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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C97512 it is the complementary color #368AED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C97512. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C97512 shade: #CE750D, #DF8720, #F09933, #FFAB46 and #FFBD59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C97512. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C97512 shade: #C97512, #B86300, #A75100, #963F00 and #852D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C97512 shade: #CA7512, #CA4412 and #CA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C97512 shade: #CA7512, #CAA712, #BBCA12, #89CA12 and #58CA12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C97512 shade matches the following richer shades: #CA7512

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C97512 shade: #CA7512, #B87423, #A67235, #957147 and #836F59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C97512 shade: #CA1212, #CA4312, #CA7412, #CAA512 and #BDCA12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C97512 shade: #7E490B, #A45F0E, #CA7512, #EB8B1A and #EE9E3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C97512 shade: #C97512, #43CA12 and #2A12CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C97512 shade: #C97512, #12CA74 and #7412CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C97512 shade: #C97512, #43CA12, #1268CA and #9912CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C97512 shade: #C97512, #12CA18, #1268CA and #CA12C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 91 / 21

HEX #C97512

RGB 201 117 18

HSL 32.46, 0.84%, 0.43%

LAB 57.25, 26.78, 60.81

 

Complementary color

CMYK 77 / 42 / 0 / 7

HEX #368AED

RGB 54 138 237

HSL 212.46, 0.84%, 0.57%

LAB 57.15, 8.84, -57.02

 

CMYK 0 / 43 / 94 / 19

HEX #CE750D

RGB 206 117 13

HSL 32.33, 0.88%, 0.43%

LAB 57.92, 28.82, 62.7

 

CMYK 0 / 39 / 86 / 13

HEX #DF8720

RGB 223 135 32

HSL 32.36, 0.75%, 0.5%

LAB 64.26, 26.73, 63.62

 

CMYK 0 / 36 / 79 / 6

HEX #F09933

RGB 240 153 51

HSL 32.38, 0.86%, 0.57%

LAB 70.56, 24.87, 63.34

 

CMYK 0 / 33 / 73 / 0

HEX #FFAB46

RGB 255 171 70

HSL 32.76, 1%, 0.64%

LAB 76.57, 22.39, 62.14

 

CMYK 0 / 26 / 65 / 0

HEX #FFBD59

RGB 255 189 89

HSL 36.14, 1%, 0.67%

LAB 80.95, 13.98, 58.43

 

CMYK 0 / 42 / 91 / 21

HEX #C97512

RGB 201 117 18

HSL 32.46, 0.84%, 0.43%

LAB 57.25, 26.78, 60.81

 

CMYK 0 / 46 / 100 / 28

HEX #B86300

RGB 184 99 0

HSL 32.28, 1%, 0.36%

LAB 50.82, 29.01, 59.03

 

CMYK 0 / 51 / 100 / 35

HEX #A75100

RGB 167 81 0

HSL 29.1, 1%, 0.33%

LAB 44.38, 31.49, 53.85

 

CMYK 0 / 58 / 100 / 41

HEX #963F00

RGB 150 63 0

HSL 25.2, 1%, 0.29%

LAB 37.91, 33.89, 48.68

 

CMYK 0 / 66 / 100 / 48

HEX #852D00

RGB 133 45 0

HSL 20.3, 1%, 0.26%

LAB 31.49, 36.04, 43.35

 

CMYK 0 / 42 / 91 / 21

HEX #CA7512

RGB 202 117 18

HSL 32.28, 0.84%, 0.43%

LAB 57.39, 27.2, 60.97

 

CMYK 0 / 66 / 91 / 21

HEX #CA4412

RGB 202 68 18

HSL 16.3, 0.84%, 0.43%

LAB 47.92, 51.25, 54.11

 

CMYK 0 / 91 / 91 / 21

HEX #CA1212

RGB 202 18 18

HSL 0, 0.84%, 0.43%

LAB 42.81, 65.49, 50.58

 

CMYK 0 / 42 / 91 / 21

HEX #CA7512

RGB 202 117 18

HSL 32.28, 0.84%, 0.43%

LAB 57.39, 27.2, 60.97

 

CMYK 0 / 17 / 91 / 21

HEX #CAA712

RGB 202 167 18

HSL 48.59, 0.84%, 0.43%

LAB 69.64, 0.13, 70.21

 

CMYK 7 / 0 / 91 / 21

HEX #BBCA12

RGB 187 202 18

HSL 64.89, 0.84%, 0.43%

LAB 77.79, -24.25, 75.98

 

CMYK 32 / 0 / 91 / 21

HEX #89CA12

RGB 137 202 18

HSL 81.2, 0.84%, 0.43%

LAB 74.57, -44.22, 72.05

 

CMYK 56 / 0 / 91 / 21

HEX #58CA12

RGB 88 202 18

HSL 97.17, 0.84%, 0.43%

LAB 72.47, -59.89, 69.46

 

CMYK 0 / 42 / 91 / 21

HEX #CA7512

RGB 202 117 18

HSL 32.28, 0.84%, 0.43%

LAB 57.39, 27.2, 60.97

 

CMYK 0 / 42 / 91 / 21

HEX #CA7512

RGB 202 117 18

HSL 32.28, 0.84%, 0.43%

LAB 57.39, 27.2, 60.97

 

CMYK 0 / 37 / 81 / 28

HEX #B87423

RGB 184 116 35

HSL 32.62, 0.68%, 0.43%

LAB 54.87, 20.42, 52.51

 

