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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8EEE4CE it is the complementary color #37111BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8EEE4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8EEE4CE shade: #CDEEDFCE, #DEFFF2CE, #EFFFFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8EEE4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8EEE4CE shade: #C8EEE4CE, #B7DCD1CE, #A6CABECE, #95B8ABCE and #84A698CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8EEE4CE shade: #C8EEE4, #C8EEDA, #C8EED0, #CBEEC8 and #D5EEC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8EEE4CE shade: #C8EEE4, #C8EEEE, #C8E4EE, #C8DAEE and #C8CFEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8EEE4CE shade matches the following richer shades: #C8EEE4, #C3F4E7 and #BDFAEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8EEE4CE shade: #C8EEE4, #CEE8E2, #D4E3DF, #DADDDC and #DFD7D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8EEE4CE shade: #C8EED0, #C8EEDA, #C8EEE4, #C8EEEE and #C8E4EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8EEE4CE shade: #89DBC5, #A9E5D5, #C8EEE4, #E8F8F4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8EEE4CE shade: #C8EEE4, #C8CBEE and #EED5C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8EEE4CE shade: #C8EEE4, #E4C8EE and #EEE4C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8EEE4CE shade: #C8EEE4, #C8CBEE, #EEC8D2 and #EEECC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8EEE4CE shade: #C8EEE4, #D1C8EE, #EEC8D2 and #E5EEC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 3 / 5

HEX #C8EEE4CE

RGBA 200 238 228 0.81

HSLA 164.21, 0.53%, 0.86%, 0.81

LABA 91.25, -14.21, 0.72, 0.81

 

Complementary color

CMYK 0 / 56 / 41 / 64

HEX #37111BCE

RGBA 55 17 27 0.81

HSLA 344.21, 0.53%, 0.14%, 0.81

LABA 11.22, 20.1, 2.65, 0.81

 

CMYK 11 / 0 / 5 / 5

HEX #CDEEDFCE

RGBA 205 238 223 0.81

HSLA 152.73, 0.49%, 0.87%, 0.81

LABA 91.44, -13.58, 3.64, 0.81

 

CMYK 10 / 0 / 4 / 0

HEX #DEFFF2CE

RGBA 222 255 242 0.81

HSLA 156.36, 1%, 0.94%, 0.81

LABA 97.41, -13.04, 2.62, 0.81

 

CMYK 5 / 0 / 0 / 0

HEX #EFFFFFCE

RGBA 239 255 255 0.81

HSLA 180, 1%, 0.97%, 0.81

LABA 98.86, -5.2, -1.81, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 13 / 0 / 3 / 5

HEX #C8EEE4CE

RGBA 200 238 228 0.81

HSLA 164.21, 0.53%, 0.86%, 0.81

LABA 91.25, -14.21, 0.72, 0.81

 

CMYK 14 / 0 / 4 / 11

HEX #B7DCD1CE

RGBA 183 220 209 0.81

HSLA 162.16, 0.35%, 0.79%, 0.81

LABA 84.92, -14.28, 1.35, 0.81

 

CMYK 14 / 0 / 5 / 17

HEX #A6CABECE

RGBA 166 202 190 0.81

HSLA 160, 0.25%, 0.72%, 0.81

LABA 78.5, -14.36, 2.01, 0.81

 

CMYK 15 / 0 / 6 / 23

HEX #95B8ABCE

RGBA 149 184 171 0.81

HSLA 157.71, 0.2%, 0.65%, 0.81

LABA 71.97, -14.46, 2.69, 0.81

 

CMYK 17 / 0 / 7 / 28

HEX #84A698CE

RGBA 132 166 152 0.81

HSLA 155.29, 0.16%, 0.58%, 0.81

LABA 65.31, -14.59, 3.41, 0.81

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 16 / 0 / 8 / 7

HEX #C8EEDA

RGB 200 238 218

HSL 148.42, 0.53%, 0.86%

LAB 91, -16.12, 5.58

 

CMYK 16 / 0 / 13 / 7

HEX #C8EED0

RGB 200 238 208

HSL 132.63, 0.53%, 0.86%

LAB 90.77, -17.95, 10.45

 

CMYK 15 / 0 / 16 / 7

HEX #CBEEC8

RGB 203 238 200

HSL 115.26, 0.53%, 0.86%

LAB 90.79, -18.36, 14.65

 

CMYK 11 / 0 / 16 / 7

HEX #D5EEC8

RGB 213 238 200

HSL 99.47, 0.53%, 0.86%

LAB 91.44, -14.97, 15.67

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 16 / 0 / 0 / 7

HEX #C8EEEE

RGB 200 238 238

HSL 180, 0.53%, 0.86%

LAB 91.51, -12.23, -4.11

 

CMYK 16 / 4 / 0 / 7

HEX #C8E4EE

RGB 200 228 238

HSL 195.79, 0.53%, 0.86%

LAB 88.89, -7.15, -7.97

 

CMYK 16 / 8 / 0 / 7

HEX #C8DAEE

RGB 200 218 238

HSL 211.58, 0.53%, 0.86%

LAB 86.3, -1.98, -11.82

 

