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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8EE78 it is the complementary color #371187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8EE78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8EE78 shade: #CDEE73, #DEFF86, #EFFF99, #FFFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8EE78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8EE78 shade: #C8EE78, #B7DC65, #A6CA52, #95B83F and #84A62C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8EE78 shade: #C8EE77, #E8EE77, #EED477, #EEB477 and #EE9477

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8EE78 shade: #C8EE77, #A8EE77, #87EE77, #77EE86 and #77EEA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8EE78 shade matches the following richer shades: #C8EE77 and #CCFB6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8EE78 shade: #C8EE77, #C3E283, #BFD590, #BBC99C and #B6BDA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8EE78 shade: #EED477, #E8EE77, #C8EE77, #A9EE77 and #89EE77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8EE78 shade: #AAE52D, #B9EA52, #C8EE77, #D7F39C and #E6F7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8EE78 shade: #C8EE78, #77EEB4 and #E477EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8EE78 shade: #C8EE78, #77C8EE and #EE77C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8EE78 shade: #C8EE78, #77EEB4, #9D77EE and #EE77B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8EE78 shade: #C8EE78, #77EED8, #9D77EE and #EE778D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 50 / 7

HEX #C8EE78

RGB 200 238 120

HSL 79.32, 0.78%, 0.7%

LAB 89.29, -30.27, 52.62

 

Complementary color

CMYK 59 / 87 / 0 / 47

HEX #371187

RGB 55 17 135

HSL 259.32, 0.78%, 0.3%

LAB 19.89, 46.01, -57.52

 

CMYK 14 / 0 / 52 / 7

HEX #CDEE73

RGB 205 238 115

HSL 76.1, 0.78%, 0.69%

LAB 89.56, -28.87, 55.33

 

CMYK 13 / 0 / 47 / 0

HEX #DEFF86

RGB 222 255 134

HSL 76.36, 1%, 0.76%

LAB 95.48, -28.6, 53.93

 

CMYK 6 / 0 / 40 / 0

HEX #EFFF99

RGB 239 255 153

HSL 69.41, 1%, 0.8%

LAB 96.89, -20.27, 46.93

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE78

RGB 200 238 120

HSL 79.32, 0.78%, 0.7%

LAB 89.29, -30.27, 52.62

 

CMYK 17 / 0 / 54 / 14

HEX #B7DC65

RGB 183 220 101

HSL 78.66, 0.63%, 0.63%

LAB 83.02, -30.09, 53.69

 

CMYK 18 / 0 / 59 / 21

HEX #A6CA52

RGB 166 202 82

HSL 78, 0.53%, 0.56%

LAB 76.65, -29.83, 54.66

 

CMYK 19 / 0 / 66 / 28

HEX #95B83F

RGB 149 184 63

HSL 77.36, 0.49%, 0.48%

LAB 70.2, -29.48, 55.42

 

CMYK 20 / 0 / 73 / 35

HEX #84A62C

RGB 132 166 44

HSL 76.72, 0.58%, 0.41%

LAB 63.64, -28.98, 55.75

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE77

RGB 200 238 119

HSL 79.16, 0.78%, 0.7%

LAB 89.28, -30.37, 53.08

 

CMYK 3 / 0 / 50 / 7

HEX #E8EE77

RGB 232 238 119

HSL 63.03, 0.78%, 0.7%

LAB 91.52, -18.06, 56.29

 

CMYK 0 / 11 / 50 / 7

HEX #EED477

RGB 238 212 119

HSL 46.89, 0.78%, 0.7%

LAB 85.3, -2.69, 48.95

 

CMYK 0 / 24 / 50 / 7

HEX #EEB477

RGB 238 180 119

HSL 30.76, 0.78%, 0.7%

LAB 77.37, 13.97, 39.13

 

CMYK 0 / 38 / 50 / 7

HEX #EE9477

RGB 238 148 119

HSL 14.62, 0.78%, 0.7%

LAB 69.96, 30.9, 29.59

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE77

RGB 200 238 119

HSL 79.16, 0.78%, 0.7%

LAB 89.28, -30.37, 53.08

 

CMYK 29 / 0 / 50 / 7

HEX #A8EE77

RGB 168 238 119

HSL 95.29, 0.78%, 0.7%

LAB 87.39, -41.88, 50.35

 

CMYK 43 / 0 / 50 / 7

HEX #87EE77

RGB 135 238 119

HSL 111.93, 0.78%, 0.7%

LAB 85.82, -52.4, 48.08

 

CMYK 50 / 0 / 44 / 7

HEX #77EE86

RGB 119 238 134

HSL 127.56, 0.78%, 0.7%

LAB 85.4, -54.76, 40.2

 

CMYK 50 / 0 / 30 / 7

HEX #77EEA7

RGB 119 238 167

HSL 144.2, 0.78%, 0.7%

LAB 85.94, -49.23, 24.31

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE77

RGB 200 238 119

HSL 79.16, 0.78%, 0.7%

LAB 89.28, -30.37, 53.08

 

CMYK 19 / 0 / 58 / 2

HEX #CCFB6A

RGB 204 251 106

HSL 79.45, 0.95%, 0.7%

LAB 92.96, -36.02, 63.2

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE77

RGB 200 238 119

HSL 79.16, 0.78%, 0.7%

LAB 89.28, -30.37, 53.08

 

