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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92B57 it is the complementary color #36D4A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92B57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92B57 shade: #CE2B52, #DF3D65, #F04F78, #FF618B and #FF739E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92B57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92B57 shade: #C92B57, #B81944, #A70731, #96001E and #85000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92B57 shade: #CA2B57, #CA2B2C and #CA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92B57 shade: #CA2B57, #CA2B82, #CA2BAD, #BC2BCA and #912BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92B57 shade matches the following richer shades: #CA2B57, #DE174E and #F20346

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92B57 shade: #CA2B57, #B63F60, #A25269, #8F6671 and #7B7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92B57 shade: #CA2BAD, #CA2B82, #CA2B58, #CA2B2D and #CA532B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92B57 shade: #861C3A, #A82448, #CA2B57, #D8466F and #DF6889

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92B57 shade: #C92B57, #CABD2B and #2B98CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92B57 shade: #C92B57, #58CA2B and #2B58CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92B57 shade: #C92B57, #CABD2B, #2BCA9D and #2B38CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92B57 shade: #C92B57, #A7CA2B, #2BCA9D and #4D2BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 57 / 21

HEX #C92B57

RGB 201 43 87

HSL 343.29, 0.65%, 0.48%

LAB 45.41, 62.67, 14.23

 

Complementary color

CMYK 75 / 0 / 21 / 17

HEX #36D4A8

RGB 54 212 168

HSL 163.29, 0.65%, 0.52%

LAB 76.5, -50.37, 10.35

 

CMYK 0 / 79 / 60 / 19

HEX #CE2B52

RGB 206 43 82

HSL 345.64, 0.65%, 0.49%

LAB 46.26, 63.71, 18.64

 

CMYK 0 / 73 / 55 / 13

HEX #DF3D65

RGB 223 61 101

HSL 345.19, 0.72%, 0.56%

LAB 51.8, 64.26, 15.11

 

CMYK 0 / 67 / 50 / 6

HEX #F04F78

RGB 240 79 120

HSL 344.72, 0.84%, 0.63%

LAB 57.53, 64.25, 12.22

 

CMYK 0 / 62 / 45 / 0

HEX #FF618B

RGB 255 97 139

HSL 344.05, 1%, 0.69%

LAB 63.07, 63.27, 9.31

 

CMYK 0 / 55 / 38 / 0

HEX #FF739E

RGB 255 115 158

HSL 341.57, 1%, 0.73%

LAB 66.51, 57.29, 3.36

 

CMYK 0 / 79 / 57 / 21

HEX #C92B57

RGB 201 43 87

HSL 343.29, 0.65%, 0.48%

LAB 45.41, 62.67, 14.23

 

CMYK 0 / 86 / 63 / 28

HEX #B81944

RGB 184 25 68

HSL 343.77, 0.76%, 0.41%

LAB 40.09, 61.28, 18.39

 

CMYK 0 / 96 / 71 / 35

HEX #A70731

RGB 167 7 49

HSL 344.25, 0.92%, 0.34%

LAB 35.18, 58.69, 23.52

 

CMYK 0 / 100 / 80 / 41

HEX #96001E

RGB 150 0 30

HSL 348, 1%, 0.29%

LAB 30.83, 54.53, 29.57

 

CMYK 0 / 100 / 92 / 48

HEX #85000B

RGB 133 0 11

HSL 355.04, 1%, 0.26%

LAB 26.77, 49.59, 35.12

 

CMYK 0 / 79 / 57 / 21

HEX #CA2B57

RGB 202 43 87

HSL 343.4, 0.65%, 0.48%

LAB 45.6, 62.94, 14.52

 

CMYK 0 / 79 / 78 / 21

HEX #CA2B2C

RGB 202 43 44

HSL 359.62, 0.65%, 0.48%

LAB 44.89, 60.74, 39.51

 

CMYK 0 / 79 / 79 / 21

HEX #CA2B2B

RGB 202 43 43

HSL 0, 0.65%, 0.48%

LAB 44.88, 60.71, 40.05

 

CMYK 0 / 79 / 57 / 21

HEX #CA2B57

RGB 202 43 87

HSL 343.4, 0.65%, 0.48%

LAB 45.6, 62.94, 14.52

 

CMYK 0 / 79 / 36 / 21

HEX #CA2B82

RGB 202 43 130

HSL 327.17, 0.65%, 0.48%

LAB 46.84, 66.72, -10.16

 

CMYK 0 / 79 / 14 / 21

HEX #CA2BAD

RGB 202 43 173

HSL 310.94, 0.65%, 0.48%

LAB 48.64, 71.97, -33.15

 

CMYK 7 / 79 / 0 / 21

HEX #BC2BCA

RGB 188 43 202

HSL 294.72, 0.65%, 0.48%

LAB 47.86, 73.54, -51.46

 

CMYK 28 / 79 / 0 / 21

HEX #912BCA

RGB 145 43 202

HSL 278.49, 0.65%, 0.48%

LAB 41.23, 65.78, -62.48

 

CMYK 0 / 79 / 57 / 21

HEX #CA2B57

RGB 202 43 87

HSL 343.4, 0.65%, 0.48%

LAB 45.6, 62.94, 14.52

 

CMYK 0 / 90 / 65 / 13

HEX #DE174E

RGB 222 23 78

HSL 343.42, 0.81%, 0.48%

LAB 47.87, 71.83, 23.8

 

CMYK 0 / 99 / 71 / 5

HEX #F20346

RGB 242 3 70

HSL 343.18, 0.98%, 0.48%

LAB 51.13, 78.18, 33.6

 

CMYK 0 / 79 / 57 / 21

HEX #CA2B57

RGB 202 43 87

HSL 343.4, 0.65%, 0.48%

LAB 45.6, 62.94, 14.52

 

