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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8E72C it is the complementary color #3718D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8E72C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8E72C shade: #CDE727, #DEF93A, #EFFF4D, #FFFF60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8E72C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8E72C shade: #C8E72C, #B7D519, #A6C306, #95B100 and #849F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8E72C shade: #C8E82C, #E8D42C, #E8A12C, #E86F2C and #E83C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8E72C shade: #C8E82C, #96E82C, #63E82C, #31E82C and #2CE85A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8E72C shade matches the following richer shades: #C8E82C and #D5FB19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8E72C shade: #C8E82C, #BCD53F, #AFC252, #A2AF65 and #969C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8E72C shade: #E8A02C, #E8D22C, #CBE82C, #99E82C and #67E82C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8E72C shade: #94AE13, #B4D317, #C8E82C, #D2EC51 and #DCF076

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8E72C shade: #C8E72C, #2CE86E and #B92CE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8E72C shade: #C8E72C, #2CCBE8 and #E82CCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8E72C shade: #C8E72C, #2CE86E, #482CE8 and #E82CA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8E72C shade: #C8E72C, #2CE8A6, #482CE8 and #E82C6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 81 / 9

HEX #C8E72C

RGB 200 231 44

HSL 69.95, 0.8%, 0.54%

LAB 86.81, -31.98, 78.68

 

Complementary color

CMYK 74 / 89 / 0 / 17

HEX #3718D3

RGB 55 24 211

HSL 249.95, 0.8%, 0.46%

LAB 29.83, 64.34, -86.83

 

CMYK 11 / 0 / 83 / 9

HEX #CDE727

RGB 205 231 39

HSL 68.13, 0.8%, 0.53%

LAB 87.13, -30.12, 80.27

 

CMYK 11 / 0 / 77 / 2

HEX #DEF93A

RGB 222 249 58

HSL 68.48, 0.94%, 0.6%

LAB 93.27, -31.01, 81.29

 

CMYK 6 / 0 / 70 / 0

HEX #EFFF4D

RGB 239 255 77

HSL 65.39, 1%, 0.65%

LAB 96.17, -26.21, 78.5

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 13 / 0 / 81 / 9

HEX #C8E72C

RGB 200 231 44

HSL 69.95, 0.8%, 0.54%

LAB 86.81, -31.98, 78.68

 

CMYK 14 / 0 / 88 / 16

HEX #B7D519

RGB 183 213 25

HSL 69.57, 0.79%, 0.47%

LAB 80.59, -31.01, 76.99

 

CMYK 15 / 0 / 97 / 24

HEX #A6C306

RGB 166 195 6

HSL 69.21, 0.94%, 0.39%

LAB 74.29, -29.85, 74

 

CMYK 16 / 0 / 100 / 31

HEX #95B100

RGB 149 177 0

HSL 69.49, 1%, 0.35%

LAB 67.9, -28.48, 69.31

 

CMYK 17 / 0 / 100 / 38

HEX #849F00

RGB 132 159 0

HSL 70.19, 1%, 0.31%

LAB 61.4, -27.01, 63.9

 

CMYK 14 / 0 / 81 / 9

HEX #C8E82C

RGB 200 232 44

HSL 70.21, 0.8%, 0.54%

LAB 87.08, -32.44, 78.92

 

CMYK 0 / 9 / 81 / 9

HEX #E8D42C

RGB 232 212 44

HSL 53.62, 0.8%, 0.54%

LAB 84.19, -9.51, 77.38

 

CMYK 0 / 31 / 81 / 9

HEX #E8A12C

RGB 232 161 44

HSL 37.34, 0.8%, 0.54%

LAB 71.44, 17.03, 66.3

 

CMYK 0 / 52 / 81 / 9

HEX #E86F2C

RGB 232 111 44

HSL 21.38, 0.8%, 0.54%

LAB 60.52, 43.03, 56.48

 

CMYK 0 / 74 / 81 / 9

HEX #E83C2C

RGB 232 60 44

HSL 5.11, 0.8%, 0.54%

LAB 52.47, 64.42, 48.96

 

CMYK 14 / 0 / 81 / 9

HEX #C8E82C

RGB 200 232 44

HSL 70.21, 0.8%, 0.54%

LAB 87.08, -32.44, 78.92

 

CMYK 35 / 0 / 81 / 9

HEX #96E82C

RGB 150 232 44

HSL 86.17, 0.8%, 0.54%

LAB 84.16, -51.23, 75.23

 

CMYK 57 / 0 / 81 / 9

HEX #63E82C

RGB 99 232 44

HSL 102.45, 0.8%, 0.54%

LAB 82.14, -66.48, 72.64

 

CMYK 79 / 0 / 81 / 9

HEX #31E82C

RGB 49 232 44

HSL 118.4, 0.8%, 0.54%

LAB 81.04, -75.68, 71.23

 

CMYK 81 / 0 / 61 / 9

HEX #2CE85A

RGB 44 232 90

HSL 134.68, 0.8%, 0.54%

LAB 81.28, -72.44, 55.22

 

CMYK 14 / 0 / 81 / 9

HEX #C8E82C

RGB 200 232 44

HSL 70.21, 0.8%, 0.54%

LAB 87.08, -32.44, 78.92

 

CMYK 15 / 0 / 90 / 2

HEX #D5FB19

RGB 213 251 25

HSL 70.09, 0.97%, 0.54%

LAB 93.11, -36.39, 87.88

 

CMYK 14 / 0 / 81 / 9

HEX #C8E82C

RGB 200 232 44

HSL 70.21, 0.8%, 0.54%

LAB 87.08, -32.44, 78.92

 

