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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C96629 it is the complementary color #3699D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C96629. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C96629 shade: #CE6624, #DF7837, #F08A4A, #FF9C5D and #FFAE70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C96629. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C96629 shade: #C96629, #B85416, #A74203, #963000 and #851E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C96629 shade: #C76529, #C73A29 and #C72929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C96629 shade: #C76529, #C79029, #C7BA29, #A9C729 and #7EC729

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C96629 shade matches the following richer shades: #C76529, #DA6015 and #EE5C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C96629 shade: #C76529, #B46A3C, #A06E50, #8D7363 and #797776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C96629 shade: #C72943, #C73929, #C76329, #C78D29 and #C7B729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C96629 shade: #82421B, #A55422, #C76529, #D87B41 and #DF9263

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C96629 shade: #C96629, #6DC729 and #292EC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C96629 shade: #C96629, #29C763 and #6329C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C96629 shade: #C96629, #6DC729, #298DC7 and #8229C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C96629 shade: #C96629, #3EC729, #298DC7 and #B229C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 80 / 21

HEX #C96629

RGB 201 102 41

HSL 22.88, 0.66%, 0.47%

LAB 54.11, 35.32, 50.14

 

Complementary color

CMYK 75 / 29 / 0 / 16

HEX #3699D6

RGB 54 153 214

HSL 202.88, 0.66%, 0.53%

LAB 60.27, -8.17, -39.28

 

CMYK 0 / 50 / 83 / 19

HEX #CE6624

RGB 206 102 36

HSL 23.29, 0.7%, 0.47%

LAB 54.82, 37.16, 53.2

 

CMYK 0 / 46 / 75 / 13

HEX #DF7837

RGB 223 120 55

HSL 23.21, 0.72%, 0.55%

LAB 61.13, 35.36, 51.76

 

CMYK 0 / 43 / 69 / 6

HEX #F08A4A

RGB 240 138 74

HSL 23.13, 0.85%, 0.62%

LAB 67.42, 33.71, 50.07

 

CMYK 0 / 39 / 64 / 0

HEX #FF9C5D

RGB 255 156 93

HSL 23.33, 1%, 0.68%

LAB 73.43, 31.43, 48.01

 

CMYK 0 / 32 / 56 / 0

HEX #FFAE70

RGB 255 174 112

HSL 26.01, 1%, 0.72%

LAB 77.7, 23.37, 43.52

 

CMYK 0 / 49 / 80 / 21

HEX #C96629

RGB 201 102 41

HSL 22.88, 0.66%, 0.47%

LAB 54.11, 35.32, 50.14

 

CMYK 0 / 54 / 88 / 28

HEX #B85416

RGB 184 84 22

HSL 22.96, 0.79%, 0.4%

LAB 47.74, 37.22, 51.25

 

CMYK 0 / 60 / 98 / 35

HEX #A74203

RGB 167 66 3

HSL 23.05, 0.96%, 0.33%

LAB 41.4, 39.17, 51.22

 

CMYK 0 / 68 / 100 / 41

HEX #963000

RGB 150 48 0

HSL 19.2, 1%, 0.29%

LAB 35.2, 41.06, 47.23

 

CMYK 0 / 77 / 100 / 48

HEX #851E00

RGB 133 30 0

HSL 13.53, 1%, 0.26%

LAB 29.2, 42.3, 41.65

 

CMYK 0 / 49 / 79 / 22

HEX #C76529

RGB 199 101 41

HSL 22.78, 0.66%, 0.47%

LAB 53.61, 35.04, 49.56

 

CMYK 0 / 71 / 79 / 22

HEX #C73A29

RGB 199 58 41

HSL 6.46, 0.66%, 0.47%

LAB 46.08, 54.75, 42.17

 

CMYK 0 / 79 / 79 / 22

HEX #C72929

RGB 199 41 41

HSL 0, 0.66%, 0.47%

LAB 44.07, 60.34, 40.14

 

CMYK 0 / 49 / 79 / 22

HEX #C76529

RGB 199 101 41

HSL 22.78, 0.66%, 0.47%

LAB 53.61, 35.04, 49.56

 

CMYK 0 / 28 / 79 / 22

HEX #C79029

RGB 199 144 41

HSL 39.11, 0.66%, 0.47%

LAB 63.55, 11.8, 58.85

 

CMYK 0 / 7 / 79 / 22

HEX #C7BA29

RGB 199 186 41

HSL 55.06, 0.66%, 0.47%

LAB 74.46, -10.55, 68.64

 

CMYK 15 / 0 / 79 / 22

HEX #A9C729

RGB 169 199 41

HSL 71.39, 0.66%, 0.47%

LAB 75.73, -29.68, 68.88

 

CMYK 37 / 0 / 79 / 22

HEX #7EC729

RGB 126 199 41

HSL 87.72, 0.66%, 0.47%

LAB 73.18, -46.15, 65.63

 

CMYK 0 / 49 / 79 / 22

HEX #C76529

RGB 199 101 41

HSL 22.78, 0.66%, 0.47%

LAB 53.61, 35.04, 49.56

 

CMYK 0 / 56 / 90 / 15

HEX #DA6015

RGB 218 96 21

HSL 22.84, 0.82%, 0.47%

LAB 55.41, 44.46, 59.76

 

CMYK 0 / 61 / 99 / 7

HEX #EE5C02

RGB 238 92 2

HSL 22.88, 0.98%, 0.47%

LAB 57.88, 53.4, 67.08

 

CMYK 0 / 49 / 79 / 22

HEX #C76529

RGB 199 101 41

HSL 22.78, 0.66%, 0.47%

LAB 53.61, 35.04, 49.56

 

