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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C91435 it is the complementary color #36EBCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C91435. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C91435 shade: #CE1430, #DF2643, #F03856, #FF4A69 and #FF5C7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C91435. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C91435 shade: #C91435, #B80222, #A7000F, #960000 and #850000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C91435 shade: #C81435 and #C81414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C91435 shade: #C81435, #C81465, #C81496, #C814C6 and #9914C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C91435 shade matches the following richer shades: #C81435 and #D90229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C91435 shade: #C81435, #B62540, #A4374B, #924956 and #815B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C91435 shade: #C81495, #C81465, #C81435, #C82314 and #C85314

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C91435 shade: #7C0C21, #A2102B, #C81435, #E91C41 and #EC4261

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C91435 shade: #C91435, #C5C814 and #147DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C91435 shade: #C91435, #35C814 and #1435C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C91435 shade: #C91435, #C5C814, #14C8A7 and #1714C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C91435 shade: #C91435, #8FC814, #14C8A7 and #4D14C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 74 / 21

HEX #C91435

RGB 201 20 53

HSL 349.06, 0.82%, 0.43%

LAB 43.03, 65.85, 32.14

 

Complementary color

CMYK 77 / 0 / 14 / 8

HEX #36EBCA

RGB 54 235 202

HSL 169.06, 0.82%, 0.57%

LAB 84.21, -51.42, 3.41

 

CMYK 0 / 90 / 77 / 19

HEX #CE1430

RGB 206 20 48

HSL 350.97, 0.82%, 0.44%

LAB 44, 66.96, 36.49

 

CMYK 0 / 83 / 70 / 13

HEX #DF2643

RGB 223 38 67

HSL 350.59, 0.74%, 0.51%

LAB 48.86, 68.77, 31.74

 

CMYK 0 / 77 / 64 / 6

HEX #F03856

RGB 240 56 86

HSL 350.22, 0.86%, 0.58%

LAB 54.05, 69.68, 27.64

 

CMYK 0 / 71 / 59 / 0

HEX #FF4A69

RGB 255 74 105

HSL 349.72, 1%, 0.65%

LAB 59.14, 69.37, 23.63

 

CMYK 0 / 64 / 51 / 0

HEX #FF5C7C

RGB 255 92 124

HSL 348.22, 1%, 0.68%

LAB 61.97, 64.03, 16.43

 

CMYK 0 / 90 / 74 / 21

HEX #C91435

RGB 201 20 53

HSL 349.06, 0.82%, 0.43%

LAB 43.03, 65.85, 32.14

 

CMYK 0 / 99 / 82 / 28

HEX #B80222

RGB 184 2 34

HSL 349.45, 0.98%, 0.36%

LAB 38.46, 63.03, 37.42

 

CMYK 0 / 100 / 91 / 35

HEX #A7000F

RGB 167 0 15

HSL 354.61, 1%, 0.33%

LAB 34.5, 58.54, 42.56

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 90 / 74 / 22

HEX #C81435

RGB 200 20 53

HSL 349, 0.82%, 0.43%

LAB 42.82, 65.6, 31.85

 

CMYK 0 / 90 / 90 / 22

HEX #C81414

RGB 200 20 20

HSL 0, 0.82%, 0.43%

LAB 42.51, 64.7, 49.34

 

CMYK 0 / 90 / 74 / 22

HEX #C81435

RGB 200 20 53

HSL 349, 0.82%, 0.43%

LAB 42.82, 65.6, 31.85

 

CMYK 0 / 90 / 50 / 22

HEX #C81465

RGB 200 20 101

HSL 333, 0.82%, 0.43%

LAB 43.83, 68.43, 3.26

 

CMYK 0 / 90 / 25 / 22

HEX #C81496

RGB 200 20 150

HSL 316.67, 0.82%, 0.43%

LAB 45.61, 73.26, -24.19

 

CMYK 0 / 90 / 1 / 22

HEX #C814C6

RGB 200 20 198

HSL 300.67, 0.82%, 0.43%

LAB 48.08, 79.64, -48.68

 

CMYK 24 / 90 / 0 / 22

HEX #9914C8

RGB 153 20 200

HSL 284.33, 0.82%, 0.43%

LAB 40.32, 72.46, -62.76

 

CMYK 0 / 90 / 74 / 22

HEX #C81435

RGB 200 20 53

HSL 349, 0.82%, 0.43%

LAB 42.82, 65.6, 31.85

 

CMYK 0 / 99 / 81 / 15

HEX #D90229

RGB 217 2 41

HSL 349.12, 0.98%, 0.43%

LAB 45.57, 71.35, 42.85

 

CMYK 0 / 90 / 74 / 22

HEX #C81435

RGB 200 20 53

HSL 349, 0.82%, 0.43%

LAB 42.82, 65.6, 31.85

 

CMYK 0 / 80 / 65 / 29

HEX #B62540

RGB 182 37 64

HSL 348.83, 0.66%, 0.43%

LAB 40.64, 57.57, 21.55

 

CMYK 0 / 66 / 54 / 36

HEX #A4374B

RGB 164 55 75

HSL 348.99, 0.5%, 0.43%

LAB 39.8, 46.31, 12.94

 

