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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8DF5D it is the complementary color #3720A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8DF5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8DF5D shade: #CDDF58, #DEF16B, #EFFF7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8DF5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8DF5D shade: #C8DF5D, #B7CD4A, #A6BB37, #95A924 and #849711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8DF5D shade: #C8DF5D, #DFD25D, #DFAF5D, #DF8C5D and #DF695D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8DF5D shade: #C8DF5D, #A5DF5D, #82DF5D, #5EDF5D and #5DDF7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8DF5D shade matches the following richer shades: #C8DF5D, #D2EE4D and #DCFE3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8DF5D shade: #C8DF5D, #BDCF6C, #B3BF7C, #A9AF8C and #9FA09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8DF5D shade: #DFAF5D, #DFD25D, #C9DF5D, #A6DF5D and #84DF5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8DF5D shade: #A7C326, #BCD83A, #C8DF5D, #D3E57F and #DFECA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8DF5D shade: #C8DF5D, #5DDF8C and #C05DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8DF5D shade: #C8DF5D, #5DC9DF and #DF5DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8DF5D shade: #C8DF5D, #5DDF8C, #725DDF and #DF5DAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8DF5D shade: #C8DF5D, #5DDFB3, #725DDF and #DF5D88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

Complementary color

CMYK 66 / 80 / 0 / 36

HEX #3720A2

RGB 55 32 162

HSL 250.62, 0.67%, 0.38%

LAB 25.12, 47.35, -65.57

 

CMYK 8 / 0 / 61 / 13

HEX #CDDF58

RGB 205 223 88

HSL 68, 0.68%, 0.61%

LAB 85.23, -23.95, 62.28

 

CMYK 8 / 0 / 56 / 5

HEX #DEF16B

RGB 222 241 107

HSL 68.51, 0.83%, 0.68%

LAB 91.46, -24.42, 61.4

 

CMYK 6 / 0 / 51 / 0

HEX #EFFF7E

RGB 239 255 126

HSL 67.44, 1%, 0.75%

LAB 96.57, -22.91, 59.17

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 11 / 0 / 64 / 20

HEX #B7CD4A

RGB 183 205 74

HSL 70.08, 0.57%, 0.55%

LAB 78.59, -25.1, 60.49

 

CMYK 11 / 0 / 71 / 27

HEX #A6BB37

RGB 166 187 55

HSL 69.55, 0.55%, 0.47%

LAB 72.18, -24.49, 60.93

 

CMYK 12 / 0 / 79 / 34

HEX #95A924

RGB 149 169 36

HSL 69.02, 0.65%, 0.4%

LAB 65.67, -23.72, 60.73

 

CMYK 13 / 0 / 89 / 41

HEX #849711

RGB 132 151 17

HSL 68.51, 0.8%, 0.33%

LAB 59.05, -22.74, 59.4

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 0 / 6 / 58 / 13

HEX #DFD25D

RGB 223 210 93

HSL 54, 0.67%, 0.62%

LAB 83.22, -9.86, 58.31

 

CMYK 0 / 22 / 58 / 13

HEX #DFAF5D

RGB 223 175 93

HSL 37.85, 0.67%, 0.62%

LAB 74.28, 8.31, 48.09

 

CMYK 0 / 37 / 58 / 13

HEX #DF8C5D

RGB 223 140 93

HSL 21.69, 0.67%, 0.62%

LAB 65.93, 27.04, 38.07

 

CMYK 0 / 53 / 58 / 13

HEX #DF695D

RGB 223 105 93

HSL 5.54, 0.67%, 0.62%

LAB 58.58, 45.1, 28.84

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 26 / 0 / 58 / 13

HEX #A5DF5D

RGB 165 223 93

HSL 86.77, 0.67%, 0.62%

LAB 82.68, -38.91, 56.59

 

CMYK 42 / 0 / 58 / 13

HEX #82DF5D

RGB 130 223 93

HSL 102.92, 0.67%, 0.62%

LAB 80.91, -50.78, 54.1

 

CMYK 58 / 0 / 58 / 13

HEX #5EDF5D

RGB 94 223 93

HSL 119.54, 0.67%, 0.62%

LAB 79.58, -60.65, 52.23

 

CMYK 58 / 0 / 43 / 13

HEX #5DDF7E

RGB 93 223 126

HSL 135.23, 0.67%, 0.62%

LAB 79.96, -56.37, 37.01

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 12 / 0 / 68 / 7

HEX #D2EE4D

RGB 210 238 77

HSL 70.43, 0.83%, 0.62%

LAB 89.57, -29.76, 71.27

 

CMYK 13 / 0 / 76 / 0

HEX #DCFE3D

RGB 220 254 61

HSL 70.57, 0.99%, 0.62%

LAB 94.5, -33.97, 81.5

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 9 / 0 / 48 / 19

HEX #BDCF6C

RGB 189 207 108

HSL 70.91, 0.51%, 0.62%

LAB 79.91, -20.84, 46.82

 

