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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C91278 it is the complementary color #36ED87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C91278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C91278 shade: #CE1273, #DF2486, #F03699, #FF48AC and #FF5ABF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C91278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C91278 shade: #C91278, #B80065, #A70052, #96003F and #85002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C91278 shade: #CA1278, #CA1247, #CA1215 and #CA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C91278 shade: #CA1278, #CA12AA, #B812CA, #8612CA and #5512CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C91278 shade matches the following richer shades: #CA1278

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C91278 shade: #CA1278, #B82376, #A63574, #954772 and #835970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C91278 shade: #B712CA, #CA12AB, #CA127A, #CA1249 and #CA1218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C91278 shade: #7E0B4B, #A40E62, #CA1278, #EB1A8E and #EE3FA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C91278 shade: #C91278, #CA8612 and #12C4CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C91278 shade: #C91278, #7ACA12 and #127ACA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C91278 shade: #C91278, #CA8612, #12CA61 and #1255CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C91278 shade: #C91278, #CABD12, #12CA61 and #121ECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 40 / 21

HEX #C91278

RGB 201 18 120

HSL 326.56, 0.84%, 0.43%

LAB 44.53, 70.58, -7.51

 

Complementary color

CMYK 77 / 0 / 43 / 7

HEX #36ED87

RGB 54 237 135

HSL 146.56, 0.84%, 0.57%

LAB 83.5, -66.5, 36.94

 

CMYK 0 / 91 / 44 / 19

HEX #CE1273

RGB 206 18 115

HSL 329.04, 0.84%, 0.44%

LAB 45.35, 71.26, -3.09

 

CMYK 0 / 84 / 40 / 13

HEX #DF2486

RGB 223 36 134

HSL 328.56, 0.75%, 0.51%

LAB 50.3, 73.85, -6.99

 

CMYK 0 / 78 / 36 / 6

HEX #F03699

RGB 240 54 153

HSL 328.06, 0.86%, 0.58%

LAB 55.55, 75.46, -10.17

 

CMYK 0 / 72 / 33 / 0

HEX #FF48AC

RGB 255 72 172

HSL 327.21, 1%, 0.64%

LAB 60.67, 75.84, -13.3

 

CMYK 0 / 65 / 25 / 0

HEX #FF5ABF

RGB 255 90 191

HSL 323.27, 1%, 0.68%

LAB 63.62, 71.7, -19.73

 

CMYK 0 / 91 / 40 / 21

HEX #C91278

RGB 201 18 120

HSL 326.56, 0.84%, 0.43%

LAB 44.53, 70.58, -7.51

 

CMYK 0 / 100 / 45 / 28

HEX #B80065

RGB 184 0 101

HSL 327.07, 1%, 0.36%

LAB 39.8, 67.02, -3.02

 

CMYK 0 / 100 / 51 / 35

HEX #A70052

RGB 167 0 82

HSL 330.54, 1%, 0.33%

LAB 35.64, 61.62, 2.68

 

CMYK 0 / 100 / 58 / 41

HEX #96003F

RGB 150 0 63

HSL 334.8, 1%, 0.29%

LAB 31.45, 56.2, 8.72

 

CMYK 0 / 100 / 67 / 48

HEX #85002C

RGB 133 0 44

HSL 340.15, 1%, 0.26%

LAB 27.21, 50.79, 15.14

 

CMYK 0 / 91 / 41 / 21

HEX #CA1278

RGB 202 18 120

HSL 326.74, 0.84%, 0.43%

LAB 44.72, 70.81, -7.19

 

CMYK 0 / 91 / 65 / 21

HEX #CA1247

RGB 202 18 71

HSL 342.72, 0.84%, 0.43%

LAB 43.42, 67.22, 21.58

 

CMYK 0 / 91 / 90 / 21

HEX #CA1215

RGB 202 18 21

HSL 359.02, 0.84%, 0.43%

LAB 42.83, 65.54, 49.33

 

CMYK 0 / 91 / 91 / 21

HEX #CA1212

RGB 202 18 18

HSL 0, 0.84%, 0.43%

LAB 42.81, 65.49, 50.58

 

CMYK 0 / 91 / 41 / 21

HEX #CA1278

RGB 202 18 120

HSL 326.74, 0.84%, 0.43%

LAB 44.72, 70.81, -7.19

 

CMYK 0 / 91 / 16 / 21

HEX #CA12AA

RGB 202 18 170

HSL 310.43, 0.84%, 0.43%

LAB 46.83, 76.39, -34.21

 

CMYK 9 / 91 / 0 / 21

HEX #B812CA

RGB 184 18 202

HSL 294.13, 0.84%, 0.43%

LAB 45.48, 77.85, -55.32

 

CMYK 34 / 91 / 0 / 21

HEX #8612CA

RGB 134 18 202

HSL 277.83, 0.84%, 0.43%

LAB 37.42, 70.62, -68.78

 

CMYK 58 / 91 / 0 / 21

HEX #5512CA

RGB 85 18 202

HSL 261.85, 0.84%, 0.43%

LAB 30.94, 65.57, -79.67

 

CMYK 0 / 91 / 41 / 21

HEX #CA1278

RGB 202 18 120

HSL 326.74, 0.84%, 0.43%

LAB 44.72, 70.81, -7.19

 

CMYK 0 / 91 / 41 / 21

HEX #CA1278

RGB 202 18 120

HSL 326.74, 0.84%, 0.43%

LAB 44.72, 70.81, -7.19

 