CMYK 0 / 50 / 41 / 43

HEX #924956

RGB 146 73 86

HSL 349.32, 0.33%, 0.43%

LAB 40.49, 32.11, 6.58

 

CMYK 0 / 29 / 24 / 49

HEX #815B62

RGB 129 91 98

HSL 348.95, 0.17%, 0.43%

LAB 42.81, 16.7, 2.21

 

CMYK 0 / 90 / 26 / 22

HEX #C81495

RGB 200 20 149

HSL 317, 0.82%, 0.43%

LAB 45.57, 73.14, -23.65

 

CMYK 0 / 90 / 50 / 22

HEX #C81465

RGB 200 20 101

HSL 333, 0.82%, 0.43%

LAB 43.83, 68.43, 3.26

 

CMYK 0 / 90 / 74 / 22

HEX #C81435

RGB 200 20 53

HSL 349, 0.82%, 0.43%

LAB 42.82, 65.6, 31.85

 

CMYK 0 / 83 / 90 / 22

HEX #C82314

RGB 200 35 20

HSL 5, 0.82%, 0.43%

LAB 43.55, 61.71, 50.09

 

CMYK 0 / 59 / 90 / 22

HEX #C85314

RGB 200 83 20

HSL 21, 0.82%, 0.43%

LAB 50.12, 43.86, 54.89

 

CMYK 0 / 90 / 73 / 51

HEX #7C0C21

RGB 124 12 33

HSL 348.75, 0.82%, 0.27%

LAB 25.74, 45.59, 20.28

 

CMYK 0 / 90 / 73 / 36

HEX #A2102B

RGB 162 16 43

HSL 348.9, 0.82%, 0.35%

LAB 34.45, 55.84, 26.21

 

CMYK 0 / 90 / 74 / 22

HEX #C81435

RGB 200 20 53

HSL 349, 0.82%, 0.43%

LAB 42.82, 65.6, 31.85

 

CMYK 0 / 88 / 72 / 9

HEX #E91C41

RGB 233 28 65

HSL 349.17, 0.82%, 0.51%

LAB 50.14, 73.21, 34.94

 

CMYK 0 / 72 / 59 / 7

HEX #EC4261

RGB 236 66 97

HSL 349.06, 0.82%, 0.59%

LAB 54.65, 66.06, 21.76

 

CMYK 0 / 90 / 74 / 21

HEX #C91435

RGB 201 20 53

HSL 349.06, 0.82%, 0.43%

LAB 43.03, 65.85, 32.14

 

CMYK 1 / 0 / 90 / 22

HEX #C5C814

RGB 197 200 20

HSL 61, 0.82%, 0.43%

LAB 78.01, -18.99, 76.19

 

CMYK 90 / 38 / 0 / 22

HEX #147DC8

RGB 20 125 200

HSL 205, 0.82%, 0.43%

LAB 50.67, 0.01, -46.57

 

CMYK 0 / 90 / 74 / 21

HEX #C91435

RGB 201 20 53

HSL 349.06, 0.82%, 0.43%

LAB 43.03, 65.85, 32.14

 

CMYK 74 / 0 / 90 / 22

HEX #35C814

RGB 53 200 20

HSL 109, 0.82%, 0.43%

LAB 70.95, -66.64, 67.5

 

CMYK 90 / 74 / 0 / 22

HEX #1435C8

RGB 20 53 200

HSL 229, 0.82%, 0.43%

LAB 31.5, 46.01, -77.71

 

CMYK 0 / 90 / 74 / 21

HEX #C91435

RGB 201 20 53

HSL 349.06, 0.82%, 0.43%

LAB 43.03, 65.85, 32.14

 

CMYK 1 / 0 / 90 / 22

HEX #C5C814

RGB 197 200 20

HSL 61, 0.82%, 0.43%

LAB 78.01, -18.99, 76.19

 

CMYK 90 / 0 / 17 / 22

HEX #14C8A7

RGB 20 200 167

HSL 169, 0.82%, 0.43%

LAB 72.39, -48.64, 4.96

 

CMYK 89 / 90 / 0 / 22

HEX #1714C8

RGB 23 20 200

HSL 241, 0.82%, 0.43%

LAB 26.31, 61.5, -86.33

 

CMYK 0 / 90 / 74 / 21

HEX #C91435

RGB 201 20 53

HSL 349.06, 0.82%, 0.43%

LAB 43.03, 65.85, 32.14

 

CMYK 29 / 0 / 90 / 22

HEX #8FC814

RGB 143 200 20

HSL 79, 0.82%, 0.43%

LAB 74.32, -41.07, 71.67

 

CMYK 90 / 0 / 17 / 22

HEX #14C8A7

RGB 20 200 167

HSL 169, 0.82%, 0.43%

LAB 72.39, -48.64, 4.96

 

CMYK 62 / 90 / 0 / 22

HEX #4D14C8

RGB 77 20 200

HSL 259, 0.82%, 0.43%

LAB 30.03, 63.98, -80.04

 

Description

Color code: HEX #C91435 | qconv.com Color code: HEX #C91435 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 20 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 20 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 74 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 74% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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