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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92E8F it is the complementary color #36D170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92E8F shade: #CE2E8A, #DF409D, #F052B0, #FF64C3 and #FF76D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92E8F shade: #C92E8F, #B81C7C, #A70A69, #960056 and #850043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92E8F shade: #C82D8E, #C82D64, #C82D3B and #C82D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92E8F shade: #C82D8E, #C82DB7, #AE2DC8, #842DC8 and #5B2DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92E8F shade matches the following richer shades: #C82D8E, #DB1993 and #EF0698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92E8F shade: #C82D8E, #B44189, #A05584, #8C697F and #787D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92E8F shade: #AE2DC8, #C82DB8, #C82D8F, #C82D66 and #C82D3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92E8F shade: #841E5E, #A62676, #C82D8E, #D648A1 and #DD6AB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92E8F shade: #C92E8F, #C8852D and #2DC8C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92E8F shade: #C92E8F, #8FC82D and #2D8FC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92E8F shade: #C92E8F, #C8852D, #2DC866 and #2D70C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92E8F shade: #C92E8F, #C8B32D, #2DC866 and #2D42C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 29 / 21

HEX #C92E8F

RGB 201 46 143

HSL 322.45, 0.63%, 0.48%

LAB 47.44, 67.08, -17.14

 

Complementary color

CMYK 74 / 0 / 46 / 18

HEX #36D170

RGB 54 209 112

HSL 142.45, 0.63%, 0.52%

LAB 74.54, -60.59, 36.87

 

CMYK 0 / 78 / 33 / 19

HEX #CE2E8A

RGB 206 46 138

HSL 325.5, 0.63%, 0.49%

LAB 48.15, 67.74, -12.96

 

CMYK 0 / 71 / 30 / 13

HEX #DF409D

RGB 223 64 157

HSL 324.91, 0.71%, 0.56%

LAB 53.8, 68.6, -15.45

 

CMYK 0 / 66 / 27 / 6

HEX #F052B0

RGB 240 82 176

HSL 324.3, 0.84%, 0.63%

LAB 59.61, 68.88, -17.45

 

CMYK 0 / 61 / 24 / 0

HEX #FF64C3

RGB 255 100 195

HSL 323.23, 1%, 0.7%

LAB 65.21, 68.24, -19.57

 

CMYK 0 / 54 / 16 / 0

HEX #FF76D6

RGB 255 118 214

HSL 317.96, 1%, 0.73%

LAB 68.8, 63.04, -24.75

 

CMYK 0 / 77 / 29 / 21

HEX #C92E8F

RGB 201 46 143

HSL 322.45, 0.63%, 0.48%

LAB 47.44, 67.08, -17.14

 

CMYK 0 / 85 / 33 / 28

HEX #B81C7C

RGB 184 28 124

HSL 323.08, 0.74%, 0.42%

LAB 41.96, 65.4, -14.17

 

CMYK 0 / 94 / 37 / 35

HEX #A70A69

RGB 167 10 105

HSL 323.69, 0.89%, 0.35%

LAB 36.84, 62.5, -10.34

 

CMYK 0 / 100 / 43 / 41

HEX #960056

RGB 150 0 86

HSL 325.6, 1%, 0.29%

LAB 32.16, 58.08, -5.47

 

CMYK 0 / 100 / 50 / 48

HEX #850043

RGB 133 0 67

HSL 329.77, 1%, 0.26%

LAB 27.82, 52.43, 0.36

 

CMYK 0 / 78 / 29 / 22

HEX #C82D8E

RGB 200 45 142

HSL 322.45, 0.63%, 0.48%

LAB 47.12, 67.01, -17.04

 

CMYK 0 / 78 / 50 / 22

HEX #C82D64

RGB 200 45 100

HSL 338.71, 0.63%, 0.48%

LAB 45.74, 62.81, 6.62

 

