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Color name
HEX #C94028

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C94028 it is the complementary color #36BFD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C94028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C94028 shade: #CE4023, #DF5236, #F06449, #FF765C and #FF886F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C94028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C94028 shade: #C94028, #B82E15, #A71C02, #960A00 and #850000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C94028 shade: #C83F28 and #C82828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C94028 shade: #C83F28, #C86B28, #C89628, #C8C128 and #A4C828

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C94028 shade matches the following richer shades: #C83F28, #DC3214 and #EF2401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C94028 shade: #C83F28, #B54D3B, #A15B4E, #8E6862 and #7B7675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C94028 shade: #C82868, #C8283D, #C83D28, #C86828 and #C89328

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C94028 shade: #832A1A, #A63521, #C83F28, #D95740 and #E07562

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C94028 shade: #C94028, #93C828 and #2852C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C94028 shade: #C94028, #28C83D and #3D28C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C94028 shade: #C94028, #93C828, #28B3C8 and #5D28C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C94028 shade: #C94028, #62C828, #28B3C8 and #8D28C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 80 / 21

HEX #C94028

RGB 201 64 40

HSL 8.94, 0.67%, 0.47%

LAB 47.28, 53.06, 44.01

 

Complementary color

CMYK 75 / 11 / 0 / 16

HEX #36BFD7

RGB 54 191 215

HSL 188.94, 0.67%, 0.53%

LAB 71.52, -27.91, -22.43

 

CMYK 0 / 69 / 83 / 19

HEX #CE4023

RGB 206 64 35

HSL 10.18, 0.71%, 0.47%

LAB 48.15, 54.57, 47.62

 

CMYK 0 / 63 / 76 / 13

HEX #DF5236

RGB 223 82 54

HSL 9.94, 0.73%, 0.54%

LAB 54.02, 53.54, 44.88

 

CMYK 0 / 58 / 70 / 6

HEX #F06449

RGB 240 100 73

HSL 9.7, 0.85%, 0.61%

LAB 60, 52.34, 42.22

 

CMYK 0 / 54 / 64 / 0

HEX #FF765C

RGB 255 118 92

HSL 9.57, 1%, 0.68%

LAB 65.74, 50.35, 39.36

 

CMYK 0 / 47 / 56 / 0

HEX #FF886F

RGB 255 136 111

HSL 10.42, 1%, 0.72%

LAB 69.48, 42.87, 33.74

 

CMYK 0 / 68 / 80 / 21

HEX #C94028

RGB 201 64 40

HSL 8.94, 0.67%, 0.47%

LAB 47.28, 53.06, 44.01

 

CMYK 0 / 75 / 89 / 28

HEX #B82E15

RGB 184 46 21

HSL 9.2, 0.8%, 0.4%

LAB 41.53, 53.72, 46.74

 

CMYK 0 / 83 / 99 / 35

HEX #A71C02

RGB 167 28 2

HSL 9.45, 0.98%, 0.33%

LAB 36.08, 53.66, 48.74

 

CMYK 0 / 93 / 100 / 41

HEX #960A00

RGB 150 10 0

HSL 4, 1%, 0.29%

LAB 31.12, 52.44, 44.71

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 69 / 80 / 22

HEX #C83F28

RGB 200 63 40

HSL 8.63, 0.67%, 0.47%

LAB 46.96, 53.12, 43.63

 

CMYK 0 / 80 / 80 / 22

HEX #C82828

RGB 200 40 40

HSL 0, 0.67%, 0.47%

LAB 44.16, 60.88, 40.84

 

CMYK 0 / 69 / 80 / 22

HEX #C83F28

RGB 200 63 40

HSL 8.63, 0.67%, 0.47%

LAB 46.96, 53.12, 43.63

 

CMYK 0 / 47 / 80 / 22

HEX #C86B28

RGB 200 107 40

HSL 25.13, 0.67%, 0.47%

LAB 55.02, 32.26, 51.38

 

CMYK 0 / 25 / 80 / 22

HEX #C89628

RGB 200 150 40

HSL 41.25, 0.67%, 0.47%

LAB 65.16, 8.94, 60.7

 

CMYK 0 / 4 / 80 / 22

HEX #C8C128

RGB 200 193 40

HSL 57.38, 0.67%, 0.47%

LAB 76.42, -13.71, 70.67

 

CMYK 18 / 0 / 80 / 22

HEX #A4C828

RGB 164 200 40

HSL 73.5, 0.67%, 0.47%

LAB 75.67, -32.21, 68.98

 

CMYK 0 / 69 / 80 / 22

HEX #C83F28

RGB 200 63 40

HSL 8.63, 0.67%, 0.47%

LAB 46.96, 53.12, 43.63

 

CMYK 0 / 77 / 91 / 14

HEX #DC3214

RGB 220 50 20

HSL 9, 0.83%, 0.47%

LAB 48.94, 63.44, 55.69

 

CMYK 0 / 85 / 100 / 6

HEX #EF2401

RGB 239 36 1

HSL 8.82, 0.99%, 0.47%

LAB 51.4, 72.03, 64.28

 

CMYK 0 / 69 / 80 / 22

HEX #C83F28

RGB 200 63 40

HSL 8.63, 0.67%, 0.47%

LAB 46.96, 53.12, 43.63

 

CMYK 0 / 57 / 67 / 29

HEX #B54D3B

RGB 181 77 59

HSL 8.85, 0.51%, 0.47%

LAB 46.24, 41.02, 31.49

 

