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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92EC2 it is the complementary color #36D13D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92EC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92EC2 shade: #CE2EBD, #DF40D0, #F052E3, #FF64F6 and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92EC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92EC2 shade: #C92EC2, #B81CAF, #A70A9C, #960089 and #850076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92EC2 shade: #C82DC1, #C82D97, #C82D6D, #C82D44 and #C82D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92EC2 shade: #C82DC1, #A52DC8, #7B2DC8, #522DC8 and #2D2DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92EC2 shade matches the following richer shades: #C82DC1, #DB19D3 and #EF06E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92EC2 shade: #C82DC1, #B441AF, #A0559D, #8C698B and #787D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92EC2 shade: #7A2DC8, #A42DC8, #C82DC2, #C82D99 and #C82D70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92EC2 shade: #841E80, #A626A0, #C82DC1, #D648CF and #DD6AD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92EC2 shade: #C92EC2, #C8512D and #2DC88F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92EC2 shade: #C92EC2, #C2C82D and #2DC2C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92EC2 shade: #C92EC2, #C8512D, #2DC832 and #2DA4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92EC2 shade: #C92EC2, #C8802D, #2DC832 and #2D75C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 3 / 21

HEX #C92EC2

RGB 201 46 194

HSL 302.71, 0.63%, 0.48%

LAB 49.82, 74.01, -43.58

 

Complementary color

CMYK 74 / 0 / 71 / 18

HEX #36D13D

RGB 54 209 61

HSL 122.71, 0.63%, 0.52%

LAB 74.01, -66.92, 59.02

 

CMYK 0 / 78 / 8 / 19

HEX #CE2EBD

RGB 206 46 189

HSL 306.38, 0.63%, 0.49%

LAB 50.39, 74.29, -39.71

 

CMYK 0 / 71 / 7 / 13

HEX #DF40D0

RGB 223 64 208

HSL 305.66, 0.71%, 0.56%

LAB 56, 75.43, -41.63

 

CMYK 0 / 66 / 5 / 6

HEX #F052E3

RGB 240 82 227

HSL 304.94, 0.84%, 0.63%

LAB 61.75, 75.96, -43.13

 

CMYK 0 / 61 / 4 / 0

HEX #FF64F6

RGB 255 100 246

HSL 303.48, 1%, 0.7%

LAB 67.3, 75.59, -44.8

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 77 / 3 / 21

HEX #C92EC2

RGB 201 46 194

HSL 302.71, 0.63%, 0.48%

LAB 49.82, 74.01, -43.58

 

CMYK 0 / 85 / 5 / 28

HEX #B81CAF

RGB 184 28 175

HSL 303.46, 0.74%, 0.42%

LAB 44.4, 72.04, -41.23

 

CMYK 0 / 94 / 7 / 35

HEX #A70A9C

RGB 167 10 156

HSL 304.2, 0.89%, 0.35%

LAB 39.3, 68.86, -38.16

 

CMYK 0 / 100 / 9 / 41

HEX #960089

RGB 150 0 137

HSL 305.2, 1%, 0.29%

LAB 34.58, 64.21, -34.22

 

CMYK 0 / 100 / 11 / 48

HEX #850076

RGB 133 0 118

HSL 306.77, 1%, 0.26%

LAB 30.14, 58.34, -29.54

 

CMYK 0 / 78 / 4 / 22

HEX #C82DC1

RGB 200 45 193

HSL 302.71, 0.63%, 0.48%

LAB 49.5, 73.92, -43.51

 

CMYK 0 / 78 / 25 / 22

HEX #C82D97

RGB 200 45 151

HSL 318.97, 0.63%, 0.48%

LAB 47.48, 68.1, -21.9

 

CMYK 0 / 78 / 46 / 22

HEX #C82D6D

RGB 200 45 109

HSL 335.23, 0.63%, 0.48%

LAB 45.99, 63.58, 1.42

 

