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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9505E it is the complementary color #36AFA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9505E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9505E shade: #CE5059, #DF626C, #F0747F, #FF8692 and #FF98A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9505E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9505E shade: #C9505E, #B83E4B, #A72C38, #961A25 and #850812

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9505E shade: #C94F5D and #C94F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9505E shade: #C94F5D, #C94F7E, #C94F9F, #C94FBF and #B14FC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9505E shade matches the following richer shades: #C94F5D, #DB3C4F and #EE2A40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9505E shade: #C94F5D, #B6616B, #A3747A, #918788 and #7E9996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9505E shade: #C94F9E, #C94F7E, #C94F5D, #C9614F and #C9824F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9505E shade: #972E3A, #B73846, #C94F5D, #D26E7A and #DC8E97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9505E shade: #C9505E, #BEC94F and #4F8EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9505E shade: #C9505E, #5DC94F and #4F5DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9505E shade: #C9505E, #BEC94F, #4FC9BA and #594FC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9505E shade: #C9505E, #9AC94F, #4FC9BA and #7E4FC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 53 / 21

HEX #C9505E

RGB 201 80 94

HSL 353.06, 0.53%, 0.55%

LAB 50.64, 49.26, 17.13

 

Complementary color

CMYK 69 / 0 / 8 / 31

HEX #36AFA1

RGB 54 175 161

HSL 173.06, 0.53%, 0.45%

LAB 64.98, -36.18, -2.49

 

CMYK 0 / 61 / 57 / 19

HEX #CE5059

RGB 206 80 89

HSL 355.71, 0.56%, 0.56%

LAB 51.36, 50.56, 21.21

 

CMYK 0 / 56 / 52 / 13

HEX #DF626C

RGB 223 98 108

HSL 355.2, 0.66%, 0.63%

LAB 57.57, 49.65, 18.86

 

CMYK 0 / 52 / 47 / 6

HEX #F0747F

RGB 240 116 127

HSL 354.68, 0.81%, 0.7%

LAB 63.79, 48.66, 16.87

 

CMYK 0 / 47 / 43 / 0

HEX #FF8692

RGB 255 134 146

HSL 354.05, 1%, 0.76%

LAB 69.74, 46.96, 14.73

 

CMYK 0 / 40 / 35 / 0

HEX #FF98A5

RGB 255 152 165

HSL 352.43, 1%, 0.8%

LAB 73.83, 39.97, 9.94

 

CMYK 0 / 60 / 53 / 21

HEX #C9505E

RGB 201 80 94

HSL 353.06, 0.53%, 0.55%

LAB 50.64, 49.26, 17.13

 

CMYK 0 / 66 / 59 / 28

HEX #B83E4B

RGB 184 62 75

HSL 353.61, 0.5%, 0.48%

LAB 44.44, 49.98, 19.79

 

CMYK 0 / 74 / 66 / 35

HEX #A72C38

RGB 167 44 56

HSL 354.15, 0.58%, 0.41%

LAB 38.38, 50.33, 23.08

 

CMYK 0 / 83 / 75 / 41

HEX #961A25

RGB 150 26 37

HSL 354.68, 0.7%, 0.35%

LAB 32.6, 49.95, 27.18

 

CMYK 0 / 94 / 86 / 48

HEX #850812

RGB 133 8 18

HSL 355.2, 0.89%, 0.28%

LAB 27.31, 48.33, 32.01

 

CMYK 0 / 61 / 54 / 21

HEX #C94F5D

RGB 201 79 93

HSL 353.11, 0.53%, 0.55%

LAB 50.45, 49.63, 17.46

 

CMYK 0 / 61 / 61 / 21

HEX #C94F4F

RGB 201 79 79

HSL 0, 0.53%, 0.55%

LAB 50.19, 48.58, 25.43

 

CMYK 0 / 61 / 54 / 21

HEX #C94F5D

RGB 201 79 93

HSL 353.11, 0.53%, 0.55%

LAB 50.45, 49.63, 17.46

 

CMYK 0 / 61 / 37 / 21

HEX #C94F7E

RGB 201 79 126

HSL 336.89, 0.53%, 0.55%

LAB 51.29, 52.85, -1.15

 

CMYK 0 / 61 / 21 / 21

HEX #C94F9F

RGB 201 79 159

HSL 320.66, 0.53%, 0.55%

LAB 52.41, 57.04, -19.07

 

CMYK 0 / 61 / 5 / 21

HEX #C94FBF

RGB 201 79 191

HSL 304.92, 0.53%, 0.55%

LAB 53.78, 61.93, -35.59

 

CMYK 12 / 61 / 0 / 21

HEX #B14FC9

RGB 177 79 201

HSL 288.2, 0.53%, 0.55%

LAB 50.87, 57.67, -46.18

 

CMYK 0 / 61 / 54 / 21

HEX #C94F5D

RGB 201 79 93

HSL 353.11, 0.53%, 0.55%

LAB 50.45, 49.63, 17.46

 

CMYK 0 / 73 / 64 / 14

HEX #DB3C4F

RGB 219 60 79

HSL 352.83, 0.69%, 0.55%

LAB 50.52, 61.99, 26.49

 

CMYK 0 / 82 / 73 / 7

HEX #EE2A40

RGB 238 42 64

HSL 353.27, 0.85%, 0.55%

LAB 52.07, 71.74, 38.01

 

CMYK 0 / 61 / 54 / 21

HEX #C94F5D

RGB 201 79 93

HSL 353.11, 0.53%, 0.55%

LAB 50.45, 49.63, 17.46

 