CMYK 0 / 41 / 67 / 29

HEX #B46A3C

RGB 180 106 60

HSL 23, 0.5%, 0.47%

LAB 52.22, 25.43, 37.9

 

CMYK 0 / 31 / 50 / 37

HEX #A06E50

RGB 160 110 80

HSL 22.5, 0.33%, 0.47%

LAB 50.93, 16.28, 24.67

 

CMYK 0 / 18 / 30 / 45

HEX #8D7363

RGB 141 115 99

HSL 22.86, 0.18%, 0.47%

LAB 50.48, 7.67, 12.69

 

CMYK 0 / 2 / 2 / 53

HEX #797776

RGB 121 119 118

HSL 20, 0.01%, 0.47%

LAB 50.18, 0.56, 0.81

 

CMYK 0 / 79 / 66 / 22

HEX #C72943

RGB 199 41 67

HSL 350.13, 0.66%, 0.47%

LAB 44.42, 61.44, 25.21

 

CMYK 0 / 71 / 79 / 22

HEX #C73929

RGB 199 57 41

HSL 6.08, 0.66%, 0.47%

LAB 45.95, 55.12, 42.04

 

CMYK 0 / 50 / 79 / 22

HEX #C76329

RGB 199 99 41

HSL 22.03, 0.66%, 0.47%

LAB 53.2, 36.07, 49.16

 

CMYK 0 / 29 / 79 / 22

HEX #C78D29

RGB 199 141 41

HSL 37.97, 0.66%, 0.47%

LAB 62.8, 13.44, 58.17

 

CMYK 0 / 8 / 79 / 22

HEX #C7B729

RGB 199 183 41

HSL 53.92, 0.66%, 0.47%

LAB 73.66, -9, 67.93

 

CMYK 0 / 49 / 79 / 49

HEX #82421B

RGB 130 66 27

HSL 22.72, 0.66%, 0.31%

LAB 35.44, 24.5, 34.87

 

CMYK 0 / 49 / 79 / 35

HEX #A55422

RGB 165 84 34

HSL 22.9, 0.66%, 0.39%

LAB 44.88, 29.82, 42.59

 

CMYK 0 / 49 / 79 / 22

HEX #C76529

RGB 199 101 41

HSL 22.78, 0.66%, 0.47%

LAB 53.61, 35.04, 49.56

 

CMYK 0 / 43 / 70 / 15

HEX #D87B41

RGB 216 123 65

HSL 23.05, 0.66%, 0.55%

LAB 60.91, 31.44, 46.43

 

CMYK 0 / 35 / 56 / 13

HEX #DF9263

RGB 223 146 99

HSL 22.74, 0.66%, 0.63%

LAB 67.39, 24.3, 36.69

 

CMYK 0 / 49 / 80 / 21

HEX #C96629

RGB 201 102 41

HSL 22.88, 0.66%, 0.47%

LAB 54.11, 35.32, 50.14

 

CMYK 45 / 0 / 79 / 22

HEX #6DC729

RGB 109 199 41

HSL 94.18, 0.66%, 0.47%

LAB 72.4, -51.83, 64.62

 

CMYK 79 / 77 / 0 / 22

HEX #292EC7

RGB 41 46 199

HSL 238.1, 0.66%, 0.47%

LAB 30.76, 50.68, -78.33

 

CMYK 0 / 49 / 80 / 21

HEX #C96629

RGB 201 102 41

HSL 22.88, 0.66%, 0.47%

LAB 54.11, 35.32, 50.14

 

CMYK 79 / 0 / 50 / 22

HEX #29C763

RGB 41 199 99

HSL 142.03, 0.66%, 0.47%

LAB 71.02, -60.87, 38.85

 

CMYK 50 / 79 / 0 / 22

HEX #6329C7

RGB 99 41 199

HSL 262.03, 0.66%, 0.47%

LAB 34.73, 58.85, -71.62

 

CMYK 0 / 49 / 80 / 21

HEX #C96629

RGB 201 102 41

HSL 22.88, 0.66%, 0.47%

LAB 54.11, 35.32, 50.14

 

CMYK 45 / 0 / 79 / 22

HEX #6DC729

RGB 109 199 41

HSL 94.18, 0.66%, 0.47%

LAB 72.4, -51.83, 64.62

 

CMYK 79 / 29 / 0 / 22

HEX #298DC7

RGB 41 141 199

HSL 202.03, 0.66%, 0.47%

LAB 55.73, -8.12, -37.99

 

CMYK 35 / 79 / 0 / 22

HEX #8229C7

RGB 130 41 199

HSL 273.8, 0.66%, 0.47%

LAB 38.65, 63.36, -65.04

 

CMYK 0 / 49 / 80 / 21

HEX #C96629

RGB 201 102 41

HSL 22.88, 0.66%, 0.47%

LAB 54.11, 35.32, 50.14

 

CMYK 69 / 0 / 79 / 22

HEX #3EC729

RGB 62 199 41

HSL 112.03, 0.66%, 0.47%

LAB 70.89, -63.82, 62.67

 

CMYK 79 / 29 / 0 / 22

HEX #298DC7

RGB 41 141 199

HSL 202.03, 0.66%, 0.47%

LAB 55.73, -8.12, -37.99

 

CMYK 11 / 79 / 0 / 22

HEX #B229C7

RGB 178 41 199

HSL 292.03, 0.66%, 0.47%

LAB 45.87, 71.69, -53

 

Description

Color code: HEX #C96629 | qconv.com Color code: HEX #C96629 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 102 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 102 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 80 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 80% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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