CMYK 0 / 78 / 66 / 22

HEX #C82D44

RGB 200 45 68

HSL 351.1, 0.63%, 0.48%

LAB 45.04, 60.62, 25.43

 

CMYK 0 / 78 / 78 / 22

HEX #C82D2D

RGB 200 45 45

HSL 0, 0.63%, 0.48%

LAB 44.72, 59.6, 38.65

 

CMYK 0 / 78 / 4 / 22

HEX #C82DC1

RGB 200 45 193

HSL 302.71, 0.63%, 0.48%

LAB 49.5, 73.92, -43.51

 

CMYK 18 / 78 / 0 / 22

HEX #A52DC8

RGB 165 45 200

HSL 286.45, 0.63%, 0.48%

LAB 44.3, 68.29, -56.22

 

CMYK 39 / 78 / 0 / 22

HEX #7B2DC8

RGB 123 45 200

HSL 270.19, 0.63%, 0.48%

LAB 38.3, 61, -66.23

 

CMYK 59 / 78 / 0 / 22

HEX #522DC8

RGB 82 45 200

HSL 254.32, 0.63%, 0.48%

LAB 33.65, 55.25, -74.04

 

CMYK 78 / 78 / 0 / 22

HEX #2D2DC8

RGB 45 45 200

HSL 240, 0.63%, 0.48%

LAB 30.89, 51.79, -78.69

 

CMYK 0 / 78 / 4 / 22

HEX #C82DC1

RGB 200 45 193

HSL 302.71, 0.63%, 0.48%

LAB 49.5, 73.92, -43.51

 

CMYK 0 / 89 / 4 / 14

HEX #DB19D3

RGB 219 25 211

HSL 302.47, 0.8%, 0.48%

LAB 52.35, 84.15, -49.16

 

CMYK 0 / 97 / 4 / 6

HEX #EF06E5

RGB 239 6 229

HSL 302.58, 0.95%, 0.48%

LAB 56.23, 91.78, -53.01

 

CMYK 0 / 78 / 4 / 22

HEX #C82DC1

RGB 200 45 193

HSL 302.71, 0.63%, 0.48%

LAB 49.5, 73.92, -43.51

 

CMYK 0 / 64 / 3 / 29

HEX #B441AF

RGB 180 65 175

HSL 302.61, 0.47%, 0.48%

LAB 47.73, 59.79, -36.01

 

CMYK 0 / 47 / 2 / 37

HEX #A0559D

RGB 160 85 157

HSL 302.4, 0.31%, 0.48%

LAB 47.5, 41.58, -25.95

 

CMYK 0 / 25 / 1 / 45

HEX #8C698B

RGB 140 105 139

HSL 301.71, 0.14%, 0.48%

LAB 48.94, 20.09, -13.27

 

CMYK 4 / 0 / 4 / 51

HEX #787D78

RGB 120 125 120

HSL 120, 0.02%, 0.48%

LAB 51.86, -2.87, 2.07

 

CMYK 39 / 78 / 0 / 22

HEX #7A2DC8

RGB 122 45 200

HSL 269.81, 0.63%, 0.48%

LAB 38.17, 60.84, -66.45

 

CMYK 18 / 78 / 0 / 22

HEX #A42DC8

RGB 164 45 200

HSL 286.06, 0.63%, 0.48%

LAB 44.15, 68.1, -56.47

 

CMYK 0 / 78 / 3 / 22

HEX #C82DC2

RGB 200 45 194

HSL 302.32, 0.63%, 0.48%

LAB 49.56, 74.07, -44

 

CMYK 0 / 78 / 24 / 22

HEX #C82D99

RGB 200 45 153

HSL 318.19, 0.63%, 0.48%

LAB 47.57, 68.35, -22.96

 

CMYK 0 / 78 / 44 / 22

HEX #C82D70

RGB 200 45 112

HSL 334.06, 0.63%, 0.48%

LAB 46.08, 63.85, -0.3

 

