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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D9A2 it is the complementary color #37265D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D9A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8D9A2 shade: #CDD99D, #DEEBB0, #EFFDC3, #FFFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D9A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8D9A2 shade: #C8D9A2, #B7C78F, #A6B57C, #95A369 and #849156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8D9A2 shade: #C7D9A1, #D6D9A1, #D9CCA1, #D9BDA1 and #D9AEA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8D9A2 shade: #C7D9A1, #B8D9A1, #A9D9A1, #A1D9A7 and #A1D9B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8D9A2 shade matches the following richer shades: #C7D9A1, #CBE396, #D0EE8B and #D4F981

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8D9A2 shade: #C7D9A1, #C3CEAC, #BFC3B6, #BBB8C1 and #B7AECC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8D9A2 shade: #D9CCA1, #D7D9A1, #C8D9A1, #B9D9A1 and #AAD9A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8D9A2 shade: #A5C166, #B6CD84, #C7D9A1, #D9E5BE and #EAF0DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8D9A2 shade: #C8D9A2, #A1D9BD and #D3A1D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8D9A2 shade: #C8D9A2, #A1C8D9 and #D9A1C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8D9A2 shade: #C8D9A2, #A1D9BD, #B2A1D9 and #D9A1BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8D9A2 shade: #C8D9A2, #A1D9CD, #B2A1D9 and #D9A1AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 25 / 15

HEX #C8D9A2

RGB 200 217 162

HSL 78.55, 0.42%, 0.74%

LAB 84.23, -14.99, 25.26

 

Complementary color

CMYK 41 / 59 / 0 / 64

HEX #37265D

RGB 55 38 93

HSL 258.55, 0.42%, 0.26%

LAB 20, 22.22, -30.25

 

CMYK 6 / 0 / 28 / 15

HEX #CDD99D

RGB 205 217 157

HSL 72, 0.44%, 0.73%

LAB 84.5, -13.85, 28.28

 

CMYK 6 / 0 / 25 / 8

HEX #DEEBB0

RGB 222 235 176

HSL 73.22, 0.6%, 0.81%

LAB 90.82, -13.95, 27.26

 

CMYK 6 / 0 / 23 / 1

HEX #EFFDC3

RGB 239 253 195

HSL 74.48, 0.94%, 0.88%

LAB 97.04, -14.04, 26.28

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 8 / 0 / 25 / 15

HEX #C8D9A2

RGB 200 217 162

HSL 78.55, 0.42%, 0.74%

LAB 84.23, -14.99, 25.26

 

CMYK 8 / 0 / 28 / 22

HEX #B7C78F

RGB 183 199 143

HSL 77.14, 0.33%, 0.67%

LAB 77.81, -14.93, 26.29

 

CMYK 8 / 0 / 31 / 29

HEX #A6B57C

RGB 166 181 124

HSL 75.79, 0.28%, 0.6%

LAB 71.29, -14.86, 27.38

 

CMYK 9 / 0 / 36 / 36

HEX #95A369

RGB 149 163 105

HSL 74.48, 0.24%, 0.53%

LAB 64.65, -14.76, 28.53

 

CMYK 9 / 0 / 41 / 43

HEX #849156

RGB 132 145 86

HSL 73.22, 0.26%, 0.45%

LAB 57.87, -14.62, 29.74

 

CMYK 8 / 0 / 26 / 15

HEX #C7D9A1

RGB 199 217 161

HSL 79.29, 0.42%, 0.74%

LAB 84.14, -15.5, 25.64

 

CMYK 1 / 0 / 26 / 15

HEX #D6D9A1

RGB 214 217 161

HSL 63.21, 0.42%, 0.74%

LAB 85.25, -9.95, 27.33

 

CMYK 0 / 6 / 26 / 15

HEX #D9CCA1

RGB 217 204 161

HSL 46.07, 0.42%, 0.74%

LAB 82.11, -2.15, 23.1

 

CMYK 0 / 13 / 26 / 15

HEX #D9BDA1

RGB 217 189 161

HSL 30, 0.42%, 0.74%

LAB 78.3, 5.72, 17.83

 

