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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C94D64 it is the complementary color #36B29B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C94D64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C94D64 shade: #CE4D5F, #DF5F72, #F07185, #FF8398 and #FF95AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C94D64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C94D64 shade: #C94D64, #B83B51, #A7293E, #96172B and #850518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C94D64 shade: #C94F66 and #C94F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C94D64 shade: #C94F66, #C94F87, #C94FA8, #C94FC8 and #A94FC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C94D64 shade matches the following richer shades: #C94F66, #DC3D5A and #EE2A4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C94D64 shade: #C94F66, #B76272, #A4757D, #918789 and #7F9A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C94D64 shade: #C94FA9, #C94F88, #C94F68, #C9584F and #C9784F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C94D64 shade: #972F42, #B73850, #C94F66, #D36F82 and #DC8F9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C94D64 shade: #C94D64, #C9C94F and #4F98C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C94D64 shade: #C94D64, #68C94F and #4F68C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C94D64 shade: #C94D64, #C9C94F, #4FC9B1 and #4F4FC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C94D64 shade: #C94D64, #A5C94F, #4FC9B1 and #744FC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 50 / 21

HEX #C94D64

RGB 201 77 100

HSL 348.87, 0.53%, 0.55%

LAB 50.27, 51.12, 13.01

 

Complementary color

CMYK 70 / 0 / 13 / 30

HEX #36B29B

RGB 54 178 155

HSL 168.87, 0.53%, 0.45%

LAB 65.74, -39.15, 1.96

 

CMYK 0 / 63 / 54 / 19

HEX #CE4D5F

RGB 206 77 95

HSL 351.63, 0.57%, 0.55%

LAB 50.99, 52.36, 17.13

 

CMYK 0 / 57 / 49 / 13

HEX #DF5F72

RGB 223 95 114

HSL 351.09, 0.67%, 0.62%

LAB 57.16, 51.57, 14.81

 

CMYK 0 / 53 / 45 / 6

HEX #F07185

RGB 240 113 133

HSL 350.55, 0.81%, 0.69%

LAB 63.37, 50.68, 12.85

 

CMYK 0 / 49 / 40 / 0

HEX #FF8398

RGB 255 131 152

HSL 349.84, 1%, 0.76%

LAB 69.3, 49.05, 10.74

 

CMYK 0 / 42 / 33 / 0

HEX #FF95AB

RGB 255 149 171

HSL 347.55, 1%, 0.79%

LAB 73.35, 42.22, 5.94

 

CMYK 0 / 62 / 50 / 21

HEX #C94D64

RGB 201 77 100

HSL 348.87, 0.53%, 0.55%

LAB 50.27, 51.12, 13.01

 

CMYK 0 / 68 / 56 / 28

HEX #B83B51

RGB 184 59 81

HSL 349.44, 0.51%, 0.48%

LAB 44.11, 51.66, 15.66

 

CMYK 0 / 75 / 63 / 35

HEX #A7293E

RGB 167 41 62

HSL 350, 0.61%, 0.41%

LAB 38.11, 51.75, 18.96

 

CMYK 0 / 85 / 71 / 41

HEX #96172B

RGB 150 23 43

HSL 350.55, 0.73%, 0.34%

LAB 32.42, 51.02, 23.16

 

CMYK 0 / 96 / 82 / 48

HEX #850518

RGB 133 5 24

HSL 351.09, 0.93%, 0.27%

LAB 27.19, 49.03, 28.3

 

CMYK 0 / 61 / 49 / 21

HEX #C94F66

RGB 201 79 102

HSL 348.69, 0.53%, 0.55%

LAB 50.65, 50.41, 12.34

 

CMYK 0 / 61 / 61 / 21

HEX #C94F4F

RGB 201 79 79

HSL 0, 0.53%, 0.55%

LAB 50.19, 48.58, 25.43

 

CMYK 0 / 61 / 49 / 21

HEX #C94F66

RGB 201 79 102

HSL 348.69, 0.53%, 0.55%

LAB 50.65, 50.41, 12.34

 

CMYK 0 / 61 / 33 / 21

HEX #C94F87

RGB 201 79 135

HSL 332.46, 0.53%, 0.55%

LAB 51.56, 53.9, -6.12

 

CMYK 0 / 61 / 16 / 21

HEX #C94FA8

RGB 201 79 168

HSL 316.23, 0.53%, 0.55%

LAB 52.77, 58.34, -23.8

 

CMYK 0 / 61 / 0 / 21

HEX #C94FC8

RGB 201 79 200

HSL 300.49, 0.53%, 0.55%

LAB 54.22, 63.44, -40.09

 

CMYK 16 / 61 / 0 / 21

HEX #A94FC9

RGB 169 79 201

HSL 284.26, 0.53%, 0.55%

LAB 49.79, 55.72, -47.96

 

CMYK 0 / 61 / 49 / 21

HEX #C94F66

RGB 201 79 102

HSL 348.69, 0.53%, 0.55%

LAB 50.65, 50.41, 12.34

 

CMYK 0 / 72 / 59 / 14

HEX #DC3D5A

RGB 220 61 90

HSL 349.06, 0.69%, 0.55%

LAB 51.03, 62.62, 20.6

 

CMYK 0 / 82 / 67 / 7

HEX #EE2A4F

RGB 238 42 79

HSL 348.67, 0.85%, 0.55%

LAB 52.28, 72.39, 29.47

 

CMYK 0 / 61 / 49 / 21

HEX #C94F66

RGB 201 79 102

HSL 348.69, 0.53%, 0.55%

LAB 50.65, 50.41, 12.34

 