CMYK 0 / 77 / 3 / 48

HEX #841E80

RGB 132 30 128

HSL 302.35, 0.63%, 0.32%

LAB 32.68, 53.43, -31.83

 

CMYK 0 / 77 / 4 / 35

HEX #A626A0

RGB 166 38 160

HSL 302.81, 0.63%, 0.4%

LAB 41.27, 63.67, -37.46

 

CMYK 0 / 78 / 4 / 22

HEX #C82DC1

RGB 200 45 193

HSL 302.71, 0.63%, 0.48%

LAB 49.5, 73.92, -43.51

 

CMYK 0 / 66 / 3 / 16

HEX #D648CF

RGB 214 72 207

HSL 302.96, 0.63%, 0.56%

LAB 55.52, 70.48, -41.91

 

CMYK 0 / 52 / 2 / 13

HEX #DD6AD8

RGB 221 106 216

HSL 302.61, 0.63%, 0.64%

LAB 62.2, 59.34, -36.45

 

CMYK 0 / 77 / 3 / 21

HEX #C92EC2

RGB 201 46 194

HSL 302.71, 0.63%, 0.48%

LAB 49.82, 74.01, -43.58

 

CMYK 0 / 60 / 78 / 22

HEX #C8512D

RGB 200 81 45

HSL 13.94, 0.63%, 0.48%

LAB 49.92, 45.49, 44.05

 

CMYK 78 / 0 / 29 / 22

HEX #2DC88F

RGB 45 200 143

HSL 157.94, 0.63%, 0.48%

LAB 72.13, -52.42, 17.54

 

CMYK 0 / 77 / 3 / 21

HEX #C92EC2

RGB 201 46 194

HSL 302.71, 0.63%, 0.48%

LAB 49.82, 74.01, -43.58

 

CMYK 3 / 0 / 78 / 22

HEX #C2C82D

RGB 194 200 45

HSL 62.32, 0.63%, 0.48%

LAB 77.86, -19.6, 70.34

 

CMYK 78 / 3 / 0 / 22

HEX #2DC2C8

RGB 45 194 200

HSL 182.32, 0.63%, 0.48%

LAB 71.77, -34.87, -13.9

 

CMYK 0 / 77 / 3 / 21

HEX #C92EC2

RGB 201 46 194

HSL 302.71, 0.63%, 0.48%

LAB 49.82, 74.01, -43.58

 

CMYK 0 / 60 / 78 / 22

HEX #C8512D

RGB 200 81 45

HSL 13.94, 0.63%, 0.48%

LAB 49.92, 45.49, 44.05

 

CMYK 78 / 0 / 75 / 22

HEX #2DC832

RGB 45 200 50

HSL 121.94, 0.63%, 0.48%

LAB 70.94, -66.29, 59.76

 

CMYK 78 / 18 / 0 / 22

HEX #2DA4C8

RGB 45 164 200

HSL 193.94, 0.63%, 0.48%

LAB 62.74, -19.98, -27.63

 

CMYK 0 / 77 / 3 / 21

HEX #C92EC2

RGB 201 46 194

HSL 302.71, 0.63%, 0.48%

LAB 49.82, 74.01, -43.58

 

CMYK 0 / 36 / 78 / 22

HEX #C8802D

RGB 200 128 45

HSL 32.13, 0.63%, 0.48%

LAB 59.8, 21.14, 53.83

 

CMYK 78 / 0 / 75 / 22

HEX #2DC832

RGB 45 200 50

HSL 121.94, 0.63%, 0.48%

LAB 70.94, -66.29, 59.76

 

CMYK 78 / 42 / 0 / 22

HEX #2D75C8

RGB 45 117 200

HSL 212.13, 0.63%, 0.48%

LAB 48.82, 7.02, -49.49

 

Description

Color code: HEX #C92EC2 | qconv.com Color code: HEX #C92EC2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 46 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 46 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 3 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 3% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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