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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C95E96 it is the complementary color #36A169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C95E96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C95E96 shade: #CE5E91, #DF70A4, #F082B7, #FF94CA and #FFA6DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C95E96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C95E96 shade: #C95E96, #B84C83, #A73A70, #96285D and #85164A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C95E96 shade: #C95E96, #C95E7A and #C95E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C95E96 shade: #C95E96, #C95EB3, #C35EC9, #A65EC9 and #895EC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C95E96 shade matches the following richer shades: #C95E96, #DB4D97, #EC3C98 and #FD2A99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C95E96 shade: #C95E96, #B87096, #A78195, #959294 and #84A493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C95E96 shade: #C25EC9, #C95EB4, #C95E97, #C95E7B and #C95E5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C95E96 shade: #A0356D, #BF4082, #C95E96, #D47DAB and #DE9CBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C95E96 shade: #C95E96, #C9A65E and #5EC2C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C95E96 shade: #C95E96, #97C95E and #5E97C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C95E96 shade: #C95E96, #C9A65E, #5EC990 and #5E82C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C95E96 shade: #C95E96, #C9C65E, #5EC990 and #5E62C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

Complementary color

CMYK 66 / 0 / 35 / 37

HEX #36A169

RGB 54 161 105

HSL 148.6, 0.5%, 0.42%

LAB 59.25, -43.64, 20.49

 

CMYK 0 / 54 / 30 / 19

HEX #CE5E91

RGB 206 94 145

HSL 332.68, 0.53%, 0.59%

LAB 55.25, 49.79, -6.48

 

CMYK 0 / 50 / 26 / 13

HEX #DF70A4

RGB 223 112 164

HSL 331.89, 0.63%, 0.66%

LAB 61.62, 49.06, -7.78

 

CMYK 0 / 46 / 24 / 6

HEX #F082B7

RGB 240 130 183

HSL 331.09, 0.79%, 0.73%

LAB 67.95, 48.28, -8.88

 

CMYK 0 / 42 / 21 / 0

HEX #FF94CA

RGB 255 148 202

HSL 329.72, 1%, 0.79%

LAB 74, 46.84, -10.24

 

CMYK 0 / 35 / 13 / 0

HEX #FFA6DD

RGB 255 166 221

HSL 322.92, 1%, 0.83%

LAB 78.32, 40.49, -14.17

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 59 / 29 / 28

HEX #B84C83

RGB 184 76 131

HSL 329.44, 0.43%, 0.51%

LAB 48.26, 49.46, -8.94

 

CMYK 0 / 65 / 33 / 35

HEX #A73A70

RGB 167 58 112

HSL 330.28, 0.48%, 0.44%

LAB 41.86, 49.83, -7.19

 

CMYK 0 / 73 / 38 / 41

HEX #96285D

RGB 150 40 93

HSL 331.09, 0.58%, 0.37%

LAB 35.58, 49.73, -4.91

 

CMYK 0 / 83 / 44 / 48

HEX #85164A

RGB 133 22 74

HSL 331.89, 0.72%, 0.3%

LAB 29.55, 48.76, -1.8

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 53 / 39 / 21

HEX #C95E7A

RGB 201 94 122

HSL 344.3, 0.5%, 0.58%

LAB 53.84, 45.34, 4.94

 

CMYK 0 / 53 / 53 / 21

HEX #C95E5E

RGB 201 94 94

HSL 0, 0.5%, 0.58%

LAB 53.2, 42.57, 20.58

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 53 / 11 / 21

HEX #C95EB3

RGB 201 94 179

HSL 312.34, 0.5%, 0.58%

LAB 55.76, 53.2, -25.58

 

CMYK 3 / 53 / 0 / 21

HEX #C35EC9

RGB 195 94 201

HSL 296.64, 0.5%, 0.58%

LAB 55.91, 55.29, -38.05

 

CMYK 17 / 53 / 0 / 21

HEX #A65EC9

RGB 166 94 201

HSL 280.37, 0.5%, 0.58%

LAB 52.21, 47.46, -44.14

 

CMYK 32 / 53 / 0 / 21

HEX #895EC9

RGB 137 94 201

HSL 264.11, 0.5%, 0.58%

LAB 48.93, 39.88, -49.55

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 65 / 31 / 14

HEX #DB4D97

RGB 219 77 151

HSL 328.73, 0.66%, 0.58%

LAB 54.66, 62, -10.68

 

CMYK 0 / 75 / 36 / 7

HEX #EC3C98

RGB 236 60 152

HSL 328.64, 0.82%, 0.58%

LAB 55.41, 72.65, -9.85

 