CMYK 0 / 46 / 38 / 28

HEX #B76272

RGB 183 98 114

HSL 348.71, 0.37%, 0.55%

LAB 51.86, 35.93, 6.49

 

CMYK 0 / 29 / 24 / 36

HEX #A4757D

RGB 164 117 125

HSL 349.79, 0.21%, 0.55%

LAB 54.13, 19.67, 2.97

 

CMYK 0 / 7 / 6 / 43

HEX #918789

RGB 145 135 137

HSL 348, 0.04%, 0.55%

LAB 57.22, 4.12, 0.27

 

CMYK 18 / 0 / 3 / 40

HEX #7F9A95

RGB 127 154 149

HSL 168.89, 0.12%, 0.55%

LAB 61.48, -10.49, -0.53

 

CMYK 0 / 61 / 16 / 21

HEX #C94FA9

RGB 201 79 169

HSL 315.74, 0.53%, 0.55%

LAB 52.81, 58.49, -24.33

 

CMYK 0 / 61 / 32 / 21

HEX #C94F88

RGB 201 79 136

HSL 331.97, 0.53%, 0.55%

LAB 51.6, 54.02, -6.67

 

CMYK 0 / 61 / 48 / 21

HEX #C94F68

RGB 201 79 104

HSL 347.7, 0.53%, 0.55%

LAB 50.7, 50.59, 11.21

 

CMYK 0 / 56 / 61 / 21

HEX #C9584F

RGB 201 88 79

HSL 4.43, 0.53%, 0.55%

LAB 51.79, 44.35, 27.49

 

CMYK 0 / 40 / 61 / 21

HEX #C9784F

RGB 201 120 79

HSL 20.16, 0.53%, 0.55%

LAB 58.43, 27.8, 35.75

 

CMYK 0 / 69 / 56 / 41

HEX #972F42

RGB 151 47 66

HSL 349.04, 0.53%, 0.39%

LAB 36, 44.65, 13.06

 

CMYK 0 / 69 / 56 / 28

HEX #B73850

RGB 183 56 80

HSL 348.66, 0.53%, 0.47%

LAB 43.47, 52.46, 15.38

 

CMYK 0 / 61 / 49 / 21

HEX #C94F66

RGB 201 79 102

HSL 348.69, 0.53%, 0.55%

LAB 50.65, 50.41, 12.34

 

CMYK 0 / 47 / 38 / 17

HEX #D36F82

RGB 211 111 130

HSL 348.6, 0.53%, 0.63%

LAB 58.82, 41.2, 7.56

 

CMYK 0 / 35 / 29 / 14

HEX #DC8F9D

RGB 220 143 157

HSL 349.09, 0.52%, 0.71%

LAB 67.5, 31.01, 4.77

 

CMYK 0 / 62 / 50 / 21

HEX #C94D64

RGB 201 77 100

HSL 348.87, 0.53%, 0.55%

LAB 50.27, 51.12, 13.01

 

CMYK 0 / 0 / 61 / 21

HEX #C9C94F

RGB 201 201 79

HSL 60, 0.53%, 0.55%

LAB 78.9, -15.4, 59.14

 

CMYK 61 / 24 / 0 / 21

HEX #4F98C9

RGB 79 152 201

HSL 204.1, 0.53%, 0.55%

LAB 60.19, -8.07, -32.07

 

CMYK 0 / 62 / 50 / 21

HEX #C94D64

RGB 201 77 100

HSL 348.87, 0.53%, 0.55%

LAB 50.27, 51.12, 13.01

 

CMYK 48 / 0 / 61 / 21

HEX #68C94F

RGB 104 201 79

HSL 107.7, 0.53%, 0.55%

LAB 73.08, -51.23, 51.07

 

CMYK 61 / 48 / 0 / 21

HEX #4F68C9

RGB 79 104 201

HSL 227.7, 0.53%, 0.55%

LAB 46.68, 20.71, -53.41

 

CMYK 0 / 62 / 50 / 21

HEX #C94D64

RGB 201 77 100

HSL 348.87, 0.53%, 0.55%

LAB 50.27, 51.12, 13.01

 

CMYK 0 / 0 / 61 / 21

HEX #C9C94F

RGB 201 201 79

HSL 60, 0.53%, 0.55%

LAB 78.9, -15.4, 59.14

 

CMYK 61 / 0 / 12 / 21

HEX #4FC9B1

RGB 79 201 177

HSL 168.2, 0.53%, 0.55%

LAB 73.94, -39.67, 1.91

 

CMYK 61 / 61 / 0 / 21

HEX #4F4FC9

RGB 79 79 201

HSL 240, 0.53%, 0.55%

LAB 40.36, 36.33, -63.63

 

CMYK 0 / 62 / 50 / 21

HEX #C94D64

RGB 201 77 100

HSL 348.87, 0.53%, 0.55%

LAB 50.27, 51.12, 13.01

 

CMYK 18 / 0 / 61 / 21

HEX #A5C94F

RGB 165 201 79

HSL 77.7, 0.53%, 0.55%

LAB 76.28, -30, 55.53

 

CMYK 61 / 0 / 12 / 21

HEX #4FC9B1

RGB 79 201 177

HSL 168.2, 0.53%, 0.55%

LAB 73.94, -39.67, 1.91

 

CMYK 42 / 61 / 0 / 21

HEX #744FC9

RGB 116 79 201

HSL 258.2, 0.53%, 0.55%

LAB 43.54, 43.42, -58.33

 

Description

Color code: HEX #C94D64 | qconv.com Color code: HEX #C94D64 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 77 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 77 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 50% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - 働きたい女性のためのコミュニティサイト ...
Link: http://www.c-mam.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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