CMYK 0 / 78 / 71 / 22

HEX #C82D3B

RGB 200 45 59

HSL 354.58, 0.63%, 0.48%

LAB 44.9, 60.17, 30.7

 

CMYK 0 / 78 / 78 / 22

HEX #C82D2D

RGB 200 45 45

HSL 0, 0.63%, 0.48%

LAB 44.72, 59.6, 38.65

 

CMYK 0 / 78 / 29 / 22

HEX #C82D8E

RGB 200 45 142

HSL 322.45, 0.63%, 0.48%

LAB 47.12, 67.01, -17.04

 

CMYK 0 / 78 / 9 / 22

HEX #C82DB7

RGB 200 45 183

HSL 306.58, 0.63%, 0.48%

LAB 48.98, 72.43, -38.52

 

CMYK 13 / 78 / 0 / 22

HEX #AE2DC8

RGB 174 45 200

HSL 289.94, 0.63%, 0.48%

LAB 45.7, 69.97, -53.89

 

CMYK 34 / 78 / 0 / 22

HEX #842DC8

RGB 132 45 200

HSL 273.68, 0.63%, 0.48%

LAB 39.5, 62.47, -64.22

 

CMYK 55 / 78 / 0 / 22

HEX #5B2DC8

RGB 91 45 200

HSL 257.81, 0.63%, 0.48%

LAB 34.54, 56.36, -72.54

 

CMYK 0 / 78 / 29 / 22

HEX #C82D8E

RGB 200 45 142

HSL 322.45, 0.63%, 0.48%

LAB 47.12, 67.01, -17.04

 

CMYK 0 / 89 / 33 / 14

HEX #DB1993

RGB 219 25 147

HSL 322.27, 0.8%, 0.48%

LAB 49.33, 76.21, -16.36

 

CMYK 0 / 97 / 36 / 6

HEX #EF0698

RGB 239 6 152

HSL 322.4, 0.95%, 0.48%

LAB 52.67, 82.8, -13.92

 

CMYK 0 / 78 / 29 / 22

HEX #C82D8E

RGB 200 45 142

HSL 322.45, 0.63%, 0.48%

LAB 47.12, 67.01, -17.04

 

CMYK 0 / 64 / 24 / 29

HEX #B44189

RGB 180 65 137

HSL 322.43, 0.47%, 0.48%

LAB 46.03, 53.96, -15.99

 

CMYK 0 / 47 / 18 / 37

HEX #A05584

RGB 160 85 132

HSL 322.4, 0.31%, 0.48%

LAB 46.49, 37.21, -12.55

 

CMYK 0 / 25 / 9 / 45

HEX #8C697F

RGB 140 105 127

HSL 322.29, 0.14%, 0.48%

LAB 48.52, 17.76, -6.75

 

CMYK 4 / 0 / 2 / 51

HEX #787D7A

RGB 120 125 122

HSL 144, 0.02%, 0.48%

LAB 51.91, -2.47, 0.98

 

CMYK 13 / 78 / 0 / 22

HEX #AE2DC8

RGB 174 45 200

HSL 289.94, 0.63%, 0.48%

LAB 45.7, 69.97, -53.89

 

CMYK 0 / 78 / 8 / 22

HEX #C82DB8

RGB 200 45 184

HSL 306.19, 0.63%, 0.48%

LAB 49.03, 72.58, -39.02

 

CMYK 0 / 78 / 29 / 22

HEX #C82D8F

RGB 200 45 143

HSL 322.06, 0.63%, 0.48%

LAB 47.16, 67.13, -17.59

 

CMYK 0 / 78 / 49 / 22

HEX #C82D66

RGB 200 45 102

HSL 337.94, 0.63%, 0.48%

LAB 45.79, 62.97, 5.46

 

CMYK 0 / 78 / 70 / 22

HEX #C82D3D

RGB 200 45 61

HSL 353.81, 0.63%, 0.48%

LAB 44.93, 60.26, 29.53

 

