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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92B9E it is the complementary color #36D461. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92B9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92B9E shade: #CE2B99, #DF3DAC, #F04FBF, #FF61D2 and #FF73E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92B9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92B9E shade: #C92B9E, #B8198B, #A70778, #960065 and #850052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92B9E shade: #CA2B9F, #CA2B74, #CA2B49 and #CA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92B9E shade: #CA2B9F, #CA2BCA, #9F2BCA, #752BCA and #4A2BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92B9E shade matches the following richer shades: #CA2B9F, #DE17A8 and #F203B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92B9E shade: #CA2B9F, #B63F96, #A2528D, #8F6684 and #7B7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92B9E shade: #A02BCA, #CA2BCA, #CA2BA0, #CA2B75 and #CA2B4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92B9E shade: #861C69, #A82484, #CA2B9F, #D846B0 and #DF68BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92B9E shade: #C92B9E, #CA752B and #2BCAB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92B9E shade: #C92B9E, #A0CA2B and #2BA0CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92B9E shade: #C92B9E, #CA752B, #2BCA55 and #2B80CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92B9E shade: #C92B9E, #CAA52B, #2BCA55 and #2B50CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 21 / 21

HEX #C92B9E

RGB 201 43 158

HSL 316.33, 0.65%, 0.48%

LAB 47.77, 69.76, -25.62

 

Complementary color

CMYK 75 / 0 / 54 / 17

HEX #36D461

RGB 54 212 97

HSL 136.33, 0.65%, 0.52%

LAB 75.29, -63.89, 45.08

 

CMYK 0 / 79 / 26 / 19

HEX #CE2B99

RGB 206 43 153

HSL 319.51, 0.65%, 0.49%

LAB 48.45, 70.29, -21.52

 

CMYK 0 / 73 / 23 / 13

HEX #DF3DAC

RGB 223 61 172

HSL 318.89, 0.72%, 0.56%

LAB 54.03, 71.41, -23.91

 

CMYK 0 / 67 / 20 / 6

HEX #F04FBF

RGB 240 79 191

HSL 318.26, 0.84%, 0.63%

LAB 59.78, 71.91, -25.81

 

CMYK 0 / 62 / 18 / 0

HEX #FF61D2

RGB 255 97 210

HSL 317.09, 1%, 0.69%

LAB 65.33, 71.46, -27.85

 

CMYK 0 / 55 / 10 / 0

HEX #FF73E5

RGB 255 115 229

HSL 311.14, 1%, 0.73%

LAB 68.88, 66.63, -32.95

 

CMYK 0 / 79 / 21 / 21

HEX #C92B9E

RGB 201 43 158

HSL 316.33, 0.65%, 0.48%

LAB 47.77, 69.76, -25.62

 

CMYK 0 / 86 / 24 / 28

HEX #B8198B

RGB 184 25 139

HSL 316.98, 0.76%, 0.41%

LAB 42.38, 67.74, -22.75

 

CMYK 0 / 96 / 28 / 35

HEX #A70778

RGB 167 7 120

HSL 317.63, 0.92%, 0.34%

LAB 37.34, 64.48, -19.05

 

CMYK 0 / 100 / 33 / 41

HEX #960065

RGB 150 0 101

HSL 319.6, 1%, 0.29%

LAB 32.75, 59.62, -14.32

 

CMYK 0 / 100 / 38 / 48

HEX #850052

RGB 133 0 82

HSL 323.01, 1%, 0.26%

LAB 28.37, 53.86, -8.89

 

CMYK 0 / 79 / 21 / 21

HEX #CA2B9F

RGB 202 43 159

HSL 316.23, 0.65%, 0.48%

LAB 47.99, 70.11, -25.86

 

CMYK 0 / 79 / 43 / 21

HEX #CA2B74

RGB 202 43 116

HSL 332.45, 0.65%, 0.48%

LAB 46.37, 65.32, -2.28

 

