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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8E962 it is the complementary color #37169D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8E962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8E962 shade: #CDE95D, #DEFB70, #EFFF83, #FFFF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8E962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8E962 shade: #C8E962, #B7D74F, #A6C53C, #95B329 and #84A116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8E962 shade: #C8E963, #E9E563, #E9C163, #E99D63 and #E97963

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8E962 shade: #C8E963, #A4E963, #80E963, #63E96A and #63E98E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8E962 shade matches the following richer shades: #C8E963 and #CFF754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8E962 shade: #C8E963, #C1DA71, #B9CC80, #B2BD8E and #AAAF9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8E962 shade: #E9C163, #E9E463, #C9E963, #A6E963 and #82E963

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8E962 shade: #ACDA1F, #BBE43F, #C8E963, #D5EE87 and #E1F3AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8E962 shade: #C8E962, #63E99D and #D263E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8E962 shade: #C8E962, #63C9E9 and #E963C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8E962 shade: #C8E962, #63E99D, #8263E9 and #E963AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8E962 shade: #C8E962, #63E9C5, #8263E9 and #E96387

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 58 / 9

HEX #C8E962

RGB 200 233 98

HSL 74.67, 0.75%, 0.65%

LAB 87.7, -29.91, 60.66

 

Complementary color

CMYK 65 / 86 / 0 / 38

HEX #37169D

RGB 55 22 157

HSL 254.67, 0.75%, 0.35%

LAB 23.07, 50.25, -65.91

 

CMYK 12 / 0 / 60 / 9

HEX #CDE95D

RGB 205 233 93

HSL 72, 0.76%, 0.64%

LAB 87.99, -28.35, 63.2

 

CMYK 12 / 0 / 55 / 2

HEX #DEFB70

RGB 222 251 112

HSL 72.52, 0.95%, 0.71%

LAB 94.18, -28.73, 62.32

 

CMYK 6 / 0 / 49 / 0

HEX #EFFF83

RGB 239 255 131

HSL 67.74, 1%, 0.76%

LAB 96.62, -22.46, 56.96

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 14 / 0 / 58 / 9

HEX #C8E962

RGB 200 233 98

HSL 74.67, 0.75%, 0.65%

LAB 87.7, -29.91, 60.66

 

CMYK 15 / 0 / 63 / 16

HEX #B7D74F

RGB 183 215 79

HSL 74.12, 0.63%, 0.58%

LAB 81.42, -29.52, 61.45

 

CMYK 16 / 0 / 70 / 23

HEX #A6C53C

RGB 166 197 60

HSL 73.58, 0.54%, 0.5%

LAB 75.06, -29.02, 61.94

 

CMYK 17 / 0 / 77 / 30

HEX #95B329

RGB 149 179 41

HSL 73.04, 0.63%, 0.43%

LAB 68.6, -28.37, 61.88

 

CMYK 18 / 0 / 86 / 37

HEX #84A116

RGB 132 161 22

HSL 72.52, 0.76%, 0.36%

LAB 62.04, -27.52, 60.82

 

CMYK 14 / 0 / 58 / 9

HEX #C8E963

RGB 200 233 99

HSL 74.78, 0.75%, 0.65%

LAB 87.71, -29.83, 60.24

 

CMYK 0 / 2 / 58 / 9

HEX #E9E563

RGB 233 229 99

HSL 58.21, 0.75%, 0.65%

LAB 89.05, -14.83, 62.4

 

CMYK 0 / 17 / 58 / 9

HEX #E9C163

RGB 233 193 99

HSL 42.09, 0.75%, 0.65%

LAB 79.82, 3.45, 51.92

 

CMYK 0 / 33 / 58 / 9

HEX #E99D63

RGB 233 157 99

HSL 25.97, 0.75%, 0.65%

LAB 71.1, 22.49, 41.54

 

CMYK 0 / 48 / 58 / 9

HEX #E97963

RGB 233 121 99

HSL 9.85, 0.75%, 0.65%

LAB 63.26, 41.29, 31.75

 

CMYK 14 / 0 / 58 / 9

HEX #C8E963

RGB 200 233 99

HSL 74.78, 0.75%, 0.65%

LAB 87.71, -29.83, 60.24

 

CMYK 30 / 0 / 58 / 9

HEX #A4E963

RGB 164 233 99

HSL 90.9, 0.75%, 0.65%

LAB 85.54, -43.12, 57.2

 

CMYK 45 / 0 / 58 / 9

HEX #80E963

RGB 128 233 99

HSL 107.01, 0.75%, 0.65%

LAB 83.84, -54.76, 54.81

 

CMYK 58 / 0 / 55 / 9

HEX #63E96A

RGB 99 233 106

HSL 123.13, 0.75%, 0.65%

LAB 82.9, -61.58, 50.29

 

CMYK 58 / 0 / 39 / 9

HEX #63E98E

RGB 99 233 142

HSL 139.25, 0.75%, 0.65%

LAB 83.38, -56.29, 33.48

 

CMYK 14 / 0 / 58 / 9

HEX #C8E963

RGB 200 233 99

HSL 74.78, 0.75%, 0.65%

LAB 87.71, -29.83, 60.24

 

CMYK 16 / 0 / 66 / 3

HEX #CFF754

RGB 207 247 84

HSL 74.72, 0.91%, 0.65%

LAB 91.88, -34.66, 70.96

 

CMYK 14 / 0 / 58 / 9

HEX #C8E963

RGB 200 233 99

HSL 74.78, 0.75%, 0.65%

LAB 87.71, -29.83, 60.24

 