CMYK 0 / 83 / 40 / 1

HEX #FD2A99

RGB 253 42 153

HSL 328.44, 0.98%, 0.58%

LAB 56.92, 81.33, -7.87

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 39 / 18 / 28

HEX #B87096

RGB 184 112 150

HSL 328.33, 0.34%, 0.58%

LAB 56.07, 33.78, -8.5

 

CMYK 0 / 23 / 11 / 35

HEX #A78195

RGB 167 129 149

HSL 328.42, 0.18%, 0.58%

LAB 58.12, 17.95, -5.08

 

CMYK 0 / 2 / 1 / 42

HEX #959294

RGB 149 146 148

HSL 320, 0.01%, 0.58%

LAB 60.86, 1.49, -0.67

 

CMYK 20 / 0 / 10 / 36

HEX #84A493

RGB 132 164 147

HSL 148.13, 0.15%, 0.58%

LAB 64.61, -14.55, 5.19

 

CMYK 3 / 53 / 0 / 21

HEX #C25EC9

RGB 194 94 201

HSL 296.07, 0.5%, 0.58%

LAB 55.78, 55.01, -38.27

 

CMYK 0 / 53 / 10 / 21

HEX #C95EB4

RGB 201 94 180

HSL 311.78, 0.5%, 0.58%

LAB 55.8, 53.36, -26.1

 

CMYK 0 / 53 / 25 / 21

HEX #C95E97

RGB 201 94 151

HSL 328.04, 0.5%, 0.58%

LAB 54.72, 48.99, -10.87

 

CMYK 0 / 53 / 39 / 21

HEX #C95E7B

RGB 201 94 123

HSL 343.74, 0.5%, 0.58%

LAB 53.87, 45.45, 4.39

 

CMYK 0 / 53 / 53 / 21

HEX #C95E5E

RGB 201 94 94

HSL 0, 0.5%, 0.58%

LAB 53.2, 42.57, 20.58

 

CMYK 0 / 67 / 32 / 37

HEX #A0356D

RGB 160 53 109

HSL 328.6, 0.5%, 0.42%

LAB 39.79, 49.46, -8.55

 

CMYK 0 / 66 / 32 / 25

HEX #BF4082

RGB 191 64 130

HSL 328.82, 0.5%, 0.5%

LAB 47.44, 56.66, -9.45

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 41 / 19 / 17

HEX #D47DAB

RGB 212 125 171

HSL 328.28, 0.5%, 0.66%

LAB 63.01, 39.76, -9.84

 

CMYK 0 / 30 / 14 / 13

HEX #DE9CBF

RGB 222 156 191

HSL 328.18, 0.5%, 0.74%

LAB 71.6, 29.81, -8.14

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 17 / 53 / 21

HEX #C9A65E

RGB 201 166 94

HSL 40.37, 0.5%, 0.58%

LAB 69.82, 3.97, 41.75

 

CMYK 53 / 3 / 0 / 21

HEX #5EC2C9

RGB 94 194 201

HSL 183.93, 0.5%, 0.58%

LAB 73.01, -27.17, -12.45

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 25 / 0 / 53 / 21

HEX #97C95E

RGB 151 201 94

HSL 88.04, 0.5%, 0.58%

LAB 75.55, -33.96, 47.68

 

CMYK 53 / 25 / 0 / 21

HEX #5E97C9

RGB 94 151 201

HSL 208.04, 0.5%, 0.58%

LAB 60.54, -4.41, -31.47

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 17 / 53 / 21

HEX #C9A65E

RGB 201 166 94

HSL 40.37, 0.5%, 0.58%

LAB 69.82, 3.97, 41.75

 

CMYK 53 / 0 / 28 / 21

HEX #5EC990

RGB 94 201 144

HSL 148.04, 0.5%, 0.58%

LAB 73.65, -43.99, 19.31

 

CMYK 53 / 35 / 0 / 21

HEX #5E82C9

RGB 94 130 201

HSL 219.81, 0.5%, 0.58%

LAB 54.62, 7.83, -40.74

 

CMYK 0 / 53 / 25 / 21

HEX #C95E96

RGB 201 94 150

HSL 328.6, 0.5%, 0.58%

LAB 54.68, 48.85, -10.34

 

CMYK 0 / 1 / 53 / 21

HEX #C9C65E

RGB 201 198 94

HSL 58.32, 0.5%, 0.58%

LAB 78.24, -12.77, 51.71

 

CMYK 53 / 0 / 28 / 21

HEX #5EC990

RGB 94 201 144

HSL 148.04, 0.5%, 0.58%

LAB 73.65, -43.99, 19.31

 

CMYK 53 / 51 / 0 / 21

HEX #5E62C9

RGB 94 98 201

HSL 237.76, 0.5%, 0.58%

LAB 46.09, 27.42, -54.32

 

Description

Color code: HEX #C95E96 | qconv.com Color code: HEX #C95E96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 94 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 94 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 25 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 25% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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