CMYK 0 / 79 / 64 / 21

HEX #CA2B49

RGB 202 43 73

HSL 348.68, 0.65%, 0.48%

LAB 45.31, 62.06, 22.79

 

CMYK 0 / 79 / 79 / 21

HEX #CA2B2B

RGB 202 43 43

HSL 0, 0.65%, 0.48%

LAB 44.88, 60.71, 40.05

 

CMYK 0 / 79 / 21 / 21

HEX #CA2B9F

RGB 202 43 159

HSL 316.23, 0.65%, 0.48%

LAB 47.99, 70.11, -25.86

 

CMYK 0 / 79 / 0 / 21

HEX #CA2BCA

RGB 202 43 202

HSL 300, 0.65%, 0.48%

LAB 50.15, 76.22, -47.66

 

CMYK 21 / 79 / 0 / 21

HEX #9F2BCA

RGB 159 43 202

HSL 283.77, 0.65%, 0.48%

LAB 43.31, 68.21, -59.03

 

CMYK 42 / 79 / 0 / 21

HEX #752BCA

RGB 117 43 202

HSL 267.92, 0.65%, 0.48%

LAB 37.43, 61.32, -68.84

 

CMYK 63 / 79 / 0 / 21

HEX #4A2BCA

RGB 74 43 202

HSL 251.7, 0.65%, 0.48%

LAB 32.81, 55.86, -76.62

 

CMYK 0 / 79 / 21 / 21

HEX #CA2B9F

RGB 202 43 159

HSL 316.23, 0.65%, 0.48%

LAB 47.99, 70.11, -25.86

 

CMYK 0 / 90 / 24 / 13

HEX #DE17A8

RGB 222 23 168

HSL 316.28, 0.81%, 0.48%

LAB 50.65, 79.42, -26.79

 

CMYK 0 / 99 / 27 / 5

HEX #F203B1

RGB 242 3 177

HSL 316.32, 0.98%, 0.48%

LAB 54.15, 86.13, -26.37

 

CMYK 0 / 79 / 21 / 21

HEX #CA2B9F

RGB 202 43 159

HSL 316.23, 0.65%, 0.48%

LAB 47.99, 70.11, -25.86

 

CMYK 0 / 65 / 18 / 29

HEX #B63F96

RGB 182 63 150

HSL 316.13, 0.49%, 0.48%

LAB 46.58, 57.2, -22.94

 

CMYK 0 / 49 / 13 / 36

HEX #A2528D

RGB 162 82 141

HSL 315.75, 0.33%, 0.48%

LAB 46.5, 40.95, -17.93

 

CMYK 0 / 29 / 8 / 44

HEX #8F6684

RGB 143 102 132

HSL 316.1, 0.17%, 0.48%

LAB 48.27, 21.57, -10.08

 

CMYK 0 / 1 / 0 / 52

HEX #7B7A7B

RGB 123 122 123

HSL 300, 0%, 0.48%

LAB 51.34, 0.58, -0.42

 

CMYK 21 / 79 / 0 / 21

HEX #A02BCA

RGB 160 43 202

HSL 284.15, 0.65%, 0.48%

LAB 43.46, 68.39, -58.78

 

CMYK 0 / 79 / 0 / 21

HEX #CA2BCA

RGB 202 43 202

HSL 300, 0.65%, 0.48%

LAB 50.15, 76.22, -47.66

 

CMYK 0 / 79 / 21 / 21

HEX #CA2BA0

RGB 202 43 160

HSL 315.85, 0.65%, 0.48%

LAB 48.04, 70.24, -26.39

 

CMYK 0 / 79 / 42 / 21

HEX #CA2B75

RGB 202 43 117

HSL 332.08, 0.65%, 0.48%

LAB 46.4, 65.41, -2.85

 

CMYK 0 / 79 / 63 / 21

HEX #CA2B4B

RGB 202 43 75

HSL 347.92, 0.65%, 0.48%

LAB 45.35, 62.17, 21.6

 

