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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C98439 it is the complementary color #367BC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C98439. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C98439 shade: #CE8434, #DF9647, #F0A85A, #FFBA6D and #FFCC80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C98439. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C98439 shade: #C98439, #B87226, #A76013, #964E00 and #853C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C98439 shade: #C9853B, #C95F3B and #C93B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C98439 shade: #C9853B, #C9AB3B, #C1C93B, #9AC93B and #74C93B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C98439 shade matches the following richer shades: #C9853B, #DD8627 and #F28712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C98439 shade: #C9853B, #B5844F, #A18363, #8D8277 and #78828C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C98439 shade: #C93B3D, #C95E3B, #C9843B, #C9AA3B and #C2C93B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C98439 shade: #8B5B26, #AC702F, #C9853B, #D2995B and #DBAD7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C98439 shade: #C98439, #63C93B and #4B3BC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C98439 shade: #C98439, #3BC984 and #843BC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C98439 shade: #C98439, #63C93B, #3B80C9 and #A13BC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C98439 shade: #C98439, #3BC93D, #3B80C9 and #C93BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 72 / 21

HEX #C98439

RGB 201 132 57

HSL 31.25, 0.57%, 0.51%

LAB 60.97, 19.92, 49.76

 

Complementary color

CMYK 73 / 38 / 0 / 22

HEX #367BC6

RGB 54 123 198

HSL 211.25, 0.57%, 0.49%

LAB 50.72, 3.73, -45.31

 

CMYK 0 / 36 / 75 / 19

HEX #CE8434

RGB 206 132 52

HSL 31.17, 0.61%, 0.51%

LAB 61.54, 21.82, 52.8

 

CMYK 0 / 33 / 68 / 13

HEX #DF9647

RGB 223 150 71

HSL 31.18, 0.7%, 0.58%

LAB 67.99, 20.25, 51.52

 

CMYK 0 / 30 / 63 / 6

HEX #F0A85A

RGB 240 168 90

HSL 31.2, 0.83%, 0.65%

LAB 74.36, 18.88, 50.11

 

CMYK 0 / 27 / 57 / 0

HEX #FFBA6D

RGB 255 186 109

HSL 31.64, 1%, 0.71%

LAB 80.45, 16.87, 48.37

 

CMYK 0 / 20 / 50 / 0

HEX #FFCC80

RGB 255 204 128

HSL 35.91, 1%, 0.75%

LAB 85, 9.05, 44.51

 

CMYK 0 / 34 / 72 / 21

HEX #C98439

RGB 201 132 57

HSL 31.25, 0.57%, 0.51%

LAB 60.97, 19.92, 49.76

 

CMYK 0 / 38 / 79 / 28

HEX #B87226

RGB 184 114 38

HSL 31.23, 0.66%, 0.44%

LAB 54.41, 21.63, 50.88

 

CMYK 0 / 43 / 89 / 35

HEX #A76013

RGB 167 96 19

HSL 31.22, 0.8%, 0.36%

LAB 47.79, 23.62, 51.24

 

CMYK 0 / 48 / 100 / 41

HEX #964E00

RGB 150 78 0

HSL 31.2, 1%, 0.29%

LAB 41.11, 25.84, 50.55

 

CMYK 0 / 55 / 100 / 48

HEX #853C00

RGB 133 60 0

HSL 27.07, 1%, 0.26%

LAB 34.43, 28.39, 45.19

 

CMYK 0 / 34 / 71 / 21

HEX #C9853B

RGB 201 133 59

HSL 31.27, 0.57%, 0.51%

LAB 61.23, 19.48, 49.11

 

CMYK 0 / 53 / 71 / 21

HEX #C95F3B

RGB 201 95 59

HSL 15.21, 0.57%, 0.51%

LAB 52.86, 39.68, 39.97

 

CMYK 0 / 71 / 71 / 21

HEX #C93B3B

RGB 201 59 59

HSL 0, 0.57%, 0.51%

LAB 46.79, 55.74, 32.99

 

CMYK 0 / 34 / 71 / 21

HEX #C9853B

RGB 201 133 59

HSL 31.27, 0.57%, 0.51%

LAB 61.23, 19.48, 49.11

 

CMYK 0 / 15 / 71 / 21

HEX #C9AB3B

RGB 201 171 59

HSL 47.32, 0.57%, 0.51%

LAB 70.77, -1.09, 58.96

 

CMYK 4 / 0 / 71 / 21

HEX #C1C93B

RGB 193 201 59

HSL 63.38, 0.57%, 0.51%

LAB 78.13, -19.9, 66

 

CMYK 23 / 0 / 71 / 21

HEX #9AC93B

RGB 154 201 59

HSL 79.86, 0.57%, 0.51%

LAB 75.43, -35.69, 62.43

 

CMYK 42 / 0 / 71 / 21

HEX #74C93B

RGB 116 201 59

HSL 95.92, 0.57%, 0.51%

LAB 73.42, -49.28, 59.75

 

CMYK 0 / 34 / 71 / 21

HEX #C9853B

RGB 201 133 59

HSL 31.27, 0.57%, 0.51%

LAB 61.23, 19.48, 49.11

 

CMYK 0 / 39 / 82 / 13

HEX #DD8627

RGB 221 134 39

HSL 31.32, 0.73%, 0.51%

LAB 63.81, 26.61, 60.8

 

CMYK 0 / 44 / 93 / 5

HEX #F28712

RGB 242 135 18

HSL 31.34, 0.9%, 0.51%

LAB 66.71, 34.32, 70.15

 

CMYK 0 / 34 / 71 / 21

HEX #C9853B

RGB 201 133 59

HSL 31.27, 0.57%, 0.51%

LAB 61.23, 19.48, 49.11

 

