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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92E77 it is the complementary color #36D188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92E77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92E77 shade: #CE2E72, #DF4085, #F05298, #FF64AB and #FF76BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92E77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92E77 shade: #C92E77, #B81C64, #A70A51, #96003E and #85002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92E77 shade: #C72D75, #C72D4C and #C72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92E77 shade: #C72D75, #C72D9F, #C52DC7, #9C2DC7 and #722DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92E77 shade matches the following richer shades: #C72D75, #DB1974 and #EF0573

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92E77 shade: #C72D75, #B34177, #9F5478, #8C6879 and #787C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92E77 shade: #C42DC7, #C72DA0, #C72D77, #C72D4E and #C7342D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92E77 shade: #841E4E, #A52562, #C72D75, #D5488A and #DD6AA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92E77 shade: #C92E77, #C79B2D and #2DB5C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92E77 shade: #C92E77, #77C72D and #2D77C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92E77 shade: #C92E77, #C79B2D, #2DC77C and #2D58C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92E77 shade: #C92E77, #C4C72D, #2DC77C and #2F2DC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 41 / 21

HEX #C92E77

RGB 201 46 119

HSL 331.74, 0.63%, 0.48%

LAB 46.58, 64.49, -3.84

 

Complementary color

CMYK 74 / 0 / 35 / 18

HEX #36D188

RGB 54 209 136

HSL 151.74, 0.63%, 0.52%

LAB 74.93, -56.23, 25.1

 

CMYK 0 / 78 / 45 / 19

HEX #CE2E72

RGB 206 46 114

HSL 334.5, 0.63%, 0.49%

LAB 47.35, 65.33, 0.47

 

CMYK 0 / 71 / 40 / 13

HEX #DF4085

RGB 223 64 133

HSL 333.96, 0.71%, 0.56%

LAB 53, 66, -2.39

 

CMYK 0 / 66 / 37 / 6

HEX #F05298

RGB 240 82 152

HSL 333.42, 0.84%, 0.63%

LAB 58.81, 66.12, -4.72

 

CMYK 0 / 61 / 33 / 0

HEX #FF64AB

RGB 255 100 171

HSL 332.52, 1%, 0.7%

LAB 64.41, 65.31, -7.12

 

CMYK 0 / 54 / 25 / 0

HEX #FF76BE

RGB 255 118 190

HSL 328.47, 1%, 0.73%

LAB 67.97, 59.73, -12.58

 

CMYK 0 / 77 / 41 / 21

HEX #C92E77

RGB 201 46 119

HSL 331.74, 0.63%, 0.48%

LAB 46.58, 64.49, -3.84

 

CMYK 0 / 85 / 46 / 28

HEX #B81C64

RGB 184 28 100

HSL 332.31, 0.74%, 0.42%

LAB 41.12, 63.01, -0.44

 

CMYK 0 / 94 / 51 / 35

HEX #A70A51

RGB 167 10 81

HSL 332.87, 0.89%, 0.35%

LAB 36.04, 60.32, 3.9

 

CMYK 0 / 100 / 59 / 41

HEX #96003E

RGB 150 0 62

HSL 335.2, 1%, 0.29%

LAB 31.42, 56.14, 9.35

 

CMYK 0 / 100 / 68 / 48

HEX #85002B

RGB 133 0 43

HSL 340.6, 1%, 0.26%

LAB 27.19, 50.74, 15.79

 

CMYK 0 / 77 / 41 / 22

HEX #C72D75

RGB 199 45 117

HSL 331.95, 0.63%, 0.48%

LAB 46.05, 64.07, -3.44

 

CMYK 0 / 77 / 62 / 22

HEX #C72D4C

RGB 199 45 76

HSL 347.92, 0.63%, 0.48%

LAB 45, 60.8, 20.42

 

CMYK 0 / 77 / 77 / 22

HEX #C72D2D

RGB 199 45 45

HSL 0, 0.63%, 0.48%

LAB 44.53, 59.3, 38.38

 

CMYK 0 / 77 / 41 / 22

HEX #C72D75

RGB 199 45 117

HSL 331.95, 0.63%, 0.48%

LAB 46.05, 64.07, -3.44

 

CMYK 0 / 77 / 20 / 22

HEX #C72D9F

RGB 199 45 159

HSL 315.58, 0.63%, 0.48%

LAB 47.65, 68.88, -26.43

 

CMYK 1 / 77 / 0 / 22

HEX #C52DC7

RGB 197 45 199

HSL 299.22, 0.63%, 0.48%

LAB 49.34, 74.25, -47.28

 

CMYK 22 / 77 / 0 / 22

HEX #9C2DC7

RGB 156 45 199

HSL 283.25, 0.63%, 0.48%

LAB 42.87, 66.45, -58.02

 

CMYK 43 / 77 / 0 / 22

HEX #722DC7

RGB 114 45 199

HSL 266.88, 0.63%, 0.48%

LAB 37.07, 59.36, -67.7

 

CMYK 0 / 77 / 41 / 22

HEX #C72D75

RGB 199 45 117

HSL 331.95, 0.63%, 0.48%

LAB 46.05, 64.07, -3.44

 

CMYK 0 / 89 / 47 / 14

HEX #DB1974

RGB 219 25 116

HSL 331.86, 0.8%, 0.48%

LAB 48.28, 73.33, 0.89

 

CMYK 0 / 98 / 52 / 6

HEX #EF0573

RGB 239 5 115

HSL 331.79, 0.96%, 0.48%

LAB 51.49, 79.82, 6.64

 

CMYK 0 / 77 / 41 / 22

HEX #C72D75

RGB 199 45 117

HSL 331.95, 0.63%, 0.48%

LAB 46.05, 64.07, -3.44

 