CMYK 11 / 0 / 48 / 15

HEX #C1DA71

RGB 193 218 113

HSL 74.29, 0.59%, 0.65%

LAB 83.27, -24.14, 48.55

 

CMYK 9 / 0 / 37 / 20

HEX #B9CC80

RGB 185 204 128

HSL 75, 0.43%, 0.65%

LAB 79.07, -18.68, 35.76

 

CMYK 6 / 0 / 25 / 26

HEX #B2BD8E

RGB 178 189 142

HSL 74.04, 0.26%, 0.65%

LAB 74.71, -11.84, 22.54

 

CMYK 3 / 0 / 10 / 31

HEX #AAAF9D

RGB 170 175 157

HSL 76.67, 0.1%, 0.65%

LAB 70.62, -5.05, 8.62

 

CMYK 0 / 17 / 58 / 9

HEX #E9C163

RGB 233 193 99

HSL 42.09, 0.75%, 0.65%

LAB 79.82, 3.45, 51.92

 

CMYK 0 / 2 / 58 / 9

HEX #E9E463

RGB 233 228 99

HSL 57.76, 0.75%, 0.65%

LAB 88.79, -14.33, 62.11

 

CMYK 14 / 0 / 58 / 9

HEX #C9E963

RGB 201 233 99

HSL 74.33, 0.75%, 0.65%

LAB 87.77, -29.44, 60.33

 

CMYK 29 / 0 / 58 / 9

HEX #A6E963

RGB 166 233 99

HSL 90, 0.75%, 0.65%

LAB 85.65, -42.42, 57.35

 

CMYK 44 / 0 / 58 / 9

HEX #82E963

RGB 130 233 99

HSL 106.12, 0.75%, 0.65%

LAB 83.93, -54.17, 54.92

 

CMYK 21 / 0 / 86 / 15

HEX #ACDA1F

RGB 172 218 31

HSL 74.76, 0.75%, 0.49%

LAB 81.3, -37.55, 76.17

 

CMYK 18 / 0 / 72 / 11

HEX #BBE43F

RGB 187 228 63

HSL 74.91, 0.75%, 0.57%

LAB 85.21, -34.95, 71.36

 

CMYK 14 / 0 / 58 / 9

HEX #C8E963

RGB 200 233 99

HSL 74.78, 0.75%, 0.65%

LAB 87.71, -29.83, 60.24

 

CMYK 11 / 0 / 43 / 7

HEX #D5EE87

RGB 213 238 135

HSL 74.56, 0.75%, 0.73%

LAB 90.34, -23.84, 46.99

 

CMYK 7 / 0 / 30 / 5

HEX #E1F3AB

RGB 225 243 171

HSL 75, 0.75%, 0.81%

LAB 93.04, -17.48, 32.83

 

CMYK 14 / 0 / 58 / 9

HEX #C8E962

RGB 200 233 98

HSL 74.67, 0.75%, 0.65%

LAB 87.7, -29.91, 60.66

 

CMYK 58 / 0 / 33 / 9

HEX #63E99D

RGB 99 233 157

HSL 145.97, 0.75%, 0.65%

LAB 83.63, -53.61, 26.19

 

CMYK 10 / 58 / 0 / 9

HEX #D263E9

RGB 210 99 233

HSL 289.7, 0.75%, 0.65%

LAB 60.35, 62.77, -48.98

 

CMYK 14 / 0 / 58 / 9

HEX #C8E962

RGB 200 233 98

HSL 74.67, 0.75%, 0.65%

LAB 87.7, -29.91, 60.66

 

CMYK 58 / 14 / 0 / 9

HEX #63C9E9

RGB 99 201 233

HSL 194.33, 0.75%, 0.65%

LAB 76.26, -20.67, -24.84

 

CMYK 0 / 58 / 14 / 9

HEX #E963C9

RGB 233 99 201

HSL 314.33, 0.75%, 0.65%

LAB 62.05, 63.41, -28.09

 

CMYK 14 / 0 / 58 / 9

HEX #C8E962

RGB 200 233 98

HSL 74.67, 0.75%, 0.65%

LAB 87.7, -29.91, 60.66

 

CMYK 58 / 0 / 33 / 9

HEX #63E99D

RGB 99 233 157

HSL 145.97, 0.75%, 0.65%

LAB 83.63, -53.61, 26.19

 

CMYK 44 / 58 / 0 / 9

HEX #8263E9

RGB 130 99 233

HSL 253.88, 0.75%, 0.65%

LAB 51.33, 43.97, -63.91

 

CMYK 0 / 58 / 25 / 9

HEX #E963AF

RGB 233 99 175

HSL 325.97, 0.75%, 0.65%

LAB 61.08, 59.75, -14.75

 

CMYK 14 / 0 / 58 / 9

HEX #C8E962

RGB 200 233 98

HSL 74.67, 0.75%, 0.65%

LAB 87.7, -29.91, 60.66

 

CMYK 58 / 0 / 15 / 9

HEX #63E9C5

RGB 99 233 197

HSL 163.88, 0.75%, 0.65%

LAB 84.46, -45.19, 6.54

 

CMYK 44 / 58 / 0 / 9

HEX #8263E9

RGB 130 99 233

HSL 253.88, 0.75%, 0.65%

LAB 51.33, 43.97, -63.91

 

CMYK 0 / 58 / 42 / 9

HEX #E96387

RGB 233 99 135

HSL 343.88, 0.75%, 0.65%

LAB 59.89, 55.07, 6.62

 

Description

Color code: HEX #C8E962 | qconv.com Color code: HEX #C8E962 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 233 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 233 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 58 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 58% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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