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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92C28 it is the complementary color #36D3D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92C28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92C28 shade: #CE2C23, #DF3E36, #F05049, #FF625C and #FF746F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92C28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92C28 shade: #C92C28, #B81A15, #A70802, #960000 and #850000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92C28 shade: #C82C28 and #C82828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92C28 shade: #C82C28, #C85728, #C88228, #C8AD28 and #B8C828

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92C28 shade matches the following richer shades: #C82C28, #DC1914 and #EF0701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92C28 shade: #C82C28, #B53E3B, #A1504E, #8E6362 and #7B7575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92C28 shade: #C8287B, #C82850, #C82A28, #C85528 and #C88028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92C28 shade: #831D1A, #A62421, #C82C28, #D94440 and #E06562

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92C28 shade: #C92C28, #A5C828 and #2865C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92C28 shade: #C92C28, #28C82A and #2A28C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92C28 shade: #C92C28, #A5C828, #28C5C8 and #4A28C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92C28 shade: #C92C28, #75C828, #28C5C8 and #7B28C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 80 / 21

HEX #C92C28

RGB 201 44 40

HSL 1.49, 0.67%, 0.47%

LAB 44.76, 60.03, 41.51

 

Complementary color

CMYK 75 / 2 / 0 / 16

HEX #36D3D7

RGB 54 211 215

HSL 181.49, 0.67%, 0.53%

LAB 77.45, -37.44, -13.47

 

CMYK 0 / 79 / 83 / 19

HEX #CE2C23

RGB 206 44 35

HSL 3.16, 0.71%, 0.47%

LAB 45.7, 61.36, 45.37

 

CMYK 0 / 72 / 76 / 13

HEX #DF3E36

RGB 223 62 54

HSL 2.84, 0.73%, 0.54%

LAB 51.15, 61.34, 41.83

 

CMYK 0 / 67 / 70 / 6

HEX #F05049

RGB 240 80 73

HSL 2.51, 0.85%, 0.61%

LAB 56.82, 60.81, 38.53

 

CMYK 0 / 62 / 64 / 0

HEX #FF625C

RGB 255 98 92

HSL 2.21, 1%, 0.68%

LAB 62.31, 59.35, 35.15

 

CMYK 0 / 55 / 56 / 0

HEX #FF746F

RGB 255 116 111

HSL 2.08, 1%, 0.72%

LAB 65.67, 52.56, 28.81

 

CMYK 0 / 78 / 80 / 21

HEX #C92C28

RGB 201 44 40

HSL 1.49, 0.67%, 0.47%

LAB 44.76, 60.03, 41.51

 

CMYK 0 / 86 / 89 / 28

HEX #B81A15

RGB 184 26 21

HSL 1.84, 0.8%, 0.4%

LAB 39.55, 59.29, 45.2

 

CMYK 0 / 95 / 99 / 35

HEX #A70802

RGB 167 8 2

HSL 2.18, 0.98%, 0.33%

LAB 34.79, 57.35, 48.07

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 78 / 80 / 22

HEX #C82C28

RGB 200 44 40

HSL 1.5, 0.67%, 0.47%

LAB 44.57, 59.74, 41.25

 

CMYK 0 / 80 / 80 / 22

HEX #C82828

RGB 200 40 40

HSL 0, 0.67%, 0.47%

LAB 44.16, 60.88, 40.84

 

CMYK 0 / 78 / 80 / 22

HEX #C82C28

RGB 200 44 40

HSL 1.5, 0.67%, 0.47%

LAB 44.57, 59.74, 41.25

 

CMYK 0 / 57 / 80 / 22

HEX #C85728

RGB 200 87 40

HSL 17.63, 0.67%, 0.47%

LAB 50.98, 42.45, 47.54

 

CMYK 0 / 35 / 80 / 22

HEX #C88228

RGB 200 130 40

HSL 33.75, 0.67%, 0.47%

LAB 60.25, 19.86, 56.24

 

CMYK 0 / 14 / 80 / 22

HEX #C8AD28

RGB 200 173 40

HSL 49.88, 0.67%, 0.47%

LAB 71.09, -3.38, 66

 

CMYK 8 / 0 / 80 / 22

HEX #B8C828

RGB 184 200 40

HSL 66, 0.67%, 0.47%

LAB 77.07, -23.98, 70.76

 

CMYK 0 / 78 / 80 / 22

HEX #C82C28

RGB 200 44 40

HSL 1.5, 0.67%, 0.47%

LAB 44.57, 59.74, 41.25

 

CMYK 0 / 89 / 91 / 14

HEX #DC1914

RGB 220 25 20

HSL 1.5, 0.83%, 0.47%

LAB 46.92, 69.17, 54.33

 

CMYK 0 / 97 / 100 / 6

HEX #EF0701

RGB 239 7 1

HSL 1.51, 0.99%, 0.47%

LAB 50.1, 75.76, 63.79

 

CMYK 0 / 78 / 80 / 22

HEX #C82C28

RGB 200 44 40

HSL 1.5, 0.67%, 0.47%

LAB 44.57, 59.74, 41.25

 

CMYK 0 / 66 / 67 / 29

HEX #B53E3B

RGB 181 62 59

HSL 1.48, 0.51%, 0.47%

LAB 43.63, 47.94, 28.33

 