CMYK 0 / 47 / 41 / 29

HEX #B6616B

RGB 182 97 107

HSL 352.94, 0.37%, 0.55%

LAB 51.33, 35.27, 9.89

 

CMYK 0 / 29 / 25 / 36

HEX #A3747A

RGB 163 116 122

HSL 352.34, 0.2%, 0.55%

LAB 53.69, 19.39, 4.07

 

CMYK 0 / 7 / 6 / 43

HEX #918788

RGB 145 135 136

HSL 354, 0.04%, 0.55%

LAB 57.2, 3.93, 0.81

 

CMYK 18 / 0 / 2 / 40

HEX #7E9996

RGB 126 153 150

HSL 173.33, 0.12%, 0.55%

LAB 61.15, -10.06, -1.58

 

CMYK 0 / 61 / 21 / 21

HEX #C94F9E

RGB 201 79 158

HSL 321.15, 0.53%, 0.55%

LAB 52.37, 56.9, -18.54

 

CMYK 0 / 61 / 37 / 21

HEX #C94F7E

RGB 201 79 126

HSL 336.89, 0.53%, 0.55%

LAB 51.29, 52.85, -1.15

 

CMYK 0 / 61 / 54 / 21

HEX #C94F5D

RGB 201 79 93

HSL 353.11, 0.53%, 0.55%

LAB 50.45, 49.63, 17.46

 

CMYK 0 / 52 / 61 / 21

HEX #C9614F

RGB 201 97 79

HSL 8.85, 0.53%, 0.55%

LAB 53.53, 39.89, 29.69

 

CMYK 0 / 35 / 61 / 21

HEX #C9824F

RGB 201 130 79

HSL 25.08, 0.53%, 0.55%

LAB 60.74, 22.37, 38.54

 

CMYK 0 / 70 / 62 / 41

HEX #972E3A

RGB 151 46 58

HSL 353.14, 0.53%, 0.39%

LAB 35.67, 44.46, 17.74

 

CMYK 0 / 69 / 62 / 28

HEX #B73846

RGB 183 56 70

HSL 353.39, 0.53%, 0.47%

LAB 43.27, 51.75, 21.28

 

CMYK 0 / 61 / 54 / 21

HEX #C94F5D

RGB 201 79 93

HSL 353.11, 0.53%, 0.55%

LAB 50.45, 49.63, 17.46

 

CMYK 0 / 48 / 42 / 18

HEX #D26E7A

RGB 210 110 122

HSL 352.8, 0.53%, 0.63%

LAB 58.28, 40.47, 11.43

 

CMYK 0 / 35 / 31 / 14

HEX #DC8E97

RGB 220 142 151

HSL 353.08, 0.53%, 0.71%

LAB 67.12, 30.75, 7.6

 

CMYK 0 / 60 / 53 / 21

HEX #C9505E

RGB 201 80 94

HSL 353.06, 0.53%, 0.55%

LAB 50.64, 49.26, 17.13

 

CMYK 5 / 0 / 61 / 21

HEX #BEC94F

RGB 190 201 79

HSL 65.41, 0.53%, 0.55%

LAB 78.04, -19.94, 57.97

 

CMYK 61 / 29 / 0 / 21

HEX #4F8EC9

RGB 79 142 201

HSL 209.02, 0.53%, 0.55%

LAB 57.29, -2.37, -36.58

 

CMYK 0 / 60 / 53 / 21

HEX #C9505E

RGB 201 80 94

HSL 353.06, 0.53%, 0.55%

LAB 50.64, 49.26, 17.13

 

CMYK 54 / 0 / 61 / 21

HEX #5DC94F

RGB 93 201 79

HSL 113.11, 0.53%, 0.55%

LAB 72.67, -54.28, 50.5

 

CMYK 61 / 54 / 0 / 21

HEX #4F5DC9

RGB 79 93 201

HSL 233.11, 0.53%, 0.55%

LAB 43.81, 27.62, -58.04

 

CMYK 0 / 60 / 53 / 21

HEX #C9505E

RGB 201 80 94

HSL 353.06, 0.53%, 0.55%

LAB 50.64, 49.26, 17.13

 

CMYK 5 / 0 / 61 / 21

HEX #BEC94F

RGB 190 201 79

HSL 65.41, 0.53%, 0.55%

LAB 78.04, -19.94, 57.97

 

CMYK 61 / 0 / 7 / 21

HEX #4FC9BA

RGB 79 201 186

HSL 172.62, 0.53%, 0.55%

LAB 74.18, -37.37, -2.62

 

CMYK 56 / 61 / 0 / 21

HEX #594FC9

RGB 89 79 201

HSL 244.92, 0.53%, 0.55%

LAB 41.11, 38.06, -62.39

 

CMYK 0 / 60 / 53 / 21

HEX #C9505E

RGB 201 80 94

HSL 353.06, 0.53%, 0.55%

LAB 50.64, 49.26, 17.13

 

CMYK 23 / 0 / 61 / 21

HEX #9AC94F

RGB 154 201 79

HSL 83.11, 0.53%, 0.55%

LAB 75.58, -34.24, 54.56

 

CMYK 61 / 0 / 7 / 21

HEX #4FC9BA

RGB 79 201 186

HSL 172.62, 0.53%, 0.55%

LAB 74.18, -37.37, -2.62

 

CMYK 37 / 61 / 0 / 21

HEX #7E4FC9

RGB 126 79 201

HSL 263.11, 0.53%, 0.55%

LAB 44.58, 45.6, -56.6

 

Description

Color code: HEX #C9505E | qconv.com Color code: HEX #C9505E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 80 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 80 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 53 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 53% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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