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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C97D24 it is the complementary color #3682DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C97D24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C97D24 shade: #CE7D1F, #DF8F32, #F0A145, #FFB358 and #FFC56B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C97D24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C97D24 shade: #C97D24, #B86B11, #A75900, #964700 and #853500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C97D24 shade: #C77C23, #C74F23 and #C72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C97D24 shade: #C77C23, #C7A823, #BAC723, #8EC723 and #62C723

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C97D24 shade matches the following richer shades: #C77C23 and #DA7D10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C97D24 shade: #C77C23, #B47A36, #A17949, #8E775C and #7B766F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C97D24 shade: #C72323, #C74F23, #C77B23, #C7A723 and #BCC723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C97D24 shade: #815017, #A4661D, #C77C23, #DC9038 and #E2A45B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C97D24 shade: #C97D24, #4FC723 and #3923C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C97D24 shade: #C97D24, #23C77B and #7B23C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C97D24 shade: #C97D24, #4FC723, #2370C7 and #9C23C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C97D24 shade: #C97D24, #23C729, #2370C7 and #C723C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 82 / 21

HEX #C97D24

RGB 201 125 36

HSL 32.36, 0.7%, 0.46%

LAB 59.17, 22.88, 56.82

 

Complementary color

CMYK 75 / 41 / 0 / 14

HEX #3682DB

RGB 54 130 219

HSL 212.36, 0.7%, 0.54%

LAB 53.88, 7.12, -52.18

 

CMYK 0 / 39 / 85 / 19

HEX #CE7D1F

RGB 206 125 31

HSL 32.23, 0.74%, 0.46%

LAB 59.79, 24.87, 59.34

 

CMYK 0 / 36 / 78 / 13

HEX #DF8F32

RGB 223 143 50

HSL 32.25, 0.73%, 0.54%

LAB 66.18, 23.02, 58.88

 

CMYK 0 / 33 / 71 / 6

HEX #F0A145

RGB 240 161 69

HSL 32.28, 0.85%, 0.61%

LAB 72.52, 21.39, 57.85

 

CMYK 0 / 30 / 65 / 0

HEX #FFB358

RGB 255 179 88

HSL 32.69, 1%, 0.67%

LAB 78.58, 19.14, 56.27

 

CMYK 0 / 23 / 58 / 0

HEX #FFC56B

RGB 255 197 107

HSL 36.49, 1%, 0.71%

LAB 83.05, 10.99, 52.43

 

CMYK 0 / 38 / 82 / 21

HEX #C97D24

RGB 201 125 36

HSL 32.36, 0.7%, 0.46%

LAB 59.17, 22.88, 56.82

 

CMYK 0 / 42 / 91 / 28

HEX #B86B11

RGB 184 107 17

HSL 32.34, 0.83%, 0.39%

LAB 52.67, 24.9, 56.61

 

CMYK 0 / 47 / 100 / 35

HEX #A75900

RGB 167 89 0

HSL 31.98, 1%, 0.33%

LAB 46.12, 27.17, 54.9

 

CMYK 0 / 53 / 100 / 41

HEX #964700

RGB 150 71 0

HSL 28.4, 1%, 0.29%

LAB 39.56, 29.68, 49.63

 

CMYK 0 / 60 / 100 / 48

HEX #853500

RGB 133 53 0

HSL 23.91, 1%, 0.26%

LAB 32.99, 32.1, 44.33

 

CMYK 0 / 38 / 82 / 22

HEX #C77C23

RGB 199 124 35

HSL 32.56, 0.7%, 0.46%

LAB 58.68, 22.53, 56.65

 

CMYK 0 / 60 / 82 / 22

HEX #C74F23

RGB 199 79 35

HSL 16.1, 0.7%, 0.46%

LAB 49.32, 45.71, 48.24

 

CMYK 0 / 82 / 82 / 22

HEX #C72323

RGB 199 35 35

HSL 0, 0.7%, 0.46%

LAB 43.46, 61.75, 42.78

 

CMYK 0 / 38 / 82 / 22

HEX #C77C23

RGB 199 124 35

HSL 32.56, 0.7%, 0.46%

LAB 58.68, 22.53, 56.65

 

CMYK 0 / 16 / 82 / 22

HEX #C7A823

RGB 199 168 35

HSL 48.66, 0.7%, 0.46%

LAB 69.66, -1.34, 66.19

 

CMYK 7 / 0 / 82 / 22

HEX #BAC723

RGB 186 199 35

HSL 64.76, 0.7%, 0.46%

LAB 76.93, -22.82, 71.97

 

CMYK 29 / 0 / 82 / 22

HEX #8EC723

RGB 142 199 35

HSL 80.85, 0.7%, 0.46%

LAB 74.01, -40.56, 68.3

 

CMYK 51 / 0 / 82 / 22

HEX #62C723

RGB 98 199 35

HSL 96.95, 0.7%, 0.46%

LAB 71.94, -55.45, 65.67

 

CMYK 0 / 38 / 82 / 22

HEX #C77C23

RGB 199 124 35

HSL 32.56, 0.7%, 0.46%

LAB 58.68, 22.53, 56.65

 

CMYK 0 / 43 / 93 / 15

HEX #DA7D10

RGB 218 125 16

HSL 32.38, 0.86%, 0.46%

LAB 61.32, 29.64, 65.25

 

CMYK 0 / 38 / 82 / 22

HEX #C77C23

RGB 199 124 35

HSL 32.56, 0.7%, 0.46%

LAB 58.68, 22.53, 56.65

 