CMYK 14 / 0 / 42 / 11

HEX #C3E283

RGB 195 226 131

HSL 79.58, 0.62%, 0.7%

LAB 85.82, -25.29, 43.01

 

CMYK 10 / 0 / 32 / 16

HEX #BFD590

RGB 191 213 144

HSL 79.13, 0.45%, 0.7%

LAB 82.21, -18.83, 31.74

 

CMYK 7 / 0 / 22 / 21

HEX #BBC99C

RGB 187 201 156

HSL 78.67, 0.29%, 0.7%

LAB 78.89, -12.56, 20.94

 

CMYK 4 / 0 / 11 / 26

HEX #B6BDA8

RGB 182 189 168

HSL 80, 0.14%, 0.7%

LAB 75.56, -6.22, 9.78

 

CMYK 0 / 11 / 50 / 7

HEX #EED477

RGB 238 212 119

HSL 46.89, 0.78%, 0.7%

LAB 85.3, -2.69, 48.95

 

CMYK 3 / 0 / 50 / 7

HEX #E8EE77

RGB 232 238 119

HSL 63.03, 0.78%, 0.7%

LAB 91.52, -18.06, 56.29

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE77

RGB 200 238 119

HSL 79.16, 0.78%, 0.7%

LAB 89.28, -30.37, 53.08

 

CMYK 29 / 0 / 50 / 7

HEX #A9EE77

RGB 169 238 119

HSL 94.79, 0.78%, 0.7%

LAB 87.44, -41.54, 50.43

 

CMYK 42 / 0 / 50 / 7

HEX #89EE77

RGB 137 238 119

HSL 110.92, 0.78%, 0.7%

LAB 85.91, -51.81, 48.2

 

CMYK 26 / 0 / 80 / 10

HEX #AAE52D

RGB 170 229 45

HSL 79.24, 0.78%, 0.54%

LAB 84.37, -42.72, 75.56

 

CMYK 21 / 0 / 65 / 8

HEX #B9EA52

RGB 185 234 82

HSL 79.34, 0.78%, 0.62%

LAB 86.88, -37.29, 66.09

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE77

RGB 200 238 119

HSL 79.16, 0.78%, 0.7%

LAB 89.28, -30.37, 53.08

 

CMYK 12 / 0 / 36 / 5

HEX #D7F39C

RGB 215 243 156

HSL 79.31, 0.78%, 0.78%

LAB 92.11, -23.05, 38.99

 

CMYK 7 / 0 / 22 / 3

HEX #E6F7C0

RGB 230 247 192

HSL 78.55, 0.77%, 0.86%

LAB 94.8, -14.72, 24.63

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE78

RGB 200 238 120

HSL 79.32, 0.78%, 0.7%

LAB 89.29, -30.27, 52.62

 

CMYK 50 / 0 / 24 / 7

HEX #77EEB4

RGB 119 238 180

HSL 150.76, 0.78%, 0.7%

LAB 86.19, -46.72, 17.95

 

CMYK 4 / 50 / 0 / 7

HEX #E477EE

RGB 228 119 238

HSL 294.96, 0.78%, 0.7%

LAB 66.41, 58.95, -42.04

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE78

RGB 200 238 120

HSL 79.32, 0.78%, 0.7%

LAB 89.29, -30.27, 52.62

 

CMYK 50 / 16 / 0 / 7

HEX #77C8EE

RGB 119 200 238

HSL 199.16, 0.78%, 0.7%

LAB 76.92, -14.64, -26.44

 

CMYK 0 / 50 / 16 / 7

HEX #EE77C8

RGB 238 119 200

HSL 319.16, 0.78%, 0.7%

LAB 66.17, 55.51, -21.15

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE78

RGB 200 238 120

HSL 79.32, 0.78%, 0.7%

LAB 89.29, -30.27, 52.62

 

CMYK 50 / 0 / 24 / 7

HEX #77EEB4

RGB 119 238 180

HSL 150.76, 0.78%, 0.7%

LAB 86.19, -46.72, 17.95

 

CMYK 34 / 50 / 0 / 7

HEX #9D77EE

RGB 157 119 238

HSL 259.16, 0.78%, 0.7%

LAB 58.54, 40.24, -55

 

CMYK 0 / 50 / 26 / 7

HEX #EE77B1

RGB 238 119 177

HSL 330.76, 0.78%, 0.7%

LAB 65.39, 52.24, -9.34

 

CMYK 16 / 0 / 50 / 7

HEX #C8EE78

RGB 200 238 120

HSL 79.32, 0.78%, 0.7%

LAB 89.29, -30.27, 52.62

 

CMYK 50 / 0 / 9 / 7

HEX #77EED8

RGB 119 238 216

HSL 168.91, 0.78%, 0.7%

LAB 87.01, -38.84, 0.34

 

CMYK 34 / 50 / 0 / 7

HEX #9D77EE

RGB 157 119 238

HSL 259.16, 0.78%, 0.7%

LAB 58.54, 40.24, -55

 

CMYK 0 / 50 / 41 / 7

HEX #EE778D

RGB 238 119 141

HSL 348.91, 0.78%, 0.7%

LAB 64.4, 47.9, 9.69

 

Description

Color code: HEX #C8EE78 | qconv.com Color code: HEX #C8EE78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 238 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 238 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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