CMYK 0 / 27 / 56 / 29

HEX #B5844F

RGB 181 132 79

HSL 31.18, 0.41%, 0.51%

LAB 58.87, 12.79, 35.74

 

CMYK 0 / 19 / 39 / 37

HEX #A18363

RGB 161 131 99

HSL 30.97, 0.25%, 0.51%

LAB 56.79, 6.88, 21.63

 

CMYK 0 / 8 / 16 / 45

HEX #8D8277

RGB 141 130 119

HSL 30, 0.09%, 0.51%

LAB 55.03, 2.2, 7.45

 

CMYK 14 / 7 / 0 / 45

HEX #78828C

RGB 120 130 140

HSL 210, 0.08%, 0.51%

LAB 53.87, -1.49, -6.64

 

CMYK 0 / 71 / 70 / 21

HEX #C93B3D

RGB 201 59 61

HSL 359.15, 0.57%, 0.51%

LAB 46.82, 55.84, 31.85

 

CMYK 0 / 53 / 71 / 21

HEX #C95E3B

RGB 201 94 59

HSL 14.79, 0.57%, 0.51%

LAB 52.66, 40.18, 39.75

 

CMYK 0 / 34 / 71 / 21

HEX #C9843B

RGB 201 132 59

HSL 30.85, 0.57%, 0.51%

LAB 60.99, 20.03, 48.85

 

CMYK 0 / 15 / 71 / 21

HEX #C9AA3B

RGB 201 170 59

HSL 46.9, 0.57%, 0.51%

LAB 70.51, -0.56, 58.7

 

CMYK 3 / 0 / 71 / 21

HEX #C2C93B

RGB 194 201 59

HSL 62.96, 0.57%, 0.51%

LAB 78.2, -19.48, 66.11

 

CMYK 0 / 35 / 73 / 45

HEX #8B5B26

RGB 139 91 38

HSL 31.49, 0.57%, 0.35%

LAB 42.93, 14.61, 37.49

 

CMYK 0 / 35 / 73 / 33

HEX #AC702F

RGB 172 112 47

HSL 31.2, 0.57%, 0.43%

LAB 52.47, 17.89, 44.44

 

CMYK 0 / 34 / 71 / 21

HEX #C9853B

RGB 201 133 59

HSL 31.27, 0.57%, 0.51%

LAB 61.23, 19.48, 49.11

 

CMYK 0 / 27 / 57 / 18

HEX #D2995B

RGB 210 153 91

HSL 31.26, 0.57%, 0.59%

LAB 67.46, 14.52, 40.63

 

CMYK 0 / 21 / 43 / 14

HEX #DBAD7C

RGB 219 173 124

HSL 30.95, 0.57%, 0.67%

LAB 73.81, 10.51, 31.55

 

CMYK 0 / 34 / 72 / 21

HEX #C98439

RGB 201 132 57

HSL 31.25, 0.57%, 0.51%

LAB 60.97, 19.92, 49.76

 

CMYK 51 / 0 / 71 / 21

HEX #63C93B

RGB 99 201 59

HSL 103.1, 0.57%, 0.51%

LAB 72.72, -54.46, 58.81

 

CMYK 63 / 71 / 0 / 21

HEX #4B3BC9

RGB 75 59 201

HSL 246.76, 0.57%, 0.51%

LAB 35.68, 47.51, -71.31

 

CMYK 0 / 34 / 72 / 21

HEX #C98439

RGB 201 132 57

HSL 31.25, 0.57%, 0.51%

LAB 60.97, 19.92, 49.76

 

CMYK 71 / 0 / 34 / 21

HEX #3BC984

RGB 59 201 132

HSL 150.85, 0.57%, 0.51%

LAB 72.47, -53.26, 23.89

 

CMYK 34 / 71 / 0 / 21

HEX #843BC9

RGB 132 59 201

HSL 270.85, 0.57%, 0.51%

LAB 41.61, 56.9, -61.37

 

CMYK 0 / 34 / 72 / 21

HEX #C98439

RGB 201 132 57

HSL 31.25, 0.57%, 0.51%

LAB 60.97, 19.92, 49.76

 

CMYK 51 / 0 / 71 / 21

HEX #63C93B

RGB 99 201 59

HSL 103.1, 0.57%, 0.51%

LAB 72.72, -54.46, 58.81

 

CMYK 71 / 36 / 0 / 21

HEX #3B80C9

RGB 59 128 201

HSL 210.85, 0.57%, 0.51%

LAB 52.49, 2.49, -44.2

 

CMYK 20 / 71 / 0 / 21

HEX #A13BC9

RGB 161 59 201

HSL 283.1, 0.57%, 0.51%

LAB 45.53, 62.69, -54.85

 

CMYK 0 / 34 / 72 / 21

HEX #C98439

RGB 201 132 57

HSL 31.25, 0.57%, 0.51%

LAB 60.97, 19.92, 49.76

 

CMYK 71 / 0 / 70 / 21

HEX #3BC93D

RGB 59 201 61

HSL 120.85, 0.57%, 0.51%

LAB 71.58, -63.54, 56.51

 

CMYK 71 / 36 / 0 / 21

HEX #3B80C9

RGB 59 128 201

HSL 210.85, 0.57%, 0.51%

LAB 52.49, 2.49, -44.2

 

CMYK 0 / 71 / 1 / 21

HEX #C93BC7

RGB 201 59 199

HSL 300.85, 0.57%, 0.51%

LAB 51.46, 70.85, -43.87

 

Description

Color code: HEX #C98439 | qconv.com Color code: HEX #C98439 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 132 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 132 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 72 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 72% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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