CMYK 0 / 32 / 70 / 29

HEX #B47A36

RGB 180 122 54

HSL 32.38, 0.54%, 0.46%

LAB 55.98, 16.19, 45.11

 

CMYK 0 / 25 / 55 / 37

HEX #A17949

RGB 161 121 73

HSL 32.73, 0.38%, 0.46%

LAB 53.74, 9.78, 32.17

 

CMYK 0 / 16 / 35 / 44

HEX #8E775C

RGB 142 119 92

HSL 32.4, 0.21%, 0.46%

LAB 51.52, 4.8, 18.19

 

CMYK 0 / 4 / 10 / 52

HEX #7B766F

RGB 123 118 111

HSL 35, 0.05%, 0.46%

LAB 49.88, 0.58, 4.53

 

CMYK 0 / 82 / 82 / 22

HEX #C72323

RGB 199 35 35

HSL 0, 0.7%, 0.46%

LAB 43.46, 61.75, 42.78

 

CMYK 0 / 60 / 82 / 22

HEX #C74F23

RGB 199 79 35

HSL 16.1, 0.7%, 0.46%

LAB 49.32, 45.71, 48.24

 

CMYK 0 / 38 / 82 / 22

HEX #C77B23

RGB 199 123 35

HSL 32.2, 0.7%, 0.46%

LAB 58.44, 23.08, 56.44

 

CMYK 0 / 16 / 82 / 22

HEX #C7A723

RGB 199 167 35

HSL 48.29, 0.7%, 0.46%

LAB 69.4, -0.81, 65.97

 

CMYK 6 / 0 / 82 / 22

HEX #BCC723

RGB 188 199 35

HSL 64.02, 0.7%, 0.46%

LAB 77.08, -21.98, 72.16

 

CMYK 0 / 38 / 82 / 49

HEX #815017

RGB 129 80 23

HSL 32.26, 0.7%, 0.3%

LAB 38.67, 15.73, 39.83

 

CMYK 0 / 38 / 82 / 36

HEX #A4661D

RGB 164 102 29

HSL 32.44, 0.7%, 0.38%

LAB 48.86, 19.2, 48.44

 

CMYK 0 / 38 / 82 / 22

HEX #C77C23

RGB 199 124 35

HSL 32.56, 0.7%, 0.46%

LAB 58.68, 22.53, 56.65

 

CMYK 0 / 35 / 75 / 14

HEX #DC9038

RGB 220 144 56

HSL 32.2, 0.7%, 0.54%

LAB 66.1, 21.46, 56.19

 

CMYK 0 / 27 / 60 / 11

HEX #E2A45B

RGB 226 164 91

HSL 32.44, 0.7%, 0.62%

LAB 71.88, 15.28, 46.33

 

CMYK 0 / 38 / 82 / 21

HEX #C97D24

RGB 201 125 36

HSL 32.36, 0.7%, 0.46%

LAB 59.17, 22.88, 56.82

 

CMYK 60 / 0 / 82 / 22

HEX #4FC723

RGB 79 199 35

HSL 103.9, 0.7%, 0.46%

LAB 71.3, -60.49, 64.86

 

CMYK 71 / 82 / 0 / 22

HEX #3923C7

RGB 57 35 199

HSL 248.05, 0.7%, 0.46%

LAB 29.9, 57.08, -79.72

 

CMYK 0 / 38 / 82 / 21

HEX #C97D24

RGB 201 125 36

HSL 32.36, 0.7%, 0.46%

LAB 59.17, 22.88, 56.82

 

CMYK 82 / 0 / 38 / 22

HEX #23C77B

RGB 35 199 123

HSL 152.2, 0.7%, 0.46%

LAB 71.31, -57.28, 26.98

 

CMYK 38 / 82 / 0 / 22

HEX #7B23C7

RGB 123 35 199

HSL 272.2, 0.7%, 0.46%

LAB 37, 64.32, -67.78

 

CMYK 0 / 38 / 82 / 21

HEX #C97D24

RGB 201 125 36

HSL 32.36, 0.7%, 0.46%

LAB 59.17, 22.88, 56.82

 

CMYK 60 / 0 / 82 / 22

HEX #4FC723

RGB 79 199 35

HSL 103.9, 0.7%, 0.46%

LAB 71.3, -60.49, 64.86

 

CMYK 82 / 44 / 0 / 22

HEX #2370C7

RGB 35 112 199

HSL 211.83, 0.7%, 0.46%

LAB 47.07, 8.75, -51.75

 

CMYK 22 / 82 / 0 / 22

HEX #9C23C7

RGB 156 35 199

HSL 284.27, 0.7%, 0.46%

LAB 41.83, 69.44, -59.69

 

CMYK 0 / 38 / 82 / 21

HEX #C97D24

RGB 201 125 36

HSL 32.36, 0.7%, 0.46%

LAB 59.17, 22.88, 56.82

 

CMYK 82 / 0 / 79 / 22

HEX #23C729

RGB 35 199 41

HSL 122.2, 0.7%, 0.46%

LAB 70.43, -67.81, 62.07

 

CMYK 82 / 44 / 0 / 22

HEX #2370C7

RGB 35 112 199

HSL 211.83, 0.7%, 0.46%

LAB 47.07, 8.75, -51.75

 

CMYK 0 / 82 / 3 / 22

HEX #C723C2

RGB 199 35 194

HSL 301.83, 0.7%, 0.46%

LAB 48.56, 76.28, -45.6

 

Description

Color code: HEX #C97D24 | qconv.com Color code: HEX #C97D24 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 125 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 125 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 82 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 82% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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