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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92ADB it is the complementary color #36D524. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92ADB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92ADB shade: #CE2AD6, #DF3CE9, #F04EFC, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92ADB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92ADB shade: #C92ADB, #B818C8, #A706B5, #9600A2 and #85008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92ADB shade: #C929DB, #DB29BD, #DB298D, #DB295D and #DB292D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92ADB shade: #C929DB, #9929DB, #6929DB, #3929DB and #2929DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92ADB shade matches the following richer shades: #C929DB and #D915EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92ADB shade: #C929DB, #B93EC7, #A952B2, #98669E and #887A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92ADB shade: #6729DB, #9729DB, #C629DB, #DB29C0 and #DB2991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92ADB shade: #8B1A98, #AB20BB, #C929DB, #D24DE1 and #DB70E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92ADB shade: #C92ADB, #DB3829 and #29DB7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92ADB shade: #C92ADB, #DBC629 and #29DBC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92ADB shade: #C92ADB, #DB3829, #3EDB29 and #29CCDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92ADB shade: #C92ADB, #DB6D29, #3EDB29 and #2997DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 81 / 0 / 14

HEX #C92ADB

RGB 201 42 219

HSL 293.9, 0.71%, 0.51%

LAB 50.91, 78.99, -56.21

 

Complementary color

CMYK 75 / 0 / 83 / 16

HEX #36D524

RGB 54 213 36

HSL 113.9, 0.71%, 0.49%

LAB 75.14, -69.8, 67.88

 

CMYK 4 / 80 / 0 / 16

HEX #CE2AD6

RGB 206 42 214

HSL 297.21, 0.68%, 0.5%

LAB 51.42, 79.09, -52.49

 

CMYK 4 / 74 / 0 / 9

HEX #DF3CE9

RGB 223 60 233

HSL 296.53, 0.8%, 0.57%

LAB 56.88, 80.55, -54.37

 

CMYK 5 / 69 / 0 / 1

HEX #F04EFC

RGB 240 78 252

HSL 295.86, 0.97%, 0.65%

LAB 62.51, 81.34, -55.83

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 8 / 81 / 0 / 14

HEX #C92ADB

RGB 201 42 219

HSL 293.9, 0.71%, 0.51%

LAB 50.91, 78.99, -56.21

 

CMYK 8 / 88 / 0 / 22

HEX #B818C8

RGB 184 24 200

HSL 294.55, 0.79%, 0.44%

LAB 45.65, 76.64, -53.88

 

CMYK 8 / 97 / 0 / 29

HEX #A706B5

RGB 167 6 181

HSL 295.2, 0.94%, 0.37%

LAB 40.71, 73.1, -50.86

 

CMYK 7 / 100 / 0 / 36

HEX #9600A2

RGB 150 0 162

HSL 295.56, 1%, 0.32%

LAB 36.16, 68.03, -46.98

 

CMYK 7 / 100 / 0 / 44

HEX #85008F

RGB 133 0 143

HSL 295.8, 1%, 0.28%

LAB 31.74, 62.2, -42.66

 

CMYK 8 / 81 / 0 / 14

HEX #C929DB

RGB 201 41 219

HSL 293.93, 0.71%, 0.51%

LAB 50.82, 79.22, -56.34

 

CMYK 0 / 81 / 14 / 14

HEX #DB29BD

RGB 219 41 189

HSL 310.11, 0.71%, 0.51%

LAB 52.2, 78.2, -36.72

 

CMYK 0 / 81 / 36 / 14

HEX #DB298D

RGB 219 41 141

HSL 326.29, 0.71%, 0.51%

LAB 50.18, 72.49, -11.47

 

CMYK 0 / 81 / 58 / 14

HEX #DB295D

RGB 219 41 93

HSL 342.47, 0.71%, 0.51%

LAB 48.81, 68.44, 15.75

 

CMYK 0 / 81 / 79 / 14

HEX #DB292D

RGB 219 41 45

HSL 358.65, 0.71%, 0.51%

LAB 48.05, 66.15, 43.26

 

CMYK 8 / 81 / 0 / 14

HEX #C929DB

RGB 201 41 219

HSL 293.93, 0.71%, 0.51%

LAB 50.82, 79.22, -56.34

 

CMYK 30 / 81 / 0 / 14

HEX #9929DB

RGB 153 41 219

HSL 277.75, 0.71%, 0.51%

LAB 43.47, 71.2, -68.6

 

CMYK 52 / 81 / 0 / 14

HEX #6929DB

RGB 105 41 219

HSL 261.57, 0.71%, 0.51%

LAB 37.31, 64.65, -78.94

 

CMYK 74 / 81 / 0 / 14

HEX #3929DB

RGB 57 41 219

HSL 245.39, 0.71%, 0.51%

LAB 33.07, 60.28, -86.08

 

CMYK 81 / 81 / 0 / 14

HEX #2929DB

RGB 41 41 219

HSL 240, 0.71%, 0.51%

LAB 32.19, 59.39, -87.56

 

CMYK 8 / 81 / 0 / 14

HEX #C929DB

RGB 201 41 219

HSL 293.93, 0.71%, 0.51%

LAB 50.82, 79.22, -56.34

 

CMYK 9 / 91 / 0 / 6

HEX #D915EF

RGB 217 21 239

HSL 293.94, 0.87%, 0.51%

LAB 53.51, 88.51, -63.19

 

CMYK 8 / 81 / 0 / 14

HEX #C929DB

RGB 201 41 219

HSL 293.93, 0.71%, 0.51%

LAB 50.82, 79.22, -56.34

 