CMYK 0 / 20 / 26 / 15

HEX #D9AEA1

RGB 217 174 161

HSL 13.93, 0.42%, 0.74%

LAB 74.57, 13.73, 12.61

 

CMYK 8 / 0 / 26 / 15

HEX #C7D9A1

RGB 199 217 161

HSL 79.29, 0.42%, 0.74%

LAB 84.14, -15.5, 25.64

 

CMYK 15 / 0 / 26 / 15

HEX #B8D9A1

RGB 184 217 161

HSL 95.36, 0.42%, 0.74%

LAB 83.12, -20.91, 24.08

 

CMYK 22 / 0 / 26 / 15

HEX #A9D9A1

RGB 169 217 161

HSL 111.43, 0.42%, 0.74%

LAB 82.18, -26.11, 22.64

 

CMYK 26 / 0 / 23 / 15

HEX #A1D9A7

RGB 161 217 167

HSL 126.43, 0.42%, 0.74%

LAB 81.83, -27.76, 18.95

 

CMYK 26 / 0 / 16 / 15

HEX #A1D9B6

RGB 161 217 182

HSL 142.5, 0.42%, 0.74%

LAB 82.15, -25.03, 11.49

 

CMYK 8 / 0 / 26 / 15

HEX #C7D9A1

RGB 199 217 161

HSL 79.29, 0.42%, 0.74%

LAB 84.14, -15.5, 25.64

 

CMYK 11 / 0 / 34 / 11

HEX #CBE396

RGB 203 227 150

HSL 78.7, 0.58%, 0.74%

LAB 86.92, -20.48, 35.05

 

CMYK 13 / 0 / 42 / 7

HEX #D0EE8B

RGB 208 238 139

HSL 78.18, 0.74%, 0.74%

LAB 90.06, -25.27, 44.62

 

CMYK 15 / 0 / 48 / 2

HEX #D4F981

RGB 212 249 129

HSL 78.5, 0.91%, 0.74%

LAB 93.16, -30.03, 53.29

 

CMYK 8 / 0 / 26 / 15

HEX #C7D9A1

RGB 199 217 161

HSL 79.29, 0.42%, 0.74%

LAB 84.14, -15.5, 25.64

 

CMYK 5 / 0 / 17 / 19

HEX #C3CEAC

RGB 195 206 172

HSL 79.41, 0.26%, 0.74%

LAB 81.14, -9.7, 15.67

 

CMYK 2 / 0 / 7 / 24

HEX #BFC3B6

RGB 191 195 182

HSL 78.46, 0.1%, 0.74%

LAB 78.16, -3.73, 6.04

 

CMYK 3 / 5 / 0 / 24

HEX #BBB8C1

RGB 187 184 193

HSL 260, 0.07%, 0.74%

LAB 75.26, 2.74, -4.18

 

CMYK 10 / 15 / 0 / 20

HEX #B7AECC

RGB 183 174 204

HSL 258, 0.23%, 0.74%

LAB 72.69, 9.02, -14.05

 

CMYK 0 / 6 / 26 / 15

HEX #D9CCA1

RGB 217 204 161

HSL 46.07, 0.42%, 0.74%

LAB 82.11, -2.15, 23.1

 

CMYK 1 / 0 / 26 / 15

HEX #D7D9A1

RGB 215 217 161

HSL 62.14, 0.42%, 0.74%

LAB 85.32, -9.57, 27.44

 

CMYK 8 / 0 / 26 / 15

HEX #C8D9A1

RGB 200 217 161

HSL 78.21, 0.42%, 0.74%

LAB 84.21, -15.14, 25.75

 

CMYK 15 / 0 / 26 / 15

HEX #B9D9A1

RGB 185 217 161

HSL 94.29, 0.42%, 0.74%

LAB 83.19, -20.55, 24.18

 

CMYK 22 / 0 / 26 / 15

HEX #AAD9A1

RGB 170 217 161

HSL 110.36, 0.42%, 0.74%

LAB 82.24, -25.77, 22.74

 

