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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C920D4 it is the complementary color #36DF2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C920D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C920D4 shade: #CE20CF, #DF32E2, #F044F5, #FF56FF and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C920D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C920D4 shade: #C920D4, #B80EC1, #A700AE, #96009B and #850088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C920D4 shade: #CA20D5, #D520AF, #D5207E, #D5204E and #D52020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C920D4 shade: #CA20D5, #9920D5, #6820D5, #3720D5 and #2020D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C920D4 shade matches the following richer shades: #CA20D5 and #DB0CE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C920D4 shade: #CA20D5, #B934C1, #A747AD, #965B9A and #846F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C920D4 shade: #6820D5, #9920D5, #C920D5, #D520B1 and #D52080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C920D4 shade: #86158D, #A81AB1, #CA20D5, #D83CE2 and #DF60E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C920D4 shade: #C920D4, #D53820 and #20D580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C920D4 shade: #C920D4, #D5C920 and #20D5C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C920D4 shade: #C920D4, #D53820, #2CD520 and #20BDD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C920D4 shade: #C920D4, #D56E20, #2CD520 and #2086D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 85 / 0 / 17

HEX #C920D4

RGB 201 32 212

HSL 296.33, 0.74%, 0.48%

LAB 49.74, 80.02, -54.08

 

Complementary color

CMYK 76 / 0 / 81 / 13

HEX #36DF2B

RGB 54 223 43

HSL 116.33, 0.74%, 0.52%

LAB 78.31, -72.44, 68.99

 

CMYK 0 / 85 / 0 / 19

HEX #CE20CF

RGB 206 32 207

HSL 299.66, 0.73%, 0.47%

LAB 50.29, 80.13, -50.29

 

CMYK 1 / 78 / 0 / 11

HEX #DF32E2

RGB 223 50 226

HSL 298.98, 0.75%, 0.54%

LAB 55.54, 82.18, -52.56

 

CMYK 2 / 72 / 0 / 4

HEX #F044F5

RGB 240 68 245

HSL 298.31, 0.9%, 0.61%

LAB 61, 83.44, -54.35

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 5 / 85 / 0 / 17

HEX #C920D4

RGB 201 32 212

HSL 296.33, 0.74%, 0.48%

LAB 49.74, 80.02, -54.08

 

CMYK 5 / 93 / 0 / 24

HEX #B80EC1

RGB 184 14 193

HSL 296.98, 0.86%, 0.41%

LAB 44.74, 76.92, -51.28

 

CMYK 4 / 100 / 0 / 32

HEX #A700AE

RGB 167 0 174

HSL 297.59, 1%, 0.34%

LAB 40.03, 72.63, -47.79

 

CMYK 3 / 100 / 0 / 39

HEX #96009B

RGB 150 0 155

HSL 298.06, 1%, 0.3%

LAB 35.7, 66.91, -43.49

 

CMYK 2 / 100 / 0 / 47

HEX #850088

RGB 133 0 136

HSL 298.68, 1%, 0.27%

LAB 31.26, 61.07, -39.08

 

CMYK 5 / 85 / 0 / 16

HEX #CA20D5

RGB 202 32 213

HSL 296.35, 0.74%, 0.48%

LAB 49.97, 80.35, -54.28

 

CMYK 0 / 85 / 18 / 16

HEX #D520AF

RGB 213 32 175

HSL 312.6, 0.74%, 0.48%

LAB 49.83, 77, -32.33

 

CMYK 0 / 85 / 41 / 16

HEX #D5207E

RGB 213 32 126

HSL 328.84, 0.74%, 0.48%

LAB 47.86, 71.56, -5.97

 

CMYK 0 / 85 / 63 / 16

HEX #D5204E

RGB 213 32 78

HSL 344.75, 0.74%, 0.48%

LAB 46.62, 67.99, 21.83

 

CMYK 0 / 85 / 85 / 16

HEX #D52020

RGB 213 32 32

HSL 0, 0.74%, 0.48%

LAB 46.02, 66.23, 47.69

 

CMYK 5 / 85 / 0 / 16

HEX #CA20D5

RGB 202 32 213

HSL 296.35, 0.74%, 0.48%

LAB 49.97, 80.35, -54.28

 

CMYK 28 / 85 / 0 / 16

HEX #9920D5

RGB 153 32 213

HSL 280.11, 0.74%, 0.48%

LAB 42.17, 72.44, -67.27

 

CMYK 51 / 85 / 0 / 16

HEX #6820D5

RGB 104 32 213

HSL 263.87, 0.74%, 0.48%

LAB 35.56, 66.15, -78.37

 

CMYK 74 / 85 / 0 / 16

HEX #3720D5

RGB 55 32 213

HSL 247.62, 0.74%, 0.48%

LAB 30.99, 62.14, -86.06

 

CMYK 85 / 85 / 0 / 16

HEX #2020D5

RGB 32 32 213

HSL 240, 0.74%, 0.48%

LAB 29.77, 61.12, -88.13

 

CMYK 5 / 85 / 0 / 16

HEX #CA20D5

RGB 202 32 213

HSL 296.35, 0.74%, 0.48%

LAB 49.97, 80.35, -54.28

 

CMYK 6 / 95 / 0 / 9

HEX #DB0CE9

RGB 219 12 233

HSL 296.2, 0.9%, 0.48%

LAB 53.17, 88.78, -60.34

 

CMYK 5 / 85 / 0 / 16

HEX #CA20D5

RGB 202 32 213

HSL 296.35, 0.74%, 0.48%

LAB 49.97, 80.35, -54.28

 

