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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92C4C it is the complementary color #36D3B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92C4C shade: #CE2C47, #DF3E5A, #F0506D, #FF6280 and #FF7493

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92C4C shade: #C92C4C, #B81A39, #A70826, #960013 and #850000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92C4C shade: #C92C4C and #C92C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92C4C shade: #C92C4C, #C92C76, #C92CA0, #C72CC9 and #9C2CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92C4C shade matches the following richer shades: #C92C4C, #DD1840 and #F00435

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92C4C shade: #C92C4C, #B54058, #A15463, #8D676F and #7A7B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92C4C shade: #C92CA2, #C92C78, #C92C4E, #C9342C and #C95E2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92C4C shade: #851D32, #A7253F, #C92C4C, #D74765 and #DE6981

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92C4C shade: #C92C4C, #C9C62C and #2C8DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92C4C shade: #C92C4C, #4EC92C and #2C4EC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92C4C shade: #C92C4C, #C9C62C, #2CC9A7 and #2C2FC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92C4C shade: #C92C4C, #9CC92C, #2CC9A7 and #582CC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

Complementary color

CMYK 74 / 0 / 15 / 17

HEX #36D3B3

RGB 54 211 179

HSL 167.77, 0.64%, 0.52%

LAB 76.45, -47.25, 4.4

 

CMYK 0 / 79 / 66 / 19

HEX #CE2C47

RGB 206 44 71

HSL 350, 0.65%, 0.49%

LAB 46.15, 62.79, 25.24

 

CMYK 0 / 72 / 60 / 13

HEX #DF3E5A

RGB 223 62 90

HSL 349.57, 0.72%, 0.56%

LAB 51.69, 63.16, 21.58

 

CMYK 0 / 67 / 55 / 6

HEX #F0506D

RGB 240 80 109

HSL 349.13, 0.84%, 0.63%

LAB 57.43, 63, 18.55

 

CMYK 0 / 62 / 50 / 0

HEX #FF6280

RGB 255 98 128

HSL 348.54, 1%, 0.69%

LAB 62.97, 61.89, 15.51

 

CMYK 0 / 55 / 42 / 0

HEX #FF7493

RGB 255 116 147

HSL 346.62, 1%, 0.73%

LAB 66.41, 55.68, 9.47

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 0 / 86 / 69 / 28

HEX #B81A39

RGB 184 26 57

HSL 348.23, 0.75%, 0.41%

LAB 39.96, 60.48, 25.16

 

CMYK 0 / 95 / 77 / 35

HEX #A70826

RGB 167 8 38

HSL 348.68, 0.91%, 0.34%

LAB 35.06, 58.11, 30.32

 

CMYK 0 / 100 / 87 / 41

HEX #960013

RGB 150 0 19

HSL 352.4, 1%, 0.29%

LAB 30.71, 54.23, 35.94

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 0 / 78 / 78 / 21

HEX #C92C2C

RGB 201 44 44

HSL 0, 0.64%, 0.48%

LAB 44.8, 60.16, 39.35

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 0 / 78 / 41 / 21

HEX #C92C76

RGB 201 44 118

HSL 331.72, 0.64%, 0.48%

LAB 46.35, 64.97, -3.57

 

CMYK 0 / 78 / 20 / 21

HEX #C92CA0

RGB 201 44 160

HSL 315.67, 0.64%, 0.48%

LAB 47.95, 69.75, -26.53

 

CMYK 1 / 78 / 0 / 21

HEX #C72CC9

RGB 199 44 201

HSL 299.24, 0.64%, 0.48%

LAB 49.69, 75.22, -47.85

 

CMYK 22 / 78 / 0 / 21

HEX #9C2CC9

RGB 156 44 201

HSL 282.8, 0.64%, 0.48%

LAB 42.89, 67.16, -59.14

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 0 / 89 / 71 / 13

HEX #DD1840

RGB 221 24 64

HSL 347.82, 0.8%, 0.48%

LAB 47.49, 70.78, 31.79

 

CMYK 0 / 98 / 78 / 6

HEX #F00435

RGB 240 4 53

HSL 347.54, 0.97%, 0.48%

LAB 50.53, 77.05, 42.71

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 0 / 65 / 51 / 29

HEX #B54058

RGB 181 64 88

HSL 347.69, 0.48%, 0.48%

LAB 44.51, 49.17, 11.81

 

CMYK 0 / 48 / 39 / 37

HEX #A15463

RGB 161 84 99

HSL 348.31, 0.31%, 0.48%

LAB 45.38, 33.4, 5.85

 