CMYK 12 / 0 / 70 / 16

HEX #BCD53F

RGB 188 213 63

HSL 70, 0.64%, 0.54%

LAB 81.09, -27.57, 67.36

 

CMYK 10 / 0 / 58 / 24

HEX #AFC252

RGB 175 194 82

HSL 70.18, 0.48%, 0.54%

LAB 75.02, -22.39, 53

 

CMYK 7 / 0 / 42 / 31

HEX #A2AF65

RGB 162 175 101

HSL 70.54, 0.32%, 0.54%

LAB 68.95, -16.26, 36.35

 

CMYK 4 / 0 / 23 / 39

HEX #969C78

RGB 150 156 120

HSL 70, 0.15%, 0.54%

LAB 63.03, -8.5, 18.18

 

CMYK 0 / 31 / 81 / 9

HEX #E8A02C

RGB 232 160 44

HSL 37.02, 0.8%, 0.54%

LAB 71.2, 17.56, 66.09

 

CMYK 0 / 9 / 81 / 9

HEX #E8D22C

RGB 232 210 44

HSL 52.98, 0.8%, 0.54%

LAB 83.67, -8.5, 76.94

 

CMYK 13 / 0 / 81 / 9

HEX #CBE82C

RGB 203 232 44

HSL 69.26, 0.8%, 0.54%

LAB 87.29, -31.24, 79.18

 

CMYK 34 / 0 / 81 / 9

HEX #99E82C

RGB 153 232 44

HSL 85.21, 0.8%, 0.54%

LAB 84.31, -50.19, 75.42

 

CMYK 56 / 0 / 81 / 9

HEX #67E82C

RGB 103 232 44

HSL 101.17, 0.8%, 0.54%

LAB 82.26, -65.48, 72.8

 

CMYK 15 / 0 / 89 / 32

HEX #94AE13

RGB 148 174 19

HSL 70.06, 0.8%, 0.38%

LAB 66.99, -27.14, 65.99

 

CMYK 15 / 0 / 89 / 17

HEX #B4D317

RGB 180 211 23

HSL 69.89, 0.8%, 0.46%

LAB 79.81, -31.34, 76.62

 

CMYK 14 / 0 / 81 / 9

HEX #C8E82C

RGB 200 232 44

HSL 70.21, 0.8%, 0.54%

LAB 87.08, -32.44, 78.92

 

CMYK 11 / 0 / 66 / 7

HEX #D2EC51

RGB 210 236 81

HSL 70.06, 0.8%, 0.62%

LAB 89.06, -28.59, 69.25

 

CMYK 8 / 0 / 51 / 6

HEX #DCF076

RGB 220 240 118

HSL 69.84, 0.8%, 0.7%

LAB 91.16, -23.79, 56.1

 

CMYK 13 / 0 / 81 / 9

HEX #C8E72C

RGB 200 231 44

HSL 69.95, 0.8%, 0.54%

LAB 86.81, -31.98, 78.68

 

CMYK 81 / 0 / 53 / 9

HEX #2CE86E

RGB 44 232 110

HSL 141.06, 0.8%, 0.54%

LAB 81.5, -69.86, 46.47

 

CMYK 20 / 81 / 0 / 9

HEX #B92CE8

RGB 185 44 232

HSL 285, 0.8%, 0.54%

LAB 49.43, 77.99, -66.1

 

CMYK 13 / 0 / 81 / 9

HEX #C8E72C

RGB 200 231 44

HSL 69.95, 0.8%, 0.54%

LAB 86.81, -31.98, 78.68

 

CMYK 81 / 13 / 0 / 9

HEX #2CCBE8

RGB 44 203 232

HSL 189.26, 0.8%, 0.54%

LAB 75.5, -29.43, -25.58

 

CMYK 0 / 81 / 13 / 9

HEX #E82CCB

RGB 232 44 203

HSL 309.26, 0.8%, 0.54%

LAB 55.35, 82.04, -39.69

 

CMYK 13 / 0 / 81 / 9

HEX #C8E72C

RGB 200 231 44

HSL 69.95, 0.8%, 0.54%

LAB 86.81, -31.98, 78.68

 

CMYK 81 / 0 / 53 / 9

HEX #2CE86E

RGB 44 232 110

HSL 141.06, 0.8%, 0.54%

LAB 81.5, -69.86, 46.47

 

CMYK 69 / 81 / 0 / 9

HEX #482CE8

RGB 72 44 232

HSL 248.94, 0.8%, 0.54%

LAB 35.99, 63.75, -88.64

 

CMYK 0 / 81 / 28 / 9

HEX #E82CA6

RGB 232 44 166

HSL 321.06, 0.8%, 0.54%

LAB 53.72, 77.47, -20.73

 

CMYK 13 / 0 / 81 / 9

HEX #C8E72C

RGB 200 231 44

HSL 69.95, 0.8%, 0.54%

LAB 86.81, -31.98, 78.68

 

CMYK 81 / 0 / 28 / 9

HEX #2CE8A6

RGB 44 232 166

HSL 158.94, 0.8%, 0.54%

LAB 82.38, -59.7, 19.64

 

CMYK 69 / 81 / 0 / 9

HEX #482CE8

RGB 72 44 232

HSL 248.94, 0.8%, 0.54%

LAB 35.99, 63.75, -88.64

 

CMYK 0 / 81 / 53 / 9

HEX #E82C6E

RGB 232 44 110

HSL 338.94, 0.8%, 0.54%

LAB 51.93, 72.26, 10.11

 

Description

Color code: HEX #C8E72C | qconv.com Color code: HEX #C8E72C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 231 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 231 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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