CMYK 6 / 0 / 35 / 25

HEX #B3BF7C

RGB 179 191 124

HSL 70.75, 0.34%, 0.62%

LAB 75.01, -14.94, 32.46

 

CMYK 3 / 0 / 20 / 31

HEX #A9AF8C

RGB 169 175 140

HSL 70.29, 0.18%, 0.62%

LAB 70.17, -8.23, 17.27

 

CMYK 1 / 0 / 3 / 37

HEX #9FA09B

RGB 159 160 155

HSL 72, 0.03%, 0.62%

LAB 65.65, -1.3, 2.47

 

CMYK 0 / 22 / 58 / 13

HEX #DFAF5D

RGB 223 175 93

HSL 37.85, 0.67%, 0.62%

LAB 74.28, 8.31, 48.09

 

CMYK 0 / 6 / 58 / 13

HEX #DFD25D

RGB 223 210 93

HSL 54, 0.67%, 0.62%

LAB 83.22, -9.86, 58.31

 

CMYK 10 / 0 / 58 / 13

HEX #C9DF5D

RGB 201 223 93

HSL 70.15, 0.67%, 0.62%

LAB 84.99, -25.18, 59.81

 

CMYK 26 / 0 / 58 / 13

HEX #A6DF5D

RGB 166 223 93

HSL 86.31, 0.67%, 0.62%

LAB 82.74, -38.55, 56.67

 

CMYK 41 / 0 / 58 / 13

HEX #84DF5D

RGB 132 223 93

HSL 102, 0.67%, 0.62%

LAB 81, -50.15, 54.23

 

CMYK 14 / 0 / 81 / 24

HEX #A7C326

RGB 167 195 38

HSL 70.7, 0.67%, 0.46%

LAB 74.44, -28.71, 68.5

 

CMYK 13 / 0 / 73 / 15

HEX #BCD83A

RGB 188 216 58

HSL 70.63, 0.67%, 0.54%

LAB 81.9, -29.24, 69.86

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 8 / 0 / 45 / 10

HEX #D3E57F

RGB 211 229 127

HSL 70.59, 0.66%, 0.7%

LAB 87.69, -21.1, 47.53

 

CMYK 6 / 0 / 31 / 7

HEX #DFECA2

RGB 223 236 162

HSL 70.54, 0.66%, 0.78%

LAB 90.91, -15.95, 34.51

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 58 / 0 / 37 / 13

HEX #5DDF8C

RGB 93 223 140

HSL 141.69, 0.67%, 0.62%

LAB 80.18, -54.02, 30.22

 

CMYK 14 / 58 / 0 / 13

HEX #C05DDF

RGB 192 93 223

HSL 285.69, 0.67%, 0.62%

LAB 56.45, 59.17, -49.7

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 58 / 10 / 0 / 13

HEX #5DC9DF

RGB 93 201 223

HSL 190.15, 0.67%, 0.62%

LAB 75.72, -24.68, -20.29

 

CMYK 0 / 58 / 10 / 13

HEX #DF5DC9

RGB 223 93 201

HSL 310.15, 0.67%, 0.62%

LAB 59.65, 63.31, -31.93

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 58 / 0 / 37 / 13

HEX #5DDF8C

RGB 93 223 140

HSL 141.69, 0.67%, 0.62%

LAB 80.18, -54.02, 30.22

 

CMYK 49 / 58 / 0 / 13

HEX #725DDF

RGB 114 93 223

HSL 249.69, 0.67%, 0.62%

LAB 47.92, 41.26, -63.84

 

CMYK 0 / 58 / 22 / 13

HEX #DF5DAF

RGB 223 93 175

HSL 322.15, 0.67%, 0.62%

LAB 58.61, 59.48, -18.63

 

CMYK 10 / 0 / 58 / 13

HEX #C8DF5D

RGB 200 223 93

HSL 70.62, 0.67%, 0.62%

LAB 84.92, -25.57, 59.71

 

CMYK 58 / 0 / 20 / 13

HEX #5DDFB3

RGB 93 223 179

HSL 159.69, 0.67%, 0.62%

LAB 80.94, -46.16, 10.95

 

CMYK 49 / 58 / 0 / 13

HEX #725DDF

RGB 114 93 223

HSL 249.69, 0.67%, 0.62%

LAB 47.92, 41.26, -63.84

 

CMYK 0 / 58 / 39 / 13

HEX #DF5D88

RGB 223 93 136

HSL 340.15, 0.67%, 0.62%

LAB 57.36, 54.67, 2.2

 

Description

Color code: HEX #C8DF5D | qconv.com Color code: HEX #C8DF5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 223 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 223 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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