CMYK 15 / 0 / 47 / 24

HEX #A5C166

RGB 165 193 102

HSL 78.46, 0.42%, 0.58%

LAB 74.25, -23.99, 42.47

 

CMYK 11 / 0 / 36 / 20

HEX #B6CD84

RGB 182 205 132

HSL 78.9, 0.42%, 0.66%

LAB 79.2, -19.81, 33.83

 

CMYK 8 / 0 / 26 / 15

HEX #C7D9A1

RGB 199 217 161

HSL 79.29, 0.42%, 0.74%

LAB 84.14, -15.5, 25.64

 

CMYK 5 / 0 / 17 / 10

HEX #D9E5BE

RGB 217 229 190

HSL 78.46, 0.43%, 0.82%

LAB 89.16, -10.68, 17.69

 

CMYK 3 / 0 / 9 / 6

HEX #EAF0DB

RGB 234 240 219

HSL 77.14, 0.41%, 0.9%

LAB 93.85, -5.62, 9.45

 

CMYK 8 / 0 / 25 / 15

HEX #C8D9A2

RGB 200 217 162

HSL 78.55, 0.42%, 0.74%

LAB 84.23, -14.99, 25.26

 

CMYK 26 / 0 / 13 / 15

HEX #A1D9BD

RGB 161 217 189

HSL 150, 0.42%, 0.74%

LAB 82.31, -23.67, 8.01

 

CMYK 3 / 26 / 0 / 15

HEX #D3A1D9

RGB 211 161 217

HSL 293.57, 0.42%, 0.74%

LAB 72.46, 27.99, -21.29

 

CMYK 8 / 0 / 25 / 15

HEX #C8D9A2

RGB 200 217 162

HSL 78.55, 0.42%, 0.74%

LAB 84.23, -14.99, 25.26

 

CMYK 26 / 8 / 0 / 15

HEX #A1C8D9

RGB 161 200 217

HSL 198.21, 0.42%, 0.74%

LAB 78.4, -9.07, -12.7

 

CMYK 0 / 26 / 8 / 15

HEX #D9A1C8

RGB 217 161 200

HSL 318.21, 0.42%, 0.74%

LAB 72.5, 26.9, -11.82

 

CMYK 8 / 0 / 25 / 15

HEX #C8D9A2

RGB 200 217 162

HSL 78.55, 0.42%, 0.74%

LAB 84.23, -14.99, 25.26

 

CMYK 26 / 0 / 13 / 15

HEX #A1D9BD

RGB 161 217 189

HSL 150, 0.42%, 0.74%

LAB 82.31, -23.67, 8.01

 

CMYK 18 / 26 / 0 / 15

HEX #B2A1D9

RGB 178 161 217

HSL 258.21, 0.42%, 0.74%

LAB 69.44, 17.41, -26.16

 

CMYK 0 / 26 / 13 / 15

HEX #D9A1BD

RGB 217 161 189

HSL 330, 0.42%, 0.74%

LAB 72.17, 25.04, -6.25

 

CMYK 8 / 0 / 25 / 15

HEX #C8D9A2

RGB 200 217 162

HSL 78.55, 0.42%, 0.74%

LAB 84.23, -14.99, 25.26

 

CMYK 26 / 0 / 6 / 15

HEX #A1D9CD

RGB 161 217 205

HSL 167.14, 0.42%, 0.74%

LAB 82.71, -20.41, 0.08

 

CMYK 18 / 26 / 0 / 15

HEX #B2A1D9

RGB 178 161 217

HSL 258.21, 0.42%, 0.74%

LAB 69.44, 17.41, -26.16

 

CMYK 0 / 26 / 21 / 15

HEX #D9A1AC

RGB 217 161 172

HSL 348.21, 0.42%, 0.74%

LAB 71.7, 22.36, 2.46

 

Description

Color code: HEX #C8D9A2 | qconv.com Color code: HEX #C8D9A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 217 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 217 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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