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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C98DAF it is the complementary color #367250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C98DAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C98DAF shade: #CE8DAA, #DF9FBD, #F0B1D0, #FFC3E3 and #FFD5F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C98DAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C98DAF shade: #C98DAF, #B87B9C, #A76989, #965776 and #854563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C98DAF shade: #C98DAF, #C98D9F, #C98D8E and #C98D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C98DAF shade: #C98DAF, #C98DBF, #C38DC9, #B28DC9 and #A28DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C98DAF shade matches the following richer shades: #C98DAF, #D77FB1, #E471B3 and #F264B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C98DAF shade: #C98DAF, #BC9AAD, #AEA8AB, #A0B5A9 and #93C3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C98DAF shade: #C38DC9, #C98DBF, #C98DAF, #C98D9F and #C98D8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C98DAF shade: #AF5488, #BC709B, #C98DAF, #D6A9C3 and #E4C5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C98DAF shade: #C98DAF, #C9B38D and #8DC7C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C98DAF shade: #C98DAF, #AFC98D and #8DAFC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C98DAF shade: #C98DAF, #C9B38D, #8DC9A7 and #8DA3C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C98DAF shade: #C98DAF, #C9C58D, #8DC9A7 and #8D91C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

Complementary color

CMYK 53 / 0 / 30 / 55

HEX #367250

RGB 54 114 80

HSL 146, 0.36%, 0.33%

LAB 43.36, -28.07, 13.01

 

CMYK 0 / 32 / 17 / 19

HEX #CE8DAA

RGB 206 141 170

HSL 333.23, 0.4%, 0.68%

LAB 65.81, 28.93, -5.2

 

CMYK 0 / 29 / 15 / 13

HEX #DF9FBD

RGB 223 159 189

HSL 331.88, 0.5%, 0.75%

LAB 72.33, 28.23, -5.94

 

CMYK 0 / 26 / 13 / 6

HEX #F0B1D0

RGB 240 177 208

HSL 330.48, 0.68%, 0.82%

LAB 78.77, 27.57, -6.62

 

CMYK 0 / 24 / 11 / 0

HEX #FFC3E3

RGB 255 195 227

HSL 328, 1%, 0.88%

LAB 84.91, 26.29, -7.57

 

CMYK 0 / 16 / 4 / 0

HEX #FFD5F6

RGB 255 213 246

HSL 312.86, 1%, 0.92%

LAB 89.63, 20.05, -10.63

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 33 / 15 / 28

HEX #B87B9C

RGB 184 123 156

HSL 327.54, 0.3%, 0.6%

LAB 58.75, 28.7, -7.98

 

CMYK 0 / 37 / 18 / 35

HEX #A76989

RGB 167 105 137

HSL 329.03, 0.26%, 0.53%

LAB 51.98, 29.49, -7.21

 

CMYK 0 / 42 / 21 / 41

HEX #965776

RGB 150 87 118

HSL 330.48, 0.27%, 0.46%

LAB 45.09, 30.33, -6.32

 

CMYK 0 / 48 / 26 / 48

HEX #854563

RGB 133 69 99

HSL 331.88, 0.32%, 0.4%

LAB 38.1, 31.21, -5.26

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 30 / 21 / 21

HEX #C98D9F

RGB 201 141 159

HSL 342, 0.36%, 0.67%

LAB 64.94, 25.41, -0.34

 

CMYK 0 / 30 / 29 / 21

HEX #C98D8E

RGB 201 141 142

HSL 359, 0.36%, 0.67%

LAB 64.5, 22.95, 8.63

 

CMYK 0 / 30 / 30 / 21

HEX #C98D8D

RGB 201 141 141

HSL 0, 0.36%, 0.67%

LAB 64.48, 22.82, 9.16

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 30 / 5 / 21

HEX #C98DBF

RGB 201 141 191

HSL 310, 0.36%, 0.67%

LAB 65.93, 30.75, -16.88

 

CMYK 3 / 30 / 0 / 21

HEX #C38DC9

RGB 195 141 201

HSL 294, 0.36%, 0.67%

LAB 65.65, 30.64, -22.97

 

CMYK 11 / 30 / 0 / 21

HEX #B28DC9

RGB 178 141 201

HSL 277, 0.36%, 0.67%

LAB 63.94, 25.14, -25.73

 

CMYK 19 / 30 / 0 / 21

HEX #A28DC9

RGB 162 141 201

HSL 261, 0.36%, 0.67%

LAB 62.46, 20.07, -28.13

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 41 / 18 / 16

HEX #D77FB1

RGB 215 127 177

HSL 325.91, 0.52%, 0.67%

LAB 64, 40.64, -11.74

 

CMYK 0 / 50 / 21 / 11

HEX #E471B3

RGB 228 113 179

HSL 325.57, 0.68%, 0.67%

LAB 62.98, 52.25, -14.24

 