CMYK 7 / 69 / 0 / 22

HEX #B93EC7

RGB 185 62 199

HSL 293.87, 0.55%, 0.51%

LAB 49.35, 66.28, -47.37

 

CMYK 5 / 54 / 0 / 30

HEX #A952B2

RGB 169 82 178

HSL 294.38, 0.38%, 0.51%

LAB 49.11, 49.71, -35.7

 

CMYK 4 / 35 / 0 / 38

HEX #98669E

RGB 152 102 158

HSL 293.57, 0.22%, 0.51%

LAB 50.27, 29.81, -22.34

 

CMYK 1 / 12 / 0 / 46

HEX #887A8A

RGB 136 122 138

HSL 292.5, 0.06%, 0.51%

LAB 52.94, 8.45, -6.72

 

CMYK 53 / 81 / 0 / 14

HEX #6729DB

RGB 103 41 219

HSL 260.9, 0.71%, 0.51%

LAB 37.09, 64.42, -79.31

 

CMYK 31 / 81 / 0 / 14

HEX #9729DB

RGB 151 41 219

HSL 277.08, 0.71%, 0.51%

LAB 43.18, 70.9, -69.08

 

CMYK 10 / 81 / 0 / 14

HEX #C629DB

RGB 198 41 219

HSL 292.92, 0.71%, 0.51%

LAB 50.34, 78.69, -57.14

 

CMYK 0 / 81 / 12 / 14

HEX #DB29C0

RGB 219 41 192

HSL 309.1, 0.71%, 0.51%

LAB 52.34, 78.61, -38.23

 

CMYK 0 / 81 / 34 / 14

HEX #DB2991

RGB 219 41 145

HSL 324.94, 0.71%, 0.51%

LAB 50.32, 72.91, -13.65

 

CMYK 9 / 83 / 0 / 40

HEX #8B1A98

RGB 139 26 152

HSL 293.81, 0.71%, 0.35%

LAB 34.99, 60.16, -42.89

 

CMYK 9 / 83 / 0 / 27

HEX #AB20BB

RGB 171 32 187

HSL 293.81, 0.71%, 0.43%

LAB 43.18, 70.65, -50.38

 

CMYK 8 / 81 / 0 / 14

HEX #C929DB

RGB 201 41 219

HSL 293.93, 0.71%, 0.51%

LAB 50.82, 79.22, -56.34

 

CMYK 7 / 66 / 0 / 12

HEX #D24DE1

RGB 210 77 225

HSL 293.92, 0.71%, 0.59%

LAB 56.53, 70.67, -50.55

 

CMYK 5 / 52 / 0 / 9

HEX #DB70E7

RGB 219 112 231

HSL 293.95, 0.71%, 0.67%

LAB 63.69, 58.61, -42.52

 

CMYK 8 / 81 / 0 / 14

HEX #C92ADB

RGB 201 42 219

HSL 293.9, 0.71%, 0.51%

LAB 50.91, 78.99, -56.21

 

CMYK 0 / 74 / 81 / 14

HEX #DB3829

RGB 219 56 41

HSL 5.06, 0.71%, 0.51%

LAB 49.55, 61.71, 46.84

 

CMYK 81 / 0 / 42 / 14

HEX #29DB7F

RGB 41 219 127

HSL 148.99, 0.71%, 0.51%

LAB 77.68, -63.06, 33.34

 

CMYK 8 / 81 / 0 / 14

HEX #C92ADB

RGB 201 42 219

HSL 293.9, 0.71%, 0.51%

LAB 50.91, 78.99, -56.21

 

CMYK 0 / 10 / 81 / 14

HEX #DBC629

RGB 219 198 41

HSL 52.92, 0.71%, 0.51%

LAB 79.39, -8.06, 73.61

 

CMYK 81 / 0 / 10 / 14

HEX #29DBC6

RGB 41 219 198

HSL 172.92, 0.71%, 0.51%

LAB 79.16, -46.96, -1.84

 

CMYK 8 / 81 / 0 / 14

HEX #C92ADB

RGB 201 42 219

HSL 293.9, 0.71%, 0.51%

LAB 50.91, 78.99, -56.21

 

CMYK 0 / 74 / 81 / 14

HEX #DB3829

RGB 219 56 41

HSL 5.06, 0.71%, 0.51%

LAB 49.55, 61.71, 46.84

 

CMYK 72 / 0 / 81 / 14

HEX #3EDB29

RGB 62 219 41

HSL 112.92, 0.71%, 0.51%

LAB 77.19, -70.11, 68.54

 

CMYK 81 / 7 / 0 / 14

HEX #29CCDB

RGB 41 204 219

HSL 185.06, 0.71%, 0.51%

LAB 75.31, -34.19, -18.86

 

CMYK 8 / 81 / 0 / 14

HEX #C92ADB

RGB 201 42 219

HSL 293.9, 0.71%, 0.51%

LAB 50.91, 78.99, -56.21

 

CMYK 0 / 50 / 81 / 14

HEX #DB6D29

RGB 219 109 41

HSL 22.92, 0.71%, 0.51%

LAB 58.19, 38.89, 54.89

 

CMYK 72 / 0 / 81 / 14

HEX #3EDB29

RGB 62 219 41

HSL 112.92, 0.71%, 0.51%

LAB 77.19, -70.11, 68.54

 

CMYK 81 / 31 / 0 / 14

HEX #2997DB

RGB 41 151 219

HSL 202.92, 0.71%, 0.51%

LAB 59.63, -6.65, -43.08

 

Description

Color code: HEX #C92ADB | qconv.com Color code: HEX #C92ADB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 42 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 42 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 81 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 81% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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