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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8E46A it is the complementary color #371B95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8E46A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8E46A shade: #CDE465, #DEF678, #EFFF8B, #FFFF9E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8E46A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8E46A shade: #C8E46A, #B7D257, #A6C044, #95AE31 and #849C1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8E46A shade: #C7E368, #E3DE68, #E3BD68, #E39C68 and #E37B68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8E46A shade: #C7E368, #A6E368, #85E368, #68E36D and #68E38E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8E46A shade matches the following richer shades: #C7E368 and #CFF25A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8E46A shade: #C7E368, #BFD577, #B7C685, #B0B893 and #A8AAA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8E46A shade: #E3BC68, #E3DD68, #C9E368, #A8E368 and #87E368

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8E46A shade: #ABD227, #BADD45, #C7E368, #D4EA8B and #E1F0AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8E46A shade: #C8E46A, #68E39B and #CD68E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8E46A shade: #C8E46A, #68C9E3 and #E368C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8E46A shade: #C8E46A, #68E39B, #8368E3 and #E368B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8E46A shade: #C8E46A, #68E3C0, #8368E3 and #E3688B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 54 / 11

HEX #C8E46A

RGB 200 228 106

HSL 73.77, 0.69%, 0.65%

LAB 86.41, -26.88, 55.65

 

Complementary color

CMYK 63 / 82 / 0 / 42

HEX #371B95

RGB 55 27 149

HSL 253.77, 0.69%, 0.35%

LAB 22.88, 45.83, -61.3

 

CMYK 10 / 0 / 56 / 11

HEX #CDE465

RGB 205 228 101

HSL 70.87, 0.7%, 0.65%

LAB 86.7, -25.36, 58.32

 

CMYK 10 / 0 / 51 / 4

HEX #DEF678

RGB 222 246 120

HSL 71.43, 0.88%, 0.72%

LAB 92.93, -25.69, 57.3

 

CMYK 6 / 0 / 45 / 0

HEX #EFFF8B

RGB 239 255 139

HSL 68.28, 1%, 0.77%

LAB 96.71, -21.71, 53.36

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 12 / 0 / 54 / 11

HEX #C8E46A

RGB 200 228 106

HSL 73.77, 0.69%, 0.65%

LAB 86.41, -26.88, 55.65

 

CMYK 13 / 0 / 59 / 18

HEX #B7D257

RGB 183 210 87

HSL 73.17, 0.58%, 0.58%

LAB 80.09, -26.55, 56.62

 

CMYK 14 / 0 / 65 / 25

HEX #A6C044

RGB 166 192 68

HSL 72.58, 0.5%, 0.51%

LAB 73.69, -26.11, 57.4

 

CMYK 14 / 0 / 72 / 32

HEX #95AE31

RGB 149 174 49

HSL 72, 0.56%, 0.44%

LAB 67.19, -25.55, 57.8

 

CMYK 15 / 0 / 81 / 39

HEX #849C1E

RGB 132 156 30

HSL 71.43, 0.68%, 0.36%

LAB 60.58, -24.8, 57.48

 

CMYK 12 / 0 / 54 / 11

HEX #C7E368

RGB 199 227 104

HSL 73.66, 0.69%, 0.65%

LAB 86.05, -26.97, 56.12

 

CMYK 0 / 2 / 54 / 11

HEX #E3DE68

RGB 227 222 104

HSL 57.56, 0.69%, 0.65%

LAB 86.79, -13.42, 57.51

 

CMYK 0 / 17 / 54 / 11

HEX #E3BD68

RGB 227 189 104

HSL 41.46, 0.69%, 0.65%

LAB 78.3, 3.45, 47.58

 

CMYK 0 / 31 / 54 / 11

HEX #E39C68

RGB 227 156 104

HSL 25.37, 0.69%, 0.65%

LAB 70.25, 20.98, 37.73

 

CMYK 0 / 46 / 54 / 11

HEX #E37B68

RGB 227 123 104

HSL 9.27, 0.69%, 0.65%

LAB 62.92, 38.4, 28.38

 

CMYK 12 / 0 / 54 / 11

HEX #C7E368

RGB 199 227 104

HSL 73.66, 0.69%, 0.65%

LAB 86.05, -26.97, 56.12

 

CMYK 27 / 0 / 54 / 11

HEX #A6E368

RGB 166 227 104

HSL 89.76, 0.69%, 0.65%

LAB 83.99, -39.3, 53.2

 

CMYK 41 / 0 / 54 / 11

HEX #85E368

RGB 133 227 104

HSL 105.85, 0.69%, 0.65%

LAB 82.34, -50.3, 50.84

 

CMYK 54 / 0 / 52 / 11

HEX #68E36D

RGB 104 227 109

HSL 122.44, 0.69%, 0.65%

LAB 81.28, -57.77, 46.99

 

CMYK 54 / 0 / 37 / 11

HEX #68E38E

RGB 104 227 142

HSL 138.54, 0.69%, 0.65%

LAB 81.75, -52.79, 31.35

 

CMYK 12 / 0 / 54 / 11

HEX #C7E368

RGB 199 227 104

HSL 73.66, 0.69%, 0.65%

LAB 86.05, -26.97, 56.12

 

CMYK 14 / 0 / 63 / 5

HEX #CFF25A

RGB 207 242 90

HSL 73.82, 0.85%, 0.65%

LAB 90.55, -31.97, 67.24

 

CMYK 12 / 0 / 54 / 11

HEX #C7E368

RGB 199 227 104

HSL 73.66, 0.69%, 0.65%

LAB 86.05, -26.97, 56.12

 

