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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92B27 it is the complementary color #36D4D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92B27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92B27 shade: #CE2B22, #DF3D35, #F04F48, #FF615B and #FF736E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92B27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92B27 shade: #C92B27, #B81914, #A70701, #960000 and #850000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92B27 shade: #C92A26 and #C92626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92B27 shade: #C92A26, #C95626, #C98226, #C9AE26 and #B9C926

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92B27 shade matches the following richer shades: #C92A26 and #DD1813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92B27 shade: #C92A26, #B63D3A, #A34F4D, #8F6261 and #7C7474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92B27 shade: #C9267B, #C9264F, #C92926, #C95526 and #C98026

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92B27 shade: #841C19, #A72320, #C92A26, #DA423F and #E16461

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92B27 shade: #C92B27, #A6C926 and #2665C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92B27 shade: #C92B27, #26C929 and #2926C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92B27 shade: #C92B27, #A6C926, #26C7C9 and #4A26C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92B27 shade: #C92B27, #75C926, #26C7C9 and #7B26C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 81 / 21

HEX #C92B27

RGB 201 43 39

HSL 1.48, 0.68%, 0.47%

LAB 44.65, 60.29, 41.94

 

Complementary color

CMYK 75 / 2 / 0 / 15

HEX #36D4D8

RGB 54 212 216

HSL 181.48, 0.68%, 0.53%

LAB 77.77, -37.61, -13.52

 

CMYK 0 / 79 / 83 / 19

HEX #CE2B22

RGB 206 43 34

HSL 3.14, 0.72%, 0.47%

LAB 45.59, 61.62, 45.78

 

CMYK 0 / 73 / 76 / 13

HEX #DF3D35

RGB 223 61 53

HSL 2.82, 0.73%, 0.54%

LAB 51.02, 61.64, 42.23

 

CMYK 0 / 67 / 70 / 6

HEX #F04F48

RGB 240 79 72

HSL 2.5, 0.85%, 0.61%

LAB 56.67, 61.16, 38.91

 

CMYK 0 / 62 / 64 / 0

HEX #FF615B

RGB 255 97 91

HSL 2.2, 1%, 0.68%

LAB 62.14, 59.71, 35.49

 

CMYK 0 / 55 / 57 / 0

HEX #FF736E

RGB 255 115 110

HSL 2.07, 1%, 0.72%

LAB 65.47, 52.95, 29.11

 

CMYK 0 / 79 / 81 / 21

HEX #C92B27

RGB 201 43 39

HSL 1.48, 0.68%, 0.47%

LAB 44.65, 60.29, 41.94

 

CMYK 0 / 86 / 89 / 28

HEX #B81914

RGB 184 25 20

HSL 1.83, 0.8%, 0.4%

LAB 39.47, 59.48, 45.6

 

CMYK 0 / 96 / 99 / 35

HEX #A70701

RGB 167 7 1

HSL 2.17, 0.99%, 0.33%

LAB 34.74, 57.47, 48.46

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 79 / 81 / 21

HEX #C92A26

RGB 201 42 38

HSL 1.47, 0.68%, 0.47%

LAB 44.54, 60.55, 42.36

 

CMYK 0 / 81 / 81 / 21

HEX #C92626

RGB 201 38 38

HSL 0, 0.68%, 0.47%

LAB 44.15, 61.64, 41.99

 

CMYK 0 / 79 / 81 / 21

HEX #C92A26

RGB 201 42 38

HSL 1.47, 0.68%, 0.47%

LAB 44.54, 60.55, 42.36

 

CMYK 0 / 57 / 81 / 21

HEX #C95626

RGB 201 86 38

HSL 17.67, 0.68%, 0.47%

LAB 50.94, 43.24, 48.49

 

CMYK 0 / 35 / 81 / 21

HEX #C98226

RGB 201 130 38

HSL 33.87, 0.68%, 0.47%

LAB 60.36, 20.22, 57.14

 

CMYK 0 / 13 / 81 / 21

HEX #C9AE26

RGB 201 174 38

HSL 50.06, 0.68%, 0.47%

LAB 71.44, -3.54, 66.94

 

CMYK 8 / 0 / 81 / 21

HEX #B9C926

RGB 185 201 38

HSL 65.89, 0.68%, 0.47%

LAB 77.42, -24.12, 71.61

 

CMYK 0 / 79 / 81 / 21

HEX #C92A26

RGB 201 42 38

HSL 1.47, 0.68%, 0.47%

LAB 44.54, 60.55, 42.36

 

CMYK 0 / 89 / 91 / 13

HEX #DD1813

RGB 221 24 19

HSL 1.49, 0.84%, 0.47%

LAB 47.07, 69.57, 54.91

 

CMYK 0 / 79 / 81 / 21

HEX #C92A26

RGB 201 42 38

HSL 1.47, 0.68%, 0.47%

LAB 44.54, 60.55, 42.36

 

CMYK 0 / 66 / 68 / 29

HEX #B63D3A

RGB 182 61 58

HSL 1.45, 0.52%, 0.47%

LAB 43.64, 48.65, 28.98

 

CMYK 0 / 52 / 53 / 36

HEX #A34F4D

RGB 163 79 77

HSL 1.4, 0.36%, 0.47%

LAB 44.11, 34.48, 17.52

 