CMYK 0 / 43 / 52 / 37

HEX #A15B4E

RGB 161 91 78

HSL 9.4, 0.35%, 0.47%

LAB 46.46, 27.26, 20

 

CMYK 0 / 27 / 31 / 44

HEX #8E6862

RGB 142 104 98

HSL 8.18, 0.18%, 0.47%

LAB 47.67, 14.35, 9.35

 

CMYK 0 / 4 / 5 / 52

HEX #7B7675

RGB 123 118 117

HSL 10, 0.03%, 0.47%

LAB 50.04, 1.72, 1.22

 

CMYK 0 / 80 / 48 / 22

HEX #C82868

RGB 200 40 104

HSL 336, 0.67%, 0.47%

LAB 45.35, 64.54, 3.59

 

CMYK 0 / 80 / 70 / 22

HEX #C8283D

RGB 200 40 61

HSL 352.13, 0.67%, 0.47%

LAB 44.42, 61.7, 28.91

 

CMYK 0 / 70 / 80 / 22

HEX #C83D28

RGB 200 61 40

HSL 7.88, 0.67%, 0.47%

LAB 46.67, 53.9, 43.34

 

CMYK 0 / 48 / 80 / 22

HEX #C86828

RGB 200 104 40

HSL 24, 0.67%, 0.47%

LAB 54.38, 33.84, 50.78

 

CMYK 0 / 27 / 80 / 22

HEX #C89328

RGB 200 147 40

HSL 40.13, 0.67%, 0.47%

LAB 64.4, 10.57, 60.02

 

CMYK 0 / 68 / 80 / 49

HEX #832A1A

RGB 131 42 26

HSL 9.14, 0.67%, 0.31%

LAB 30.77, 37.34, 30.7

 

CMYK 0 / 68 / 80 / 35

HEX #A63521

RGB 166 53 33

HSL 9.02, 0.67%, 0.39%

LAB 39.18, 45.38, 37.5

 

CMYK 0 / 69 / 80 / 22

HEX #C83F28

RGB 200 63 40

HSL 8.63, 0.67%, 0.47%

LAB 46.96, 53.12, 43.63

 

CMYK 0 / 60 / 71 / 15

HEX #D95740

RGB 217 87 64

HSL 9.02, 0.67%, 0.55%

LAB 53.96, 49.68, 39.2

 

CMYK 0 / 48 / 56 / 12

HEX #E07562

RGB 224 117 98

HSL 9.05, 0.67%, 0.63%

LAB 61.18, 39.85, 29.39

 

CMYK 0 / 68 / 80 / 21

HEX #C94028

RGB 201 64 40

HSL 8.94, 0.67%, 0.47%

LAB 47.28, 53.06, 44.01

 

CMYK 27 / 0 / 80 / 22

HEX #93C828

RGB 147 200 40

HSL 79.88, 0.67%, 0.47%

LAB 74.61, -38.9, 67.63

 

CMYK 80 / 59 / 0 / 22

HEX #2852C8

RGB 40 82 200

HSL 224.25, 0.67%, 0.47%

LAB 38.99, 28.99, -65.37

 

CMYK 0 / 68 / 80 / 21

HEX #C94028

RGB 201 64 40

HSL 8.94, 0.67%, 0.47%

LAB 47.28, 53.06, 44.01

 

CMYK 80 / 0 / 70 / 22

HEX #28C83D

RGB 40 200 61

HSL 127.88, 0.67%, 0.47%

LAB 70.94, -66.02, 55.74

 

CMYK 70 / 80 / 0 / 22

HEX #3D28C8

RGB 61 40 200

HSL 247.88, 0.67%, 0.47%

LAB 31.07, 55.46, -78.37

 

CMYK 0 / 68 / 80 / 21

HEX #C94028

RGB 201 64 40

HSL 8.94, 0.67%, 0.47%

LAB 47.28, 53.06, 44.01

 

CMYK 27 / 0 / 80 / 22

HEX #93C828

RGB 147 200 40

HSL 79.88, 0.67%, 0.47%

LAB 74.61, -38.9, 67.63

 

CMYK 80 / 11 / 0 / 22

HEX #28B3C8

RGB 40 179 200

HSL 187.88, 0.67%, 0.47%

LAB 67.17, -28.12, -20.85

 

CMYK 54 / 80 / 0 / 22

HEX #5D28C8

RGB 93 40 200

HSL 259.88, 0.67%, 0.47%

LAB 34.01, 58.75, -73.4

 

CMYK 0 / 68 / 80 / 21

HEX #C94028

RGB 201 64 40

HSL 8.94, 0.67%, 0.47%

LAB 47.28, 53.06, 44.01

 

CMYK 51 / 0 / 80 / 22

HEX #62C828

RGB 98 200 40

HSL 98.25, 0.67%, 0.47%

LAB 72.27, -55.58, 64.62

 

CMYK 80 / 11 / 0 / 22

HEX #28B3C8

RGB 40 179 200

HSL 187.88, 0.67%, 0.47%

LAB 67.17, -28.12, -20.85

 

CMYK 30 / 80 / 0 / 22

HEX #8D28C8

RGB 141 40 200

HSL 277.88, 0.67%, 0.47%

LAB 40.16, 65.69, -63.09

 

Description

Color code: HEX #C94028 | qconv.com Color code: HEX #C94028 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 64 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 64 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 80 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 80% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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