CMYK 10 / 0 / 44 / 16

HEX #BFD577

RGB 191 213 119

HSL 74.04, 0.53%, 0.65%

LAB 81.84, -21.86, 43.86

 

CMYK 8 / 0 / 33 / 22

HEX #B7C685

RGB 183 198 133

HSL 73.85, 0.36%, 0.65%

LAB 77.37, -15.79, 30.93

 

CMYK 4 / 0 / 20 / 28

HEX #B0B893

RGB 176 184 147

HSL 72.97, 0.21%, 0.65%

LAB 73.3, -9.24, 17.9

 

CMYK 1 / 0 / 5 / 33

HEX #A8AAA2

RGB 168 170 162

HSL 75, 0.04%, 0.65%

LAB 69.24, -2.2, 3.86

 

CMYK 0 / 17 / 54 / 11

HEX #E3BC68

RGB 227 188 104

HSL 40.98, 0.69%, 0.65%

LAB 78.05, 3.97, 47.28

 

CMYK 0 / 3 / 54 / 11

HEX #E3DD68

RGB 227 221 104

HSL 57.07, 0.69%, 0.65%

LAB 86.53, -12.92, 57.21

 

CMYK 11 / 0 / 54 / 11

HEX #C9E368

RGB 201 227 104

HSL 72.68, 0.69%, 0.65%

LAB 86.18, -26.19, 56.31

 

CMYK 26 / 0 / 54 / 11

HEX #A8E368

RGB 168 227 104

HSL 88.78, 0.69%, 0.65%

LAB 84.1, -38.58, 53.36

 

CMYK 41 / 0 / 54 / 11

HEX #87E368

RGB 135 227 104

HSL 104.88, 0.69%, 0.65%

LAB 82.43, -49.68, 50.97

 

CMYK 19 / 0 / 81 / 18

HEX #ABD227

RGB 171 210 39

HSL 73.68, 0.69%, 0.49%

LAB 78.98, -34.07, 72.35

 

CMYK 16 / 0 / 69 / 13

HEX #BADD45

RGB 186 221 69

HSL 73.82, 0.69%, 0.57%

LAB 83.22, -31.79, 67.27

 

CMYK 12 / 0 / 54 / 11

HEX #C7E368

RGB 199 227 104

HSL 73.66, 0.69%, 0.65%

LAB 86.05, -26.97, 56.12

 

CMYK 9 / 0 / 41 / 8

HEX #D4EA8B

RGB 212 234 139

HSL 73.89, 0.69%, 0.73%

LAB 89.26, -21.85, 43.67

 

CMYK 6 / 0 / 28 / 6

HEX #E1F0AE

RGB 225 240 174

HSL 73.64, 0.69%, 0.81%

LAB 92.3, -15.61, 30.33

 

CMYK 12 / 0 / 54 / 11

HEX #C8E46A

RGB 200 228 106

HSL 73.77, 0.69%, 0.65%

LAB 86.41, -26.88, 55.65

 

CMYK 54 / 0 / 32 / 11

HEX #68E39B

RGB 104 227 155

HSL 144.88, 0.69%, 0.65%

LAB 81.97, -50.45, 24.99

 

CMYK 10 / 54 / 0 / 11

HEX #CD68E3

RGB 205 104 227

HSL 289.27, 0.69%, 0.65%

LAB 60.27, 58.01, -45.78

 

CMYK 12 / 0 / 54 / 11

HEX #C8E46A

RGB 200 228 106

HSL 73.77, 0.69%, 0.65%

LAB 86.41, -26.88, 55.65

 

CMYK 54 / 11 / 0 / 11

HEX #68C9E3

RGB 104 201 227

HSL 192.68, 0.69%, 0.65%

LAB 76.23, -21.42, -21.64

 

CMYK 0 / 54 / 11 / 11

HEX #E368C9

RGB 227 104 201

HSL 312.68, 0.69%, 0.65%

LAB 62.04, 59.49, -28.18

 

CMYK 12 / 0 / 54 / 11

HEX #C8E46A

RGB 200 228 106

HSL 73.77, 0.69%, 0.65%

LAB 86.41, -26.88, 55.65

 

CMYK 54 / 0 / 32 / 11

HEX #68E39B

RGB 104 227 155

HSL 144.88, 0.69%, 0.65%

LAB 81.97, -50.45, 24.99

 

CMYK 42 / 54 / 0 / 11

HEX #8368E3

RGB 131 104 227

HSL 253.17, 0.69%, 0.65%

LAB 52.14, 39.67, -59.22

 

CMYK 0 / 54 / 22 / 11

HEX #E368B0

RGB 227 104 176

HSL 324.88, 0.69%, 0.65%

LAB 61.1, 55.81, -15.37

 

CMYK 12 / 0 / 54 / 11

HEX #C8E46A

RGB 200 228 106

HSL 73.77, 0.69%, 0.65%

LAB 86.41, -26.88, 55.65

 

CMYK 54 / 0 / 15 / 11

HEX #68E3C0

RGB 104 227 192

HSL 162.93, 0.69%, 0.65%

LAB 82.75, -42.71, 6.72

 

CMYK 42 / 54 / 0 / 11

HEX #8368E3

RGB 131 104 227

HSL 253.17, 0.69%, 0.65%

LAB 52.14, 39.67, -59.22

 

CMYK 0 / 54 / 39 / 11

HEX #E3688B

RGB 227 104 139

HSL 342.93, 0.69%, 0.65%

LAB 59.98, 51.2, 4.31

 

Description

Color code: HEX #C8E46A | qconv.com Color code: HEX #C8E46A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 228 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 228 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 54 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 54% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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