CMYK 0 / 59 / 26 / 5

HEX #F264B4

RGB 242 100 180

HSL 326.2, 0.85%, 0.67%

LAB 62.75, 62.61, -14.96

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 18 / 8 / 26

HEX #BC9AAD

RGB 188 154 173

HSL 326.47, 0.2%, 0.67%

LAB 67.14, 15.82, -5.12

 

CMYK 0 / 3 / 2 / 32

HEX #AEA8AB

RGB 174 168 171

HSL 330, 0.04%, 0.67%

LAB 69.43, 2.71, -0.79

 

CMYK 12 / 0 / 7 / 29

HEX #A0B5A9

RGB 160 181 169

HSL 145.71, 0.12%, 0.67%

LAB 71.82, -9.59, 3.66

 

CMYK 25 / 0 / 14 / 24

HEX #93C3A8

RGB 147 195 168

HSL 146.25, 0.29%, 0.67%

LAB 74.86, -21.33, 8.48

 

CMYK 3 / 30 / 0 / 21

HEX #C38DC9

RGB 195 141 201

HSL 294, 0.36%, 0.67%

LAB 65.65, 30.64, -22.97

 

CMYK 0 / 30 / 5 / 21

HEX #C98DBF

RGB 201 141 191

HSL 310, 0.36%, 0.67%

LAB 65.93, 30.75, -16.88

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 30 / 21 / 21

HEX #C98D9F

RGB 201 141 159

HSL 342, 0.36%, 0.67%

LAB 64.94, 25.41, -0.34

 

CMYK 0 / 30 / 29 / 21

HEX #C98D8F

RGB 201 141 143

HSL 358, 0.36%, 0.67%

LAB 64.52, 23.09, 8.1

 

CMYK 0 / 52 / 22 / 31

HEX #AF5488

RGB 175 84 136

HSL 325.71, 0.36%, 0.51%

LAB 48.55, 43.37, -11.64

 

CMYK 0 / 40 / 18 / 26

HEX #BC709B

RGB 188 112 155

HSL 326.05, 0.36%, 0.59%

LAB 56.73, 35.97, -10.37

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 21 / 9 / 16

HEX #D6A9C3

RGB 214 169 195

HSL 325.33, 0.35%, 0.75%

LAB 73.94, 20.66, -6.96

 

CMYK 0 / 14 / 6 / 11

HEX #E4C5D6

RGB 228 197 214

HSL 327.1, 0.36%, 0.83%

LAB 82.53, 13.77, -4.42

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 11 / 30 / 21

HEX #C9B38D

RGB 201 179 141

HSL 38, 0.36%, 0.67%

LAB 73.92, 2.15, 22.32

 

CMYK 30 / 1 / 0 / 21

HEX #8DC7C9

RGB 141 199 201

HSL 182, 0.36%, 0.67%

LAB 76.51, -18.07, -7.01

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 13 / 0 / 30 / 21

HEX #AFC98D

RGB 175 201 141

HSL 86, 0.36%, 0.67%

LAB 77.76, -19.21, 27.17

 

CMYK 30 / 13 / 0 / 21

HEX #8DAFC9

RGB 141 175 201

HSL 206, 0.36%, 0.67%

LAB 69.85, -5.44, -16.98

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 11 / 30 / 21

HEX #C9B38D

RGB 201 179 141

HSL 38, 0.36%, 0.67%

LAB 73.92, 2.15, 22.32

 

CMYK 30 / 0 / 17 / 21

HEX #8DC9A7

RGB 141 201 167

HSL 146, 0.36%, 0.67%

LAB 76.21, -26.39, 10.88

 

CMYK 30 / 19 / 0 / 21

HEX #8DA3C9

RGB 141 163 201

HSL 218, 0.36%, 0.67%

LAB 66.58, 1.16, -21.96

 

CMYK 0 / 30 / 13 / 21

HEX #C98DAF

RGB 201 141 175

HSL 326, 0.36%, 0.67%

LAB 65.41, 27.97, -8.67

 

CMYK 0 / 2 / 30 / 21

HEX #C9C58D

RGB 201 197 141

HSL 56, 0.36%, 0.67%

LAB 78.62, -7.31, 28.66

 

CMYK 30 / 0 / 17 / 21

HEX #8DC9A7

RGB 141 201 167

HSL 146, 0.36%, 0.67%

LAB 76.21, -26.39, 10.88

 

CMYK 30 / 28 / 0 / 21

HEX #8D91C9

RGB 141 145 201

HSL 236, 0.36%, 0.67%

LAB 61.77, 11.37, -29.34

 

Description

Color code: HEX #C98DAF | qconv.com Color code: HEX #C98DAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 141 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 141 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 13 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 13% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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