CMYK 0 / 81 / 36 / 28

HEX #B82376

RGB 184 35 118

HSL 326.58, 0.68%, 0.43%

LAB 42.31, 63.1, -9.93

 

CMYK 0 / 68 / 30 / 35

HEX #A63574

RGB 166 53 116

HSL 326.55, 0.52%, 0.43%

LAB 41.08, 52.11, -10.86

 

CMYK 0 / 52 / 23 / 42

HEX #954772

RGB 149 71 114

HSL 326.92, 0.35%, 0.43%

LAB 41.39, 38.07, -9.43

 

CMYK 0 / 32 / 15 / 49

HEX #835970

RGB 131 89 112

HSL 327.14, 0.19%, 0.43%

LAB 42.97, 21.06, -6.08

 

CMYK 9 / 91 / 0 / 21

HEX #B712CA

RGB 183 18 202

HSL 293.8, 0.84%, 0.43%

LAB 45.31, 77.69, -55.6

 

CMYK 0 / 91 / 15 / 21

HEX #CA12AB

RGB 202 18 171

HSL 310.11, 0.84%, 0.43%

LAB 46.88, 76.52, -34.73

 

CMYK 0 / 91 / 40 / 21

HEX #CA127A

RGB 202 18 122

HSL 326.09, 0.84%, 0.43%

LAB 44.79, 70.99, -8.32

 

CMYK 0 / 91 / 64 / 21

HEX #CA1249

RGB 202 18 73

HSL 342.07, 0.84%, 0.43%

LAB 43.46, 67.33, 20.38

 

CMYK 0 / 91 / 88 / 21

HEX #CA1218

RGB 202 18 24

HSL 358.04, 0.84%, 0.43%

LAB 42.85, 65.59, 47.99

 

CMYK 0 / 91 / 40 / 51

HEX #7E0B4B

RGB 126 11 75

HSL 326.61, 0.84%, 0.27%

LAB 27.25, 49.57, -6.05

 

CMYK 0 / 91 / 40 / 36

HEX #A40E62

RGB 164 14 98

HSL 326.4, 0.84%, 0.35%

LAB 36.15, 60.57, -6.97

 

CMYK 0 / 91 / 41 / 21

HEX #CA1278

RGB 202 18 120

HSL 326.74, 0.84%, 0.43%

LAB 44.72, 70.81, -7.19

 

CMYK 0 / 89 / 40 / 8

HEX #EB1A8E

RGB 235 26 142

HSL 326.7, 0.84%, 0.51%

LAB 52.24, 79.05, -8.68

 

CMYK 0 / 74 / 32 / 7

HEX #EE3FA1

RGB 238 63 161

HSL 326.4, 0.84%, 0.59%

LAB 56.39, 73.2, -13.63

 

CMYK 0 / 91 / 40 / 21

HEX #C91278

RGB 201 18 120

HSL 326.56, 0.84%, 0.43%

LAB 44.53, 70.58, -7.51

 

CMYK 0 / 34 / 91 / 21

HEX #CA8612

RGB 202 134 18

HSL 37.83, 0.84%, 0.43%

LAB 61.35, 17.98, 63.93

 

CMYK 91 / 3 / 0 / 21

HEX #12C4CA

RGB 18 196 202

HSL 181.96, 0.84%, 0.43%

LAB 72.14, -37.05, -14.45

 

CMYK 0 / 91 / 40 / 21

HEX #C91278

RGB 201 18 120

HSL 326.56, 0.84%, 0.43%

LAB 44.53, 70.58, -7.51

 

CMYK 40 / 0 / 91 / 21

HEX #7ACA12

RGB 122 202 18

HSL 86.09, 0.84%, 0.43%

LAB 73.82, -49.56, 71.13

 

CMYK 91 / 40 / 0 / 21

HEX #127ACA

RGB 18 122 202

HSL 206.09, 0.84%, 0.43%

LAB 49.87, 2.5, -48.99

 

CMYK 0 / 91 / 40 / 21

HEX #C91278

RGB 201 18 120

HSL 326.56, 0.84%, 0.43%

LAB 44.53, 70.58, -7.51

 

CMYK 0 / 34 / 91 / 21

HEX #CA8612

RGB 202 134 18

HSL 37.83, 0.84%, 0.43%

LAB 61.35, 17.98, 63.93

 

CMYK 91 / 0 / 52 / 21

HEX #12CA61

RGB 18 202 97

HSL 145.76, 0.84%, 0.43%

LAB 71.71, -64.13, 40.63

 

CMYK 91 / 58 / 0 / 21

HEX #1255CA

RGB 18 85 202

HSL 218.15, 0.84%, 0.43%

LAB 39.39, 26.28, -65.9

 

CMYK 0 / 91 / 40 / 21

HEX #C91278

RGB 201 18 120

HSL 326.56, 0.84%, 0.43%

LAB 44.53, 70.58, -7.51

 

CMYK 0 / 6 / 91 / 21

HEX #CABD12

RGB 202 189 18

HSL 55.76, 0.84%, 0.43%

LAB 75.45, -11.34, 74.68

 

CMYK 91 / 0 / 52 / 21

HEX #12CA61

RGB 18 202 97

HSL 145.76, 0.84%, 0.43%

LAB 71.71, -64.13, 40.63

 

CMYK 91 / 85 / 0 / 21

HEX #121ECA

RGB 18 30 202

HSL 236.09, 0.84%, 0.43%

LAB 27.63, 58.33, -85.3

 

Description

Color code: HEX #C91278 | qconv.com Color code: HEX #C91278 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 18 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 18 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 40 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 40% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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