

LAB 64.78, 10.25, 14.96

 

CMYK 0 / 8 / 13 / 34

HEX #A99B93

RGB 169 155 147

HSL 21.82, 0.11%, 0.62%

LAB 64.95, 3.74, 6.04

 

CMYK 5 / 2 / 0 / 36

HEX #9A9FA2

RGB 154 159 162

HSL 202.5, 0.04%, 0.62%

LAB 65.18, -1.19, -2.19

 

CMYK 22 / 8 / 0 / 30

HEX #8AA4B2

RGB 138 164 178

HSL 201, 0.21%, 0.62%

LAB 65.88, -5.85, -10.23

 

CMYK 0 / 43 / 35 / 21

HEX #C97383

RGB 201 115 131

HSL 348.84, 0.44%, 0.62%

LAB 58.34, 35.61, 6.12

 

CMYK 0 / 39 / 43 / 21

HEX #C97B73

RGB 201 123 115

HSL 5.58, 0.44%, 0.62%

LAB 59.73, 29.45, 17.29

 

CMYK 0 / 28 / 43 / 21

HEX #C99173

RGB 201 145 115

HSL 20.93, 0.44%, 0.62%

LAB 64.89, 17.44, 24.28

 

CMYK 0 / 16 / 43 / 21

HEX #C9A873

RGB 201 168 115

HSL 36.98, 0.44%, 0.62%

LAB 70.64, 4.92, 31.85

 

CMYK 0 / 5 / 43 / 21

HEX #C9BF73

RGB 201 191 115

HSL 53.02, 0.44%, 0.62%

LAB 76.63, -7.23, 39.51

 

CMYK 0 / 39 / 61 / 34

HEX #A86641

RGB 168 102 65

HSL 21.55, 0.44%, 0.46%

LAB 49.75, 22.91, 31.87

 

CMYK 0 / 35 / 54 / 26

HEX #BD7B56

RGB 189 123 86

HSL 21.55, 0.44%, 0.54%

LAB 57.71, 21.77, 30.7

 

CMYK 0 / 27 / 43 / 21

HEX #C99273

RGB 201 146 115

HSL 21.63, 0.44%, 0.62%

LAB 65.13, 16.89, 24.61

 

CMYK 0 / 20 / 32 / 17

HEX #D4A991

RGB 212 169 145

HSL 21.49, 0.44%, 0.7%

LAB 72.51, 12.35, 18.37

 

CMYK 0 / 14 / 22 / 12

HEX #E0C0AF

RGB 224 192 175

HSL 20.82, 0.44%, 0.78%

LAB 79.98, 8.76, 12.77

 

CMYK 0 / 27 / 42 / 21

HEX #C99375

RGB 201 147 117

HSL 21.43, 0.44%, 0.62%

LAB 65.41, 16.56, 23.88

 

CMYK 23 / 0 / 43 / 21

HEX #9AC973

RGB 154 201 115

HSL 92.79, 0.44%, 0.62%

LAB 76, -30.44, 38

 

CMYK 43 / 40 / 0 / 21

HEX #7378C9

RGB 115 120 201

HSL 236.51, 0.44%, 0.62%

LAB 53.27, 18.89, -42.77

 

CMYK 0 / 27 / 42 / 21

HEX #C99375

RGB 201 147 117

HSL 21.43, 0.44%, 0.62%

LAB 65.41, 16.56, 23.88

 

CMYK 43 / 0 / 28 / 21

HEX #73C991

RGB 115 201 145

HSL 140.93, 0.44%, 0.62%

LAB 74.48, -38.36, 20.05

 

CMYK 28 / 43 / 0 / 21

HEX #9173C9

RGB 145 115 201

HSL 260.93, 0.44%, 0.62%

LAB 54.55, 29.97, -40.58

 

CMYK 0 / 27 / 42 / 21

HEX #C99375

RGB 201 147 117

HSL 21.43, 0.44%, 0.62%

LAB 65.41, 16.56, 23.88

 

CMYK 23 / 0 / 43 / 21

HEX #9AC973

RGB 154 201 115

HSL 92.79, 0.44%, 0.62%

LAB 76, -30.44, 38

 

CMYK 43 / 15 / 0 / 21

HEX #73ABC9

RGB 115 171 201

HSL 200.93, 0.44%, 0.62%

LAB 67.27, -10.44, -21.04

 

CMYK 19 / 43 / 0 / 21

HEX #A273C9

RGB 162 115 201

HSL 272.79, 0.44%, 0.62%

LAB 56.25, 34.87, -37.8

 

CMYK 0 / 27 / 42 / 21

HEX #C99375

RGB 201 147 117

HSL 21.43, 0.44%, 0.62%

LAB 65.41, 16.56, 23.88

 

CMYK 36 / 0 / 43 / 21

HEX #80C973

RGB 128 201 115

HSL 110.93, 0.44%, 0.62%

LAB 74.57, -39.39, 35.89

 

CMYK 43 / 15 / 0 / 21

HEX #73ABC9

RGB 115 171 201

HSL 200.93, 0.44%, 0.62%

LAB 67.27, -10.44, -21.04

 

CMYK 6 / 43 / 0 / 21

HEX #BC73C9

RGB 188 115 201

HSL 290.93, 0.44%, 0.62%

LAB 59.13, 42.59, -33.08

 

Description

Color code: HEX #C99375 | qconv.com Color code: HEX #C99375 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 147 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 147 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 42 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 42% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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