CMYK 0 / 31 / 68 / 35

HEX #A67235

RGB 166 114 53

HSL 32.39, 0.52%, 0.43%

LAB 52.28, 14.45, 41.1

 

CMYK 0 / 24 / 52 / 42

HEX #957147

RGB 149 113 71

HSL 32.31, 0.35%, 0.43%

LAB 50.28, 8.88, 28.67

 

CMYK 0 / 15 / 32 / 49

HEX #836F59

RGB 131 111 89

HSL 31.43, 0.19%, 0.43%

LAB 48.15, 4.35, 15.18

 

CMYK 0 / 91 / 91 / 21

HEX #CA1212

RGB 202 18 18

HSL 0, 0.84%, 0.43%

LAB 42.81, 65.49, 50.58

 

CMYK 0 / 67 / 91 / 21

HEX #CA4312

RGB 202 67 18

HSL 15.98, 0.84%, 0.43%

LAB 47.77, 51.66, 54

 

CMYK 0 / 43 / 91 / 21

HEX #CA7412

RGB 202 116 18

HSL 31.96, 0.84%, 0.43%

LAB 57.16, 27.74, 60.81

 

CMYK 0 / 18 / 91 / 21

HEX #CAA512

RGB 202 165 18

HSL 47.93, 0.84%, 0.43%

LAB 69.12, 1.19, 69.81

 

CMYK 6 / 0 / 91 / 21

HEX #BDCA12

RGB 189 202 18

HSL 64.24, 0.84%, 0.43%

LAB 77.94, -23.41, 76.16

 

CMYK 0 / 42 / 91 / 51

HEX #7E490B

RGB 126 73 11

HSL 32.35, 0.84%, 0.27%

LAB 36.41, 18.09, 42.27

 

CMYK 0 / 42 / 91 / 36

HEX #A45F0E

RGB 164 95 14

HSL 32.4, 0.84%, 0.35%

LAB 47.12, 22.75, 51.99

 

CMYK 0 / 42 / 91 / 21

HEX #CA7512

RGB 202 117 18

HSL 32.28, 0.84%, 0.43%

LAB 57.39, 27.2, 60.97

 

CMYK 0 / 41 / 89 / 8

HEX #EB8B1A

RGB 235 139 26

HSL 32.44, 0.84%, 0.51%

LAB 66.67, 29.5, 67.89

 

CMYK 0 / 34 / 74 / 7

HEX #EE9E3F

RGB 238 158 63

HSL 32.57, 0.84%, 0.59%

LAB 71.55, 21.87, 59.37

 

CMYK 0 / 42 / 91 / 21

HEX #C97512

RGB 201 117 18

HSL 32.46, 0.84%, 0.43%

LAB 57.25, 26.78, 60.81

 

CMYK 67 / 0 / 91 / 21

HEX #43CA12

RGB 67 202 18

HSL 104.02, 0.84%, 0.43%

LAB 71.88, -64.77, 68.72

 

CMYK 79 / 91 / 0 / 21

HEX #2A12CA

RGB 42 18 202

HSL 247.83, 0.84%, 0.43%

LAB 27.27, 63.16, -85.89

 

CMYK 0 / 42 / 91 / 21

HEX #C97512

RGB 201 117 18

HSL 32.46, 0.84%, 0.43%

LAB 57.25, 26.78, 60.81

 

CMYK 91 / 0 / 43 / 21

HEX #12CA74

RGB 18 202 116

HSL 151.96, 0.84%, 0.43%

LAB 71.98, -60.92, 31.46

 

CMYK 43 / 91 / 0 / 21

HEX #7412CA

RGB 116 18 202

HSL 271.96, 0.84%, 0.43%

LAB 34.82, 68.49, -73.14

 

CMYK 0 / 42 / 91 / 21

HEX #C97512

RGB 201 117 18

HSL 32.46, 0.84%, 0.43%

LAB 57.25, 26.78, 60.81

 

CMYK 67 / 0 / 91 / 21

HEX #43CA12

RGB 67 202 18

HSL 104.02, 0.84%, 0.43%

LAB 71.88, -64.77, 68.72

 

CMYK 91 / 49 / 0 / 21

HEX #1268CA

RGB 18 104 202

HSL 211.96, 0.84%, 0.43%

LAB 44.65, 13.85, -57.37

 

CMYK 24 / 91 / 0 / 21

HEX #9912CA

RGB 153 18 202

HSL 284.02, 0.84%, 0.43%

LAB 40.36, 73.16, -63.85

 

CMYK 0 / 42 / 91 / 21

HEX #C97512

RGB 201 117 18

HSL 32.46, 0.84%, 0.43%

LAB 57.25, 26.78, 60.81

 

CMYK 91 / 0 / 88 / 21

HEX #12CA18

RGB 18 202 24

HSL 121.96, 0.84%, 0.43%

LAB 71.17, -70.92, 66.81

 

CMYK 91 / 49 / 0 / 21

HEX #1268CA

RGB 18 104 202

HSL 211.96, 0.84%, 0.43%

LAB 44.65, 13.85, -57.37

 

CMYK 0 / 91 / 3 / 21

HEX #CA12C4

RGB 202 18 196

HSL 301.96, 0.84%, 0.43%

LAB 48.23, 79.95, -47.26

 

Description

Color code: HEX #C97512 | qconv.com Color code: HEX #C97512 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 117 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 117 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 91 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 91% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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