CMYK 0 / 79 / 22 / 47

HEX #861C69

RGB 134 28 105

HSL 316.42, 0.65%, 0.32%

LAB 31.62, 51, -18.9

 

CMYK 0 / 79 / 21 / 34

HEX #A82484

RGB 168 36 132

HSL 316.36, 0.65%, 0.4%

LAB 40, 60.61, -22.38

 

CMYK 0 / 79 / 21 / 21

HEX #CA2B9F

RGB 202 43 159

HSL 316.23, 0.65%, 0.48%

LAB 47.99, 70.11, -25.86

 

CMYK 0 / 68 / 19 / 15

HEX #D846B0

RGB 216 70 176

HSL 316.44, 0.65%, 0.56%

LAB 54.15, 67.1, -26.16

 

CMYK 0 / 53 / 14 / 13

HEX #DF68BF

RGB 223 104 191

HSL 316.13, 0.65%, 0.64%

LAB 61.09, 56.8, -24.01

 

CMYK 0 / 79 / 21 / 21

HEX #C92B9E

RGB 201 43 158

HSL 316.33, 0.65%, 0.48%

LAB 47.77, 69.76, -25.62

 

CMYK 0 / 42 / 79 / 21

HEX #CA752B

RGB 202 117 43

HSL 27.92, 0.65%, 0.48%

LAB 57.51, 27.87, 52.57

 

CMYK 79 / 0 / 10 / 21

HEX #2BCAB5

RGB 43 202 181

HSL 172.08, 0.65%, 0.48%

LAB 73.6, -44.07, -0.84

 

CMYK 0 / 79 / 21 / 21

HEX #C92B9E

RGB 201 43 158

HSL 316.33, 0.65%, 0.48%

LAB 47.77, 69.76, -25.62

 

CMYK 21 / 0 / 79 / 21

HEX #A0CA2B

RGB 160 202 43

HSL 75.85, 0.65%, 0.48%

LAB 76, -34.61, 68.34

 

CMYK 79 / 21 / 0 / 21

HEX #2BA0CA

RGB 43 160 202

HSL 195.85, 0.65%, 0.48%

LAB 61.58, -17.39, -30.54

 

CMYK 0 / 79 / 21 / 21

HEX #C92B9E

RGB 201 43 158

HSL 316.33, 0.65%, 0.48%

LAB 47.77, 69.76, -25.62

 

CMYK 0 / 42 / 79 / 21

HEX #CA752B

RGB 202 117 43

HSL 27.92, 0.65%, 0.48%

LAB 57.51, 27.87, 52.57

 

CMYK 79 / 0 / 58 / 21

HEX #2BCA55

RGB 43 202 85

HSL 135.85, 0.65%, 0.48%

LAB 71.83, -63.63, 46.51

 

CMYK 79 / 37 / 0 / 21

HEX #2B80CA

RGB 43 128 202

HSL 207.92, 0.65%, 0.48%

LAB 52.08, 0.82, -45.45

 

CMYK 0 / 79 / 21 / 21

HEX #C92B9E

RGB 201 43 158

HSL 316.33, 0.65%, 0.48%

LAB 47.77, 69.76, -25.62

 

CMYK 0 / 18 / 79 / 21

HEX #CAA52B

RGB 202 165 43

HSL 46.04, 0.65%, 0.48%

LAB 69.21, 1.84, 63.43

 

CMYK 79 / 0 / 58 / 21

HEX #2BCA55

RGB 43 202 85

HSL 135.85, 0.65%, 0.48%

LAB 71.83, -63.63, 46.51

 

CMYK 79 / 60 / 0 / 21

HEX #2B50CA

RGB 43 80 202

HSL 226.04, 0.65%, 0.48%

LAB 38.75, 31.32, -66.92

 

Description

Color code: HEX #C92B9E | qconv.com Color code: HEX #C92B9E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 43 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 43 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 21 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 21% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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