CMYK 16 / 13 / 0 / 7

HEX #C8CFEE

RGB 200 207 238

HSL 228.95, 0.53%, 0.86%

LAB 83.48, 3.81, -16.05

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 20 / 0 / 5 / 4

HEX #C3F4E7

RGB 195 244 231

HSL 164.08, 0.69%, 0.86%

LAB 92.61, -18.15, 1.1

 

CMYK 24 / 0 / 6 / 2

HEX #BDFAEA

RGB 189 250 234

HSL 164.26, 0.86%, 0.86%

LAB 93.94, -22.29, 1.45

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 11 / 0 / 3 / 9

HEX #CEE8E2

RGB 206 232 226

HSL 166.15, 0.36%, 0.86%

LAB 90.01, -9.67, 0.01

 

CMYK 7 / 0 / 2 / 11

HEX #D4E3DF

RGB 212 227 223

HSL 164, 0.21%, 0.86%

LAB 89.05, -5.73, 0.22

 

CMYK 1 / 0 / 0 / 13

HEX #DADDDC

RGB 218 221 220

HSL 160, 0.04%, 0.86%

LAB 87.87, -1.19, 0.13

 

CMYK 0 / 4 / 3 / 13

HEX #DFD7D9

RGB 223 215 217

HSL 345, 0.11%, 0.86%

LAB 86.65, 3.09, -0.02

 

CMYK 16 / 0 / 13 / 7

HEX #C8EED0

RGB 200 238 208

HSL 132.63, 0.53%, 0.86%

LAB 90.77, -17.95, 10.45

 

CMYK 16 / 0 / 8 / 7

HEX #C8EEDA

RGB 200 238 218

HSL 148.42, 0.53%, 0.86%

LAB 91, -16.12, 5.58

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 16 / 0 / 0 / 7

HEX #C8EEEE

RGB 200 238 238

HSL 180, 0.53%, 0.86%

LAB 91.51, -12.23, -4.11

 

CMYK 16 / 4 / 0 / 7

HEX #C8E4EE

RGB 200 228 238

HSL 195.79, 0.53%, 0.86%

LAB 88.89, -7.15, -7.97

 

CMYK 37 / 0 / 10 / 14

HEX #89DBC5

RGB 137 219 197

HSL 163.9, 0.53%, 0.7%

LAB 81.85, -29.96, 2.93

 

CMYK 26 / 0 / 7 / 10

HEX #A9E5D5

RGB 169 229 213

HSL 164, 0.54%, 0.78%

LAB 86.64, -22.28, 1.64

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 6 / 0 / 2 / 3

HEX #E8F8F4

RGB 232 248 244

HSL 165, 0.53%, 0.94%

LAB 96.34, -5.96, 0.1

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 16 / 15 / 0 / 7

HEX #C8CBEE

RGB 200 203 238

HSL 235.26, 0.53%, 0.86%

LAB 82.47, 5.94, -17.58

 

CMYK 0 / 11 / 16 / 7

HEX #EED5C8

RGB 238 213 200

HSL 20.53, 0.53%, 0.86%

LAB 86.97, 6.6, 9.57

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 4 / 16 / 0 / 7

HEX #E4C8EE

RGB 228 200 238

HSL 284.21, 0.53%, 0.86%

LAB 83.95, 16.54, -15.12

 

CMYK 0 / 4 / 16 / 7

HEX #EEE4C8

RGB 238 228 200

HSL 44.21, 0.53%, 0.86%

LAB 90.7, -1.14, 14.88

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 16 / 15 / 0 / 7

HEX #C8CBEE

RGB 200 203 238

HSL 235.26, 0.53%, 0.86%

LAB 82.47, 5.94, -17.58

 

CMYK 0 / 16 / 12 / 7

HEX #EEC8D2

RGB 238 200 210

HSL 344.21, 0.53%, 0.86%

LAB 84.04, 15, 0.04

 

CMYK 0 / 1 / 16 / 7

HEX #EEECC8

RGB 238 236 200

HSL 56.84, 0.53%, 0.86%

LAB 92.72, -5.21, 17.73

 

CMYK 16 / 0 / 4 / 7

HEX #C8EEE4

RGB 200 238 228

HSL 164.21, 0.53%, 0.86%

LAB 91.25, -14.21, 0.72

 

CMYK 12 / 16 / 0 / 7

HEX #D1C8EE

RGB 209 200 238

HSL 254.21, 0.53%, 0.86%

LAB 82.4, 10.39, -17.61

 

CMYK 0 / 16 / 12 / 7

HEX #EEC8D2

RGB 238 200 210

HSL 344.21, 0.53%, 0.86%

LAB 84.04, 15, 0.04

 

CMYK 4 / 0 / 16 / 7

HEX #E5EEC8

RGB 229 238 200

HSL 74.21, 0.53%, 0.86%

LAB 92.56, -9.4, 17.41

 

Description

Color code: HEX #C8EEE4CE | qconv.com Color code: HEX #C8EEE4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 238 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 238 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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