CMYK 0 / 64 / 34 / 30

HEX #B34177

RGB 179 65 119

HSL 331.58, 0.47%, 0.48%

LAB 45.22, 51.34, -6.29

 

CMYK 0 / 47 / 25 / 38

HEX #9F5478

RGB 159 84 120

HSL 331.2, 0.31%, 0.48%

LAB 45.73, 35.53, -6.46

 

CMYK 0 / 26 / 14 / 45

HEX #8C6879

RGB 140 104 121

HSL 331.67, 0.15%, 0.48%

LAB 48.08, 17.26, -3.83

 

CMYK 3 / 0 / 2 / 51

HEX #787C7A

RGB 120 124 122

HSL 150, 0.02%, 0.48%

LAB 51.63, -1.9, 0.56

 

CMYK 2 / 77 / 0 / 22

HEX #C42DC7

RGB 196 45 199

HSL 298.83, 0.63%, 0.48%

LAB 49.17, 74.05, -47.55

 

CMYK 0 / 77 / 20 / 22

HEX #C72DA0

RGB 199 45 160

HSL 315.19, 0.63%, 0.48%

LAB 47.7, 69.01, -26.96

 

CMYK 0 / 77 / 40 / 22

HEX #C72D77

RGB 199 45 119

HSL 331.17, 0.63%, 0.48%

LAB 46.11, 64.26, -4.57

 

CMYK 0 / 77 / 61 / 22

HEX #C72D4E

RGB 199 45 78

HSL 347.14, 0.63%, 0.48%

LAB 45.04, 60.92, 19.24

 

CMYK 0 / 74 / 77 / 22

HEX #C7342D

RGB 199 52 45

HSL 2.73, 0.63%, 0.48%

LAB 45.34, 57.04, 39.24

 

CMYK 0 / 77 / 41 / 48

HEX #841E4E

RGB 132 30 78

HSL 331.76, 0.63%, 0.32%

LAB 30.36, 46.42, -3.28

 

CMYK 0 / 78 / 41 / 35

HEX #A52562

RGB 165 37 98

HSL 331.41, 0.63%, 0.4%

LAB 38.21, 55.51, -3.89

 

CMYK 0 / 77 / 41 / 22

HEX #C72D75

RGB 199 45 117

HSL 331.95, 0.63%, 0.48%

LAB 46.05, 64.07, -3.44

 

CMYK 0 / 66 / 35 / 16

HEX #D5488A

RGB 213 72 138

HSL 331.91, 0.63%, 0.56%

LAB 52.53, 60.76, -6.27

 

CMYK 0 / 52 / 28 / 13

HEX #DD6AA0

RGB 221 106 160

HSL 331.83, 0.63%, 0.64%

LAB 60.09, 50.81, -7.79

 

CMYK 0 / 77 / 41 / 21

HEX #C92E77

RGB 201 46 119

HSL 331.74, 0.63%, 0.48%

LAB 46.58, 64.49, -3.84

 

CMYK 0 / 22 / 77 / 22

HEX #C79B2D

RGB 199 155 45

HSL 42.86, 0.63%, 0.48%

LAB 66.35, 5.97, 59.98

 

CMYK 77 / 9 / 0 / 22

HEX #2DB5C7

RGB 45 181 199

HSL 187.01, 0.63%, 0.48%

LAB 67.82, -28.94, -19.31

 

CMYK 0 / 77 / 41 / 21

HEX #C92E77

RGB 201 46 119

HSL 331.74, 0.63%, 0.48%

LAB 46.58, 64.49, -3.84

 

CMYK 40 / 0 / 77 / 22

HEX #77C72D

RGB 119 199 45

HSL 91.17, 0.63%, 0.48%

LAB 72.86, -48.36, 64.02

 

CMYK 77 / 40 / 0 / 22

HEX #2D77C7

RGB 45 119 199

HSL 211.17, 0.63%, 0.48%

LAB 49.34, 5.41, -48.09

 

CMYK 0 / 77 / 41 / 21

HEX #C92E77

RGB 201 46 119

HSL 331.74, 0.63%, 0.48%

LAB 46.58, 64.49, -3.84

 

CMYK 0 / 22 / 77 / 22

HEX #C79B2D

RGB 199 155 45

HSL 42.86, 0.63%, 0.48%

LAB 66.35, 5.97, 59.98

 

CMYK 77 / 0 / 38 / 22

HEX #2DC77C

RGB 45 199 124

HSL 150.78, 0.63%, 0.48%

LAB 71.46, -56.01, 26.69

 

CMYK 77 / 56 / 0 / 22

HEX #2D58C7

RGB 45 88 199

HSL 223.25, 0.63%, 0.48%

LAB 40.67, 25.21, -62.05

 

CMYK 0 / 77 / 41 / 21

HEX #C92E77

RGB 201 46 119

HSL 331.74, 0.63%, 0.48%

LAB 46.58, 64.49, -3.84

 

CMYK 2 / 0 / 77 / 22

HEX #C4C72D

RGB 196 199 45

HSL 61.17, 0.63%, 0.48%

LAB 77.74, -18.26, 70.29

 

CMYK 77 / 0 / 38 / 22

HEX #2DC77C

RGB 45 199 124

HSL 150.78, 0.63%, 0.48%

LAB 71.46, -56.01, 26.69

 

CMYK 76 / 77 / 0 / 22

HEX #2F2DC7

RGB 47 45 199

HSL 240.78, 0.63%, 0.48%

LAB 30.89, 51.61, -78.1

 

Description

Color code: HEX #C92E77 | qconv.com Color code: HEX #C92E77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 46 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 46 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 41 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 41% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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