CMYK 4 / 73 / 0 / 24

HEX #B934C1

RGB 185 52 193

HSL 296.6, 0.58%, 0.48%

LAB 47.78, 68.75, -46.4

 

CMYK 3 / 59 / 0 / 32

HEX #A747AD

RGB 167 71 173

HSL 296.47, 0.42%, 0.48%

LAB 46.63, 53.5, -36.69

 

CMYK 3 / 41 / 0 / 40

HEX #965B9A

RGB 150 91 154

HSL 296.19, 0.26%, 0.48%

LAB 47.36, 34.57, -24.48

 

CMYK 1 / 17 / 0 / 47

HEX #846F86

RGB 132 111 134

HSL 294.78, 0.09%, 0.48%

LAB 49.49, 12.62, -9.55

 

CMYK 51 / 85 / 0 / 16

HEX #6820D5

RGB 104 32 213

HSL 263.87, 0.74%, 0.48%

LAB 35.56, 66.15, -78.37

 

CMYK 28 / 85 / 0 / 16

HEX #9920D5

RGB 153 32 213

HSL 280.11, 0.74%, 0.48%

LAB 42.17, 72.44, -67.27

 

CMYK 6 / 85 / 0 / 16

HEX #C920D5

RGB 201 32 213

HSL 296.02, 0.74%, 0.48%

LAB 49.8, 80.17, -54.55

 

CMYK 0 / 85 / 17 / 16

HEX #D520B1

RGB 213 32 177

HSL 311.93, 0.74%, 0.48%

LAB 49.92, 77.26, -33.35

 

CMYK 0 / 85 / 40 / 16

HEX #D52080

RGB 213 32 128

HSL 328.18, 0.74%, 0.48%

LAB 47.93, 71.75, -7.09

 

CMYK 5 / 85 / 0 / 45

HEX #86158D

RGB 134 21 141

HSL 296.5, 0.74%, 0.32%

LAB 32.98, 58.53, -39.42

 

CMYK 5 / 85 / 0 / 31

HEX #A81AB1

RGB 168 26 177

HSL 296.42, 0.74%, 0.4%

LAB 41.59, 69.77, -47.06

 

CMYK 5 / 85 / 0 / 16

HEX #CA20D5

RGB 202 32 213

HSL 296.35, 0.74%, 0.48%

LAB 49.97, 80.35, -54.28

 

CMYK 4 / 73 / 0 / 11

HEX #D83CE2

RGB 216 60 226

HSL 296.39, 0.74%, 0.56%

LAB 55.4, 78.03, -52.85

 

CMYK 3 / 58 / 0 / 9

HEX #DF60E7

RGB 223 96 231

HSL 296.44, 0.74%, 0.64%

LAB 61.5, 66.96, -45.92

 

CMYK 5 / 85 / 0 / 17

HEX #C920D4

RGB 201 32 212

HSL 296.33, 0.74%, 0.48%

LAB 49.74, 80.02, -54.08

 

CMYK 0 / 74 / 85 / 16

HEX #D53820

RGB 213 56 32

HSL 7.96, 0.74%, 0.48%

LAB 48.36, 59.64, 49.71

 

CMYK 85 / 0 / 40 / 16

HEX #20D580

RGB 32 213 128

HSL 151.82, 0.74%, 0.48%

LAB 75.73, -61.58, 30.26

 

CMYK 5 / 85 / 0 / 17

HEX #C920D4

RGB 201 32 212

HSL 296.33, 0.74%, 0.48%

LAB 49.74, 80.02, -54.08

 

CMYK 0 / 6 / 85 / 16

HEX #D5C920

RGB 213 201 32

HSL 56.02, 0.74%, 0.48%

LAB 79.63, -12.4, 75.8

 

CMYK 85 / 0 / 6 / 16

HEX #20D5C9

RGB 32 213 201

HSL 176.02, 0.74%, 0.48%

LAB 77.35, -44.21, -6.13

 

CMYK 5 / 85 / 0 / 17

HEX #C920D4

RGB 201 32 212

HSL 296.33, 0.74%, 0.48%

LAB 49.74, 80.02, -54.08

 

CMYK 0 / 74 / 85 / 16

HEX #D53820

RGB 213 56 32

HSL 7.96, 0.74%, 0.48%

LAB 48.36, 59.64, 49.71

 

CMYK 79 / 0 / 85 / 16

HEX #2CD520

RGB 44 213 32

HSL 116.02, 0.74%, 0.48%

LAB 74.97, -71.35, 68.6

 

CMYK 85 / 11 / 0 / 16

HEX #20BDD5

RGB 32 189 213

HSL 187.96, 0.74%, 0.48%

LAB 70.53, -29.53, -22.88

 

CMYK 5 / 85 / 0 / 17

HEX #C920D4

RGB 201 32 212

HSL 296.33, 0.74%, 0.48%

LAB 49.74, 80.02, -54.08

 

CMYK 0 / 48 / 85 / 16

HEX #D56E20

RGB 213 110 32

HSL 25.86, 0.74%, 0.48%

LAB 57.47, 35.74, 57.44

 

CMYK 79 / 0 / 85 / 16

HEX #2CD520

RGB 44 213 32

HSL 116.02, 0.74%, 0.48%

LAB 74.97, -71.35, 68.6

 

CMYK 85 / 37 / 0 / 16

HEX #2086D5

RGB 32 134 213

HSL 206.19, 0.74%, 0.48%

LAB 54.2, 0.32, -48.33

 

Description

Color code: HEX #C920D4 | qconv.com Color code: HEX #C920D4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 32 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 32 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 85 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 85% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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