CMYK 0 / 77 / 29 / 48

HEX #841E5E

RGB 132 30 94

HSL 322.35, 0.63%, 0.32%

LAB 30.98, 48.34, -12.82

 

CMYK 0 / 77 / 29 / 35

HEX #A62676

RGB 166 38 118

HSL 322.5, 0.63%, 0.4%

LAB 39.24, 57.73, -14.9

 

CMYK 0 / 78 / 29 / 22

HEX #C82D8E

RGB 200 45 142

HSL 322.45, 0.63%, 0.48%

LAB 47.12, 67.01, -17.04

 

CMYK 0 / 66 / 25 / 16

HEX #D648A1

RGB 214 72 161

HSL 322.39, 0.63%, 0.56%

LAB 53.5, 63.82, -18.41

 

CMYK 0 / 52 / 19 / 13

HEX #DD6AB2

RGB 221 106 178

HSL 322.43, 0.63%, 0.64%

LAB 60.69, 53.31, -17.23

 

CMYK 0 / 77 / 29 / 21

HEX #C92E8F

RGB 201 46 143

HSL 322.45, 0.63%, 0.48%

LAB 47.44, 67.08, -17.14

 

CMYK 0 / 34 / 78 / 22

HEX #C8852D

RGB 200 133 45

HSL 34.06, 0.63%, 0.48%

LAB 61, 18.4, 54.97

 

CMYK 78 / 0 / 3 / 22

HEX #2DC8C2

RGB 45 200 194

HSL 177.68, 0.63%, 0.48%

LAB 73.39, -39.38, -8.2

 

CMYK 0 / 77 / 29 / 21

HEX #C92E8F

RGB 201 46 143

HSL 322.45, 0.63%, 0.48%

LAB 47.44, 67.08, -17.14

 

CMYK 29 / 0 / 78 / 22

HEX #8FC82D

RGB 143 200 45

HSL 82.06, 0.63%, 0.48%

LAB 74.41, -40.2, 65.91

 

CMYK 78 / 29 / 0 / 22

HEX #2D8FC8

RGB 45 143 200

HSL 202.06, 0.63%, 0.48%

LAB 56.46, -8.48, -37.4

 

CMYK 0 / 77 / 29 / 21

HEX #C92E8F

RGB 201 46 143

HSL 322.45, 0.63%, 0.48%

LAB 47.44, 67.08, -17.14

 

CMYK 0 / 34 / 78 / 22

HEX #C8852D

RGB 200 133 45

HSL 34.06, 0.63%, 0.48%

LAB 61, 18.4, 54.97

 

CMYK 78 / 0 / 49 / 22

HEX #2DC866

RGB 45 200 102

HSL 142.06, 0.63%, 0.48%

LAB 71.44, -60.26, 37.89

 

CMYK 78 / 44 / 0 / 22

HEX #2D70C8

RGB 45 112 200

HSL 214.06, 0.63%, 0.48%

LAB 47.39, 10.15, -51.79

 

CMYK 0 / 77 / 29 / 21

HEX #C92E8F

RGB 201 46 143

HSL 322.45, 0.63%, 0.48%

LAB 47.44, 67.08, -17.14

 

CMYK 0 / 11 / 78 / 22

HEX #C8B32D

RGB 200 179 45

HSL 51.87, 0.63%, 0.48%

LAB 72.7, -6.35, 65.87

 

CMYK 78 / 0 / 49 / 22

HEX #2DC866

RGB 45 200 102

HSL 142.06, 0.63%, 0.48%

LAB 71.44, -60.26, 37.89

 

CMYK 78 / 67 / 0 / 22

HEX #2D42C8

RGB 45 66 200

HSL 231.87, 0.63%, 0.48%

LAB 35.25, 39.68, -71.49

 

Description

Color code: HEX #C92E8F | qconv.com Color code: HEX #C92E8F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 46 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 46 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 29 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 29% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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