CMYK 0 / 65 / 47 / 29

HEX #B63F60

RGB 182 63 96

HSL 343.36, 0.49%, 0.48%

LAB 44.72, 50.65, 7.2

 

CMYK 0 / 49 / 35 / 36

HEX #A25269

RGB 162 82 105

HSL 342.75, 0.33%, 0.48%

LAB 45.27, 35.6, 2.05

 

CMYK 0 / 29 / 21 / 44

HEX #8F6671

RGB 143 102 113

HSL 343.9, 0.17%, 0.48%

LAB 47.67, 18.23, 0.4

 

CMYK 0 / 1 / 1 / 52

HEX #7B7A7A

RGB 123 122 122

HSL 0, 0%, 0.48%

LAB 51.31, 0.38, 0.13

 

CMYK 0 / 79 / 14 / 21

HEX #CA2BAD

RGB 202 43 173

HSL 310.94, 0.65%, 0.48%

LAB 48.64, 71.97, -33.15

 

CMYK 0 / 79 / 36 / 21

HEX #CA2B82

RGB 202 43 130

HSL 327.17, 0.65%, 0.48%

LAB 46.84, 66.72, -10.16

 

CMYK 0 / 79 / 56 / 21

HEX #CA2B58

RGB 202 43 88

HSL 343.02, 0.65%, 0.48%

LAB 45.62, 63.01, 13.94

 

CMYK 0 / 79 / 78 / 21

HEX #CA2B2D

RGB 202 43 45

HSL 359.25, 0.65%, 0.48%

LAB 44.9, 60.78, 38.96

 

CMYK 0 / 59 / 79 / 21

HEX #CA532B

RGB 202 83 43

HSL 15.09, 0.65%, 0.48%

LAB 50.59, 45.21, 45.83

 

CMYK 0 / 79 / 57 / 47

HEX #861C3A

RGB 134 28 58

HSL 343.02, 0.65%, 0.32%

LAB 29.92, 45.8, 9.42

 

CMYK 0 / 79 / 57 / 34

HEX #A82448

RGB 168 36 72

HSL 343.64, 0.65%, 0.4%

LAB 37.94, 54.36, 12.4

 

CMYK 0 / 79 / 57 / 21

HEX #CA2B57

RGB 202 43 87

HSL 343.4, 0.65%, 0.48%

LAB 45.6, 62.94, 14.52

 

CMYK 0 / 68 / 49 / 15

HEX #D8466F

RGB 216 70 111

HSL 343.15, 0.65%, 0.56%

LAB 51.98, 59.74, 9.17

 

CMYK 0 / 53 / 39 / 13

HEX #DF6889

RGB 223 104 137

HSL 343.36, 0.65%, 0.64%

LAB 59.34, 49.64, 4.47

 

CMYK 0 / 79 / 57 / 21

HEX #C92B57

RGB 201 43 87

HSL 343.29, 0.65%, 0.48%

LAB 45.41, 62.67, 14.23

 

CMYK 0 / 6 / 79 / 21

HEX #CABD2B

RGB 202 189 43

HSL 55.09, 0.65%, 0.48%

LAB 75.53, -10.72, 69.1

 

CMYK 79 / 25 / 0 / 21

HEX #2B98CA

RGB 43 152 202

HSL 198.87, 0.65%, 0.48%

LAB 59.19, -13.04, -34.26

 

CMYK 0 / 79 / 57 / 21

HEX #C92B57

RGB 201 43 87

HSL 343.29, 0.65%, 0.48%

LAB 45.41, 62.67, 14.23

 

CMYK 56 / 0 / 79 / 21

HEX #58CA2B

RGB 88 202 43

HSL 103.02, 0.65%, 0.48%

LAB 72.55, -58.88, 63.9

 

CMYK 79 / 56 / 0 / 21

HEX #2B58CA

RGB 43 88 202

HSL 223.02, 0.65%, 0.48%

LAB 40.83, 26.13, -63.54

 

CMYK 0 / 79 / 57 / 21

HEX #C92B57

RGB 201 43 87

HSL 343.29, 0.65%, 0.48%

LAB 45.41, 62.67, 14.23

 

CMYK 0 / 6 / 79 / 21

HEX #CABD2B

RGB 202 189 43

HSL 55.09, 0.65%, 0.48%

LAB 75.53, -10.72, 69.1

 

CMYK 79 / 0 / 22 / 21

HEX #2BCA9D

RGB 43 202 157

HSL 163.02, 0.65%, 0.48%

LAB 73.02, -50.2, 11.28

 

CMYK 79 / 72 / 0 / 21

HEX #2B38CA

RGB 43 56 202

HSL 235.09, 0.65%, 0.48%

LAB 33.15, 46.24, -76.12

 

CMYK 0 / 79 / 57 / 21

HEX #C92B57

RGB 201 43 87

HSL 343.29, 0.65%, 0.48%

LAB 45.41, 62.67, 14.23

 

CMYK 17 / 0 / 79 / 21

HEX #A7CA2B

RGB 167 202 43

HSL 73.21, 0.65%, 0.48%

LAB 76.45, -31.82, 68.92

 

CMYK 79 / 0 / 22 / 21

HEX #2BCA9D

RGB 43 202 157

HSL 163.02, 0.65%, 0.48%

LAB 73.02, -50.2, 11.28

 

CMYK 62 / 79 / 0 / 21

HEX #4D2BCA

RGB 77 43 202

HSL 252.83, 0.65%, 0.48%

LAB 33.07, 56.18, -76.18

 

Description

Color code: HEX #C92B57 | qconv.com Color code: HEX #C92B57 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 43 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 43 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 57 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 57% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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