CMYK 0 / 50 / 52 / 37

HEX #A1504E

RGB 161 80 78

HSL 1.45, 0.35%, 0.47%

LAB 44.04, 33.27, 16.76

 

CMYK 0 / 30 / 31 / 44

HEX #8E6362

RGB 142 99 98

HSL 1.36, 0.18%, 0.47%

LAB 46.39, 17.27, 7.54

 

CMYK 0 / 5 / 5 / 52

HEX #7B7575

RGB 123 117 117

HSL 0, 0.03%, 0.47%

LAB 49.76, 2.3, 0.82

 

CMYK 0 / 80 / 39 / 22

HEX #C8287B

RGB 200 40 123

HSL 328.88, 0.67%, 0.47%

LAB 45.94, 66.3, -7.26

 

CMYK 0 / 80 / 60 / 22

HEX #C82850

RGB 200 40 80

HSL 345, 0.67%, 0.47%

LAB 44.77, 62.75, 17.67

 

CMYK 0 / 79 / 80 / 22

HEX #C82A28

RGB 200 42 40

HSL 0.75, 0.67%, 0.47%

LAB 44.36, 60.32, 41.04

 

CMYK 0 / 58 / 80 / 22

HEX #C85528

RGB 200 85 40

HSL 16.88, 0.67%, 0.47%

LAB 50.6, 43.41, 47.18

 

CMYK 0 / 36 / 80 / 22

HEX #C88028

RGB 200 128 40

HSL 33, 0.67%, 0.47%

LAB 59.77, 20.95, 55.8

 

CMYK 0 / 78 / 80 / 49

HEX #831D1A

RGB 131 29 26

HSL 1.71, 0.67%, 0.31%

LAB 28.85, 42.63, 28.68

 

CMYK 0 / 78 / 80 / 35

HEX #A62421

RGB 166 36 33

HSL 1.35, 0.67%, 0.39%

LAB 36.89, 51.69, 35.18

 

CMYK 0 / 78 / 80 / 22

HEX #C82C28

RGB 200 44 40

HSL 1.5, 0.67%, 0.47%

LAB 44.57, 59.74, 41.25

 

CMYK 0 / 69 / 71 / 15

HEX #D94440

RGB 217 68 64

HSL 1.57, 0.67%, 0.55%

LAB 50.99, 57.68, 35.75

 

CMYK 0 / 55 / 56 / 12

HEX #E06562

RGB 224 101 98

HSL 1.43, 0.67%, 0.63%

LAB 58.07, 47.77, 25.34

 

CMYK 0 / 78 / 80 / 21

HEX #C92C28

RGB 201 44 40

HSL 1.49, 0.67%, 0.47%

LAB 44.76, 60.03, 41.51

 

CMYK 18 / 0 / 80 / 22

HEX #A5C828

RGB 165 200 40

HSL 73.13, 0.67%, 0.47%

LAB 75.74, -31.81, 69.07

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 0 / 78 / 80 / 21

HEX #C92C28

RGB 201 44 40

HSL 1.49, 0.67%, 0.47%

LAB 44.76, 60.03, 41.51

 

CMYK 80 / 0 / 79 / 22

HEX #28C82A

RGB 40 200 42

HSL 120.75, 0.67%, 0.47%

LAB 70.82, -67.48, 62.16

 

CMYK 79 / 80 / 0 / 22

HEX #2A28C8

RGB 42 40 200

HSL 240.75, 0.67%, 0.47%

LAB 29.86, 54.12, -80.4

 

CMYK 0 / 78 / 80 / 21

HEX #C92C28

RGB 201 44 40

HSL 1.49, 0.67%, 0.47%

LAB 44.76, 60.03, 41.51

 

CMYK 18 / 0 / 80 / 22

HEX #A5C828

RGB 165 200 40

HSL 73.13, 0.67%, 0.47%

LAB 75.74, -31.81, 69.07

 

CMYK 80 / 1 / 0 / 22

HEX #28C5C8

RGB 40 197 200

HSL 181.13, 0.67%, 0.47%

LAB 72.6, -36.73, -12.66

 

CMYK 63 / 80 / 0 / 22

HEX #4A28C8

RGB 74 40 200

HSL 252.75, 0.67%, 0.47%

LAB 32.13, 56.65, -76.57

 

CMYK 0 / 78 / 80 / 21

HEX #C92C28

RGB 201 44 40

HSL 1.49, 0.67%, 0.47%

LAB 44.76, 60.03, 41.51

 

CMYK 42 / 0 / 80 / 22

HEX #75C828

RGB 117 200 40

HSL 91.13, 0.67%, 0.47%

LAB 73.05, -49.68, 65.63

 

CMYK 80 / 1 / 0 / 22

HEX #28C5C8

RGB 40 197 200

HSL 181.13, 0.67%, 0.47%

LAB 72.6, -36.73, -12.66

 

CMYK 39 / 80 / 0 / 22

HEX #7B28C8

RGB 123 40 200

HSL 271.13, 0.67%, 0.47%

LAB 37.66, 62.86, -67.28

 

Description

Color code: HEX #C92C28 | qconv.com Color code: HEX #C92C28 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 44 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 44 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 80 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 80% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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