CMYK 0 / 31 / 32 / 44

HEX #8F6261

RGB 143 98 97

HSL 1.3, 0.19%, 0.47%

LAB 46.23, 18.12, 7.94

 

CMYK 0 / 6 / 6 / 51

HEX #7C7474

RGB 124 116 116

HSL 0, 0.03%, 0.47%

LAB 49.54, 3.08, 1.1

 

CMYK 0 / 81 / 39 / 21

HEX #C9267B

RGB 201 38 123

HSL 328.71, 0.68%, 0.47%

LAB 45.95, 67.06, -7.22

 

CMYK 0 / 81 / 61 / 21

HEX #C9264F

RGB 201 38 79

HSL 344.91, 0.68%, 0.47%

LAB 44.76, 63.49, 18.31

 

CMYK 0 / 80 / 81 / 21

HEX #C92926

RGB 201 41 38

HSL 1.1, 0.68%, 0.47%

LAB 44.44, 60.83, 42.27

 

CMYK 0 / 58 / 81 / 21

HEX #C95526

RGB 201 85 38

HSL 17.3, 0.68%, 0.47%

LAB 50.75, 43.72, 48.31

 

CMYK 0 / 36 / 81 / 21

HEX #C98026

RGB 201 128 38

HSL 33.13, 0.68%, 0.47%

LAB 59.88, 21.31, 56.71

 

CMYK 0 / 79 / 81 / 48

HEX #841C19

RGB 132 28 25

HSL 1.68, 0.68%, 0.31%

LAB 28.92, 43.26, 29.42

 

CMYK 0 / 79 / 81 / 35

HEX #A72320

RGB 167 35 32

HSL 1.33, 0.68%, 0.39%

LAB 36.97, 52.27, 35.89

 

CMYK 0 / 79 / 81 / 21

HEX #C92A26

RGB 201 42 38

HSL 1.47, 0.68%, 0.47%

LAB 44.54, 60.55, 42.36

 

CMYK 0 / 70 / 71 / 15

HEX #DA423F

RGB 218 66 63

HSL 1.16, 0.68%, 0.55%

LAB 50.87, 58.71, 36.24

 

CMYK 0 / 56 / 57 / 12

HEX #E16461

RGB 225 100 97

HSL 1.41, 0.68%, 0.63%

LAB 58.02, 48.52, 25.88

 

CMYK 0 / 79 / 81 / 21

HEX #C92B27

RGB 201 43 39

HSL 1.48, 0.68%, 0.47%

LAB 44.65, 60.29, 41.94

 

CMYK 17 / 0 / 81 / 21

HEX #A6C926

RGB 166 201 38

HSL 72.88, 0.68%, 0.47%

LAB 76.08, -31.94, 69.93

 

CMYK 81 / 50 / 0 / 21

HEX #2665C9

RGB 38 101 201

HSL 216.81, 0.68%, 0.47%

LAB 44.14, 16.82, -57.6

 

CMYK 0 / 79 / 81 / 21

HEX #C92B27

RGB 201 43 39

HSL 1.48, 0.68%, 0.47%

LAB 44.65, 60.29, 41.94

 

CMYK 81 / 0 / 80 / 21

HEX #26C929

RGB 38 201 41

HSL 121.1, 0.68%, 0.47%

LAB 71.11, -68.07, 62.72

 

CMYK 80 / 81 / 0 / 21

HEX #2926C9

RGB 41 38 201

HSL 241.1, 0.68%, 0.47%

LAB 29.6, 55.32, -81.42

 

CMYK 0 / 79 / 81 / 21

HEX #C92B27

RGB 201 43 39

HSL 1.48, 0.68%, 0.47%

LAB 44.65, 60.29, 41.94

 

CMYK 17 / 0 / 81 / 21

HEX #A6C926

RGB 166 201 38

HSL 72.88, 0.68%, 0.47%

LAB 76.08, -31.94, 69.93

 

CMYK 81 / 1 / 0 / 21

HEX #26C7C9

RGB 38 199 201

HSL 180.74, 0.68%, 0.47%

LAB 73.2, -37.52, -12.29

 

CMYK 63 / 81 / 0 / 21

HEX #4A26C9

RGB 74 38 201

HSL 253.25, 0.68%, 0.47%

LAB 31.94, 57.79, -77.47

 

CMYK 0 / 79 / 81 / 21

HEX #C92B27

RGB 201 43 39

HSL 1.48, 0.68%, 0.47%

LAB 44.65, 60.29, 41.94

 

CMYK 42 / 0 / 81 / 21

HEX #75C926

RGB 117 201 38

HSL 90.92, 0.68%, 0.47%

LAB 73.35, -50.17, 66.45

 

CMYK 81 / 1 / 0 / 21

HEX #26C7C9

RGB 38 199 201

HSL 180.74, 0.68%, 0.47%

LAB 73.2, -37.52, -12.29

 

CMYK 39 / 81 / 0 / 21

HEX #7B26C9

RGB 123 38 201

HSL 271.29, 0.68%, 0.47%

LAB 37.51, 63.78, -68.11

 

Description

Color code: HEX #C92B27 | qconv.com Color code: HEX #C92B27 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 43 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 43 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 81 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 81% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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