CMYK 0 / 27 / 21 / 45

HEX #8D676F

RGB 141 103 111

HSL 347.37, 0.16%, 0.48%

LAB 47.64, 16.53, 1.52

 

CMYK 1 / 0 / 0 / 52

HEX #7A7B7B

RGB 122 123 123

HSL 180, 0%, 0.48%

LAB 51.53, -0.37, -0.14

 

CMYK 0 / 78 / 19 / 21

HEX #C92CA2

RGB 201 44 162

HSL 314.9, 0.64%, 0.48%

LAB 48.04, 70.01, -27.58

 

CMYK 0 / 78 / 40 / 21

HEX #C92C78

RGB 201 44 120

HSL 330.96, 0.64%, 0.48%

LAB 46.41, 65.17, -4.7

 

CMYK 0 / 78 / 61 / 21

HEX #C92C4E

RGB 201 44 78

HSL 347.01, 0.64%, 0.48%

LAB 45.32, 61.79, 19.68

 

CMYK 0 / 74 / 78 / 21

HEX #C9342C

RGB 201 52 44

HSL 3.06, 0.64%, 0.48%

LAB 45.71, 57.62, 40.3

 

CMYK 0 / 53 / 78 / 21

HEX #C95E2C

RGB 201 94 44

HSL 19.11, 0.64%, 0.48%

LAB 52.51, 39.52, 47.2

 

CMYK 0 / 78 / 62 / 48

HEX #851D32

RGB 133 29 50

HSL 347.88, 0.64%, 0.32%

LAB 29.65, 44.56, 14.34

 

CMYK 0 / 78 / 62 / 35

HEX #A7253F

RGB 167 37 63

HSL 348, 0.64%, 0.4%

LAB 37.66, 53.14, 17.74

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 0 / 67 / 53 / 16

HEX #D74765

RGB 215 71 101

HSL 347.5, 0.64%, 0.56%

LAB 51.72, 58.21, 14.78

 

CMYK 0 / 53 / 42 / 13

HEX #DE6981

RGB 222 105 129

HSL 347.69, 0.64%, 0.64%

LAB 59.18, 47.95, 8.87

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 0 / 1 / 78 / 21

HEX #C9C62C

RGB 201 198 44

HSL 58.85, 0.64%, 0.48%

LAB 77.87, -15.67, 70.85

 

CMYK 78 / 30 / 0 / 21

HEX #2C8DC9

RGB 44 141 201

HSL 202.93, 0.64%, 0.48%

LAB 55.89, -7.09, -38.87

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 61 / 0 / 78 / 21

HEX #4EC92C

RGB 78 201 44

HSL 107.01, 0.64%, 0.48%

LAB 71.94, -60.93, 62.91

 

CMYK 78 / 61 / 0 / 21

HEX #2C4EC9

RGB 44 78 201

HSL 227.01, 0.64%, 0.48%

LAB 38.2, 32.34, -67.24

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 0 / 1 / 78 / 21

HEX #C9C62C

RGB 201 198 44

HSL 58.85, 0.64%, 0.48%

LAB 77.87, -15.67, 70.85

 

CMYK 78 / 0 / 17 / 21

HEX #2CC9A7

RGB 44 201 167

HSL 167.01, 0.64%, 0.48%

LAB 72.96, -47.21, 5.8

 

CMYK 78 / 77 / 0 / 21

HEX #2C2FC9

RGB 44 47 201

HSL 238.85, 0.64%, 0.48%

LAB 31.31, 50.99, -78.57

 

CMYK 0 / 78 / 62 / 21

HEX #C92C4C

RGB 201 44 76

HSL 347.77, 0.64%, 0.48%

LAB 45.28, 61.66, 20.86

 

CMYK 22 / 0 / 78 / 21

HEX #9CC92C

RGB 156 201 44

HSL 77.2, 0.64%, 0.48%

LAB 75.47, -35.69, 67.47

 

CMYK 78 / 0 / 17 / 21

HEX #2CC9A7

RGB 44 201 167

HSL 167.01, 0.64%, 0.48%

LAB 72.96, -47.21, 5.8

 

CMYK 56 / 78 / 0 / 21

HEX #582CC9

RGB 88 44 201

HSL 256.82, 0.64%, 0.48%

LAB 34.18, 56.71, -73.74

 

Description

Color code: HEX #C92C4C | qconv.com Color code: HEX #C92C4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 44 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 44 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 62 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 62% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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